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The Great Recordings

UPC · Release

The Great Recordings

Beverly Sills

028947494720
23 tracksReleased 2004-01-01Deutsche Grammophon

Last verified: July 21, 2026

028947494720 is the Universal Product Code (UPC barcode) for the release “The Great Recordings” by Beverly Sills, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEF057331114, DEF056804912, DEF057309110.

Format

0Number system
28947Manufacturer
49472Product
0Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Great Recordings
ISRC23 recordings
ISWC9 works

Track List (23)

#Track TitleArtist(s)ISWC
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)1I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)Beverly Sills, London Philharmonic Orchestra, Julius RudelT-801.744.062-0
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)2I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)Beverly Sills, Orchester der Wiener Volksoper, Jussi Jalas—
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)3Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)The John Alldis Choir, Beverly Sills, Shirley Verrett, Philharmonia Orchestra, James LevineT-900.134.399-3
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)4Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)Beverly Sills—
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)5Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)Nicolai Gedda, Beverly Sills, London Symphony Orchestra, James Levine—
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)6Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras—
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)7Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras—
"Vorrei spiegarvi, oh Dio," K.4188"Vorrei spiegarvi, oh Dio," K.418Beverly Sills, London Philharmonic Orchestra, Aldo CeccatoT-924.224.904-3
Amor, op. 68 no. 59Amor, op. 68 no. 5Beverly Sills, London Philharmonic Orchestra, Aldo CeccatoT-902.514.890-7
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)2-1Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. "È Strano! è strano! (Violetta)2-2La traviata: Atto I. "È Strano! è strano! (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. “Ah, fors'è lui” (Violetta)2-3La traviata: Atto I. “Ah, fors'è lui” (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. "Follie! Follie!" (Violetta)2-4La traviata: Atto I. "Follie! Follie!" (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. "Sempra libera" (Violetta)2-5La traviata: Atto I. "Sempra libera" (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)2-6Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel—
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)2-7Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius RudelT-101.072.203-7
Manon: Acte III. "N'est-ce plus ma main?" (Manon)2-8Manon: Acte III. "N'est-ce plus ma main?" (Manon)The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel—
Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)2-9Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)Beverly Sills, Royal Philharmonic Orchestra, Charles MackerrasT-929.689.296-1
The Tales of Hoffmann : Tu ne chanteras plus ?2-10The Tales of Hoffmann : Tu ne chanteras plus ?Norman Treigle, Beverly Sills, Patricia Kern, London Symphony Orchestra, Julius Rudel—
Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)2-11Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)Beverly Sills, London Symphony Orchestra, Julius Rudel—
Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)2-12Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)Beverly Sills, London Philharmonic Orchestra, Julius Rudel—
Wien, Wien, nur du allein2-13Wien, Wien, nur du alleinBeverly Sills, London Philharmonic Orchestra, Julius RudelT-001.002.250-0
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)2-14The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)Beverly Sills, New York City Opera Orchestra, Emerson Buckley—
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
T-801.744.062-0
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)
Beverly Sills, Orchester der Wiener Volksoper, Jussi Jalas
—
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)
The John Alldis Choir, Beverly Sills, Shirley Verrett, Philharmonia Orchestra, James Levine
T-900.134.399-3
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)
Beverly Sills
—
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)
Nicolai Gedda, Beverly Sills, London Symphony Orchestra, James Levine
—
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)
The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
—
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)
The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
—
"Vorrei spiegarvi, oh Dio," K.418
"Vorrei spiegarvi, oh Dio," K.418
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
T-924.224.904-3
Amor, op. 68 no. 5
Amor, op. 68 no. 5
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
T-902.514.890-7
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. "È Strano! è strano! (Violetta)
La traviata: Atto I. "È Strano! è strano! (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. “Ah, fors'è lui” (Violetta)
La traviata: Atto I. “Ah, fors'è lui” (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. "Follie! Follie!" (Violetta)
La traviata: Atto I. "Follie! Follie!" (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. "Sempra libera" (Violetta)
La traviata: Atto I. "Sempra libera" (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
—
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
T-101.072.203-7
Manon: Acte III. "N'est-ce plus ma main?" (Manon)
Manon: Acte III. "N'est-ce plus ma main?" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
—
Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)
Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)
Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
T-929.689.296-1
The Tales of Hoffmann : Tu ne chanteras plus ?
The Tales of Hoffmann : Tu ne chanteras plus ?
Norman Treigle, Beverly Sills, Patricia Kern, London Symphony Orchestra, Julius Rudel
—
Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)
Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)
Beverly Sills, London Symphony Orchestra, Julius Rudel
—
Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)
Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
—
Wien, Wien, nur du allein
Wien, Wien, nur du allein
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
T-001.002.250-0
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)
Beverly Sills, New York City Opera Orchestra, Emerson Buckley
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-001.002.250-0T-001.002.250-0T-902.514.890-7T-902.514.890-7T-101.072.203-7T-801.744.062-0T-900.134.399-3T-924.224.904-3T-929.689.296-1

Creative Contributors (ISNI)

000000005920296X0000000073658592000000007372430X0000000076890776000000008182481000000001066174480000000106730969000000010937067100000001094265240000000114725481
+11 more
00000001149451930000000115732093000000011939038500000001194492440000000119546175000000011955055300000001216150370000000121677377000000012169519600000001227714530000000123420516
SourcesMLCMusicBrainzDiscogs✓3 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCThe Great Recor…ISRCI puritani: Att…ISRCI Capuleti e i …ISRCNorma: Atto II,…ISRCAttila: Prologo…ISRCIl barbiere di …

People also ask

What is UPC 028947494720?+
UPC 028947494720 is the Universal Product Code (barcode) for "The Great Recordings" by Beverly Sills, released on Deutsche Grammophon.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947494720?+
UPC 028947494720 contains 23 tracks, each with its own ISRC.

What is UPC 028947494720?

028947494720 is a Universal Product Code (UPC) assigned to The Great Recordings by Beverly Sills. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Beverly Sills

028947494720 is the Universal Product Code (UPC barcode) for the release “The Great Recordings” by Beverly Sills, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEF057331114, DEF056804912, DEF057309110.

Track List (23)

#Track TitleArtist(s)ISWC
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)1I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)Beverly Sills, London Philharmonic Orchestra, Julius RudelT-801.744.062-0
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)2I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)Beverly Sills, Orchester der Wiener Volksoper, Jussi Jalas—
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)3Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)The John Alldis Choir, Beverly Sills, Shirley Verrett, Philharmonia Orchestra, James LevineT-900.134.399-3
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)4Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)Beverly Sills—
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)5Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)Nicolai Gedda, Beverly Sills, London Symphony Orchestra, James Levine—
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)6Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras—
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)7Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras—
"Vorrei spiegarvi, oh Dio," K.4188"Vorrei spiegarvi, oh Dio," K.418Beverly Sills, London Philharmonic Orchestra, Aldo CeccatoT-924.224.904-3
Amor, op. 68 no. 59Amor, op. 68 no. 5Beverly Sills, London Philharmonic Orchestra, Aldo CeccatoT-902.514.890-7
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)2-1Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. "È Strano! è strano! (Violetta)2-2La traviata: Atto I. "È Strano! è strano! (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. “Ah, fors'è lui” (Violetta)2-3La traviata: Atto I. “Ah, fors'è lui” (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. "Follie! Follie!" (Violetta)2-4La traviata: Atto I. "Follie! Follie!" (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
La traviata: Atto I. "Sempra libera" (Violetta)2-5La traviata: Atto I. "Sempra libera" (Violetta)Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato—
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)2-6Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel—
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)2-7Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius RudelT-101.072.203-7
Manon: Acte III. "N'est-ce plus ma main?" (Manon)2-8Manon: Acte III. "N'est-ce plus ma main?" (Manon)The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel—
Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)2-9Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)Beverly Sills, Royal Philharmonic Orchestra, Charles MackerrasT-929.689.296-1
The Tales of Hoffmann : Tu ne chanteras plus ?2-10The Tales of Hoffmann : Tu ne chanteras plus ?Norman Treigle, Beverly Sills, Patricia Kern, London Symphony Orchestra, Julius Rudel—
Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)2-11Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)Beverly Sills, London Symphony Orchestra, Julius Rudel—
Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)2-12Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)Beverly Sills, London Philharmonic Orchestra, Julius Rudel—
Wien, Wien, nur du allein2-13Wien, Wien, nur du alleinBeverly Sills, London Philharmonic Orchestra, Julius RudelT-001.002.250-0
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)2-14The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)Beverly Sills, New York City Opera Orchestra, Emerson Buckley—
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
T-801.744.062-0
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)
Beverly Sills, Orchester der Wiener Volksoper, Jussi Jalas
—
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)
The John Alldis Choir, Beverly Sills, Shirley Verrett, Philharmonia Orchestra, James Levine
T-900.134.399-3
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)
Beverly Sills
—
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)
Nicolai Gedda, Beverly Sills, London Symphony Orchestra, James Levine
—
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)
The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
—
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)
The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
—
"Vorrei spiegarvi, oh Dio," K.418
"Vorrei spiegarvi, oh Dio," K.418
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
T-924.224.904-3
Amor, op. 68 no. 5
Amor, op. 68 no. 5
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
T-902.514.890-7
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. "È Strano! è strano! (Violetta)
La traviata: Atto I. "È Strano! è strano! (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. “Ah, fors'è lui” (Violetta)
La traviata: Atto I. “Ah, fors'è lui” (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. "Follie! Follie!" (Violetta)
La traviata: Atto I. "Follie! Follie!" (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
La traviata: Atto I. "Sempra libera" (Violetta)
La traviata: Atto I. "Sempra libera" (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
—
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
—
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
T-101.072.203-7
Manon: Acte III. "N'est-ce plus ma main?" (Manon)
Manon: Acte III. "N'est-ce plus ma main?" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
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Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)
Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)
Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
T-929.689.296-1
The Tales of Hoffmann : Tu ne chanteras plus ?
The Tales of Hoffmann : Tu ne chanteras plus ?
Norman Treigle, Beverly Sills, Patricia Kern, London Symphony Orchestra, Julius Rudel
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Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)
Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)
Beverly Sills, London Symphony Orchestra, Julius Rudel
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Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)
Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
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Wien, Wien, nur du allein
Wien, Wien, nur du allein
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
T-001.002.250-0
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)
Beverly Sills, New York City Opera Orchestra, Emerson Buckley
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