UPC · Album
Best of Verdi
Giuseppe Verdi
028947236627
18 tracksReleased 2002-05-27Deutsche Grammophon
Last verified:
028947236627 is the Universal Product Code (UPC barcode) for the release “Best of Verdi” by Giuseppe Verdi, released 2002-05-27 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEF056201760, DEF056230029, DEF056230701.
Format
0Number system
28947Manufacturer
23662Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBest of Verdi
ISRC19 recordings
ISWC9 works
IPI1 songwriter
Track List (19)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Don Carlo: O don fatale, o don crudel | Grace Bumbry | DEF056201760 |
| Il trovatore: Il balen del suo sorriso | Ettore Bastianini, Ivo Vinco | DEF056230029 |
| La Traviata: Preludio | Orchestra del Teatro alla Scala di Milano, Antonino Votto | DEF056230701 |
| La traviata: Act I, Brindisi. "Libiamo ne' lieti calcic" (Alfredo) | Coro del Teatro alla Scala di Milano, Gianni Raimondi, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Antonino Votto | DEF056230702 |
| La Traviata: Parigi, o cara, noi lasceremo | Gianni Raimondi, Renata Scotto | DEF056230741 |
| Rigoletto: Atto III, scena 2: “Bella figlia dell’amore” (Duca, Madalena, Gilda, Rigoletto) | Orchestra del Teatro alla Scala, Rafael Kubelík | DEF056431017 |
| La forza del destino: Overture (Sinfonia) | Berliner Philharmoniker, Herbert von Karajan | DEF057501600 |
| Rigoletto: Atto I. N°6 Aria "Gualtier Maldè ... Caro nome che il mio cor" | Chor der Wiener Staatsoper, Luigi De Corato, Ileana Cotrubaș, Walter Gullino, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini | DEF057930805 |
| Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) | Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado | DEF058137802 |
| Aida: “Gloria all’Egitto” | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | DEF058137809 |
| Aida: Triumphal Scene | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | DEF058137819 |
| Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | DEF058230615 |
| Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie” | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | DEF058430003 |
| Il trovatore: “Di quella pira” | Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | DEF058430028 |
| Requiem: Ingemisco | Vinson Cole, Carlo Maria Giulini | DEF058930209 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF071301300 |
| Don Carlo: “Dio, che nell'alma infondere” | Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden | GBF076540314 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | GBF077130101 |
| Un ballo in maschera: M'ami, m'ami | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | NLA507719620 |
Don Carlo: O don fatale, o don crudel
Grace Bumbry
Il trovatore: Il balen del suo sorriso
Ettore Bastianini, Ivo Vinco
La Traviata: Preludio
Orchestra del Teatro alla Scala di Milano, Antonino Votto
La traviata: Act I, Brindisi. "Libiamo ne' lieti calcic" (Alfredo)
Coro del Teatro alla Scala di Milano, Gianni Raimondi, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Antonino Votto
La Traviata: Parigi, o cara, noi lasceremo
Gianni Raimondi, Renata Scotto
Rigoletto: Atto III, scena 2: “Bella figlia dell’amore” (Duca, Madalena, Gilda, Rigoletto)
Orchestra del Teatro alla Scala, Rafael Kubelík
La forza del destino: Overture (Sinfonia)
Berliner Philharmoniker, Herbert von Karajan
Rigoletto: Atto I. N°6 Aria "Gualtier Maldè ... Caro nome che il mio cor"
Chor der Wiener Staatsoper, Luigi De Corato, Ileana Cotrubaș, Walter Gullino, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini
Aida: Atto I. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès)
Plácido Domingo, Orchestra of La Scala, Milan, Claudio Abbado
Aida: “Gloria all’Egitto”
Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Aida: Triumphal Scene
Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Il trovatore: Atto II, scena 1: “Vedi! le fosche notturne spoglie”
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Il trovatore: “Di quella pira”
Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
Requiem: Ingemisco
Vinson Cole, Carlo Maria Giulini
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Don Carlo: “Dio, che nell'alma infondere”
Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden
Rigoletto: Atto III. “La donna è mobile”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Un ballo in maschera: M'ami, m'ami
Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006097350X000000006304490900000000773195550000000081692432000000010860227400000001086750860000000108870498000000010888658800000001094053870000000109447560
+29 more
00000001143979670000000114409403000000011450226100000001145156010000000114802483000000011480276600000001148028540000000115069615000000011511405X00000001165851870000000118715504000000011941043800000001197833650000000120191498000000012095848400000001209597190000000120978012000000012106800200000001211442470000000121204297000000012142440900000001214258070000000121447141000000012169519600000001217796560000000122880481000000012288066800000001232169530000000123641765
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What is UPC 028947236627?
028947236627 is a Universal Product Code (UPC) assigned to Best of Verdi by Giuseppe Verdi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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