UPC · Release
Complete Recordings on Deutsche Grammophon
Haydn, Leonard Bernstein
028947491927
58 tracksReleased 2004-01-01Deutsche Grammophon
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028947491927 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Deutsche Grammophon” by Haydn, Leonard Bernstein, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include DEF058301132, DEF058301133, DEF058301134.
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28947Manufacturer
49192Product
7Check digit
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Credit Chain
UPCComplete Recordings on Deutsche Grammophon
ISRC8 recordings
ISWC2 works
IPI1 songwriter
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 2 | Symphony no. 88 in G major, Hob. I:88: II. Largo | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 3 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto: Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 4 | Symphony no. 88 in G major, Hob. I:88: IV. Finale: Allegretto con spirito | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 5 | Symphony No.92 in G major, Hob.I:92 "Oxford": I. Adagio - Allegro spiritoso | — | ||
| 6 | Symphony No.92 in G major, Hob.I:92 "Oxford": II. Adagio | — | ||
| 7 | Symphony No.92 in G major, Hob.I:92 "Oxford": III. Menuet. Allegretto | — | ||
| 8 | Symphony No.92 in G major, Hob.I:92 "Oxford": IV. Finale. Presto | — | ||
| 9 | Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10 | Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11 | Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12 | Symphony no. 94 in G major, Hob. I:94 "Surprise" IV. Finale. Allegro di molto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 2-1 | Sinfonia concertante in B flat major, Hob. I:105: I. Allegro | — | ||
| 2-2 | Sinfonia concertante in B flat major, Hob. I:105: II. Andante | — | ||
| 2-3 | Sinfonia concertante in B flat major, Hob. I:105: III. Allegro con spirito | — | ||
| 2-4 | Missa in tempore belli, Hob. XXII:9: Kyrie. | — | ||
| 2-5 | Missa in tempore belli, Hob. XXII:9: Gloria. Gloria inexcelsis Deo | — | ||
| 2-6 | Missa in tempore belli, Hob. XXII:9: Gloria. Qui tollia peccata mundi. | — | ||
| 2-7 | Missa in tempore belli, Hob. XXII:9: Gloria. Quoniam tu solus sanctus Cum Sanctus Spiritu | — | ||
| 2-8 | Missa in tempore belli, Hob. XXII:9: Credo. Crdo in unum Deum. | — | ||
| 2-9 | Missa in tempore belli, Hob. XXII:9: Credo. Et incarnatus est. | — | ||
| 2-10 | Missa in tempore belli, Hob. XXII:9: Credo. Et resurrexit tertia est. | — | ||
| 2-11 | Missa in tempore belli, Hob. XXII:9: Credo. Et vitam venturi saeculi. | — | ||
| 2-12 | Missa in tempore belli, Hob. XXII:9: Sanctus. Sanctu, Sanctus, Sanctus Dominus. | — | ||
| 2-13 | Missa in tempore belli, Hob. XXII:9: Benedictus. Benedictus qui venit in nomine Domini | — | ||
| 2-14 | Missa in tempore belli, Hob. XXII:9: Agnus Dei, Agnus Dei,qui tollis peccata mundi. | — | ||
| 3-1 | The First Day: The Representation of Chaos | — | ||
| 3-2 | The First Day: Recitative. Im Anfange schuf Gott Himmel und Erde | — | ||
| 3-3 | The First Day: Aria. Nun schwanden vor dem heiligen Strahle | — | ||
| 3-4 | The Second Day: Accompanied recitative. Und Gott machte das Firmament | — | ||
| 3-5 | The Second Day: Solo. Mit staunen sieht das Wunderwerk | — | ||
| 3-6 | The Third Day: Recitative. Und Gott sprach: Es sammle sich das Wasser | — | ||
| 3-7 | The Third Day: Aria. Rollend in schaumenden Wellen | — | ||
| 3-8 | The Third Day: Recitative. Und Gott sprach: Es bringe die Erde Gras hervor | — | ||
| 3-9 | The Third Day: Aria. Nun beut die Flur das frische Grun | — | ||
| 3-10 | The Third Day: Recitative. Und die himmlischen Heerscharen verkundigten | — | ||
| 3-11 | The Third Day: Chorus. Stimmt an die Saiten | — | ||
| 3-12 | The Fourth Day: Recitative. Und Gott sprach: Es sei'n Lichter an der Feste des Himmels | — | ||
| 3-13 | The Fourth Day: Accompanied recitative. In vollem Glanze steiget jetzt | — | ||
| 3-14 | The Fourth Day: Chorus and trio. Die Himmel erzahlen die Ehre Gottes | — | ||
| 3-15 | The Fifth Day: Recitative. Und Gott sprach: Es bringe das Wasser in der Fulle hervor | — | ||
| 3-16 | The Fifth Day: Aria. Auf starkem Fittiche schwinget sich der Adler stolz | — | ||
| 3-17 | The Fifth Day: Accompanied recitative. Und Gott schuf grose Walfische | — | ||
| 3-18 | The Fifth Day: Recitative. Und die engel ruhrten ihr' unsterblichen Harfen | — | ||
| 3-19 | The Fifth Day: Trio. In holder Anmut stehn | — | ||
| 4-1 | The Sixth Day: Recitative. Und Gott sprach: Es bringe die Erde hervor lebende Geschopfe | — | ||
| 4-2 | The Sixth Day: Accompanied recitative. Gleich offnet sich der Erde Schoss | — | ||
| 4-3 | The Sixth Day: Aria. Nun scheint in vollem Glanze der Himmel | — | ||
| 4-4 | The Sixth Day: Recitative. Und Gott schuf den Menschen | — | ||
| 4-5 | The Sixth Day: Aria. Mit Wurd und Hoheit angetan | — | ||
| 4-6 | The Sixth Day: Recitative. Und Gott sah jedes Ding | — | ||
| 4-7 | The Sixth Day: Chorus and trio. Vollendet ist das grose Werk - Zu dir, o Herr, blickt alles auf | — | ||
| 4-8 | Part III: Accompanied recitative. Aus Rosenwolken bricht | — | ||
| 4-9 | Part III: Duet with chorus. Von deiner Gut, o Herr und Gott | — | ||
| 4-10 | Part III: Recitative. Nun ist die erste Pflicht erfullt | — | ||
| 4-11 | Part III: Duet. Holde Gattin, dir zur Seite | — | ||
| 4-12 | Part III: Recitative. O glucklich Paar, und glucklich immerfort | — | ||
| 4-13 | Part III: Chorus. Singt dem Herren alle Stimmen | — |
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Wiener Philharmoniker, Leonard Bernstein
—
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Wiener Philharmoniker, Leonard Bernstein
Symphony No.92 in G major, Hob.I:92 "Oxford": I. Adagio - Allegro spiritoso
—
Symphony No.92 in G major, Hob.I:92 "Oxford": II. Adagio
—
Symphony No.92 in G major, Hob.I:92 "Oxford": III. Menuet. Allegretto
—
Symphony No.92 in G major, Hob.I:92 "Oxford": IV. Finale. Presto
—
Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai
Wiener Philharmoniker, Leonard Bernstein
—
Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante
Wiener Philharmoniker, Leonard Bernstein
—
Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet)
Wiener Philharmoniker, Leonard Bernstein
—
Wiener Philharmoniker, Leonard Bernstein
Sinfonia concertante in B flat major, Hob. I:105: I. Allegro
—
Sinfonia concertante in B flat major, Hob. I:105: II. Andante
—
Sinfonia concertante in B flat major, Hob. I:105: III. Allegro con spirito
—
Missa in tempore belli, Hob. XXII:9: Kyrie.
—
Missa in tempore belli, Hob. XXII:9: Gloria. Gloria inexcelsis Deo
—
Missa in tempore belli, Hob. XXII:9: Gloria. Qui tollia peccata mundi.
—
Missa in tempore belli, Hob. XXII:9: Gloria. Quoniam tu solus sanctus Cum Sanctus Spiritu
—
Missa in tempore belli, Hob. XXII:9: Credo. Crdo in unum Deum.
—
Missa in tempore belli, Hob. XXII:9: Credo. Et incarnatus est.
—
Missa in tempore belli, Hob. XXII:9: Credo. Et resurrexit tertia est.
—
Missa in tempore belli, Hob. XXII:9: Credo. Et vitam venturi saeculi.
—
Missa in tempore belli, Hob. XXII:9: Sanctus. Sanctu, Sanctus, Sanctus Dominus.
—
Missa in tempore belli, Hob. XXII:9: Benedictus. Benedictus qui venit in nomine Domini
—
Missa in tempore belli, Hob. XXII:9: Agnus Dei, Agnus Dei,qui tollis peccata mundi.
—
The First Day: The Representation of Chaos
—
The First Day: Recitative. Im Anfange schuf Gott Himmel und Erde
—
The First Day: Aria. Nun schwanden vor dem heiligen Strahle
—
The Second Day: Accompanied recitative. Und Gott machte das Firmament
—
The Second Day: Solo. Mit staunen sieht das Wunderwerk
—
The Third Day: Recitative. Und Gott sprach: Es sammle sich das Wasser
—
The Third Day: Aria. Rollend in schaumenden Wellen
—
The Third Day: Recitative. Und Gott sprach: Es bringe die Erde Gras hervor
—
The Third Day: Aria. Nun beut die Flur das frische Grun
—
The Third Day: Recitative. Und die himmlischen Heerscharen verkundigten
—
The Third Day: Chorus. Stimmt an die Saiten
—
The Fourth Day: Recitative. Und Gott sprach: Es sei'n Lichter an der Feste des Himmels
—
The Fourth Day: Accompanied recitative. In vollem Glanze steiget jetzt
—
The Fourth Day: Chorus and trio. Die Himmel erzahlen die Ehre Gottes
—
The Fifth Day: Recitative. Und Gott sprach: Es bringe das Wasser in der Fulle hervor
—
The Fifth Day: Aria. Auf starkem Fittiche schwinget sich der Adler stolz
—
The Fifth Day: Accompanied recitative. Und Gott schuf grose Walfische
—
The Fifth Day: Recitative. Und die engel ruhrten ihr' unsterblichen Harfen
—
The Fifth Day: Trio. In holder Anmut stehn
—
The Sixth Day: Recitative. Und Gott sprach: Es bringe die Erde hervor lebende Geschopfe
—
The Sixth Day: Accompanied recitative. Gleich offnet sich der Erde Schoss
—
The Sixth Day: Aria. Nun scheint in vollem Glanze der Himmel
—
The Sixth Day: Recitative. Und Gott schuf den Menschen
—
The Sixth Day: Aria. Mit Wurd und Hoheit angetan
—
The Sixth Day: Recitative. Und Gott sah jedes Ding
—
The Sixth Day: Chorus and trio. Vollendet ist das grose Werk - Zu dir, o Herr, blickt alles auf
—
Part III: Accompanied recitative. Aus Rosenwolken bricht
—
Part III: Duet with chorus. Von deiner Gut, o Herr und Gott
—
Part III: Recitative. Nun ist die erste Pflicht erfullt
—
Part III: Duet. Holde Gattin, dir zur Seite
—
Part III: Recitative. O glucklich Paar, und glucklich immerfort
—
Part III: Chorus. Singt dem Herren alle Stimmen
—
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Creative Contributors (ISNI)
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What is UPC 028947491927?
028947491927 is a Universal Product Code (UPC) assigned to Complete Recordings on Deutsche Grammophon by Haydn, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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