UPC · Release
The Number One Opera Album 2004
Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli
028947620044
38 tracksReleased 2004-01-01Universal Classics & Jazz UK
Last verified:
028947620044 is the Universal Product Code (UPC barcode) for the release “The Number One Opera Album 2004” by Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli, released 2004-01-01 on Universal Classics & Jazz UK. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBBBA9050360, DEN960330504, GBEKZ0300209.
Format
0Number system
28947Manufacturer
62004Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Number One Opera Album 2004
ISRC32 recordings
ISWC22 works
IPI9 songwriters
Track List (38)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2 | The Pearl Fishers Duet | Andrea Bocelli, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | — | |
| 3 | Habanera | Katherine Jenkins, The Arcadian Ensemble, James Morgan | T-011.124.733-6 | |
| 4 | Tosca: “E lucevan le stelle” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 5 | In trutina (from "Carmina Burana") | Hayley Westenra | T-800.639.771-4 | |
| 6 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T-900.248.284-0 | |
| 7 | Rusalka: "Měsíčku na nebi hlubokém" (O silver moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | T-010.055.280-4 | |
| 8 | La traviata: Atto I. “Libiamo ne’ lieti calici” (Alfredo, Coro, Violetta) | Maria Callas, Coro Cetra, Francesco Albanese, Orchestra Sinfonica di Torino della RAI, Gabriele Santini | — | |
| 9 | Celeste Aida | Russell Watson | T-900.138.252-1 | |
| 10 | Where’er You Walk | Aled Jones | — | |
| 11 | The Jewel Song | Charlotte Church | — | |
| 12 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900.162.132-5 | |
| 13 | The Force of Destiny | Emma Johnson | T-932.937.993-3 | |
| 14 | L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | T-310.639.190-2 | |
| 15 | La bohème: “Si, mi chiamano Mimì” | Lesley Garrett, Philharmonia Orchestra, Ivor Bolton | — | |
| 16 | Orfeo ed Euridice: Che farò senza Euridice? | Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-307.756.442-8 | |
| 17 | Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | T-914.928.113-0 | |
| 18 | Don Giovanni: „Là ci darem la mano“ | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | T-905.683.692-1 | |
| 19 | Bess, You Is My Woman Now | — | ||
| 2-1 | Di quella pira (from Il Trovatore) | — | ||
| 2-2 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-3 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 2-5 | Carmen: Toreador’s Song | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-911.507.740-2 | |
| 2-6 | Va, pensiero | Russell Watson, Neil Jason, Bashiri Johnson, Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd | T-902.574.141-7 | |
| 2-7 | Mon cœur s’ouvre à ta voix | Sissel | — | |
| 2-8 | Le nozze di Figaro: “Voi che sapete che cosa è amor” | Magdalena Kožená, Prague Philharmonia, Michel Swierczewski | T-031.862.676-4 | |
| 2-9 | La donna è mobile (from Rigoletto) | — | ||
| 2-10 | Lamento di Federico (from L'arlesiana) | — | ||
| 2-11 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 2-12 | One Fine Day (from Madama Butterfly) | — | ||
| 2-13 | Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — | |
| 2-14 | Le nozze di Figaro, K. 492, no. 9: “Non più andrai, farfallone amoroso” | Bryn Terfel, Metropolitan Opera Orchestra, James Levine | T-009.157.866-3 | |
| 2-15 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-913.732.535-0 | |
| 2-16 | Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 | |
| 2-17 | Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — | |
| 2-18 | Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa) | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 2-19 | Vilja (from The Merry Widow) | — |
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
The Pearl Fishers Duet
Andrea Bocelli, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth
—
Tosca: “E lucevan le stelle”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
La traviata: Atto I. “Libiamo ne’ lieti calici” (Alfredo, Coro, Violetta)
Maria Callas, Coro Cetra, Francesco Albanese, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
—
Where’er You Walk
Aled Jones
—
The Jewel Song
Charlotte Church
—
Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti
Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza
La bohème: “Si, mi chiamano Mimì”
Lesley Garrett, Philharmonia Orchestra, Ivor Bolton
—
Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington
Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész
Bess, You Is My Woman Now
—
Di quella pira (from Il Trovatore)
—
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge
Russell Watson, Neil Jason, Bashiri Johnson, Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd
Mon cœur s’ouvre à ta voix
Sissel
—
Magdalena Kožená, Prague Philharmonia, Michel Swierczewski
La donna è mobile (from Rigoletto)
—
Lamento di Federico (from L'arlesiana)
—
La Wally: Ebben?… Ne andrò lontana
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
One Fine Day (from Madama Butterfly)
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
Bryn Terfel, Metropolitan Opera Orchestra, James Levine
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Pagliacci: “Vesti la giubba”
Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè
—
Le nozze di Figaro: No. 20 Recitativo “E Susanna non vien!” (La Contessa)
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
—
Vilja (from The Merry Widow)
—
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-900.134.452-1 |
| Pagliacci: “Vesti la giubba” | Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | — |
| Fedora: “Amor ti vieta” | Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | — |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole) | Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate | — |
| Mon cœur s’ouvre à ta voix | Sissel | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Pagliacci: “Vesti la giubba”
Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè
—
Fedora: “Amor ti vieta”
Jussi Björling, Orchestra del Maggio Musicale Fiorentino, Alberto Erede
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
—
La bohème: Atto I. “O soave fanciulla” (Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Les Contes d'Hoffmann: Belle nuit, ô nuit d'amour (Barcarole)
Rundfunkchor Leipzig, Anne Sofie von Otter, Cheryl Studer, Staatskapelle Dresden, Jeffrey Tate
—
Mon cœur s’ouvre à ta voix
Sissel
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000041012746000000006097350X00000000776127270000000078266221000000007839821600000000783995340000000081232954000000008169243200000000834914310000000083593219
+40 more
0000000083983858000000008413565800000000850675700000000101343441000000010865367X00000001086940840000000109028462000000010914421X000000010944807X00000001094653120000000109535181000000010964596200000001101635220000000110228787000000011049597300000001108294270000000110928863000000011439722X0000000114397967000000011450226100000001145336070000000114686689000000011471225000000001147197940000000114725481000000011477078400000001148025040000000114802643000000011480443800000001148905080000000114900569000000011492763000000001149434620000000114949856000000011658518700000001181026280000000118723037000000011884208700000001193903850000000119453534
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What is UPC 028947620044?
028947620044 is a Universal Product Code (UPC) assigned to The Number One Opera Album 2004 by Luciano Pavarotti, Hayley Westenra, Katherine Jenkins, Bryn Terfel, Renée Fleming, Andrea Bocelli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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