UPC · Album
The Great Recordings
Beverly Sills
028947494720
23 tracksReleased 2004-01-01Deutsche Grammophon
Last verified:
028947494720 is the Universal Product Code (UPC barcode) for the release “The Great Recordings” by Beverly Sills, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEF055934035, DEF056804912, DEF056909915.
Format
0Number system
28947Manufacturer
49472Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Great Recordings
ISRC23 recordings
ISWC9 works
Track List (23)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe) | Beverly Sills, New York City Opera Orchestra, Emerson Buckley | DEF055934035 |
| I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta) | Beverly Sills, Orchester der Wiener Volksoper, Jussi Jalas | DEF056804912 |
| Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle) | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | DEF056909915 |
| Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta) | The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | DEF056933229 |
| Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta) | The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | DEF056933230 |
| "Vorrei spiegarvi, oh Dio," K.418 | Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | DEF057004751 |
| Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze) | Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | DEF057004752 |
| Amor, op. 68 no. 5 | Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | DEF057004754 |
| Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella) | Beverly Sills | DEF057004770 |
| Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon) | The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel | DEF057039428 |
| Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon) | The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel | DEF057039429 |
| Manon: Acte III. "N'est-ce plus ma main?" (Manon) | The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel | DEF057039430 |
| Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta) | Beverly Sills, London Philharmonic Orchestra, Julius Rudel | DEF057103866 |
| Wien, Wien, nur du allein | Beverly Sills, London Philharmonic Orchestra, Julius Rudel | DEF057103869 |
| The Tales of Hoffmann : Tu ne chanteras plus ? | Norman Treigle, Beverly Sills, Patricia Kern, London Symphony Orchestra, Julius Rudel | DEF057239144 |
| Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia) | Beverly Sills, London Symphony Orchestra, Julius Rudel | DEF057239145 |
| Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa) | The John Alldis Choir, Beverly Sills, Shirley Verrett, Philharmonia Orchestra, James Levine | DEF057309110 |
| I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira) | Beverly Sills, London Philharmonic Orchestra, Julius Rudel | DEF057331114 |
| La traviata: Atto I. "È Strano! è strano! (Violetta) | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | GBAYC7100074 |
| La traviata: Atto I. “Ah, fors'è lui” (Violetta) | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | GBAYC7100075 |
| La traviata: Atto I. "Follie! Follie!" (Violetta) | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | GBAYC7100076 |
| La traviata: Atto I. "Sempra libera" (Violetta) | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | GBAYC7100077 |
| Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva) | Nicolai Gedda, Beverly Sills, London Symphony Orchestra, James Levine | GBAYC9601633 |
The Ballad of Baby Doe: Act II. "Always Through the Changing" (Baby Doe)
Beverly Sills, New York City Opera Orchestra, Emerson Buckley
I Capuleti e i Montecchi: Atto I, Scena II. Romanza "Eccomi... Oh! quante volte" (Giulietta)
Beverly Sills, Orchester der Wiener Volksoper, Jussi Jalas
Robert le diable: Acte IV. Aria "Robert, toi que j'aime" (Isabelle)
Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
Roberto Devereux: Atto III. "Che m'apporti?" (Elisabetta)
The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
Roberto Devereux: Atto III. "Quel sangue versato al ciel!" (Elisabetta)
The Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras
"Vorrei spiegarvi, oh Dio," K.418
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
Die Entführung aus dem Serail, K. 384: Akt II. "Martern aller Arten" (Konstanze)
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
Amor, op. 68 no. 5
Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso" (Odabella)
Beverly Sills
Manon: Acte III. "Ces murs silencieux - Pardonnez-moi, Dieu de toute puissance" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
Manon: Acte III. "Toi! Vous!" ... "Oui! Je fus cruelle et coupable!" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
Manon: Acte III. "N'est-ce plus ma main?" (Manon)
The Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel
Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta)
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
Wien, Wien, nur du allein
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
The Tales of Hoffmann : Tu ne chanteras plus ?
Norman Treigle, Beverly Sills, Patricia Kern, London Symphony Orchestra, Julius Rudel
Les Contes d’Hoffmann : Acte IV. “Chère enfant ! que j’appelle” (Antonia)
Beverly Sills, London Symphony Orchestra, Julius Rudel
Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa)
The John Alldis Choir, Beverly Sills, Shirley Verrett, Philharmonia Orchestra, James Levine
I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira)
Beverly Sills, London Philharmonic Orchestra, Julius Rudel
La traviata: Atto I. "È Strano! è strano! (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
La traviata: Atto I. “Ah, fors'è lui” (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
La traviata: Atto I. "Follie! Follie!" (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
La traviata: Atto I. "Sempra libera" (Violetta)
Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato
Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Almaviva)
Nicolai Gedda, Beverly Sills, London Symphony Orchestra, James Levine
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 028947494720?
028947494720 is a Universal Product Code (UPC) assigned to The Great Recordings by Beverly Sills. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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