UPC · Release
Complete Decca Recordings 1951-1960
Jean Martinon
028947572091
125 tracksReleased 2006-01-01Decca
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028947572091 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings 1951-1960” by Jean Martinon, released 2006-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 125 tracks, each with its own ISRC.
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57209Product
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Credit Chain
UPCComplete Decca Recordings 1951-1960
IPI2 songwriters
Track List (125)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Giselle, Acte I: Introduction | — | ||
| 2 | Giselle, Acte I: 1. Entree joyeuse des vondangeurs et vendangeuses (Allegro) | — | ||
| 3 | Giselle, Acte I: 2. Entree du Prince (Allegro moderato) | — | ||
| 4 | Giselle, Acte I: 3. Loys est reste seul (Andante - Allegretto - Adndante - Allegretto - Molto allegro) | — | ||
| 5 | Giselle, Acte I: 4. Retour des vendangeurs (Allegro) - 4b. Valse (Allegro moderato) | — | ||
| 6 | Giselle, Acte I: 5. Pas de deux (Lent - Animando) | — | ||
| 7 | Giselle, Acte I: 5b. La chasse (Allegro - Allegretto) | — | ||
| 8 | Giselle, Acte I: 6. Scene d'Hilarion (Allegro) | — | ||
| 9 | Giselle, Acte I: 7. marche des vignerons (Allegro) | — | ||
| 10 | Giselle, Acte I: 8. Galop general (Allegro - Allegro non troppo) | — | ||
| 11 | Giselle, Acte I: 8b. Scene finale (Allegro agitato - Allegro molto - Allegro - Andante - Lento - Allegro) | — | ||
| 12 | Giselle, Acte II: 9. La halte des chasseurs (Allegro moderato - Allegro - Andante - Allegro moderato) | — | ||
| 13 | Giselle, Acte II: 10. Apparition et scene de Myratha (Andante - Andantino poco allegretto) | — | ||
| 14 | Giselle, Acte II: 11. Apparition de Giselle (Allegretto assai vivo - Andante) | — | ||
| 15 | Giselle, Acte II: 12. (Allegro moderato) | — | ||
| 16 | Giselle, Acte II: 13. Entree de Loys et Wolfride (Andante - Allegro molto - Andante - Piu moderato - larghetto - Allegro - Plus lent) | — | ||
| 17 | Giselle, Acte II: 14. Scene des Wilis (Allegro molto - Piu vivo) | — | ||
| 18 | Giselle, Acte II: 15. Grand pas de deux (Andante - Lent - Tres modere - Andante (Varition de Loys) | — | ||
| 19 | Giselle, Acte II: 16. Final (Allegro con moto - Moderato - Allegro) | — | ||
| 20 | Le Beau Danube | — | ||
| 2-1 | Overtures: Zampa | — | ||
| 2-2 | Overtures: Calife de Bagdad | — | ||
| 2-3 | Overtures: Dame Blanche | — | ||
| 2-4 | Overtures: Si J Etais Roi | — | ||
| 2-5 | Overtures: Mariage aux Lanternes | — | ||
| 2-6 | Overtures: Belle Helene | — | ||
| 2-7 | Overtures: Barbe Bleu | — | ||
| 2-8 | Overtures: Grande Duchesse de Geroldstein | — | ||
| 2-9 | Overtures: Orphee aux Enfers | — | ||
| 3-1 | Slavonic Dances Op. 46: I (C Major) | — | ||
| 3-2 | Slavonic Dances Op. 46: II (E Minor) | — | ||
| 3-3 | Slavonic Dances Op. 46: III (A Flat Major) | — | ||
| 3-4 | Slavonic Dances Op. 46: IV (F Major) | — | ||
| 3-5 | Slavonic Dances Op. 46: V (A Major) | — | ||
| 3-6 | Slavonic Dances Op. 46: VI (D Major) | — | ||
| 3-7 | Slavonic Dances Op. 46: VII (C Minor) | — | ||
| 3-8 | Slavonic Dances Op. 46: VIII (G Minor) | — | ||
| 3-9 | Slavonic Dances Op. 72: VII (C Major) | — | ||
| 3-10 | Schwanda the Bagpiper: Polka and Fugue | — | ||
| 3-11 | William Tell: Ballet Music | — | ||
| 3-12 | Totentanz | — | ||
| 4-1 | Namouna - Ballet Suite No.1 - I. Prelude | — | ||
| 4-2 | Namouna - Ballet Suite No.1 - II. Serenade | — | ||
| 4-3 | Namouna - Ballet Suite No.1 - III. Theme Varie | — | ||
| 4-4 | Namouna - Ballet Suite No.1 - IV. Parade de Foire | — | ||
| 4-5 | Namouna - Ballet Suite No.1 - V. Fete Foraine | — | ||
| 4-6 | Namouna - Ballet Suite No.2 - I. Danse Marocaine | — | ||
| 4-7 | Namouna - Ballet Suite No.2 - II. Mazurka | — | ||
| 4-8 | Namouna - Ballet Suite No.2 - III. Sieste des Esclaves | — | ||
| 4-9 | Namouna - Ballet Suite No.2 - IV. Pas de Cymbale | — | ||
| 4-10 | Namouna - Ballet Suite No.2 - V. Presto: Gdanse des Esclaves | — | ||
| 4-11 | Les Patineurs - Ballet (Arr. Constant Lambert) - I. Entree | — | ||
| 4-12 | Les Patineurs - Ballet (Arr. Constant Lambert) - II. Pas Seul | — | ||
| 4-13 | Les Patineurs - Ballet (Arr. Constant Lambert) - III. Pas de Deux | — | ||
| 4-14 | Les Patineurs - Ballet (Arr. Constant Lambert) - IV. Ensemble | — | ||
| 4-15 | Les Patineurs - Ballet (Arr. Constant Lambert) - V. Pas de Trois | — | ||
| 4-16 | Les Patineurs - Ballet (Arr. Constant Lambert) - VI. Duet | — | ||
| 4-17 | Les Patineurs - Ballet (Arr. Constant Lambert) - VII. Pas des Patineurs | — | ||
| 4-18 | Les Patineurs - Ballet (Arr. Constant Lambert) - VIII. Finale | — | ||
| 4-19 | Le Cid - Ballet Music - I. Castillane | — | ||
| 4-20 | Le Cid - Ballet Music - II. Andalouse | — | ||
| 4-21 | Le Cid - Ballet Music - III. Aragonaise | — | ||
| 4-22 | Le Cid - Ballet Music - IV. Aubade | — | ||
| 4-23 | Le Cid - Ballet Music - V. Catalane | — | ||
| 4-24 | Le Cid - Ballet Music - VI. Madrilene | — | ||
| 4-25 | Le Cid - Ballet Music - VII. Navarraise | — | ||
| 5-1 | Symphony No.5 in B Flat Major, Op.100 - I. Andante | — | ||
| 5-2 | Symphony No.5 in B Flat Major, Op.100 - II. Allegro Marcato | — | ||
| 5-3 | Symphony No.5 in B Flat Major, Op.100 - III. Adagio | — | ||
| 5-4 | Symphony No.5 in B Flat Major, Op.100 - IV. Allegro Giocoso | — | ||
| 5-5 | Symphony No.7 in C Sharp Minor, Op.131 - I. Moderato | — | ||
| 5-6 | Symphony No.7 in C Sharp Minor, Op.131 - II. Allegretto | — | ||
| 5-7 | Symphony No.7 in C Sharp Minor, Op.131 - III. Andante Espressivo | — | ||
| 5-8 | Symphony No.7 in C Sharp Minor, Op.131 - IV. Vivace | — | ||
| 6-1 | Russian Overture, Op.72 | — | ||
| 6-2 | Capriccio Espagnol, Op.34 - 1.Alborada | — | ||
| 6-3 | Capriccio Espagnol, Op.34 - 2.Variazioni | — | ||
| 6-4 | Capriccio Espagnol, Op.34 - 3.Alborada | — | ||
| 6-5 | Capriccio Espagnol, Op.34 - 4. Scena E Canto Gitano - | — | ||
| 6-6 | Capriccio Espagnol, Op.34 - 5. Fandango Asturiano | — | ||
| 6-7 | The Age of Gold - Ballet Suite, Op.22 - 1.Introduction | — | ||
| 6-8 | The Age of Gold - Ballet Suite, Op.22 - 2. Adagio | — | ||
| 6-9 | The Age of Gold - Ballet Suite, Op.22 - 3. Polka | — | ||
| 6-10 | The Age of Gold - Ballet Suite, Op.22 - 4. Dance | — | ||
| 6-11 | Symphony No.1 in F minor, Op.10 - 1. Allegretto - Allegro Non Troppo | — | ||
| 6-12 | Symphony No.1 in F minor, Op.10 - 2. Allegro | — | ||
| 6-13 | Symphony No.1 in F minor, Op.10 - 3. Lento | — | ||
| 6-14 | Symphony No.1 in F minor, Op.10 - 4. Allegro Molto - Lento - Allegro Molto | — | ||
| 7-1 | Divertissement: I. Introduction | — | ||
| 7-2 | Divertissement: II. Cortège | — | ||
| 7-3 | Divertissement: III. Nocturne | — | ||
| 7-4 | Divertissement: IV. Valse | — | ||
| 7-5 | Divertissement: V. Parade | — | ||
| 7-6 | Divertissement: VI. Finale. Allegro vivace | — | ||
| 7-7 | Danse macabre, op. 40 | — | ||
| 7-8 | Jeux d’enfants, op. 22: I. Marche. Trompette et tambour | — | ||
| 7-9 | Jeux d’enfants, op. 22: II. Berceuse. La Poupée | — | ||
| 7-10 | Jeux d’enfants, op. 22: III. Impromptu. La toupie | — | ||
| 7-11 | Jeux d’enfants, op. 22: IV. Duo. Petit mari, petite femme | — | ||
| 7-12 | Jeux d’enfants, op. 22: V. Galop. Le bal | — | ||
| 7-13 | Le Rouet d’Omphale, op. 31 | — | ||
| 7-14 | Le Carnival Romain - Overture | — | ||
| 7-15 | Le Corsaire - Overture | — | ||
| 7-16 | Benvenuto Cellini - Overture | — | ||
| 7-17 | Beatrice et Benedict - Overture | — | ||
| 8-1 | Symphony No.2 in B Minor - I. Allegro | — | ||
| 8-2 | Symphony No.2 in B Minor - II. Scherzo: Gprestissimo - Allegretto | — | ||
| 8-3 | Symphony No.2 in B Minor - III. Andante - | — | ||
| 8-4 | Symphony No.2 in B Minor - IV. Finale: Gallegro | — | ||
| 8-5 | The Tale of Tsar Saltan - March | — | ||
| 8-6 | Hungaria March (The Damnation of Faust) | — | ||
| 8-7 | Symphony No.6 in B Minor, Op.74 'Pathetique' - I. Adagio - Allegro Non Troppo | — | ||
| 8-8 | Symphony No.6 in B Minor, Op.74 'Pathetique' - II. Allegro Con Grazia | — | ||
| 8-9 | Symphony No.6 in B Minor, Op.74 'Pathetique' - III. Allegro Molto Vivace | — | ||
| 8-10 | Symphony No.6 in B Minor, Op.74 'Pathetique' - IV. Adagio Lamentoso | — | ||
| 9-1 | Piano Concerto No.2 in G Minor, Op.22 - I. Andante Sostenuto | — | ||
| 9-2 | Piano Concerto No.2 in G Minor, Op.22 - II. Allegro Scherzando | — | ||
| 9-3 | Piano Concerto No.2 in G Minor, Op.22 - III. Presto | — | ||
| 9-4 | Ballade for Piano and Orchestra, Op.19 | — | ||
| 9-5 | Concertino for Piano and Orchestra - I. Presto Leggiero | — | ||
| 9-6 | Concertino for Piano and Orchestra - II. Lent | — | ||
| 9-7 | Concertino for Piano and Orchestra - III. Allegretto | — | ||
| 9-8 | Concertino for Piano and Orchestra - IV. Rondo: Gallegretto Vivo | — | ||
| 9-9 | Capriccio Brillant, Op.22 B Minor | — | ||
| 9-10 | Rondo Brillant, Op.29 E Flat Major | — |
Giselle, Acte I: Introduction
—
Giselle, Acte I: 1. Entree joyeuse des vondangeurs et vendangeuses (Allegro)
—
Giselle, Acte I: 2. Entree du Prince (Allegro moderato)
—
Giselle, Acte I: 3. Loys est reste seul (Andante - Allegretto - Adndante - Allegretto - Molto allegro)
—
Giselle, Acte I: 4. Retour des vendangeurs (Allegro) - 4b. Valse (Allegro moderato)
—
Giselle, Acte I: 5. Pas de deux (Lent - Animando)
—
Giselle, Acte I: 5b. La chasse (Allegro - Allegretto)
—
Giselle, Acte I: 6. Scene d'Hilarion (Allegro)
—
Giselle, Acte I: 7. marche des vignerons (Allegro)
—
Giselle, Acte I: 8. Galop general (Allegro - Allegro non troppo)
—
Giselle, Acte I: 8b. Scene finale (Allegro agitato - Allegro molto - Allegro - Andante - Lento - Allegro)
—
Giselle, Acte II: 9. La halte des chasseurs (Allegro moderato - Allegro - Andante - Allegro moderato)
—
Giselle, Acte II: 10. Apparition et scene de Myratha (Andante - Andantino poco allegretto)
—
Giselle, Acte II: 11. Apparition de Giselle (Allegretto assai vivo - Andante)
—
Giselle, Acte II: 12. (Allegro moderato)
—
Giselle, Acte II: 13. Entree de Loys et Wolfride (Andante - Allegro molto - Andante - Piu moderato - larghetto - Allegro - Plus lent)
—
Giselle, Acte II: 14. Scene des Wilis (Allegro molto - Piu vivo)
—
Giselle, Acte II: 15. Grand pas de deux (Andante - Lent - Tres modere - Andante (Varition de Loys)
—
Giselle, Acte II: 16. Final (Allegro con moto - Moderato - Allegro)
—
Le Beau Danube
—
Overtures: Zampa
—
Overtures: Calife de Bagdad
—
Overtures: Dame Blanche
—
Overtures: Si J Etais Roi
—
Overtures: Mariage aux Lanternes
—
Overtures: Belle Helene
—
Overtures: Barbe Bleu
—
Overtures: Grande Duchesse de Geroldstein
—
Overtures: Orphee aux Enfers
—
Slavonic Dances Op. 46: I (C Major)
—
Slavonic Dances Op. 46: II (E Minor)
—
Slavonic Dances Op. 46: III (A Flat Major)
—
Slavonic Dances Op. 46: IV (F Major)
—
Slavonic Dances Op. 46: V (A Major)
—
Slavonic Dances Op. 46: VI (D Major)
—
Slavonic Dances Op. 46: VII (C Minor)
—
Slavonic Dances Op. 46: VIII (G Minor)
—
Slavonic Dances Op. 72: VII (C Major)
—
Schwanda the Bagpiper: Polka and Fugue
—
William Tell: Ballet Music
—
Totentanz
—
Namouna - Ballet Suite No.1 - I. Prelude
—
Namouna - Ballet Suite No.1 - II. Serenade
—
Namouna - Ballet Suite No.1 - III. Theme Varie
—
Namouna - Ballet Suite No.1 - IV. Parade de Foire
—
Namouna - Ballet Suite No.1 - V. Fete Foraine
—
Namouna - Ballet Suite No.2 - I. Danse Marocaine
—
Namouna - Ballet Suite No.2 - II. Mazurka
—
Namouna - Ballet Suite No.2 - III. Sieste des Esclaves
—
Namouna - Ballet Suite No.2 - IV. Pas de Cymbale
—
Namouna - Ballet Suite No.2 - V. Presto: Gdanse des Esclaves
—
Les Patineurs - Ballet (Arr. Constant Lambert) - I. Entree
—
Les Patineurs - Ballet (Arr. Constant Lambert) - II. Pas Seul
—
Les Patineurs - Ballet (Arr. Constant Lambert) - III. Pas de Deux
—
Les Patineurs - Ballet (Arr. Constant Lambert) - IV. Ensemble
—
Les Patineurs - Ballet (Arr. Constant Lambert) - V. Pas de Trois
—
Les Patineurs - Ballet (Arr. Constant Lambert) - VI. Duet
—
Les Patineurs - Ballet (Arr. Constant Lambert) - VII. Pas des Patineurs
—
Les Patineurs - Ballet (Arr. Constant Lambert) - VIII. Finale
—
Le Cid - Ballet Music - I. Castillane
—
Le Cid - Ballet Music - II. Andalouse
—
Le Cid - Ballet Music - III. Aragonaise
—
Le Cid - Ballet Music - IV. Aubade
—
Le Cid - Ballet Music - V. Catalane
—
Le Cid - Ballet Music - VI. Madrilene
—
Le Cid - Ballet Music - VII. Navarraise
—
Symphony No.5 in B Flat Major, Op.100 - I. Andante
—
Symphony No.5 in B Flat Major, Op.100 - II. Allegro Marcato
—
Symphony No.5 in B Flat Major, Op.100 - III. Adagio
—
Symphony No.5 in B Flat Major, Op.100 - IV. Allegro Giocoso
—
Symphony No.7 in C Sharp Minor, Op.131 - I. Moderato
—
Symphony No.7 in C Sharp Minor, Op.131 - II. Allegretto
—
Symphony No.7 in C Sharp Minor, Op.131 - III. Andante Espressivo
—
Symphony No.7 in C Sharp Minor, Op.131 - IV. Vivace
—
Russian Overture, Op.72
—
Capriccio Espagnol, Op.34 - 1.Alborada
—
Capriccio Espagnol, Op.34 - 2.Variazioni
—
Capriccio Espagnol, Op.34 - 3.Alborada
—
Capriccio Espagnol, Op.34 - 4. Scena E Canto Gitano -
—
Capriccio Espagnol, Op.34 - 5. Fandango Asturiano
—
The Age of Gold - Ballet Suite, Op.22 - 1.Introduction
—
The Age of Gold - Ballet Suite, Op.22 - 2. Adagio
—
The Age of Gold - Ballet Suite, Op.22 - 3. Polka
—
The Age of Gold - Ballet Suite, Op.22 - 4. Dance
—
Symphony No.1 in F minor, Op.10 - 1. Allegretto - Allegro Non Troppo
—
Symphony No.1 in F minor, Op.10 - 2. Allegro
—
Symphony No.1 in F minor, Op.10 - 3. Lento
—
Symphony No.1 in F minor, Op.10 - 4. Allegro Molto - Lento - Allegro Molto
—
Divertissement: I. Introduction
—
Divertissement: II. Cortège
—
Divertissement: III. Nocturne
—
Divertissement: IV. Valse
—
Divertissement: V. Parade
—
Divertissement: VI. Finale. Allegro vivace
—
Danse macabre, op. 40
—
Jeux d’enfants, op. 22: I. Marche. Trompette et tambour
—
Jeux d’enfants, op. 22: II. Berceuse. La Poupée
—
Jeux d’enfants, op. 22: III. Impromptu. La toupie
—
Jeux d’enfants, op. 22: IV. Duo. Petit mari, petite femme
—
Jeux d’enfants, op. 22: V. Galop. Le bal
—
Le Rouet d’Omphale, op. 31
—
Le Carnival Romain - Overture
—
Le Corsaire - Overture
—
Benvenuto Cellini - Overture
—
Beatrice et Benedict - Overture
—
Symphony No.2 in B Minor - I. Allegro
—
Symphony No.2 in B Minor - II. Scherzo: Gprestissimo - Allegretto
—
Symphony No.2 in B Minor - III. Andante -
—
Symphony No.2 in B Minor - IV. Finale: Gallegro
—
The Tale of Tsar Saltan - March
—
Hungaria March (The Damnation of Faust)
—
Symphony No.6 in B Minor, Op.74 'Pathetique' - I. Adagio - Allegro Non Troppo
—
Symphony No.6 in B Minor, Op.74 'Pathetique' - II. Allegro Con Grazia
—
Symphony No.6 in B Minor, Op.74 'Pathetique' - III. Allegro Molto Vivace
—
Symphony No.6 in B Minor, Op.74 'Pathetique' - IV. Adagio Lamentoso
—
Piano Concerto No.2 in G Minor, Op.22 - I. Andante Sostenuto
—
Piano Concerto No.2 in G Minor, Op.22 - II. Allegro Scherzando
—
Piano Concerto No.2 in G Minor, Op.22 - III. Presto
—
Ballade for Piano and Orchestra, Op.19
—
Concertino for Piano and Orchestra - I. Presto Leggiero
—
Concertino for Piano and Orchestra - II. Lent
—
Concertino for Piano and Orchestra - III. Allegretto
—
Concertino for Piano and Orchestra - IV. Rondo: Gallegretto Vivo
—
Capriccio Brillant, Op.22 B Minor
—
Rondo Brillant, Op.29 E Flat Major
—
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What is UPC 028947572091?
028947572091 is a Universal Product Code (UPC) assigned to Complete Decca Recordings 1951-1960 by Jean Martinon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 125 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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