UPC · Release
Musique Sacrée
Charpentier, Musica Antiqua Köln, Reinhard Goebel
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028947450726 is the Universal Product Code (UPC barcode) for the release “Musique Sacrée” by Charpentier, Musica Antiqua Köln, Reinhard Goebel, released 2003-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include DEF059202381, DEF059202382, DEF059202383.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Marche De Triomphe, Pour Les Violons, Trompettes, Timbales, Flutes Et Hautbois, H. 547 | — | ||
| 2 | Mass for Orchestra, H. 513: I. Kyrie | — | ||
| 3 | Mass for Orchestra, H. 513: II. Gloria, Laudamus, Adoramus, Etc. | — | ||
| 4 | Mass for Orchestra, H. 513: III. Offerte a Deux Choeurs | — | ||
| 5 | Mass for Orchestra, H. 513: IV. Sanctus Pour Tous Les Instruments | — | ||
| 6 | Fanfare À 2 Trompettes | — | ||
| 7 | Offerte Pour L'Orgue, for 2 Flutes, 2 Oboes, Strings & Continuo, H. 514 | — | ||
| 8 | Pour Un Reposoir, for Strings, H. 508: I. Ouverture | — | ||
| 9 | Pour Un Reposoir, for Strings, H. 508: II. Tantum Ergo | — | ||
| 10 | Pour Un Reposoir, for Strings, H. 508: III. Quand Lespretres Avront Chante Tantum Ergo | — | ||
| 11 | Pour Un Reposoir, for Strings, H. 508: IV. Quand Lespretres Avront Chante Genitum Amen | — | ||
| 12 | Pour Un Reposoir, for Strings, H. 508: V. Allemande Grave | — | ||
| 13 | Ouverture Pour L'Église, for Strings & Continuo, H. 524 | — | ||
| 14 | Symphonies Pour Un Reposoir, for Strings & Continuo, H. 515: I. Ouverture Des Qu'on Voit La Banniere | — | ||
| 15 | Symphonies Pour Un Reposoir, for Strings & Continuo, H. 515: II. Pange Lingua a 4 Partes | — | ||
| 16 | Symphonies Pour Un Reposoir, for Strings & Continuo, H. 515: III. In Supremae Pour Le Petit Choeur | — | ||
| 17 | Symphonies Pour Un Reposoir, for Strings & Continuo, H. 515: IV. Tantum Ergo Poure Les Violins - Amen Pour Les Violons | — | ||
| 18 | Offerte Non Encore Exécutée, for 2 Flutes, 2 Oboes, Strings & Bassoon, H. 522 | — | ||
| 19 | Concert Pour Quatre Parties Des Violes, for Strings, H. 545: I. Prelude | — | ||
| 20 | Concert Pour Quatre Parties Des Violes, for Strings, H. 545: II. [Allemande] | — | ||
| 21 | Concert Pour Quatre Parties Des Violes, for Strings, H. 545: III. [Sarabande] | — | ||
| 22 | Concert Pour Quatre Parties Des Violes, for Strings, H. 545: IV. Gigue Anglaise | — | ||
| 23 | Concert Pour Quatre Parties Des Violes, for Strings, H. 545: V. Gigue Francaise | — | ||
| 24 | Concert Pour Quatre Parties Des Violes, for Strings, H. 545: VI. Passecaille | — | ||
| 25 | Pour Un Reposoir, for 3 Flutes, Strings & Continuo, H. 523 | — | ||
| 26 | Second Air: Marche De Triomphe, for Instruments, H. 547 | — | ||
| 2-1 | Dresden Concerto in F major (S. 234) - I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-2 | Dresden Concerto in F major (S. 234) - II. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-3 | Dresden Concerto in F major (S. 234) - III. Un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Dresden Concerto in F major (S. 234) - IV. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 2-5 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 2-6 | Symphonie Concertante for piano, oboe, violin, cello & orchestra in B flat major, CW C48 (T. 289/7): Andante di molto | — | ||
| 2-7 | Haec est Regina virginum, antiphon for soprano, strings & continuo, HWV 235 | — | ||
| 2-8 | Easter Oratorio (Oster-Oratorium: 'Kommt, eilet und laufet'), BWV 249 (BC D8): Sinfonia | — | ||
| 2-9 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-911.640.004-5 | |
| 2-10 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-11 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 2-12 | Siehe, wie fein und lieblich ist es, vocal concerto, for 2 tenors, bass & instruments | — | ||
| 2-13 | Sonata for 2 Violins and Continuo "La Follia" op. 1 no. 12, RV 63 in D minor | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-14 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-15 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. (Allegro moderato) | Musica Antiqua Köln, Reinhard Goebel | T-801.411.105-9 |
| Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-309.901.323-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 028947450726?
028947450726 is a Universal Product Code (UPC) assigned to Musique Sacrée by Charpentier, Musica Antiqua Köln, Reinhard Goebel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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