UPC · Release
Music From the Royal Court
Philip Jones Brass Ensemble
028947515227
59 tracksReleased 2003-01-01Decca
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028947515227 is the Universal Product Code (UPC barcode) for the release “Music From the Royal Court” by Philip Jones Brass Ensemble, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC.
Format
0Number system
28947Manufacturer
51522Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trumpet Tune "Cibell" for harpsichord in C major, ZT 678 (arr. trumpets: Elgar Howarth) | — | ||
| 2 | A Sequence of English 16th Century Dance Music: I. Galliard (arr. Elgar Howarth) | — | ||
| 3 | A Sequence of English 16th Century Dance Music: II. Pavan (arr. Elgar Howarth) | — | ||
| 4 | A Sequence of English 16th Century Dance Music: III. Coranto "Heigh-Ho Holiday" (arr. Elgar Howarth) | — | ||
| 5 | A Sequence of English 16th Century Dance Music: IV. Pavan (arr. Elgar Howarth) | — | ||
| 6 | A Sequence of English 16th Century Dance Music: V. Hornpype (arr. Elgar Howarth) | — | ||
| 7 | The Agincourt Song (arr. Elgar Howarth) | — | ||
| 8 | The March Before the Battle "The Earl of Oxford's March", MB 93 (arr. Elgar Howarth) | — | ||
| 9 | Earle of Salisbury's Pavane, MB 15 (arr. Bram Wiggins) | — | ||
| 10 | Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: I. Allemande | — | ||
| 11 | Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: II. Sarabande | — | ||
| 12 | Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: III. Allemande | — | ||
| 13 | Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: IV. Courante | — | ||
| 14 | Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: V. Air | — | ||
| 15 | Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: VI. Courante | — | ||
| 16 | Suite of Six Dances: I. The Old Spagnoletta (arr. Elgar Howarth) | — | ||
| 17 | Suite of Six Dances: II. Giles Farnaby's Dreame (arr. Elgar Howarth) | — | ||
| 18 | Suite of Six Dances: III. A Toye (arr. Elgar Howarth) | — | ||
| 19 | Suite of Six Dances: IV. Tell me Daphne (arr. Elgar Howarth) | — | ||
| 20 | Suite of Six Dances: V. His Rest (arr. Elgar Howarth) | — | ||
| 21 | Suite of Six Dances: VI. The New Sa-Hoo (arr. Elgar Howarth) | — | ||
| 22 | Pavan de le Roye, MB30 (arr. brass ensemble) | — | ||
| 23 | In nomine à 4, MB26 (arr. brass ensemble) | — | ||
| 24 | Pavan & Galliard "St. Thomas Wake" (arr. Elgar Howarth) | — | ||
| 25 | Galliard & Four Variations (arr. Elgar Howarth) | — | ||
| 26 | The King's Hunting Jigg (arr. Elgar Howarth) | — | ||
| 27 | Suite "A Rose Without a Thorn": I. Great Joy (arr. Elgar Howarth) | — | ||
| 28 | Suite "A Rose Without a Thorn": II. Pastime With Good Company / Hélas Madame (arr. Elgar Howarth) | — | ||
| 29 | Suite "A Rose Without a Thorn": III. Adieu! Madame Et Ma Maistresse (arr. Elgar Howarth) | — | ||
| 30 | Suite "A Rose Without a Thorn": IV. Taunder Naken (arr. Elgar Howarth) | — | ||
| 31 | Suite "A Rose Without a Thorn": V. Departure Is My Chief Pain (arr. Elgar Howarth) | — | ||
| 32 | Suite "A Rose Without a Thorn": VI. En Vrai Amour / Pastime With Good Company (arr. Elgar Howarth) | — | ||
| 33 | Fantasia "Newarke Seidge" (arr. Peter Reeve) | — | ||
| 34 | Aria della battaglia à 8 (arr. Philip Jones) | — | ||
| 2-1 | Fanfares for trumpets & timpani "Reiterfanfaren", ZWV 212: Three Fanfares | — | ||
| 2-2 | Canzoni da suonare, Op. 9: Canzon "La Seraphina" | — | ||
| 2-3 | Echo Fantasia | — | ||
| 2-4 | Ricercari, libro secondo: Ricercar del duodecimo tono | — | ||
| 2-5 | Canzona No. 33 for 8 trombones | — | ||
| 2-6 | Canzoni et Sonate: Canzon XIII à 8, C 206 | — | ||
| 2-7 | Danceries: Allemande (arr. Peter Reeve) | — | ||
| 2-8 | Danceries: Gaillarde (arr. Peter Reeve) | — | ||
| 2-9 | Danceries: Pavane d'Angleterre avec gaillarde (arr. Peter Reeve) | — | ||
| 2-10 | Danceries: Basse danse "La Volunté" (arr. Peter Reeve) | — | ||
| 2-11 | Danceries: Pavane passemaize avec gaillarde (arr. Peter Reeve) | — | ||
| 2-12 | Danceries: Branle de Bourgogne / Branle simple / Branle gay (arr. Peter Reeve) | — | ||
| 2-13 | Ave virgo lux Maria: Trumpet Intrada (arr. Kenneth Herbert) | — | ||
| 2-14 | Il est bel et bon, commere, mon mary (arr. Peter Reeve) | — | ||
| 2-15 | Terpsichorean Suite in D major for brass (arr. Peter Reeve) | — | ||
| 2-16 | Ludi musici, Book 1: Canzon cornetto, SSWV 56 | — | ||
| 2-17 | Ludi musici, Book 1: Galliard Battaglia, SSWV 59 | — | ||
| 2-18 | Ludi musici, Book 1: Courant dolorosa, SSWV 47 | — | ||
| 2-19 | Ludi musici, Book 1: Canzon ad imitationem Bergamas, SSWV 64 | — | ||
| 2-20 | Ludi musici, Book 1: Canzona super Intradam Aethiopicam, SSWV 69 (arr. à 10 Philip Jones) | — | ||
| 2-21 | Musicalisch Tüerckischer Eulen-Spiegel, No. 29: Die Bänkelsängerlieder: Sonata for 5 brass instruments | — | ||
| 2-22 | Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): I. Sonata: Adagio | — | ||
| 2-23 | Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): II. Courante | — | ||
| 2-24 | Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): III. Sarabande: Zeimlich langsam | — | ||
| 2-25 | Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): IV. Bal | — |
Trumpet Tune "Cibell" for harpsichord in C major, ZT 678 (arr. trumpets: Elgar Howarth)
—
A Sequence of English 16th Century Dance Music: I. Galliard (arr. Elgar Howarth)
—
A Sequence of English 16th Century Dance Music: II. Pavan (arr. Elgar Howarth)
—
A Sequence of English 16th Century Dance Music: III. Coranto "Heigh-Ho Holiday" (arr. Elgar Howarth)
—
A Sequence of English 16th Century Dance Music: IV. Pavan (arr. Elgar Howarth)
—
A Sequence of English 16th Century Dance Music: V. Hornpype (arr. Elgar Howarth)
—
The Agincourt Song (arr. Elgar Howarth)
—
The March Before the Battle "The Earl of Oxford's March", MB 93 (arr. Elgar Howarth)
—
Earle of Salisbury's Pavane, MB 15 (arr. Bram Wiggins)
—
Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: I. Allemande
—
Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: II. Sarabande
—
Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: III. Allemande
—
Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: IV. Courante
—
Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: V. Air
—
Music for His Majesty's Sackbutts and Cornetts: Suite No. 2 in F major: VI. Courante
—
Suite of Six Dances: I. The Old Spagnoletta (arr. Elgar Howarth)
—
Suite of Six Dances: II. Giles Farnaby's Dreame (arr. Elgar Howarth)
—
Suite of Six Dances: III. A Toye (arr. Elgar Howarth)
—
Suite of Six Dances: IV. Tell me Daphne (arr. Elgar Howarth)
—
Suite of Six Dances: V. His Rest (arr. Elgar Howarth)
—
Suite of Six Dances: VI. The New Sa-Hoo (arr. Elgar Howarth)
—
Pavan de le Roye, MB30 (arr. brass ensemble)
—
In nomine à 4, MB26 (arr. brass ensemble)
—
Pavan & Galliard "St. Thomas Wake" (arr. Elgar Howarth)
—
Galliard & Four Variations (arr. Elgar Howarth)
—
The King's Hunting Jigg (arr. Elgar Howarth)
—
Suite "A Rose Without a Thorn": I. Great Joy (arr. Elgar Howarth)
—
Suite "A Rose Without a Thorn": II. Pastime With Good Company / Hélas Madame (arr. Elgar Howarth)
—
Suite "A Rose Without a Thorn": III. Adieu! Madame Et Ma Maistresse (arr. Elgar Howarth)
—
Suite "A Rose Without a Thorn": IV. Taunder Naken (arr. Elgar Howarth)
—
Suite "A Rose Without a Thorn": V. Departure Is My Chief Pain (arr. Elgar Howarth)
—
Suite "A Rose Without a Thorn": VI. En Vrai Amour / Pastime With Good Company (arr. Elgar Howarth)
—
Fantasia "Newarke Seidge" (arr. Peter Reeve)
—
Aria della battaglia à 8 (arr. Philip Jones)
—
Fanfares for trumpets & timpani "Reiterfanfaren", ZWV 212: Three Fanfares
—
Canzoni da suonare, Op. 9: Canzon "La Seraphina"
—
Echo Fantasia
—
Ricercari, libro secondo: Ricercar del duodecimo tono
—
Canzona No. 33 for 8 trombones
—
Canzoni et Sonate: Canzon XIII à 8, C 206
—
Danceries: Allemande (arr. Peter Reeve)
—
Danceries: Gaillarde (arr. Peter Reeve)
—
Danceries: Pavane d'Angleterre avec gaillarde (arr. Peter Reeve)
—
Danceries: Basse danse "La Volunté" (arr. Peter Reeve)
—
Danceries: Pavane passemaize avec gaillarde (arr. Peter Reeve)
—
Danceries: Branle de Bourgogne / Branle simple / Branle gay (arr. Peter Reeve)
—
Ave virgo lux Maria: Trumpet Intrada (arr. Kenneth Herbert)
—
Il est bel et bon, commere, mon mary (arr. Peter Reeve)
—
Terpsichorean Suite in D major for brass (arr. Peter Reeve)
—
Ludi musici, Book 1: Canzon cornetto, SSWV 56
—
Ludi musici, Book 1: Galliard Battaglia, SSWV 59
—
Ludi musici, Book 1: Courant dolorosa, SSWV 47
—
Ludi musici, Book 1: Canzon ad imitationem Bergamas, SSWV 64
—
Ludi musici, Book 1: Canzona super Intradam Aethiopicam, SSWV 69 (arr. à 10 Philip Jones)
—
Musicalisch Tüerckischer Eulen-Spiegel, No. 29: Die Bänkelsängerlieder: Sonata for 5 brass instruments
—
Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): I. Sonata: Adagio
—
Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): II. Courante
—
Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): III. Sarabande: Zeimlich langsam
—
Sonata for brass No. 14 "Hora Decima" (arr. John Wilbraham): IV. Bal
—
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What is UPC 028947515227?
028947515227 is a Universal Product Code (UPC) assigned to Music From the Royal Court by Philip Jones Brass Ensemble. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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