UPC · Release
Theatre Music
Purcell, Kirkby, Nelson, Bowman, Hill, Thomas, Academy of Ancient Music, Christopher Hogwood
028947552925
135 tracksReleased 2004-01-01Decca
Last verified:
028947552925 is the Universal Product Code (UPC barcode) for the release “Theatre Music” by Purcell, Kirkby, Nelson, Bowman, Hill, Thomas, Academy of Ancient Music, Christopher Hogwood, released 2004-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 135 tracks, each with its own ISRC.
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0Number system
28947Manufacturer
55292Product
5Check digit
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Credit Chain
UPCTheatre Music
IPI1 songwriter
Track List (135)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Abdelazer or The Moor's Revenge Z570 (1695): Overture | — | ||
| 2 | Abdelazer or The Moor's Revenge Z570 (1695): Rondeau - Air - Air - Minuet | — | ||
| 3 | Abdelazer or The Moor's Revenge Z570 (1695): Air - Jig - Hornpipe - Air | — | ||
| 4 | Abdelazer or The Moor's Revenge Z570 (1695): Song: Lucinda is Bewitching Fair | — | ||
| 5 | Distressed Innocence or The Princess Of Persia Z577 (1690): Overture | — | ||
| 6 | Distressed Innocence or The Princess Of Persia Z577 (1690): Air - Slow Air - Air - Hornpipe or Jig | — | ||
| 7 | Distressed Innocence or The Princess Of Persia Z577 (1690): Rondeau - Air - Minuet | — | ||
| 8 | The Married Beau or The Curious Impenitent Z603 (1694): Overture | — | ||
| 9 | The Married Beau or The Curious Impenitent Z603 (1694): Slow Air - Hornpipe | — | ||
| 10 | The Married Beau or The Curious Impenitent Z603 (1694): Air - Hornpipe - Jig | — | ||
| 11 | The Married Beau or The Curious Impenitent Z603 (1694): Trumpet Air - March - Hornpipe on a Ground | — | ||
| 12 | The Married Beau or The Curious Impenitent Z603 (1694): Song: See! Where Repenting Celia Lyes | — | ||
| 13 | The Gordian Knot Unty'd Z597 (1691): Overture | — | ||
| 14 | The Gordian Knot Unty'd Z597 (1691): Air - Rondeau Minuet - Air - Jig | — | ||
| 15 | The Gordian Knot Unty'd Z597 (1691): Chaconne - Air - Minuet | — | ||
| 16 | Sir Anthony Love or The Rambling Lady Z588 (1690): Overture | — | ||
| 17 | Sir Anthony Love or The Rambling Lady Z588 (1690): Pursuing Beauty | — | ||
| 18 | Sir Anthony Love or The Rambling Lady Z588 (1690): No More, Sir, No More | — | ||
| 19 | Sir Anthony Love or The Rambling Lady Z588 (1690): In Vain Clemene | — | ||
| 20 | Sir Anthony Love or The Rambling Lady Z588 (1690): Ground | — | ||
| 2-1 | Bonduca or The British Heroine Z574 (1695): Overture | — | ||
| 2-2 | Bonduca or The British Heroine Z574 (1695): Air - Hornpipe - Air | — | ||
| 2-3 | Bonduca or The British Heroine Z574 (1695): Hornpipe - Air - Minuet | — | ||
| 2-4 | Bonduca or The British Heroine Z574 (1695): Jack, Thou'rt a Roper | — | ||
| 2-5 | Bonduca or The British Heroine Z574 (1695): Hear Us Great Rugwith | — | ||
| 2-6 | Bonduca or The British Heroine Z574 (1695): Hear, Ye Gods of Britain | — | ||
| 2-7 | Bonduca or The British Heroine Z574 (1695): Sing, Sing, Ye Druids! | — | ||
| 2-8 | Bonduca or The British Heroine Z574 (1695): Divine Andate, President of War | — | ||
| 2-9 | Bonduca or The British Heroine Z574 (1695): To Arms | — | ||
| 2-10 | Bonduca or The British Heroine Z574 (1695): Britons Strike Home! | — | ||
| 2-11 | Bonduca or The British Heroine Z574 (1695): O Lead Me to Some Peaceful Gloom | — | ||
| 2-12 | Circe Z575 (?1690): We Must Assemble a Sacrifice | — | ||
| 2-13 | Circe Z575 (?1690): Their Necessary Aid You Use | — | ||
| 2-14 | Circe Z575 (?1690): Come Every Demon | — | ||
| 2-15 | Circe Z575 (?1690): Lovers, Who to Their First Embraces Go | — | ||
| 2-16 | Circe Z575 (?1690): Magicians' Dance ... Pluto, Arise! | — | ||
| 2-17 | The Virtuous Wife or Good Luck at Last Z611 (?1694): Overture | — | ||
| 2-18 | The Virtuous Wife or Good Luck at Last Z611 (?1694): Song Tune - Slow Air - Air | — | ||
| 2-19 | The Virtuous Wife or Good Luck at Last Z611 (?1694): Preludio - Hornpipe - Minuet - MInuet (1st Act Tune) | — | ||
| 2-20 | The Old Bachelor Z607 (1691): Overture | — | ||
| 2-21 | The Old Bachelor Z607 (1691): Hornpipe | — | ||
| 2-22 | The Old Bachelor Z607 (1691): Thus to a Ripe, Consenting Maid | — | ||
| 2-23 | The Old Bachelor Z607 (1691): Slow Air - Hornpipe | — | ||
| 2-24 | The Old Bachelor Z607 (1691): As Amoret and Thyrsis Lay | — | ||
| 2-25 | The Old Bachelor Z607 (1691): Rondeau - Minuet - Boree - March - Jig | — | ||
| 3-1 | Overture In G Minor Z770 | — | ||
| 3-2 | Don Quixote Z578 (1694-95): Sing All Ye Muses | — | ||
| 3-3 | Don Quixote Z578 (1694-95): When the World First Knew Creation | — | ||
| 3-4 | Don Quixote Z578 (1694-95): Let the Dreadful Engines of Eternal Will | — | ||
| 3-5 | Don Quixote Z578 (1694-95): With This Sacred Charming Wand | — | ||
| 3-6 | Don Quixote Z578 (1694-95): Since Times are So Bad | — | ||
| 3-7 | Don Quixote Z578 (1694-95): Genius of England | — | ||
| 3-8 | Don Quixote Z578 (1694-95): Lads and Lasses, Blithe and Gay | — | ||
| 3-9 | Don Quixote Z578 (1694-95): From Rosie Bow'rs | — | ||
| 3-10 | Amphitryon or The Two Sosias Z572 (1690): Overture | — | ||
| 3-11 | Amphitryon or The Two Sosias Z572 (1690): Saraband | — | ||
| 3-12 | Amphitryon or The Two Sosias Z572 (1690): Celia, That I Once Was Blest | — | ||
| 3-13 | Amphitryon or The Two Sosias Z572 (1690): Hornpipe - Scotch Tune | — | ||
| 3-14 | Amphitryon or The Two Sosias Z572 (1690): For Iris I Sigh | — | ||
| 3-15 | Amphitryon or The Two Sosias Z572 (1690): Air - Minuet - Hornpipe | — | ||
| 3-16 | Amphitryon or The Two Sosias Z572 (1690): Fair Iris and Her Swain | — | ||
| 3-17 | Amphitryon or The Two Sosias Z572 (1690): Bourrée | — | ||
| 4-1 | The Double Dealer Z592 (1693): Overture | — | ||
| 4-2 | The Double Dealer Z592 (1693): Hornpipe - Minuet - Air - Hornpipe | — | ||
| 4-3 | The Double Dealer Z592 (1693): Cynthia Frowns | — | ||
| 4-4 | The Double Dealer Z592 (1693): Minuet - Minuet - Air - Air | — | ||
| 4-5 | The Richmond Heiress or A Woman Once in the Right Z608 (1693): Behold the Man | — | ||
| 4-6 | The Rival Sisters or The Violence of Love Z609 (1695): Overture | — | ||
| 4-7 | The Rival Sisters or The Violence of Love Z609 (1695): Celia Has a Thousand Charms | — | ||
| 4-8 | The Rival Sisters or The Violence of Love Z609 (1695): Take Not a Woman's Anger Ill | — | ||
| 4-9 | The Rival Sisters or The Violence of Love Z609 (1695): How Happy, How Happy is She | — | ||
| 4-10 | Henry the Second, King of England Z580 (1692): In Vain, 'Gainst Love, in Vain I Strove | — | ||
| 4-11 | Tyrannic Love or The Royar Martyr Z613 (1694): Hark! My Damilcar! | — | ||
| 4-12 | Tyrannic Love or The Royar Martyr Z613 (1694): Ah! How Sweet it is to Love | — | ||
| 4-13 | Overture in G Minor Z772 | — | ||
| 4-14 | Theodosius or The Force of Love Z606 (1680): Prepare, Prepare, the Rites Begin | — | ||
| 4-15 | Theodosius or The Force of Love Z606 (1680): Can'st Thou, Marina | — | ||
| 4-16 | Theodosius or The Force of Love Z606 (1680): The Gate to Bliss | — | ||
| 4-17 | Theodosius or The Force of Love Z606 (1680): Hark! Hark! Behold the Heav'nly Choir | — | ||
| 4-18 | Theodosius or The Force of Love Z606 (1680): Now the Fight's Done | — | ||
| 4-19 | Theodosius or The Force of Love Z606 (1680): Sad as Death at Dead of Night | — | ||
| 4-20 | Theodosius or The Force of Love Z606 (1680): Dream No More of Pleasures Past | — | ||
| 4-21 | Theodosius or The Force of Love Z606 (1680): Hail to the Myrtle Shade | — | ||
| 4-22 | Theodosius or The Force of Love Z606 (1680): Ah Cruel, Bloody Fate | — | ||
| 5-1 | The Libertine or The Libertine Destroyed Z600 (?1692): Nymphs and Shepherds | — | ||
| 5-2 | The Libertine or The Libertine Destroyed Z600 (?1692): We Come | — | ||
| 5-3 | The Libertine or The Libertine Destroyed Z600 (?1692): Prelude | — | ||
| 5-4 | The Libertine or The Libertine Destroyed Z600 (?1692): Prepare, Prepare, New Guests Draw Near | — | ||
| 5-5 | The Libertine or The Libertine Destroyed Z600 (?1692): To Arms, Heroic Prince | — | ||
| 5-6 | The Massacre of Paris Z604 (1690): Thy Genius, Lo (2 Settings) | — | ||
| 5-7 | Oedipus Z583 (?1692): Hear, Ye Sullen Powers Below | — | ||
| 5-8 | Oedipus Z583 (?1692): Music for a While | — | ||
| 5-9 | Oedipus Z583 (?1692): Come Away, Do Not Stay ... Laius! Hear, Hear | — | ||
| 5-10 | Overture in D Minor Z771 | — | ||
| 5-11 | The History of King Richard the Second (The Sicilian Usurper) Z581 (1681):Retir'd from Any Mortal's Sight | — | ||
| 5-12 | Sir Barnaby Whigg or No Wit Like a Woman's Z589 (1681): Blow, Blow, Boreas, Blow | — | ||
| 5-13 | Sophonisba or Hannibal's Overthrow Z590 (?1685): Beneath the Poplar's Shadow | — | ||
| 5-14 | The English Lawyer Z594 (1685): My Wife has a Tongue | — | ||
| 5-15 | A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): I Sigh'd, and I Pin'd ... There's Nothing so Fatal as Woman | — | ||
| 5-16 | A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): Fled is My Love ... 'Tis Death Alone ... I'll Mount to Yon Blue Coelum | — | ||
| 5-17 | A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): I'll Sail Upon the Dog-Star | — | ||
| 5-18 | A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): Jenny, 'Gin You Can Love | — | ||
| 5-19 | A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): If Thou Wilt Give Me Back My Love | — | ||
| 5-20 | The Indian Emperor or The Conquest of Mexico Z598 (1691): I Look'd and Saw Within | — | ||
| 5-21 | The Knight of Malta Z599 (1691): At the Close of the Ev'ning | — | ||
| 5-22 | A Dialogue Between Thirsis and Daphne Z525 (1691): Why, My Daphne, Why Complaining | — | ||
| 5-23 | The Wives' Excuse or Cuckolds Make Themselves Z612 (1691): Ingrateful Love! | — | ||
| 5-24 | The Wives' Excuse or Cuckolds Make Themselves Z612 (1691): Hang This Whining Way of Wooing | — | ||
| 5-25 | The Wives' Excuse or Cuckolds Make Themselves Z612 (1691): Say, Cruel Amoret ... Corinna, I Excuse Thy Face | — | ||
| 5-26 | Cleomenes, the Spartan Hero Z576 (1692): No, No, Poor Suff'ring Heart | — | ||
| 5-27 | Regulus or The Faction of Carthage Z586 (1692): Ah Me! To Many Deaths | — | ||
| 5-28 | The Marriage-Hater Match'd Z602 (1692): As Soon as The Chaos ... How Vile are the Sordid Intregues | — | ||
| 6-1 | Love Triumphant or Nature Will Prevail Z582 (1693): How Happy's the Husband | — | ||
| 6-2 | Rule a Wife and Have a Wife Z587 (1693): There's Not a Swain | — | ||
| 6-3 | The Female Virtuosos Z596: Love, Thou Art Best | — | ||
| 6-4 | Epsom Wells Z579 (1693): Leave These Useless Arts | — | ||
| 6-5 | The Maid's Last Prayer or Any Rather Than Fail Z601 (1693): Though You Make No Return | — | ||
| 6-6 | The Maid's Last Prayer or Any Rather Than Fail Z601 (1693): No, Resistance is But Vain | — | ||
| 6-7 | The Maid's Last Prayer or Any Rather Than Fail Z601 (1693): Tell Me No More | — | ||
| 6-8 | Aureng-Zebe or The Great Mogul Z573 (?1692): I See, She Flies Me | — | ||
| 6-9 | The Canterbury Guests or A Bargain Broken Z591 (1694): Good Neighbour Why? | — | ||
| 6-10 | The Fatal Marriage or The Innocent Adultery Z595 (1694): The Danger is Over | — | ||
| 6-11 | The Fatal Marriage or The Innocent Adultery Z595 (1694): I Sigh'd and Owned My Love | — | ||
| 6-12 | The Spanish Fair or The Double Discovery Z610 (1694-95): Whilst I Get Grief | — | ||
| 6-13 | Pausianias, the Betrayer of His Country Z585 (1695): Sweeter Than Roses | — | ||
| 6-14 | Pausianias, the Betrayer of His Country Z585 (1695): My Dearest, My Fairest | — | ||
| 6-15 | The Mock Marriage Z605 (1695): Oh! How You Protest ... 'Twas Within a Furlong ... Man is for the Woman Made | — | ||
| 6-16 | Oroonoko Z584 (1695): Celemene, Pray Tell Me | — | ||
| 6-17 | Pavan No. 1 in A Major Z748 | — | ||
| 6-18 | Pavan No. 2 in A Minor Z749 | — | ||
| 6-19 | Pavan No. 3 in B Flat Major Z750 | — | ||
| 6-20 | Pavan No. 4 in G Minor Z751 | — | ||
| 6-21 | Pavan No. 5 in G Minor Z752 | — | ||
| 6-22 | Trio Sonata for Violin, Bass Viol and Organ Z780 | — | ||
| 6-23 | Chacony Z730 | — |
Abdelazer or The Moor's Revenge Z570 (1695): Overture
—
Abdelazer or The Moor's Revenge Z570 (1695): Rondeau - Air - Air - Minuet
—
Abdelazer or The Moor's Revenge Z570 (1695): Air - Jig - Hornpipe - Air
—
Abdelazer or The Moor's Revenge Z570 (1695): Song: Lucinda is Bewitching Fair
—
Distressed Innocence or The Princess Of Persia Z577 (1690): Overture
—
Distressed Innocence or The Princess Of Persia Z577 (1690): Air - Slow Air - Air - Hornpipe or Jig
—
Distressed Innocence or The Princess Of Persia Z577 (1690): Rondeau - Air - Minuet
—
The Married Beau or The Curious Impenitent Z603 (1694): Overture
—
The Married Beau or The Curious Impenitent Z603 (1694): Slow Air - Hornpipe
—
The Married Beau or The Curious Impenitent Z603 (1694): Air - Hornpipe - Jig
—
The Married Beau or The Curious Impenitent Z603 (1694): Trumpet Air - March - Hornpipe on a Ground
—
The Married Beau or The Curious Impenitent Z603 (1694): Song: See! Where Repenting Celia Lyes
—
The Gordian Knot Unty'd Z597 (1691): Overture
—
The Gordian Knot Unty'd Z597 (1691): Air - Rondeau Minuet - Air - Jig
—
The Gordian Knot Unty'd Z597 (1691): Chaconne - Air - Minuet
—
Sir Anthony Love or The Rambling Lady Z588 (1690): Overture
—
Sir Anthony Love or The Rambling Lady Z588 (1690): Pursuing Beauty
—
Sir Anthony Love or The Rambling Lady Z588 (1690): No More, Sir, No More
—
Sir Anthony Love or The Rambling Lady Z588 (1690): In Vain Clemene
—
Sir Anthony Love or The Rambling Lady Z588 (1690): Ground
—
Bonduca or The British Heroine Z574 (1695): Overture
—
Bonduca or The British Heroine Z574 (1695): Air - Hornpipe - Air
—
Bonduca or The British Heroine Z574 (1695): Hornpipe - Air - Minuet
—
Bonduca or The British Heroine Z574 (1695): Jack, Thou'rt a Roper
—
Bonduca or The British Heroine Z574 (1695): Hear Us Great Rugwith
—
Bonduca or The British Heroine Z574 (1695): Hear, Ye Gods of Britain
—
Bonduca or The British Heroine Z574 (1695): Sing, Sing, Ye Druids!
—
Bonduca or The British Heroine Z574 (1695): Divine Andate, President of War
—
Bonduca or The British Heroine Z574 (1695): To Arms
—
Bonduca or The British Heroine Z574 (1695): Britons Strike Home!
—
Bonduca or The British Heroine Z574 (1695): O Lead Me to Some Peaceful Gloom
—
Circe Z575 (?1690): We Must Assemble a Sacrifice
—
Circe Z575 (?1690): Their Necessary Aid You Use
—
Circe Z575 (?1690): Come Every Demon
—
Circe Z575 (?1690): Lovers, Who to Their First Embraces Go
—
Circe Z575 (?1690): Magicians' Dance ... Pluto, Arise!
—
The Virtuous Wife or Good Luck at Last Z611 (?1694): Overture
—
The Virtuous Wife or Good Luck at Last Z611 (?1694): Song Tune - Slow Air - Air
—
The Virtuous Wife or Good Luck at Last Z611 (?1694): Preludio - Hornpipe - Minuet - MInuet (1st Act Tune)
—
The Old Bachelor Z607 (1691): Overture
—
The Old Bachelor Z607 (1691): Hornpipe
—
The Old Bachelor Z607 (1691): Thus to a Ripe, Consenting Maid
—
The Old Bachelor Z607 (1691): Slow Air - Hornpipe
—
The Old Bachelor Z607 (1691): As Amoret and Thyrsis Lay
—
The Old Bachelor Z607 (1691): Rondeau - Minuet - Boree - March - Jig
—
Overture In G Minor Z770
—
Don Quixote Z578 (1694-95): Sing All Ye Muses
—
Don Quixote Z578 (1694-95): When the World First Knew Creation
—
Don Quixote Z578 (1694-95): Let the Dreadful Engines of Eternal Will
—
Don Quixote Z578 (1694-95): With This Sacred Charming Wand
—
Don Quixote Z578 (1694-95): Since Times are So Bad
—
Don Quixote Z578 (1694-95): Genius of England
—
Don Quixote Z578 (1694-95): Lads and Lasses, Blithe and Gay
—
Don Quixote Z578 (1694-95): From Rosie Bow'rs
—
Amphitryon or The Two Sosias Z572 (1690): Overture
—
Amphitryon or The Two Sosias Z572 (1690): Saraband
—
Amphitryon or The Two Sosias Z572 (1690): Celia, That I Once Was Blest
—
Amphitryon or The Two Sosias Z572 (1690): Hornpipe - Scotch Tune
—
Amphitryon or The Two Sosias Z572 (1690): For Iris I Sigh
—
Amphitryon or The Two Sosias Z572 (1690): Air - Minuet - Hornpipe
—
Amphitryon or The Two Sosias Z572 (1690): Fair Iris and Her Swain
—
Amphitryon or The Two Sosias Z572 (1690): Bourrée
—
The Double Dealer Z592 (1693): Overture
—
The Double Dealer Z592 (1693): Hornpipe - Minuet - Air - Hornpipe
—
The Double Dealer Z592 (1693): Cynthia Frowns
—
The Double Dealer Z592 (1693): Minuet - Minuet - Air - Air
—
The Richmond Heiress or A Woman Once in the Right Z608 (1693): Behold the Man
—
The Rival Sisters or The Violence of Love Z609 (1695): Overture
—
The Rival Sisters or The Violence of Love Z609 (1695): Celia Has a Thousand Charms
—
The Rival Sisters or The Violence of Love Z609 (1695): Take Not a Woman's Anger Ill
—
The Rival Sisters or The Violence of Love Z609 (1695): How Happy, How Happy is She
—
Henry the Second, King of England Z580 (1692): In Vain, 'Gainst Love, in Vain I Strove
—
Tyrannic Love or The Royar Martyr Z613 (1694): Hark! My Damilcar!
—
Tyrannic Love or The Royar Martyr Z613 (1694): Ah! How Sweet it is to Love
—
Overture in G Minor Z772
—
Theodosius or The Force of Love Z606 (1680): Prepare, Prepare, the Rites Begin
—
Theodosius or The Force of Love Z606 (1680): Can'st Thou, Marina
—
Theodosius or The Force of Love Z606 (1680): The Gate to Bliss
—
Theodosius or The Force of Love Z606 (1680): Hark! Hark! Behold the Heav'nly Choir
—
Theodosius or The Force of Love Z606 (1680): Now the Fight's Done
—
Theodosius or The Force of Love Z606 (1680): Sad as Death at Dead of Night
—
Theodosius or The Force of Love Z606 (1680): Dream No More of Pleasures Past
—
Theodosius or The Force of Love Z606 (1680): Hail to the Myrtle Shade
—
Theodosius or The Force of Love Z606 (1680): Ah Cruel, Bloody Fate
—
The Libertine or The Libertine Destroyed Z600 (?1692): Nymphs and Shepherds
—
The Libertine or The Libertine Destroyed Z600 (?1692): We Come
—
The Libertine or The Libertine Destroyed Z600 (?1692): Prelude
—
The Libertine or The Libertine Destroyed Z600 (?1692): Prepare, Prepare, New Guests Draw Near
—
The Libertine or The Libertine Destroyed Z600 (?1692): To Arms, Heroic Prince
—
The Massacre of Paris Z604 (1690): Thy Genius, Lo (2 Settings)
—
Oedipus Z583 (?1692): Hear, Ye Sullen Powers Below
—
Oedipus Z583 (?1692): Music for a While
—
Oedipus Z583 (?1692): Come Away, Do Not Stay ... Laius! Hear, Hear
—
Overture in D Minor Z771
—
The History of King Richard the Second (The Sicilian Usurper) Z581 (1681):Retir'd from Any Mortal's Sight
—
Sir Barnaby Whigg or No Wit Like a Woman's Z589 (1681): Blow, Blow, Boreas, Blow
—
Sophonisba or Hannibal's Overthrow Z590 (?1685): Beneath the Poplar's Shadow
—
The English Lawyer Z594 (1685): My Wife has a Tongue
—
A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): I Sigh'd, and I Pin'd ... There's Nothing so Fatal as Woman
—
A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): Fled is My Love ... 'Tis Death Alone ... I'll Mount to Yon Blue Coelum
—
A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): I'll Sail Upon the Dog-Star
—
A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): Jenny, 'Gin You Can Love
—
A Fool's Preferment or The Three Dukes of Dunstable Z571 (1688): If Thou Wilt Give Me Back My Love
—
The Indian Emperor or The Conquest of Mexico Z598 (1691): I Look'd and Saw Within
—
The Knight of Malta Z599 (1691): At the Close of the Ev'ning
—
A Dialogue Between Thirsis and Daphne Z525 (1691): Why, My Daphne, Why Complaining
—
The Wives' Excuse or Cuckolds Make Themselves Z612 (1691): Ingrateful Love!
—
The Wives' Excuse or Cuckolds Make Themselves Z612 (1691): Hang This Whining Way of Wooing
—
The Wives' Excuse or Cuckolds Make Themselves Z612 (1691): Say, Cruel Amoret ... Corinna, I Excuse Thy Face
—
Cleomenes, the Spartan Hero Z576 (1692): No, No, Poor Suff'ring Heart
—
Regulus or The Faction of Carthage Z586 (1692): Ah Me! To Many Deaths
—
The Marriage-Hater Match'd Z602 (1692): As Soon as The Chaos ... How Vile are the Sordid Intregues
—
Love Triumphant or Nature Will Prevail Z582 (1693): How Happy's the Husband
—
Rule a Wife and Have a Wife Z587 (1693): There's Not a Swain
—
The Female Virtuosos Z596: Love, Thou Art Best
—
Epsom Wells Z579 (1693): Leave These Useless Arts
—
The Maid's Last Prayer or Any Rather Than Fail Z601 (1693): Though You Make No Return
—
The Maid's Last Prayer or Any Rather Than Fail Z601 (1693): No, Resistance is But Vain
—
The Maid's Last Prayer or Any Rather Than Fail Z601 (1693): Tell Me No More
—
Aureng-Zebe or The Great Mogul Z573 (?1692): I See, She Flies Me
—
The Canterbury Guests or A Bargain Broken Z591 (1694): Good Neighbour Why?
—
The Fatal Marriage or The Innocent Adultery Z595 (1694): The Danger is Over
—
The Fatal Marriage or The Innocent Adultery Z595 (1694): I Sigh'd and Owned My Love
—
The Spanish Fair or The Double Discovery Z610 (1694-95): Whilst I Get Grief
—
Pausianias, the Betrayer of His Country Z585 (1695): Sweeter Than Roses
—
Pausianias, the Betrayer of His Country Z585 (1695): My Dearest, My Fairest
—
The Mock Marriage Z605 (1695): Oh! How You Protest ... 'Twas Within a Furlong ... Man is for the Woman Made
—
Oroonoko Z584 (1695): Celemene, Pray Tell Me
—
Pavan No. 1 in A Major Z748
—
Pavan No. 2 in A Minor Z749
—
Pavan No. 3 in B Flat Major Z750
—
Pavan No. 4 in G Minor Z751
—
Pavan No. 5 in G Minor Z752
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Trio Sonata for Violin, Bass Viol and Organ Z780
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Chacony Z730
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What is UPC 028947552925?
028947552925 is a Universal Product Code (UPC) assigned to Theatre Music by Purcell, Kirkby, Nelson, Bowman, Hill, Thomas, Academy of Ancient Music, Christopher Hogwood. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 135 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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