UPC · Release
The Grand Duke
Gilbert, Sullivan, The D’Oyly Carte Opera Company and 2 more
028947363521
38 tracksReleased 2003-01-01Decca
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028947363521 is the Universal Product Code (UPC barcode) for the release “The Grand Duke” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, The Royal Liverpool Philharmonic Orchestra, Royston Nash, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC.
Format
0Number system
28947Manufacturer
36352Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (38)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Grand Duke: Overture | — | ||
| 2 | The Grand Duke: Act I. “Won’t it be a pretty wedding?” (Elsa, Bertha, Olga, Gretchen, Chorus) | — | ||
| 3 | The Grand Duke: Act I. “Pretty Lisa, fair and tasty” (Lisa, Ludwig, Chorus) | — | ||
| 4 | The Grand Duke: Act I. “By the mystic regulation” (Ludwig, Chorus) | — | ||
| 5 | The Grand Duke: Act I. “Were I a king in very truth” (Ernest, Chorus) | — | ||
| 6 | The Grand Duke: Act I. “How would I play this part” (Julia, Ernest) | — | ||
| 7 | The Grand Duke: Act I. “My goodness me! What shall I do?” (Chorus, Ludwig) | — | ||
| 8 | The Grand Duke: Act I. “Ten minutes since I met a chap” (Ludwig, Chorus) | — | ||
| 9 | The Grand Duke: Act I. “About a century since” (Dr. Tannhäuser, Julia, Lisa, Ernest, Ludwig) | — | ||
| 10 | The Grand Duke: Act I. “Strange the views some people hold” (Julia, Lisa, Ernest, Dr. Tannhäuser, Ludwig) | — | ||
| 11 | The Grand Duke: Act I. “Now take a card, and gaily sing” (Julia, Lisa, Ernest, Dr. Tannhäuser, Ludwig) | — | ||
| 12 | The Grand Duke: Act I. “The good Grand Duke of Pfenning Halbpfenning” (Chorus) | — | ||
| 13 | The Grand Duke: Act I. “A pattern to professors of monarchical autonomy” (Grand Duke) | — | ||
| 14 | The Grand Duke: Act I. “As o’er our penny roll we sing” (Baroness, Grand Duke) | — | ||
| 15 | The Grand Duke: Act I. “When you find you’re a broken-down critter” (Grand Duke) | — | ||
| 16 | The Grand Duke: Act I. Finale “Come hither, all you people” | — | ||
| 2-1 | The Grand Duke: Act II. “As before you we defile” (Chorus) | — | ||
| 2-2 | The Grand Duke: Act II. “Your loyalty our ducal heart-strings touches… At the outset I may mention” (Ludwig, Chorus) | — | ||
| 2-3 | The Grand Duke: Act II. “Yes, Ludwig and his Julia are mated!” (Ludwig) | — | ||
| 2-4 | The Grand Duke: Act II. “Take care of him — he’s much too good to live!” (Lisa, Ludwig) | — | ||
| 2-5 | The Grand Duke: Act II. “Now Julia, come, consider it” (Julia, Ludwig) | — | ||
| 2-6 | The Grand Duke: Act II. “Your Highness, there’s a party at the door” (Chorus, Baroness, Ludwig) | — | ||
| 2-7 | The Grand Duke: Act II. “Now away to the wedding we go” (Baroness, Chorus) | — | ||
| 2-8 | The Grand Duke: Act II. “So ends my dream… Broken ev’ry promise plighted” (Julia) | — | ||
| 2-9 | The Grand Duke: Act II. “In the light of love’s lingering ember” (Julia, Ernest, Chorus) | — | ||
| 2-10 | The Grand Duke: Act II. “Come, bumpers — aye, ever so many” (Baroness, Chorus) | — | ||
| 2-11 | The Grand Duke: Act II. “Why, who is this approaching?” (Ludwig, Chorus) | — | ||
| 2-12 | The Grand Duke: Act II. “The Prince of Monte Carlo” (Herald, Chorus) | — | ||
| 2-13 | The Grand Duke: Act II. “His Highness we know not” (Ludwig) | — | ||
| 2-14 | The Grand Duke: Act II. “We’re rigged out in magnificent array” (Prince of Monte Carlo, Princess of Monte Carlo, Herald, Chorus) | — | ||
| 2-15 | The Grand Duke: Act II. Dance | — | ||
| 2-16 | The Grand Duke: Act II. “Take my advice — when deep in debt” (Prince of Monte Carlo, Chorus) | — | ||
| 2-17 | The Grand Duke: Act II. “Hurrah! Now away to the wedding” (Ernest, Dr. Tannhäuser, Grand Duke, Chorus) | — | ||
| 2-18 | The Grand Duke: Act II. “Well, you’re a pretty kind of fellow” (Grand Duke, Chorus) | — | ||
| 2-19 | The Grand Duke: Act II. Finale “Happy couples, lightly treading” | — | ||
| 2-20 | Overture di Ballo | — | ||
| 2-21 | March and Graceful Dance from Henry VIII: I. Allegro moderato alla marcia | — | ||
| 2-22 | March and Graceful Dance from Henry VIII: II. Allegretto grazioso | — |
The Grand Duke: Overture
—
The Grand Duke: Act I. “Won’t it be a pretty wedding?” (Elsa, Bertha, Olga, Gretchen, Chorus)
—
The Grand Duke: Act I. “Pretty Lisa, fair and tasty” (Lisa, Ludwig, Chorus)
—
The Grand Duke: Act I. “By the mystic regulation” (Ludwig, Chorus)
—
The Grand Duke: Act I. “Were I a king in very truth” (Ernest, Chorus)
—
The Grand Duke: Act I. “How would I play this part” (Julia, Ernest)
—
The Grand Duke: Act I. “My goodness me! What shall I do?” (Chorus, Ludwig)
—
The Grand Duke: Act I. “Ten minutes since I met a chap” (Ludwig, Chorus)
—
The Grand Duke: Act I. “About a century since” (Dr. Tannhäuser, Julia, Lisa, Ernest, Ludwig)
—
The Grand Duke: Act I. “Strange the views some people hold” (Julia, Lisa, Ernest, Dr. Tannhäuser, Ludwig)
—
The Grand Duke: Act I. “Now take a card, and gaily sing” (Julia, Lisa, Ernest, Dr. Tannhäuser, Ludwig)
—
The Grand Duke: Act I. “The good Grand Duke of Pfenning Halbpfenning” (Chorus)
—
The Grand Duke: Act I. “A pattern to professors of monarchical autonomy” (Grand Duke)
—
The Grand Duke: Act I. “As o’er our penny roll we sing” (Baroness, Grand Duke)
—
The Grand Duke: Act I. “When you find you’re a broken-down critter” (Grand Duke)
—
The Grand Duke: Act I. Finale “Come hither, all you people”
—
The Grand Duke: Act II. “As before you we defile” (Chorus)
—
The Grand Duke: Act II. “Your loyalty our ducal heart-strings touches… At the outset I may mention” (Ludwig, Chorus)
—
The Grand Duke: Act II. “Yes, Ludwig and his Julia are mated!” (Ludwig)
—
The Grand Duke: Act II. “Take care of him — he’s much too good to live!” (Lisa, Ludwig)
—
The Grand Duke: Act II. “Now Julia, come, consider it” (Julia, Ludwig)
—
The Grand Duke: Act II. “Your Highness, there’s a party at the door” (Chorus, Baroness, Ludwig)
—
The Grand Duke: Act II. “Now away to the wedding we go” (Baroness, Chorus)
—
The Grand Duke: Act II. “So ends my dream… Broken ev’ry promise plighted” (Julia)
—
The Grand Duke: Act II. “In the light of love’s lingering ember” (Julia, Ernest, Chorus)
—
The Grand Duke: Act II. “Come, bumpers — aye, ever so many” (Baroness, Chorus)
—
The Grand Duke: Act II. “Why, who is this approaching?” (Ludwig, Chorus)
—
The Grand Duke: Act II. “The Prince of Monte Carlo” (Herald, Chorus)
—
The Grand Duke: Act II. “His Highness we know not” (Ludwig)
—
The Grand Duke: Act II. “We’re rigged out in magnificent array” (Prince of Monte Carlo, Princess of Monte Carlo, Herald, Chorus)
—
The Grand Duke: Act II. Dance
—
The Grand Duke: Act II. “Take my advice — when deep in debt” (Prince of Monte Carlo, Chorus)
—
The Grand Duke: Act II. “Hurrah! Now away to the wedding” (Ernest, Dr. Tannhäuser, Grand Duke, Chorus)
—
The Grand Duke: Act II. “Well, you’re a pretty kind of fellow” (Grand Duke, Chorus)
—
The Grand Duke: Act II. Finale “Happy couples, lightly treading”
—
Overture di Ballo
—
March and Graceful Dance from Henry VIII: I. Allegro moderato alla marcia
—
March and Graceful Dance from Henry VIII: II. Allegretto grazioso
—
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What is UPC 028947363521?
028947363521 is a Universal Product Code (UPC) assigned to The Grand Duke by Gilbert, Sullivan, The D’Oyly Carte Opera Company, The Royal Liverpool Philharmonic Orchestra, Royston Nash. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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