Passion: Music That Changed Our World

UPC · Release

Passion: Music That Changed Our World

Various Artists

028947453123
28 tracksReleased 2003-01-01

Last verified:

028947453123 is the Universal Product Code (UPC barcode) for the release Passion: Music That Changed Our World by Various Artists, released 2003-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include DEF055830301, DEF055830344, DEF055830345.

Format

0Number system
28947Manufacturer
45312Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPassion: Music That Changed Our World
ISRC7 recordings
ISWC2 works
IPI1 songwriter

Track List (28)

Matthäus-Passion, BWV 244: Teil I. Choral "Kommt, ihr Töchter, helft mir klagen" (Chor)
Fritz Rothschuh, Munich Bach Choir, Münchener Chorknaben, Hedwig Bilgram, Munich Bach Orchestra, Karl Richter
Matthäus-Passion, BWV 244: Teil II: Ach, nun ist mein Jesus hin / Wo ist denn dein Freund hingegangen
Matthäus-Passion, BWV 244: Teil II: Ach, nun ist mein Jesus hin / Wo ist denn dein Freund hingegangen
Münchener Bach-Chor, Hertha Töpper, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244: Teil II. Rezitativ "Die aber Jesum gegriffen hatten" (Evangelist)
Matthäus-Passion, BWV 244: Teil II. Rezitativ "Die aber Jesum gegriffen hatten" (Evangelist)
Ernst Haefliger, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244: Teil II: Mir hat die Welt trüglich gericht'
Matthäus-Passion, BWV 244: Teil II: Mir hat die Welt trüglich gericht'
Fritz Rothschuh, Münchener Bach-Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244: Teil II: Und wiewohl viel falsche Zeugen herzutraten
Matthäus-Passion, BWV 244: Teil II: Und wiewohl viel falsche Zeugen herzutraten
Ernst Haefliger, Max Proebstl, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244: Teil II: Mein Jesus schweigt zu falschen Lügen stille
Matthäus-Passion, BWV 244: Teil II: Mein Jesus schweigt zu falschen Lügen stille
Ernst Haefliger, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
Matthäus-Passion, BWV 244: Teil II: Geduld, wenn mich falsche Zungen stechen!
Matthäus-Passion, BWV 244: Teil II: Geduld, wenn mich falsche Zungen stechen!
Ernst Haefliger, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter
St John Passion, BWV 245 - Denial: No. 12 Recitative (Evangelist): Simon Petrus aber folgete Jesu nach
St John Passion, BWV 245 - Denial: No. 12 Recitative (Evangelist): Simon Petrus aber folgete Jesu nach
St John Passion, BWV 245 - Denial: No. 13 Aria (soprano): Ich folge dir gleichfalls
St John Passion, BWV 245 - Denial: No. 13 Aria (soprano): Ich folge dir gleichfalls
St John Passion, BWV 245 - Denial: No. 14 Recitative (Evangelist, Maid, Peter, Jesus, Servant): Derselbige Jünger war dem Hohenpriester bekannt
St John Passion, BWV 245 - Denial: No. 14 Recitative (Evangelist, Maid, Peter, Jesus, Servant): Derselbige Jünger war dem Hohenpriester bekannt
St John Passion, BWV 245 - Denial: No. 15 Chorale: Wer hat dich so geschlagen
St John Passion, BWV 245 - Denial: No. 15 Chorale: Wer hat dich so geschlagen
St John Passion, BWV 245 - Denial: Nos. 16-18 Recitative (Evangeleist, Peter, Servant) & Chorus: Und Hannas sandte ihn gebunden / Bist du nicht seiner Jünger einer? / Er leugnete aber
St John Passion, BWV 245 - Denial: Nos. 16-18 Recitative (Evangeleist, Peter, Servant) & Chorus: Und Hannas sandte ihn gebunden / Bist du nicht seiner Jünger einer? / Er leugnete aber
St John Passion, BWV 245 - Denial: No. 17 Aria (tenor): Ach, mein Sinn
St John Passion, BWV 245 - Denial: No. 17 Aria (tenor): Ach, mein Sinn
St John Passion, BWV 245 - Denial: No. 18 Chorale: Petrus, der nicht denkt zurück
St John Passion, BWV 245 - Denial: No. 18 Chorale: Petrus, der nicht denkt zurück
Brockes Passion: No. 47 Recitative (Evangelist): Dies war zur neunten Stund'
Brockes Passion: No. 47 Recitative (Evangelist): Dies war zur neunten Stund'
Brockes Passion: No. 48 Arioso (A Believer, soprano): Mein Heiland, Herr and Fürst
Brockes Passion: No. 48 Arioso (A Believer, soprano): Mein Heiland, Herr and Fürst
Brockes Passion: Recitative (Evangelist): Drauf leif ein Kriegsknecht hin
Brockes Passion: Recitative (Evangelist): Drauf leif ein Kriegsknecht hin
Brockes Passion: No. 49 Terzetto (A Believer, soprano, alto, bass): O Donnerwort! O schrecklich schreien!
Brockes Passion: No. 49 Terzetto (A Believer, soprano, alto, bass): O Donnerwort! O schrecklich schreien!
Brockes Passion: Recitative (A Believer, soprano, Evangelist): O selig, wer dies glaubt
Brockes Passion: Recitative (A Believer, soprano, Evangelist): O selig, wer dies glaubt
Brockes Passion: No. 50 Aria (Daughter of Zion, A Believer, soprano): Sind meiner Seelen tiefe Wunden
Brockes Passion: No. 50 Aria (Daughter of Zion, A Believer, soprano): Sind meiner Seelen tiefe Wunden
Brockes Passion: Recitative (Daughter of Zion, Evangelist): O Großmut!
Brockes Passion: Recitative (Daughter of Zion, Evangelist): O Großmut!
Brockes Passion: No. 51 Aria (A Believer, tenor): Brich, brüllender Abgrund
Brockes Passion: No. 51 Aria (A Believer, tenor): Brich, brüllender Abgrund
Brockes Passion: Recitative (A Believer, tenor, Captain): Ja, ja, es brüllet schon in unterrid'schen Grüften
Brockes Passion: Recitative (A Believer, tenor, Captain): Ja, ja, es brüllet schon in unterrid'schen Grüften
Brockes Passion: No. 52 Aria (A Believer, bass): Wie kommt's, das da der Himmel weint
Brockes Passion: No. 52 Aria (A Believer, bass): Wie kommt's, das da der Himmel weint
Brockes Passion: No. 53 Accompagnato (A Believer, soprano): Bei Jesu Tod und Leiden
Brockes Passion: No. 53 Accompagnato (A Believer, soprano): Bei Jesu Tod und Leiden
Brockes Passion: No. 54 Chorus: Mein, Sünd' mich werden kränken sehr
Brockes Passion: No. 54 Chorus: Mein, Sünd' mich werden kränken sehr
Brockes Passion: No. 55 Aria (Daughter of Zion): Wisch ab der Tränen bittre Ströme
Brockes Passion: No. 55 Aria (Daughter of Zion): Wisch ab der Tränen bittre Ströme
Brockes Passion: No. 56 Chorus: Ich bin ein Glied an deinem Leib
Brockes Passion: No. 56 Chorus: Ich bin ein Glied an deinem Leib

Additional database matches (2)

Tu es Petrus
Choir of Westminster Abbey, Simon Preston
Choir of Westminster Abbey, Simon Preston

Identifier Graph

UPCPassion: Music …ISRCMatthäus-Passio…ISRCMatthäus-Passio…ISRCMatthäus-Passio…ISRCMatthäus-Passio…ISRCMatthäus-Passio…

People also ask

What is UPC 028947453123?
UPC 028947453123 is the Universal Product Code (barcode) for "Passion: Music That Changed Our World" by Various Artists.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947453123?
UPC 028947453123 contains 28 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 028947453123?

028947453123 is a Universal Product Code (UPC) assigned to Passion: Music That Changed Our World by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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