UPC · Release
Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli
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The UPC for “The Number One Opera Album 2004” by Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli is 028947620044. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Universal Classics & Jazz UK. This release contains 38 tracks, each with its own ISRC. Tracks include GBBBA9050360, DEN960330504, GBEKZ0300209.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2 | The Pearl Fishers Duet | Andrea Bocelli, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | — | |
| 3 | Habanera | Katherine Jenkins, The Arcadian Ensemble, James Morgan | T-011.124.733-6 | |
| 4 | Tosca: “E lucevan le stelle” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 5 | In trutina (from "Carmina Burana") | Hayley Westenra | T-800.639.771-4 | |
| 6 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 7 | Rusalka: "Měsíčku na nebi hlubokém" (O silver moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | T-010.055.280-4 | |
| 8 | La traviata: Atto I. “Libiamo ne’ lieti calici” (Alfredo, Coro, Violetta) | Maria Callas, Coro Cetra, Francesco Albanese, Orchestra Sinfonica di Torino della RAI, Gabriele Santini | — | |
| 9 | Celeste Aida | Russell Watson | T-900.138.252-1 | |
| 10 | Where’er You Walk | Aled Jones | — | |
| 11 | The Jewel Song | Charlotte Church | — | |
| 12 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900.162.132-5 | |
| 13 | The Force of Destiny | Emma Johnson | T-932.937.993-3 | |
| 14 | L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | T-310.639.190-2 | |
| 15 | La bohème: “Si, mi chiamano Mimì” | Lesley Garrett, Philharmonia Orchestra, Ivor Bolton | — | |
| 16 | Orfeo ed Euridice: Che farò senza Euridice? | Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-307.756.442-8 | |
| 17 | Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | T-914.928.113-0 | |
| 18 | Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905.683.692-1 | |
| 19 | Bess, You Is My Woman Now | — | ||
| 2-1 | Di quella pira (from Il Trovatore) | — | ||
| 2-2 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-3 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 2-5 | Carmen: Toreador’s Song | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-911.507.740-2 | |
| 2-6 | Va, pensiero | Russell Watson, Neil Jason, Bashiri Johnson, Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd | T-902.574.141-7 | |
| 2-7 | Mon cœur s’ouvre à ta voix | Sissel | — | |
| 2-8 | Le nozze di Figaro: “Voi che sapete che cosa è amor” | Magdalena Kožená, Prague Philharmonia, Michel Swierczewski | T-031.862.676-4 | |
| 2-9 | La donna è mobile (from Rigoletto) | — | ||
| 2-10 | Lamento di Federico (from L'arlesiana) | — | ||
| 2-11 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 2-12 | One Fine Day (from Madama Butterfly) | — | ||
| 2-13 | Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 2-14 | Le nozze di Figaro, K. 492, no. 9: “Non più andrai, farfallone amoroso” | Bryn Terfel, Metropolitan Opera Orchestra, James Levine | T-009.157.866-3 | |
| 2-15 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-913.732.535-0 | |
| 2-16 | Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 | |
| 2-17 | Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — | |
| 2-18 | Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 2-19 | Vilja (from The Merry Widow) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-900.134.452-1 |
| Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — |
| Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | — |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | — |
| Mon cœur s’ouvre à ta voix | Sissel | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947620044 is a Universal Product Code (UPC) assigned to The Number One Opera Album 2004 by Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Number One Opera Album 2004” by Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli is 028947620044. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Universal Classics & Jazz UK. This release contains 38 tracks, each with its own ISRC. Tracks include GBBBA9050360, DEN960330504, GBEKZ0300209.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2 | The Pearl Fishers Duet | Andrea Bocelli, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | — | |
| 3 | Habanera | Katherine Jenkins, The Arcadian Ensemble, James Morgan | T-011.124.733-6 | |
| 4 | Tosca: “E lucevan le stelle” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 5 | In trutina (from "Carmina Burana") | Hayley Westenra | T-800.639.771-4 | |
| 6 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 7 | Rusalka: "Měsíčku na nebi hlubokém" (O silver moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | T-010.055.280-4 | |
| 8 | La traviata: Atto I. “Libiamo ne’ lieti calici” (Alfredo, Coro, Violetta) | Maria Callas, Coro Cetra, Francesco Albanese, Orchestra Sinfonica di Torino della RAI, Gabriele Santini | — | |
| 9 | Celeste Aida | Russell Watson | T-900.138.252-1 | |
| 10 | Where’er You Walk | Aled Jones | — | |
| 11 | The Jewel Song | Charlotte Church | — | |
| 12 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900.162.132-5 | |
| 13 | The Force of Destiny | Emma Johnson | T-932.937.993-3 | |
| 14 | L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | T-310.639.190-2 | |
| 15 | La bohème: “Si, mi chiamano Mimì” | Lesley Garrett, Philharmonia Orchestra, Ivor Bolton | — | |
| 16 | Orfeo ed Euridice: Che farò senza Euridice? | Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-307.756.442-8 | |
| 17 | Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | T-914.928.113-0 | |
| 18 | Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905.683.692-1 | |
| 19 | Bess, You Is My Woman Now | — | ||
| 2-1 | Di quella pira (from Il Trovatore) | — | ||
| 2-2 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-3 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 2-5 | Carmen: Toreador’s Song | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-911.507.740-2 | |
| 2-6 | Va, pensiero | Russell Watson, Neil Jason, Bashiri Johnson, Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd | T-902.574.141-7 | |
| 2-7 | Mon cœur s’ouvre à ta voix | Sissel | — | |
| 2-8 | Le nozze di Figaro: “Voi che sapete che cosa è amor” | Magdalena Kožená, Prague Philharmonia, Michel Swierczewski | T-031.862.676-4 | |
| 2-9 | La donna è mobile (from Rigoletto) | — | ||
| 2-10 | Lamento di Federico (from L'arlesiana) | — | ||
| 2-11 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 2-12 | One Fine Day (from Madama Butterfly) | — | ||
| 2-13 | Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 2-14 | Le nozze di Figaro, K. 492, no. 9: “Non più andrai, farfallone amoroso” | Bryn Terfel, Metropolitan Opera Orchestra, James Levine | T-009.157.866-3 | |
| 2-15 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-913.732.535-0 | |
| 2-16 | Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 | |
| 2-17 | Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — | |
| 2-18 | Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 2-19 | Vilja (from The Merry Widow) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-900.134.452-1 |
| Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — |
| Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | — |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | — |
| Mon cœur s’ouvre à ta voix | Sissel | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
