UPC · Release
Chamber Music / Orchestral Works
Janáček, Paul Crossley, Gabrieli String Quartet, London Sinfonietta, Atherton, Wiener Philharmoniker, Chailly, Mackerras
028947552321
80 tracksReleased 2004-01-01Decca
Last verified:
028947552321 is the Universal Product Code (UPC barcode) for the release “Chamber Music / Orchestral Works” by Janáček, Paul Crossley, Gabrieli String Quartet, London Sinfonietta, Atherton, Wiener Philharmoniker, Chailly, Mackerras, released 2004-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 80 tracks, each with its own ISRC. Tracks include GBF078000171, GBF078000172, GBF078000173.
Format
0Number system
28947Manufacturer
55232Product
1Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
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- Check digit:
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Credit Chain
UPCChamber Music / Orchestral Works
ISRC8 recordings
ISWC4 works
Track List (80)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Po zarostlém chodníčku I: Naše večery | — | ||
| 2 | Po zarostlém chodníčku I: Lístek odvanutý | — | ||
| 3 | Po zarostlém chodníčku I: Pojďte s námi! | — | ||
| 4 | Po zarostlém chodníčku I: Frýdecká panna Maria | — | ||
| 5 | Po zarostlém chodníčku I: Štěbetaly jak laštovičky | — | ||
| 6 | Po zarostlém chodníčku I: Nelze domluvit! | — | ||
| 7 | Po zarostlém chodníčku I: Dobrou noc! | — | ||
| 8 | Po zarostlém chodníčku I: Tak neskonale úzko | — | ||
| 9 | Po zarostlém chodníčku I: V pláči | — | ||
| 10 | Po zarostlém chodníčku I: Sýček neodletěl | — | ||
| 11 | Po zarostlém chodníčku II: Andante | — | ||
| 12 | Po zarostlém chodníčku II: Allegretto | — | ||
| 13 | Po zarostlém chodníčku: Paralipomena: Più mosso | — | ||
| 14 | Po zarostlém chodníčku: Paralipomena: Allegro - Adagio | — | ||
| 15 | Po zarostlém chodníčku: Paralipomena: Vivo | — | ||
| 16 | Theme and Variations | — | ||
| 17 | V mlhách: I. Andante | — | ||
| 18 | V mlhách: II. Molto adagio | — | ||
| 19 | V mlhách: III. Andantino | — | ||
| 20 | V mlhách: IV. Presto | — | ||
| 21 | Vzpominka | — | ||
| 2-1 | String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): I. Adagio | — | ||
| 2-2 | String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): II. Con moto | — | ||
| 2-3 | String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): III. Con moto | — | ||
| 2-4 | String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): IV. Con moto | — | ||
| 2-5 | String Quartet no. 2 "Intimate Letters": I. Andante | — | ||
| 2-6 | String Quartet no. 2 "Intimate Letters": II. Adagio | — | ||
| 2-7 | String Quartet no. 2 "Intimate Letters": III. Moderato | — | ||
| 2-8 | String Quartet no. 2 "Intimate Letters": IV. Allegro | — | ||
| 2-9 | Sonata for Violin and Piano: I. Con moto | — | ||
| 2-10 | Sonata for Violin and Piano: II. Ballada (Con moto) | — | ||
| 2-11 | Sonata for Violin and Piano: III. Allegretto | — | ||
| 2-12 | Sonata for Violin and Piano: IV. Adagio | — | ||
| 2-13 | Dumka for Violin and Piano | — | ||
| 2-14 | Romance for Violin and Piano | — | ||
| 3-1 | Mládí - Suite for Wind Sextet: I. Andante | — | ||
| 3-2 | Mládí - Suite for Wind Sextet: II. Moderato | — | ||
| 3-3 | Mládí - Suite for Wind Sextet: III. Allegro | — | ||
| 3-4 | Mládí - Suite for Wind Sextet: IV. Con moto | — | ||
| 3-5 | Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": I. Allegro | — | ||
| 3-6 | Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": II. Adagio | — | ||
| 3-7 | Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": III. Allegretto | — | ||
| 3-8 | Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": IV. Andante | — | ||
| 3-9 | Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: I. Moderato | — | ||
| 3-10 | Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: II. Più mosso | — | ||
| 3-11 | Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: III. Con moto | — | ||
| 3-12 | Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: IV. Allegro | — | ||
| 3-13 | Pohádka for Cello & Piano: I. Con moto | — | ||
| 3-14 | Pohádka for Cello & Piano: II. Con moto | — | ||
| 3-15 | Pohádka for Cello & Piano: III. Allegro | — | ||
| 3-16 | Presto for Cello and Piano | — | ||
| 4-1 | Sinfonietta for Orchestra: I. Allegretto - Allegro - Maestoso | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 4-2 | Sinfonietta for Orchestra: II. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 4-3 | Sinfonietta for Orchestra: III. Moderato - Con Moto - Prestissimo - Tempo I - Moderato | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 4-4 | Sinfonietta for Orchestra: IV. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo | Vienna Philharmonic, Charles Mackerras | T-003.055.867-8 | |
| 4-5 | Sinfonietta for Orchestra: V. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 4-6 | Taras Bulba - Rhapsody for Orchestra: I. The Death of Andri | Vienna Philharmonic, Charles Mackerras | — | |
| 4-7 | Taras Bulba - Rhapsody for Orchestra: II. The Death of Ostap | Vienna Philharmonic, Charles Mackerras | — | |
| 4-8 | Taras Bulba - Rhapsody for Orchestra: III. The Prophecy and the Death of Taras Bulba | Vienna Philharmonic, Charles Mackerras | — | |
| 4-9 | Lašské tance: I. Starodávný I | — | ||
| 4-10 | Lašské tance: II. Požehnaný | — | ||
| 4-11 | Lašské tance: III. Dymák | — | ||
| 4-12 | Lašské tance: IV. Starodávný I | — | ||
| 4-13 | Lašské tance: V. Čeladenský | — | ||
| 4-14 | Lašské tance: VI. Pilky | — | ||
| 5-1 | Suita pro smyčce: I. Moderato | — | ||
| 5-2 | Suita pro smyčce: II. Adagio | — | ||
| 5-3 | Suita pro smyčce: III. Andante con moto | — | ||
| 5-4 | Suita pro smyčce: IV. Presto - Adagio - Presto | — | ||
| 5-5 | Suita pro smyčce: V. Adagio | — | ||
| 5-6 | Suita pro smyčce: VI. Andante | — | ||
| 5-7 | Říkadla | — | ||
| 5-8 | Mša glagolskaja: Úvod | — | ||
| 5-9 | Mša glagolskaja: Gospodi pomiluji | — | ||
| 5-10 | Mša glagolskaja: Slava | — | ||
| 5-11 | Mša glagolskaja: Veruju | — | ||
| 5-12 | Mša glagolskaja: Svet | — | ||
| 5-13 | Mša glagolskaja: Agneče Božij | — | ||
| 5-14 | Mša glagolskaja: Postludium. Allegro | — | ||
| 5-15 | Mša glagolskaja: Intrada | — |
Po zarostlém chodníčku I: Naše večery
—
Po zarostlém chodníčku I: Lístek odvanutý
—
Po zarostlém chodníčku I: Pojďte s námi!
—
Po zarostlém chodníčku I: Frýdecká panna Maria
—
Po zarostlém chodníčku I: Štěbetaly jak laštovičky
—
Po zarostlém chodníčku I: Nelze domluvit!
—
Po zarostlém chodníčku I: Dobrou noc!
—
Po zarostlém chodníčku I: Tak neskonale úzko
—
Po zarostlém chodníčku I: V pláči
—
Po zarostlém chodníčku I: Sýček neodletěl
—
Po zarostlém chodníčku II: Andante
—
Po zarostlém chodníčku II: Allegretto
—
Po zarostlém chodníčku: Paralipomena: Più mosso
—
Po zarostlém chodníčku: Paralipomena: Allegro - Adagio
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Po zarostlém chodníčku: Paralipomena: Vivo
—
Theme and Variations
—
V mlhách: I. Andante
—
V mlhách: II. Molto adagio
—
V mlhách: III. Andantino
—
V mlhách: IV. Presto
—
Vzpominka
—
String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): I. Adagio
—
String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): II. Con moto
—
String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): III. Con moto
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String Quartet no. 1 (Inspired by L.N. Tolstoi's "Kreutzer Sonata"): IV. Con moto
—
String Quartet no. 2 "Intimate Letters": I. Andante
—
String Quartet no. 2 "Intimate Letters": II. Adagio
—
String Quartet no. 2 "Intimate Letters": III. Moderato
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String Quartet no. 2 "Intimate Letters": IV. Allegro
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Sonata for Violin and Piano: I. Con moto
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Sonata for Violin and Piano: II. Ballada (Con moto)
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Sonata for Violin and Piano: III. Allegretto
—
Sonata for Violin and Piano: IV. Adagio
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Dumka for Violin and Piano
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Romance for Violin and Piano
—
Mládí - Suite for Wind Sextet: I. Andante
—
Mládí - Suite for Wind Sextet: II. Moderato
—
Mládí - Suite for Wind Sextet: III. Allegro
—
Mládí - Suite for Wind Sextet: IV. Con moto
—
Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": I. Allegro
—
Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": II. Adagio
—
Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": III. Allegretto
—
Capriccio for Piano (Left Hand), Flute & Brass Ensemble "Vzdor": IV. Andante
—
Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: I. Moderato
—
Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: II. Più mosso
—
Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: III. Con moto
—
Concertino for Piano, 2 Violins, Viola, Clarinet, Horn & Bassoon: IV. Allegro
—
Pohádka for Cello & Piano: I. Con moto
—
Pohádka for Cello & Piano: II. Con moto
—
Pohádka for Cello & Piano: III. Allegro
—
Presto for Cello and Piano
—
Vienna Philharmonic, Charles Mackerras
Vienna Philharmonic, Charles Mackerras
Vienna Philharmonic, Charles Mackerras
Vienna Philharmonic, Charles Mackerras
Vienna Philharmonic, Charles Mackerras
Taras Bulba - Rhapsody for Orchestra: I. The Death of Andri
Vienna Philharmonic, Charles Mackerras
—
Taras Bulba - Rhapsody for Orchestra: II. The Death of Ostap
Vienna Philharmonic, Charles Mackerras
—
Taras Bulba - Rhapsody for Orchestra: III. The Prophecy and the Death of Taras Bulba
Vienna Philharmonic, Charles Mackerras
—
Lašské tance: I. Starodávný I
—
Lašské tance: II. Požehnaný
—
Lašské tance: III. Dymák
—
Lašské tance: IV. Starodávný I
—
Lašské tance: V. Čeladenský
—
Lašské tance: VI. Pilky
—
Suita pro smyčce: I. Moderato
—
Suita pro smyčce: II. Adagio
—
Suita pro smyčce: III. Andante con moto
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Suita pro smyčce: IV. Presto - Adagio - Presto
—
Suita pro smyčce: V. Adagio
—
Suita pro smyčce: VI. Andante
—
Říkadla
—
Mša glagolskaja: Úvod
—
Mša glagolskaja: Gospodi pomiluji
—
Mša glagolskaja: Slava
—
Mša glagolskaja: Veruju
—
Mša glagolskaja: Svet
—
Mša glagolskaja: Agneče Božij
—
Mša glagolskaja: Postludium. Allegro
—
Mša glagolskaja: Intrada
—
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 028947552321?
028947552321 is a Universal Product Code (UPC) assigned to Chamber Music / Orchestral Works by Janáček, Paul Crossley, Gabrieli String Quartet, London Sinfonietta, Atherton, Wiener Philharmoniker, Chailly, Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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