UPC · Release
Benjamin Britten
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The UPC for “Britten Conducts Britten, Vol. IV” by Benjamin Britten is 028947560517. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Decca. This release contains 143 tracks, each with its own ISRC. Tracks include GBF077010401, GBF077010402, GBF077010403.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto, op. 13: I. Toccata | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | — | |
| 2 | Piano Concerto, op. 13: II. Waltz | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | T-922.054.556-2 | |
| 3 | Piano Concerto, op. 13: III. Impromptu | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | — | |
| 4 | Piano Concerto, op. 13: IV. March | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | — | |
| 5 | Concerto for Violin, op. 15: I. Moderato con moto | Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | — | |
| 6 | Violin Concerto, op. 15: II. Vivace | Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | — | |
| 7 | Violin Concerto, op. 15: III. Passacaglia. Andante lento | Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | — | |
| 2-1 | Symphony for Cello and Orchestra, op. 68: Allegro maestoso | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 2-2 | Symphony for Cello and Orchestra, op. 68: Presto inquieto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 2-3 | Symphony for Cello and Orchestra, op. 68: Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-005.002.559-6 | |
| 2-4 | Symphony for Cello and Orchestra, op. 68: Passacaglia | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-010.012.235-7 | |
| 2-5 | Sinfonia da Requiem, op. 20: 1. Lacrymosa | New Philharmonia Orchestra, Benjamin Britten | — | |
| 2-6 | Sinfonia da Requiem, op. 20: 2. Dies irae | New Philharmonia Orchestra, Benjamin Britten | — | |
| 2-7 | Sinfonia da Requiem, op. 20: 3. Requiem aeternam | New Philharmonia Orchestra, Benjamin Britten | — | |
| 2-8 | Cantata misericordium, op. 69 | Peter Pears, Dietrich Fischer-Dieskau, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 3-1 | Prelude and Fugue for 18-Part String Orchestra, op. 29 | English Chamber Orchestra, Benjamin Britten | — | |
| 3-2 | Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico | English Chamber Orchestra, Benjamin Britten | — | |
| 3-3 | Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre | English Chamber Orchestra, Benjamin Britten | — | |
| 3-4 | Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 3-5 | Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco | English Chamber Orchestra, Benjamin Britten | — | |
| 3-6 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento | English Chamber Orchestra, Benjamin Britten | — | |
| 3-7 | Variations on a Theme of Frank Bridge, op. 10: Adagio | English Chamber Orchestra, Benjamin Britten | — | |
| 3-8 | Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia | English Chamber Orchestra, Benjamin Britten | — | |
| 3-9 | Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso | English Chamber Orchestra, Benjamin Britten | — | |
| 3-10 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante | English Chamber Orchestra, Benjamin Britten | T-905.380.384-2 | |
| 3-11 | Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 3-12 | Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace | English Chamber Orchestra, Benjamin Britten | — | |
| 3-13 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto | English Chamber Orchestra, Benjamin Britten | — | |
| 3-14 | Variations on a theme of Frank Bridge, op. 10: IX. Funeral March | Benjamin Britten | T-321.421.851-2 | |
| 3-15 | Variations on a Theme of Frank Bridge, op. 10: Chant. Lento | English Chamber Orchestra, Benjamin Britten | — | |
| 3-16 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne | English Chamber Orchestra, Benjamin Britten | — | |
| 3-17 | The Young Person's Guide to the Orchestra | London Symphony Orchestra, Benjamin Britten | T-900.107.459-5 | |
| 4-1 | The Prince of the Pagodas, op. 57: Act 1. Prelude | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-2 | The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-3 | The Prince of the Pagodas, op. 57: Act 1. The Emperor – March | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-4 | The Prince of the Pagodas, op. 57: Act 1. Gavotte | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-5 | The Prince of the Pagodas, op. 57: Act 1. The Four Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-6 | The Prince of the Pagodas, op. 57: Act 1. The King of the North | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-7 | The Prince of the Pagodas, op. 57: Act 1. The King of the East | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-8 | The Prince of the Pagodas, op. 57: Act 1. The King of the West | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-9 | The Prince of the Pagodas, op. 57: Act 1. The King of the South | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-10 | The Prince of the Pagodas, op. 57: Act 1. Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-11 | The Prince of the Pagodas, op. 57: Act 1. Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-12 | The Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-13 | The Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-14 | The Prince of the Pagodas, op. 57: Act 1. Rage of the Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-15 | The Prince of the Pagodas, op. 57: Act 1. The Four Frogs | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-16 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Air | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-17 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Water | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-18 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-19 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-20 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-21 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-22 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-1 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-2 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-3 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-4 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-5 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-6 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-7 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-8 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-9 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-10 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-11 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-12 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-13 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-14 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-15 | Diversions for Piano Left Hand and Orchestra, op. 21: Theme | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-16 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-17 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-18 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-19 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-20 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-21 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-22 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-23 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-24 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-25 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-26 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-27 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-28 | Seven Sonnets of Michelangelo, op. 22: Sonetto XVI | Peter Pears, Benjamin Britten | — | |
| 5-29 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI | Peter Pears, Benjamin Britten | — | |
| 5-30 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXX | Peter Pears, Benjamin Britten | — | |
| 5-31 | Seven Sonnets of Michelangelo, op. 22: Sonetto LV | Peter Pears, Benjamin Britten | — | |
| 5-32 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII | Peter Pears, Benjamin Britten | — | |
| 5-33 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII | Peter Pears, Benjamin Britten | — | |
| 5-34 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV | Peter Pears, Benjamin Britten | — | |
| 6-1 | The Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule! | Peter Pears, Benjamin Britten | — | |
| 6-2 | The Holy Sonnets of John Donne, Op. 35: Batter my heart | Peter Pears, Benjamin Britten | — | |
| 6-3 | The Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares | Peter Pears, Benjamin Britten | — | |
| 6-4 | The Holy Sonnets of John Donne, Op. 35: Oh, to vex me | Peter Pears, Benjamin Britten | — | |
| 6-5 | The Holy Sonnets of John Donne, Op. 35: What if this present | Peter Pears, Benjamin Britten | — | |
| 6-6 | The Holy Sonnets of John Donne, Op. 35: Since she whom I loved | Peter Pears, Benjamin Britten | — | |
| 6-7 | The Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners | Peter Pears, Benjamin Britten | — | |
| 6-8 | The Holy Sonnets of John Donne, Op. 35: Thou hast made me | Peter Pears, Benjamin Britten | — | |
| 6-9 | The Holy Sonnets of John Donne, Op. 35: Death be not proud | Peter Pears, Benjamin Britten | — | |
| 6-10 | Songs and Proverbs of William Blake, op. 74: Proverb 1 “The pride of the peacock is the glory of God” - London “I wander thro' each charter'd street” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-11 | Songs and Proverbs of William Blake, op. 74: Proverb 2 “Prisons are built with stones of Law” - The Chimney-Sweeper “A little black thing among the snow” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-12 | Songs and Proverbs of William Blake, op. 74: Proverb 3 “The bird a nest, the spider a web” - A Poison Tree “I was angry with my friend” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-13 | Songs and Proverbs of William Blake, op. 74: Proverb 4 “Think in the morning” - The Tyger “Tyger! Tyger! burning bright” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-14 | Songs and Proverbs of William Blake, op. 74: Proverb 5 “The tygers of wrath are wiser than the horses of instruction” - The Fly “Little Fly” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-15 | Songs and Proverbs of William Blake, op. 74: Proverb 6 “The hours of folly are measur'd by the clock” - Ah, Sun-flower | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-16 | Songs and Proverbs of William Blake, op. 74: Proverb 7 “To see a World in a Grain of Sand” - Every Night and Every Morn | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-17 | Winter Words, op. 52: At day‐close in November | Peter Pears, Benjamin Britten | — | |
| 6-18 | Winter Words, op. 52: Midnight on the Great Western | Peter Pears, Benjamin Britten | — | |
| 6-19 | Winter Words, op. 52: Wagtail and baby | Peter Pears, Benjamin Britten | — | |
| 6-20 | Winter Words, op. 52: The little old table | Peter Pears, Benjamin Britten | — | |
| 6-21 | Winter Words, op. 52: The choirmaster’s burial | Peter Pears, Benjamin Britten | — | |
| 6-22 | Winter Words, op. 52: Proud songsters | Peter Pears, Benjamin Britten | — | |
| 6-23 | Winter Words, op. 52: At the railway station, Upway | Peter Pears, Benjamin Britten | — | |
| 6-24 | Winter Words, op. 52: Before life and after | Peter Pears, Benjamin Britten | — | |
| 6-25 | Tit for Tat: A song of enchantment | John Shirley-Quirk, Benjamin Britten | — | |
| 6-26 | Tit for Tat: Autumn | John Shirley-Quirk, Benjamin Britten | — | |
| 6-27 | Tit for Tat: Silver | John Shirley-Quirk, Benjamin Britten | — | |
| 6-28 | Tit for Tat: Vigil | John Shirley-Quirk, Benjamin Britten | — | |
| 6-29 | Tit for Tat: Tit for tat | John Shirley-Quirk, Benjamin Britten | — | |
| 7-1 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — | |
| 7-2 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-3 | Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-4 | Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-5 | Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-6 | Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-7 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-8 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — | |
| 7-9 | Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-10 | Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-11 | Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-12 | Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-13 | Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-14 | Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-15 | Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-16 | Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-17 | Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-18 | Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-19 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “On a poet’s lips I slept” | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 7-20 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Below the thunders of the upper deep” | Peter Pears, William Waterhouse, London Symphony Orchestra, Benjamin Britten | — | |
| 7-21 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Encintured with a twine of leaves” | Peter Pears, Osian Ellis, London Symphony Orchestra, Benjamin Britten | — | |
| 7-22 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Midnight’s bell goes ting, ting, ting” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-23 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “But that night when on my bed I lay” | Peter Pears, Denis Blyth, London Symphony Orchestra, Benjamin Britten | — | |
| 7-24 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “She sleeps on soft, last breaths” | Peter Pears, Roger Lord, London Symphony Orchestra, Benjamin Britten | — | |
| 7-25 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “What is more gentle than a wind in summer?” | Peter Pears, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | — | |
| 7-26 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see” | Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947560517 is a Universal Product Code (UPC) assigned to Britten Conducts Britten, Vol. IV by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 143 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Britten Conducts Britten, Vol. IV” by Benjamin Britten is 028947560517. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Decca. This release contains 143 tracks, each with its own ISRC. Tracks include GBF077010401, GBF077010402, GBF077010403.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto, op. 13: I. Toccata | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | — | |
| 2 | Piano Concerto, op. 13: II. Waltz | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | T-922.054.556-2 | |
| 3 | Piano Concerto, op. 13: III. Impromptu | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | — | |
| 4 | Piano Concerto, op. 13: IV. March | Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten | — | |
| 5 | Concerto for Violin, op. 15: I. Moderato con moto | Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | — | |
| 6 | Violin Concerto, op. 15: II. Vivace | Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | — | |
| 7 | Violin Concerto, op. 15: III. Passacaglia. Andante lento | Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | — | |
| 2-1 | Symphony for Cello and Orchestra, op. 68: Allegro maestoso | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 2-2 | Symphony for Cello and Orchestra, op. 68: Presto inquieto | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | — | |
| 2-3 | Symphony for Cello and Orchestra, op. 68: Adagio | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-005.002.559-6 | |
| 2-4 | Symphony for Cello and Orchestra, op. 68: Passacaglia | Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten | T-010.012.235-7 | |
| 2-5 | Sinfonia da Requiem, op. 20: 1. Lacrymosa | New Philharmonia Orchestra, Benjamin Britten | — | |
| 2-6 | Sinfonia da Requiem, op. 20: 2. Dies irae | New Philharmonia Orchestra, Benjamin Britten | — | |
| 2-7 | Sinfonia da Requiem, op. 20: 3. Requiem aeternam | New Philharmonia Orchestra, Benjamin Britten | — | |
| 2-8 | Cantata misericordium, op. 69 | Peter Pears, Dietrich Fischer-Dieskau, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | — | |
| 3-1 | Prelude and Fugue for 18-Part String Orchestra, op. 29 | English Chamber Orchestra, Benjamin Britten | — | |
| 3-2 | Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico | English Chamber Orchestra, Benjamin Britten | — | |
| 3-3 | Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre | English Chamber Orchestra, Benjamin Britten | — | |
| 3-4 | Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 3-5 | Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco | English Chamber Orchestra, Benjamin Britten | — | |
| 3-6 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento | English Chamber Orchestra, Benjamin Britten | — | |
| 3-7 | Variations on a Theme of Frank Bridge, op. 10: Adagio | English Chamber Orchestra, Benjamin Britten | — | |
| 3-8 | Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia | English Chamber Orchestra, Benjamin Britten | — | |
| 3-9 | Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso | English Chamber Orchestra, Benjamin Britten | — | |
| 3-10 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante | English Chamber Orchestra, Benjamin Britten | T-905.380.384-2 | |
| 3-11 | Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante | English Chamber Orchestra, Benjamin Britten | — | |
| 3-12 | Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace | English Chamber Orchestra, Benjamin Britten | — | |
| 3-13 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto | English Chamber Orchestra, Benjamin Britten | — | |
| 3-14 | Variations on a theme of Frank Bridge, op. 10: IX. Funeral March | Benjamin Britten | T-321.421.851-2 | |
| 3-15 | Variations on a Theme of Frank Bridge, op. 10: Chant. Lento | English Chamber Orchestra, Benjamin Britten | — | |
| 3-16 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne | English Chamber Orchestra, Benjamin Britten | — | |
| 3-17 | The Young Person's Guide to the Orchestra | London Symphony Orchestra, Benjamin Britten | T-900.107.459-5 | |
| 4-1 | The Prince of the Pagodas, op. 57: Act 1. Prelude | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-2 | The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-3 | The Prince of the Pagodas, op. 57: Act 1. The Emperor – March | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-4 | The Prince of the Pagodas, op. 57: Act 1. Gavotte | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-5 | The Prince of the Pagodas, op. 57: Act 1. The Four Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-6 | The Prince of the Pagodas, op. 57: Act 1. The King of the North | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-7 | The Prince of the Pagodas, op. 57: Act 1. The King of the East | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-8 | The Prince of the Pagodas, op. 57: Act 1. The King of the West | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-9 | The Prince of the Pagodas, op. 57: Act 1. The King of the South | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-10 | The Prince of the Pagodas, op. 57: Act 1. Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-11 | The Prince of the Pagodas, op. 57: Act 1. Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-12 | The Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-13 | The Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-14 | The Prince of the Pagodas, op. 57: Act 1. Rage of the Kings | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-15 | The Prince of the Pagodas, op. 57: Act 1. The Four Frogs | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-16 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Air | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-17 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Water | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-18 | The Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-19 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-20 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-21 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-22 | The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-1 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-2 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-3 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-4 | The Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-5 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-6 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-7 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-8 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-9 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-10 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-11 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-12 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-13 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5 | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-14 | The Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-15 | Diversions for Piano Left Hand and Orchestra, op. 21: Theme | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-16 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-17 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-18 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-19 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-20 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-21 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-22 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-23 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-24 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-25 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-26 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-27 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | Julius Katchen, London Symphony Orchestra, Benjamin Britten | — | |
| 5-28 | Seven Sonnets of Michelangelo, op. 22: Sonetto XVI | Peter Pears, Benjamin Britten | — | |
| 5-29 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI | Peter Pears, Benjamin Britten | — | |
| 5-30 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXX | Peter Pears, Benjamin Britten | — | |
| 5-31 | Seven Sonnets of Michelangelo, op. 22: Sonetto LV | Peter Pears, Benjamin Britten | — | |
| 5-32 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII | Peter Pears, Benjamin Britten | — | |
| 5-33 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII | Peter Pears, Benjamin Britten | — | |
| 5-34 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV | Peter Pears, Benjamin Britten | — | |
| 6-1 | The Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule! | Peter Pears, Benjamin Britten | — | |
| 6-2 | The Holy Sonnets of John Donne, Op. 35: Batter my heart | Peter Pears, Benjamin Britten | — | |
| 6-3 | The Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares | Peter Pears, Benjamin Britten | — | |
| 6-4 | The Holy Sonnets of John Donne, Op. 35: Oh, to vex me | Peter Pears, Benjamin Britten | — | |
| 6-5 | The Holy Sonnets of John Donne, Op. 35: What if this present | Peter Pears, Benjamin Britten | — | |
| 6-6 | The Holy Sonnets of John Donne, Op. 35: Since she whom I loved | Peter Pears, Benjamin Britten | — | |
| 6-7 | The Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners | Peter Pears, Benjamin Britten | — | |
| 6-8 | The Holy Sonnets of John Donne, Op. 35: Thou hast made me | Peter Pears, Benjamin Britten | — | |
| 6-9 | The Holy Sonnets of John Donne, Op. 35: Death be not proud | Peter Pears, Benjamin Britten | — | |
| 6-10 | Songs and Proverbs of William Blake, op. 74: Proverb 1 “The pride of the peacock is the glory of God” - London “I wander thro' each charter'd street” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-11 | Songs and Proverbs of William Blake, op. 74: Proverb 2 “Prisons are built with stones of Law” - The Chimney-Sweeper “A little black thing among the snow” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-12 | Songs and Proverbs of William Blake, op. 74: Proverb 3 “The bird a nest, the spider a web” - A Poison Tree “I was angry with my friend” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-13 | Songs and Proverbs of William Blake, op. 74: Proverb 4 “Think in the morning” - The Tyger “Tyger! Tyger! burning bright” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-14 | Songs and Proverbs of William Blake, op. 74: Proverb 5 “The tygers of wrath are wiser than the horses of instruction” - The Fly “Little Fly” | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-15 | Songs and Proverbs of William Blake, op. 74: Proverb 6 “The hours of folly are measur'd by the clock” - Ah, Sun-flower | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-16 | Songs and Proverbs of William Blake, op. 74: Proverb 7 “To see a World in a Grain of Sand” - Every Night and Every Morn | Dietrich Fischer-Dieskau, Benjamin Britten | — | |
| 6-17 | Winter Words, op. 52: At day‐close in November | Peter Pears, Benjamin Britten | — | |
| 6-18 | Winter Words, op. 52: Midnight on the Great Western | Peter Pears, Benjamin Britten | — | |
| 6-19 | Winter Words, op. 52: Wagtail and baby | Peter Pears, Benjamin Britten | — | |
| 6-20 | Winter Words, op. 52: The little old table | Peter Pears, Benjamin Britten | — | |
| 6-21 | Winter Words, op. 52: The choirmaster’s burial | Peter Pears, Benjamin Britten | — | |
| 6-22 | Winter Words, op. 52: Proud songsters | Peter Pears, Benjamin Britten | — | |
| 6-23 | Winter Words, op. 52: At the railway station, Upway | Peter Pears, Benjamin Britten | — | |
| 6-24 | Winter Words, op. 52: Before life and after | Peter Pears, Benjamin Britten | — | |
| 6-25 | Tit for Tat: A song of enchantment | John Shirley-Quirk, Benjamin Britten | — | |
| 6-26 | Tit for Tat: Autumn | John Shirley-Quirk, Benjamin Britten | — | |
| 6-27 | Tit for Tat: Silver | John Shirley-Quirk, Benjamin Britten | — | |
| 6-28 | Tit for Tat: Vigil | John Shirley-Quirk, Benjamin Britten | — | |
| 6-29 | Tit for Tat: Tit for tat | John Shirley-Quirk, Benjamin Britten | — | |
| 7-1 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | Barry Tuckwell | — | |
| 7-2 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-3 | Serenade, for tenor, horn & strings, op. 31: Nocturne | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-4 | Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-5 | Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-6 | Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-7 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-8 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | Barry Tuckwell | — | |
| 7-9 | Les Illuminations, op. 18: I. Fanfare | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-10 | Les Illuminations, op. 18: II. Villes | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-11 | Les Illuminations, op. 18: IIIa. Phrase | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-12 | Les Illuminations, op. 18: IIIb. Antique | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-13 | Les Illuminations, op. 18: IV. Royauté | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-14 | Les Illuminations, op. 18: V. Marine | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-15 | Les Illuminations, op. 18: VI. Interlude | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-16 | Les Illuminations, op. 18: VII. Being beauteous | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-17 | Les Illuminations, op. 18: VIII. Parade | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-18 | Les Illuminations, op. 18: IX. Départ | Peter Pears, English Chamber Orchestra, Benjamin Britten | — | |
| 7-19 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “On a poet’s lips I slept” | Peter Pears, London Symphony Orchestra, Benjamin Britten | — | |
| 7-20 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Below the thunders of the upper deep” | Peter Pears, William Waterhouse, London Symphony Orchestra, Benjamin Britten | — | |
| 7-21 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Encintured with a twine of leaves” | Peter Pears, Osian Ellis, London Symphony Orchestra, Benjamin Britten | — | |
| 7-22 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Midnight’s bell goes ting, ting, ting” | Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten | — | |
| 7-23 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “But that night when on my bed I lay” | Peter Pears, Denis Blyth, London Symphony Orchestra, Benjamin Britten | — | |
| 7-24 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “She sleeps on soft, last breaths” | Peter Pears, Roger Lord, London Symphony Orchestra, Benjamin Britten | — | |
| 7-25 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “What is more gentle than a wind in summer?” | Peter Pears, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | — | |
| 7-26 | Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see” | Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | — |
