UPC · Album
Essential Rossini
Gioachino Rossini
028947221326
23 tracksReleased 2002-01-01Decca
Last verified:
028947221326 is the Universal Product Code (UPC barcode) for the release “Essential Rossini” by Gioachino Rossini, released 2002-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEF057130401, DEF057501990, DEF058230008.
Format
0Number system
28947Manufacturer
22132Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCEssential Rossini
ISRC26 recordings
ISWC9 works
IPI1 songwriter
Track List (26)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| La Cenerentola: Sinfonia (Ouverture) | London Symphony Orchestra, Claudio Abbado | DEF057130401 |
| L'italiana in Algeri: Overture | London Symphony Orchestra, Claudio Abbado | DEF057501990 |
| Inflammatus et accensus from "Stabat Mater" | Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini | DEF058230008 |
| La Danza | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | GBF071301540 |
| Una voce poco fa from "The Barber of Seville" | Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | GBF075810590 |
| Semiramide: Overture | London Symphony Orchestra, Piero Gamba | GBF076010110 |
| Semiramide: “Bel raggio lusinghier di speme” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | GBF076040205 |
| L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella) | Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | GBF076411330 |
| Il barbiere di Siviglia: “La calunnia è un venticello” | Nicolaï Ghiaurov, Orchestra Rossini di Napoli, Silvio Varviso | GBF076440910 |
| String Sonata no. 5 in E-flat major: I. Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | GBF076610961 |
| Stabat Mater: Cuius animam | Luciano Pavarotti, London Symphony Orchestra, István Kertész | GBF077140202 |
| La donna del lago: “Tanti affetti” | Marilyn Horne, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Henry Lewis | GBF077210350 |
| The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | GBF077211881 |
| La Danza | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | GBF077340216 |
| Guglielmo Tell: Atto I, Scena VIII. “Pas de six” | National Philharmonic Orchestra, Riccardo Chailly | GBF077940713 |
| Il Signor Bruschino: Overture | Orchestre symphonique de Montréal, Charles Dutoit | GBF079010657 |
| La Cenerentola: Nacqui all'affanno / Non più mesta | Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | GBF079212320 |
| Guglielmo Tell: Overture | Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | GBF079541001 |
| La gazza ladra: Overture | Orchestra Filarmonica della Scala, Riccardo Chailly | GBF079541010 |
| La scala di seta: Overture | Minnesota Orchestra, Antal Doráti | NLA505700185 |
| Le siège de Corinthe: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | NLA507510002 |
| Il barbiere di Siviglia: Sinfonia | Academy of St Martin in the Fields, Neville Marriner | NLA508119701 |
| Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte) | Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner | NLA508119703 |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | NLA508119705 |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro) | Thomas Allen, Academy of St Martin in the Fields, Neville Marriner | NLA508119731 |
| Guglielmo Tell: Resta immobile | Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | NLA509108009 |
La Cenerentola: Sinfonia (Ouverture)
London Symphony Orchestra, Claudio Abbado
L'italiana in Algeri: Overture
London Symphony Orchestra, Claudio Abbado
Inflammatus et accensus from "Stabat Mater"
Heinz Mende, Philharmonia Chorus, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini
La Danza
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
Una voce poco fa from "The Barber of Seville"
Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson
Semiramide: Overture
London Symphony Orchestra, Piero Gamba
Semiramide: “Bel raggio lusinghier di speme”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)
Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis
Il barbiere di Siviglia: “La calunnia è un venticello”
Nicolaï Ghiaurov, Orchestra Rossini di Napoli, Silvio Varviso
String Sonata no. 5 in E-flat major: I. Allegro vivace
Academy of St Martin in the Fields, Sir Neville Marriner
Stabat Mater: Cuius animam
Luciano Pavarotti, London Symphony Orchestra, István Kertész
La donna del lago: “Tanti affetti”
Marilyn Horne, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Henry Lewis
The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum”
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
La Danza
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
Guglielmo Tell: Atto I, Scena VIII. “Pas de six”
National Philharmonic Orchestra, Riccardo Chailly
Il Signor Bruschino: Overture
Orchestre symphonique de Montréal, Charles Dutoit
La Cenerentola: Nacqui all'affanno / Non più mesta
Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
Guglielmo Tell: Overture
Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
La gazza ladra: Overture
Orchestra Filarmonica della Scala, Riccardo Chailly
La scala di seta: Overture
Minnesota Orchestra, Antal Doráti
Le siège de Corinthe: Overture
Academy of St Martin in the Fields, Sir Neville Marriner
Il barbiere di Siviglia: Sinfonia
Academy of St Martin in the Fields, Neville Marriner
Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte)
Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina “Largo al factotum” (Figaro)
Thomas Allen, Academy of St Martin in the Fields, Neville Marriner
Guglielmo Tell: Resta immobile
Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
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What is UPC 028947221326?
028947221326 is a Universal Product Code (UPC) assigned to Essential Rossini by Gioachino Rossini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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