UPC · Release
Alicia de Larrocha
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028947381327 is the Universal Product Code (UPC barcode) for the release “The Art of Alicia de Larrocha” by Alicia de Larrocha, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include GBF077711330, GBF077441616, GBF077441618.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in the Italian Style, BWV 971: I. Allegro | — | ||
| 2 | Concerto in the Italian Style, BWV 971: II. Andante | — | ||
| 3 | Concerto in the Italian Style, BWV 971: III. Presto | — | ||
| 4 | Suite No.6 in E major, BWV 817: I. Allemande | — | ||
| 5 | Suite No.6 in E major, BWV 817: II. Courante | — | ||
| 6 | Suite No.6 in E major, BWV 817: III. Sarabande | — | ||
| 7 | Suite No.6 in E major, BWV 817: IV. Gavotte | — | ||
| 8 | Suite No.6 in E major, BWV 817: V. Polonaise | — | ||
| 9 | Suite No.6 in E major, BWV 817: VI. Bourree | — | ||
| 10 | Suite No.6 in E major, BWV 817: VII. Menuet | — | ||
| 11 | Suite No.6 in E major, BWV 817: VIII. Gigue | — | ||
| 12 | Beloved Jesu, we are here (arr. Cohen) | — | ||
| 13 | Cantata, BWV 22: Sanctify Us by Thy Goodness | Alicia de Larrocha | — | |
| 14 | Chaconne in D minor, BWV 1004 (arr. Busoni) | — | ||
| 15 | Concerto No.5 in F minor, BWV 1056: I. Allegro | — | ||
| 16 | Concerto No.5 in F minor, BWV 1056: II. Largo | — | ||
| 17 | Concerto No.5 in F minor, BWV 1056: III. Presto | — | ||
| 18 | Concerto in D major, Hob.XVIII:2: I. Vivace | — | ||
| 19 | Concerto in D major, Hob.XVIII:2: II. Un poco adagio | — | ||
| 20 | Concerto in D major, Hob.XVIII:2: III. Rondo all'ungherese: Allegro assai | — | ||
| 2-1 | Andante con variazioni in F minor, Hob.XVII:6 | — | ||
| 2-2 | Piano Sonata No. 11 in A major, K. 300i/331: I. Thema. Andante grazioso | — | ||
| 2-3 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 1 | — | ||
| 2-4 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 2 | — | ||
| 2-5 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 3 | — | ||
| 2-6 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 4 | — | ||
| 2-7 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 5 | — | ||
| 2-8 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 6 | — | ||
| 2-9 | Piano Sonata No. 11 in A major, K. 300i/331: II. Menuetto | — | ||
| 2-10 | Piano Sonata No. 11 in A major, K. 300i/331: III. Alla turca: Allegretto | — | ||
| 2-11 | Piano Sonata No. 18 in D major, K. 576: I. Allegro | — | ||
| 2-12 | Piano Sonata No. 18 in D major, K. 576: II. Adagio | — | ||
| 2-13 | Piano Sonata No. 18 in D major, K. 576: III. Allegretto | — | ||
| 2-14 | Bagatelles, Op. 33 No. 1 in E-flat major: Andante grazioso, quasi allegretto | — | ||
| 2-15 | Bagatelles, Op. 33 No. 2 in C major: Scherzo | — | ||
| 2-16 | Bagatelles, Op. 33 No. 3 in F major: Allegretto | — | ||
| 2-17 | Bagatelles, Op. 33 No. 4 in A major: Andante | — | ||
| 2-18 | Bagatelles, Op. 33 No. 5 in C major: Allegro, ma non troppo | — | ||
| 2-19 | Bagatelles, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 2-20 | Bagatelles, Op. 33 No. 7 in A flat major: Presto | — | ||
| 2-21 | Variations sérieuses, Op. 54 | — | ||
| 3-1 | 24 Preludes, Op. 28 No. 1 in C major: Agitato | — | ||
| 3-2 | 24 Preludes, Op. 28 No. 2 in A minor: Lento | — | ||
| 3-3 | 24 Preludes, Op. 28 No. 3 in G major: Vivace | — | ||
| 3-4 | 24 Preludes, Op. 28 No. 4 in E minor: Largo | — | ||
| 3-5 | 24 Preludes, Op. 28 No. 5 in D major: Allegro molto | — | ||
| 3-6 | 24 Preludes, Op. 28 No. 6 in B minor: Lento assai | — | ||
| 3-7 | 24 Preludes, Op. 28 No. 7 in A major: Andantino | — | ||
| 3-8 | 24 Preludes, Op. 28 No. 8 in F-sharp minor: Molto agitato | — | ||
| 3-9 | 24 Preludes, Op. 28 No. 9 in E major: Largo | — | ||
| 3-10 | 24 Preludes, Op. 28 No. 10 in C-sharp minor: Allegro molto | — | ||
| 3-11 | 24 Preludes, Op. 28 No. 11 in B major: Vivace | — | ||
| 3-12 | 24 Preludes, Op. 28 No. 12 in G-sharp minor: Presto | — | ||
| 3-13 | 24 Preludes, Op. 28 No. 13 in F-sharp minor: Lento | — | ||
| 3-14 | 24 Preludes, Op. 28 No. 14 in E-flat minor: Allegro | — | ||
| 3-15 | 24 Preludes, Op. 28 No. 15 in D-flat major: Sostenuto | — | ||
| 3-16 | 24 Preludes, Op. 28 No. 16 in B-flat minor: Presto con fuoco | Alicia de Larrocha | — | |
| 3-17 | 24 Preludes, Op. 28 No. 17 in A-flat major: allegretto | — | ||
| 3-18 | 24 Preludes, Op. 28 No. 18 in F minor: Allegro molto | Alicia de Larrocha | — | |
| 3-19 | 24 Preludes, Op. 28 No. 19 in E-flat major: Vivace | Alicia de Larrocha | T-906.148.797-6 | |
| 3-20 | 24 Preludes, Op. 28 No. 20 in C minor: Largo | — | ||
| 3-21 | 24 Preludes, Op. 28 No. 21 in B-flat major: Cantabile | — | ||
| 3-22 | 24 Preludes, Op. 28 No. 22 in G minor: Molto agitato | — | ||
| 3-23 | 24 Preludes, Op. 28 No. 23 in F major: Moderato | — | ||
| 3-24 | 24 Preludes, Op. 28 No. 24 in D minor: Allegro appassionato | — | ||
| 3-25 | Berceuse, Op. 57 | — | ||
| 3-26 | Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 3-27 | Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 3-28 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace | — | ||
| 4-1 | Piano Sonata in B flat major, D960: I. Molto moderato | — | ||
| 4-2 | Piano Sonata in B flat major, D960: II. Andante sostenuto | — | ||
| 4-3 | Piano Sonata in B flat major, D960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 4-4 | Piano Sonata in B flat major, D960: IV. Allegro, ma non troppo | — | ||
| 4-5 | Impromptu in A flat major, D899/4 | — | ||
| 4-6 | Piano Sonata in B minor: I. Lento assai-Allegro energico-Grandioso | — | ||
| 4-7 | Piano Sonata in B minor: II. Andante sostenuto | — | ||
| 4-8 | Piano Sonata in B minor: III. Allegro energico - Andante sostenuto - Lento assai | — | ||
| 5-1 | Fantasie in C major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 5-2 | Fantasie in C major, Op. 17: II. Mässig. Durchaus energisch | — | ||
| 5-3 | Fantasie in C major, Op. 17: III. Langsam getragen. Durchweg leise zu halten | — | ||
| 5-4 | Allegro, Op. 8 | — | ||
| 5-5 | Romanze, op. 28 no. 2 | Alicia de Larrocha | T-306.230.833-8 | |
| 5-6 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 5-7 | Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 5-8 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 6-1 | Sonata in G minor, SR 42: Allegro | — | ||
| 6-2 | Sonata in D minor, SR 15: Allegretto mosso | — | ||
| 6-3 | Sonata in F major, SR 89: Allegro | — | ||
| 6-4 | Zapateado (No.3 from Tres danzas andaluzas, op.8) | — | ||
| 6-5 | Danzas españolas, book 2, op.37 No.4: Villanesca | — | ||
| 6-6 | Danzas españolas: V. Andaluza | Alicia de Larrocha | — | |
| 6-7 | Danzas españolas, book 2, op.37 No.6: Rondalla aragonesa | — | ||
| 6-8 | El pelele | — | ||
| 6-9 | Sonatina para Yvette: I. Vivo e spiritoso | — | ||
| 6-10 | Sonatina para Yvette: II. Moderato molto | — | ||
| 6-11 | Sonatina para Yvette: III. Allegretto | — | ||
| 6-12 | Prélude VII (a Alicia de Larrocha) | — | ||
| 6-13 | Tango (No.2 from España, op.165) | — | ||
| 6-14 | Iberia, book 1: I. Evocación | — | ||
| 6-15 | Iberia, book 1: II. El puerto | — | ||
| 6-16 | Iberia, book 1: III. El Corpus Christi en Sevilla | — | ||
| 6-17 | Fantasía bética | — | ||
| 7-1 | Noches en los jardines de España: I. En el Generalife | — | ||
| 7-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 7-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | — | ||
| 7-4 | Piano Concerto in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-5 | Piano Concerto in D-flat major, op. 38: II. Andante con anima | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-6 | Piano Concerto in D-flat major: III. Allegro brilliante | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-7 | Piano concerto for the left hand | — |
Musical Works (ISWC)
Identifier Graph
028947381327 is a Universal Product Code (UPC) assigned to The Art of Alicia de Larrocha by Alicia de Larrocha. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947381327 is the Universal Product Code (UPC barcode) for the release “The Art of Alicia de Larrocha” by Alicia de Larrocha, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include GBF077711330, GBF077441616, GBF077441618.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in the Italian Style, BWV 971: I. Allegro | — | ||
| 2 | Concerto in the Italian Style, BWV 971: II. Andante | — | ||
| 3 | Concerto in the Italian Style, BWV 971: III. Presto | — | ||
| 4 | Suite No.6 in E major, BWV 817: I. Allemande | — | ||
| 5 | Suite No.6 in E major, BWV 817: II. Courante | — | ||
| 6 | Suite No.6 in E major, BWV 817: III. Sarabande | — | ||
| 7 | Suite No.6 in E major, BWV 817: IV. Gavotte | — | ||
| 8 | Suite No.6 in E major, BWV 817: V. Polonaise | — | ||
| 9 | Suite No.6 in E major, BWV 817: VI. Bourree | — | ||
| 10 | Suite No.6 in E major, BWV 817: VII. Menuet | — | ||
| 11 | Suite No.6 in E major, BWV 817: VIII. Gigue | — | ||
| 12 | Beloved Jesu, we are here (arr. Cohen) | — | ||
| 13 | Cantata, BWV 22: Sanctify Us by Thy Goodness | Alicia de Larrocha | — | |
| 14 | Chaconne in D minor, BWV 1004 (arr. Busoni) | — | ||
| 15 | Concerto No.5 in F minor, BWV 1056: I. Allegro | — | ||
| 16 | Concerto No.5 in F minor, BWV 1056: II. Largo | — | ||
| 17 | Concerto No.5 in F minor, BWV 1056: III. Presto | — | ||
| 18 | Concerto in D major, Hob.XVIII:2: I. Vivace | — | ||
| 19 | Concerto in D major, Hob.XVIII:2: II. Un poco adagio | — | ||
| 20 | Concerto in D major, Hob.XVIII:2: III. Rondo all'ungherese: Allegro assai | — | ||
| 2-1 | Andante con variazioni in F minor, Hob.XVII:6 | — | ||
| 2-2 | Piano Sonata No. 11 in A major, K. 300i/331: I. Thema. Andante grazioso | — | ||
| 2-3 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 1 | — | ||
| 2-4 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 2 | — | ||
| 2-5 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 3 | — | ||
| 2-6 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 4 | — | ||
| 2-7 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 5 | — | ||
| 2-8 | Piano Sonata No. 11 in A major, K. 300i/331: I. Variation 6 | — | ||
| 2-9 | Piano Sonata No. 11 in A major, K. 300i/331: II. Menuetto | — | ||
| 2-10 | Piano Sonata No. 11 in A major, K. 300i/331: III. Alla turca: Allegretto | — | ||
| 2-11 | Piano Sonata No. 18 in D major, K. 576: I. Allegro | — | ||
| 2-12 | Piano Sonata No. 18 in D major, K. 576: II. Adagio | — | ||
| 2-13 | Piano Sonata No. 18 in D major, K. 576: III. Allegretto | — | ||
| 2-14 | Bagatelles, Op. 33 No. 1 in E-flat major: Andante grazioso, quasi allegretto | — | ||
| 2-15 | Bagatelles, Op. 33 No. 2 in C major: Scherzo | — | ||
| 2-16 | Bagatelles, Op. 33 No. 3 in F major: Allegretto | — | ||
| 2-17 | Bagatelles, Op. 33 No. 4 in A major: Andante | — | ||
| 2-18 | Bagatelles, Op. 33 No. 5 in C major: Allegro, ma non troppo | — | ||
| 2-19 | Bagatelles, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 2-20 | Bagatelles, Op. 33 No. 7 in A flat major: Presto | — | ||
| 2-21 | Variations sérieuses, Op. 54 | — | ||
| 3-1 | 24 Preludes, Op. 28 No. 1 in C major: Agitato | — | ||
| 3-2 | 24 Preludes, Op. 28 No. 2 in A minor: Lento | — | ||
| 3-3 | 24 Preludes, Op. 28 No. 3 in G major: Vivace | — | ||
| 3-4 | 24 Preludes, Op. 28 No. 4 in E minor: Largo | — | ||
| 3-5 | 24 Preludes, Op. 28 No. 5 in D major: Allegro molto | — | ||
| 3-6 | 24 Preludes, Op. 28 No. 6 in B minor: Lento assai | — | ||
| 3-7 | 24 Preludes, Op. 28 No. 7 in A major: Andantino | — | ||
| 3-8 | 24 Preludes, Op. 28 No. 8 in F-sharp minor: Molto agitato | — | ||
| 3-9 | 24 Preludes, Op. 28 No. 9 in E major: Largo | — | ||
| 3-10 | 24 Preludes, Op. 28 No. 10 in C-sharp minor: Allegro molto | — | ||
| 3-11 | 24 Preludes, Op. 28 No. 11 in B major: Vivace | — | ||
| 3-12 | 24 Preludes, Op. 28 No. 12 in G-sharp minor: Presto | — | ||
| 3-13 | 24 Preludes, Op. 28 No. 13 in F-sharp minor: Lento | — | ||
| 3-14 | 24 Preludes, Op. 28 No. 14 in E-flat minor: Allegro | — | ||
| 3-15 | 24 Preludes, Op. 28 No. 15 in D-flat major: Sostenuto | — | ||
| 3-16 | 24 Preludes, Op. 28 No. 16 in B-flat minor: Presto con fuoco | Alicia de Larrocha | — | |
| 3-17 | 24 Preludes, Op. 28 No. 17 in A-flat major: allegretto | — | ||
| 3-18 | 24 Preludes, Op. 28 No. 18 in F minor: Allegro molto | Alicia de Larrocha | — | |
| 3-19 | 24 Preludes, Op. 28 No. 19 in E-flat major: Vivace | Alicia de Larrocha | T-906.148.797-6 | |
| 3-20 | 24 Preludes, Op. 28 No. 20 in C minor: Largo | — | ||
| 3-21 | 24 Preludes, Op. 28 No. 21 in B-flat major: Cantabile | — | ||
| 3-22 | 24 Preludes, Op. 28 No. 22 in G minor: Molto agitato | — | ||
| 3-23 | 24 Preludes, Op. 28 No. 23 in F major: Moderato | — | ||
| 3-24 | 24 Preludes, Op. 28 No. 24 in D minor: Allegro appassionato | — | ||
| 3-25 | Berceuse, Op. 57 | — | ||
| 3-26 | Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso | — | ||
| 3-27 | Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | — | ||
| 3-28 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace | — | ||
| 4-1 | Piano Sonata in B flat major, D960: I. Molto moderato | — | ||
| 4-2 | Piano Sonata in B flat major, D960: II. Andante sostenuto | — | ||
| 4-3 | Piano Sonata in B flat major, D960: III. Scherzo: Allegro vivace con delicatezza | — | ||
| 4-4 | Piano Sonata in B flat major, D960: IV. Allegro, ma non troppo | — | ||
| 4-5 | Impromptu in A flat major, D899/4 | — | ||
| 4-6 | Piano Sonata in B minor: I. Lento assai-Allegro energico-Grandioso | — | ||
| 4-7 | Piano Sonata in B minor: II. Andante sostenuto | — | ||
| 4-8 | Piano Sonata in B minor: III. Allegro energico - Andante sostenuto - Lento assai | — | ||
| 5-1 | Fantasie in C major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 5-2 | Fantasie in C major, Op. 17: II. Mässig. Durchaus energisch | — | ||
| 5-3 | Fantasie in C major, Op. 17: III. Langsam getragen. Durchweg leise zu halten | — | ||
| 5-4 | Allegro, Op. 8 | — | ||
| 5-5 | Romanze, op. 28 no. 2 | Alicia de Larrocha | T-306.230.833-8 | |
| 5-6 | Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 5-7 | Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 5-8 | Piano Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 6-1 | Sonata in G minor, SR 42: Allegro | — | ||
| 6-2 | Sonata in D minor, SR 15: Allegretto mosso | — | ||
| 6-3 | Sonata in F major, SR 89: Allegro | — | ||
| 6-4 | Zapateado (No.3 from Tres danzas andaluzas, op.8) | — | ||
| 6-5 | Danzas españolas, book 2, op.37 No.4: Villanesca | — | ||
| 6-6 | Danzas españolas: V. Andaluza | Alicia de Larrocha | — | |
| 6-7 | Danzas españolas, book 2, op.37 No.6: Rondalla aragonesa | — | ||
| 6-8 | El pelele | — | ||
| 6-9 | Sonatina para Yvette: I. Vivo e spiritoso | — | ||
| 6-10 | Sonatina para Yvette: II. Moderato molto | — | ||
| 6-11 | Sonatina para Yvette: III. Allegretto | — | ||
| 6-12 | Prélude VII (a Alicia de Larrocha) | — | ||
| 6-13 | Tango (No.2 from España, op.165) | — | ||
| 6-14 | Iberia, book 1: I. Evocación | — | ||
| 6-15 | Iberia, book 1: II. El puerto | — | ||
| 6-16 | Iberia, book 1: III. El Corpus Christi en Sevilla | — | ||
| 6-17 | Fantasía bética | — | ||
| 7-1 | Noches en los jardines de España: I. En el Generalife | — | ||
| 7-2 | Noches en los jardines de España: II. Danza lejana | — | ||
| 7-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | — | ||
| 7-4 | Piano Concerto in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-5 | Piano Concerto in D-flat major, op. 38: II. Andante con anima | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-6 | Piano Concerto in D-flat major: III. Allegro brilliante | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-7 | Piano concerto for the left hand | — |
