UPC · Release
The Art of the Recorder
Vivaldi, Handel, Telemann, Sammartini, Michala Petri
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028947584643 is the Universal Product Code (UPC barcode) for the release “The Art of the Recorder” by Vivaldi, Handel, Telemann, Sammartini, Michala Petri, released 2007-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include NLA507911201, NLA507911202, NLA507911203.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in C major, RV 443: I. Allegro | Michala Petri, Academy of St Martin in the Fields, Iona Brown | T-911.640.004-5 | |
| 2 | Concerto in C major, RV 443: II. Largo | Michala Petri, Academy of St Martin in the Fields, Iona Brown | T-005.005.728-7 | |
| 3 | Concerto in C major, RV 443: III. Allegro molto | Michala Petri, Academy of St Martin in the Fields, Iona Brown | T-329.454.787-4 | |
| 4 | Concerto in F major: I. Allegro | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 5 | Concerto in F major: II. Siciliano | Michala Petri, Academy of St Martin in the Fields, Iona Brown | T-329.516.968-1 | |
| 6 | Concerto in F major: III. Allegro assai | Michala Petri, Academy of St Martin in the Fields, Iona Brown | T-306.395.786-4 | |
| 7 | Concerto in C major: I. Allegretto | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 8 | Concerto in C major: II. Allegro | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 9 | Concerto in C major: III. Andante | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 10 | Concerto in C major: IV. Tempo di minuet | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 11 | Concerto in F major, HWV 293: I. Larghetto: Allegro | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 12 | Concerto in F major, HWV 293: II. Alla siciliana: Presto | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — | |
| 2-1 | Concerto in C major, op. 3 no. 1: I. Allegro | — | ||
| 2-2 | Concerto in C major, op. 3 no. 1: II. Adagio | — | ||
| 2-3 | Concerto in C major, op. 3 no. 1: III. Allegro | — | ||
| 2-4 | Concerto in B-flat major, HWV 294: I. Andante - allegro | Michala Petri, Graham Sheen, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 2-5 | Concerto in B-flat major, HWV 294: II. Larghetto | Michala Petri, Graham Sheen, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 2-6 | Concerto in B-flat major, HWV 294: III. Andante moderato | Michala Petri, Graham Sheen, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 2-7 | Concerto no. 2 in D major: I. Allegro | — | ||
| 2-8 | Concerto no. 2 in D major: II. Adagio | — | ||
| 2-9 | Concerto no. 2 in D major: III. Presto | — | ||
| 2-10 | Suite for Recorder and Strings: I. Prelude (Adagio ma poco con moto) | — | ||
| 2-11 | Suite for Recorder and Strings: II. English Dance (Allegro molto) | — | ||
| 2-12 | Suite for Recorder and Strings: III. Lament (Adagio espressivo) | — | ||
| 2-13 | Suite for Recorder and Strings: IV. Burlesca alla rumba (Allegro gioioso) | — | ||
| 2-14 | Suite for Recorder and Strings: V. Pavane (Adagio) | — | ||
| 2-15 | Suite for Recorder and Strings: VI. Introduction and Cadenza (Andante sostenuto) | — | ||
| 2-16 | Suite for Recorder and Strings: VII. Tarantella (Presto con fuoco) | — | ||
| 3-1 | Concerto in D minor: Andante a spiccato | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 3-2 | Concerto in D minor: Adagio | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 3-3 | Concerto in D minor: Presto | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 3-4 | Concerto in C major, RV 444: Allegro non molto | — | ||
| 3-5 | Concerto in C major, RV 444: Largo | — | ||
| 3-6 | Concerto in C major, RV 444: Allegro molto | — | ||
| 3-7 | Concerto in F major: Affettuoso | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 3-8 | Concerto in F major: Allegro | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 3-9 | Concerto in F major: Adagio | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | T-070.930.360-5 | |
| 3-10 | Concerto in F major: Menuet I - Menuet II | Michala Petri, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 3-11 | Concerto in G major, op. 17 no. 5: Allegro | — | ||
| 3-12 | Concerto in G major, op. 17 no. 5: Adagio | — | ||
| 3-13 | Concerto in G major, op. 17 no. 5: Allegro | — | ||
| 4-1 | Sonata no. 6, RV 58 in G minor from "Il pastor fido," op. 13: I. Vivace - Adagio | George Malcolm, Michala Petri | — | |
| 4-2 | Sonata no. 6, RV 58 in G minor from "Il pastor fido," op. 13: II. Alla breve (Fuga da capella) | George Malcolm, Michala Petri | — | |
| 4-3 | Sonata no. 6, RV 58 in G minor from "Il pastor fido," op. 13: III. Largo | George Malcolm, Michala Petri | — | |
| 4-4 | Sonata no. 6, RV 58 in G minor from "Il pastor fido," op. 13: IV. Allegro ma non presto | George Malcolm, Michala Petri | — | |
| 4-5 | Sonata in C major, op. 5 no. 9: I. Preludio (Largo) | — | ||
| 4-6 | Sonata in C, op. 5/9: II. Giga (Allegro) | George Malcolm, Michala Petri | — | |
| 4-7 | Sonata in C, op. 5/9: III. Adagio | George Malcolm, Michala Petri | — | |
| 4-8 | Sonata in C, op. 5/9: IV. Tempo di gavotta (Allegro) | George Malcolm, Michala Petri | — | |
| 4-9 | Sonata in A minor: I. Adagio | George Malcolm, Michala Petri | — | |
| 4-10 | Sonata in A minor: II. Allegro | George Malcolm, Michala Petri | — | |
| 4-11 | Sonata in A minor: III. Tempo di minuetto | George Malcolm, Michala Petri | — | |
| 4-12 | Sonata in A minor: IV. Allegro | George Malcolm, Michala Petri | — | |
| 4-13 | Divertimento da camera no. 6 in C minor: I. Lento | George Malcolm, Michala Petri | — | |
| 4-14 | Divertimento da camera no. 6 in C minor: II. Con spirito | George Malcolm, Michala Petri | — | |
| 4-15 | Divertimento da camera no. 6 in C minor: III. Largo | George Malcolm, Michala Petri | — | |
| 4-16 | Divertimento da camera no. 6 in C minor: IV. Vivace | George Malcolm, Michala Petri | — | |
| 4-17 | Sonata in G, op. 13/4: I. Andante | George Malcolm, Michala Petri | — | |
| 4-18 | Sonata in G, op. 13/4: II. Minuetto | George Malcolm, Michala Petri | — | |
| 4-19 | Sonata in G, op. 13/4: III. Adagio | George Malcolm, Michala Petri | — | |
| 4-20 | Sonata in G, op. 13/4: IV. Allegro | George Malcolm, Michala Petri | — | |
| 4-21 | Sonata in F, op. 2/1: I. Adagio | George Malcolm, Michala Petri | — | |
| 4-22 | Sonata in F, op. 2/1: II. Allegro | George Malcolm, Michala Petri | — | |
| 4-23 | Sonata in F, op. 2/1: III. Largo | George Malcolm, Michala Petri | — | |
| 4-24 | Sonata in F, op. 2/1: IV. Allegro | George Malcolm, Michala Petri | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in C major, RV 443: III. Allegro molto | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — |
| Concerto in F major: III. Allegro assai | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — |
| Concerto in C major: III. Andante | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — |
| Concerto in F major, HWV 293: II. Alla siciliana: Presto | Michala Petri, Academy of St Martin in the Fields, Iona Brown | — |
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What is UPC 028947584643?
028947584643 is a Universal Product Code (UPC) assigned to The Art of the Recorder by Vivaldi, Handel, Telemann, Sammartini, Michala Petri. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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