UPC · Release
Kafka-Fragmente
György Kurtág, Juliane Banse, Andras Keller
Last verified:
028947630999 is the Universal Product Code (UPC barcode) for the release “Kafka-Fragmente” by György Kurtág, Juliane Banse, Andras Keller, released 2006-01-01 on ECM Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kafka-Fragmente, op. 24: Teil I. Die Guten gehn im gleichen Schritt... | — | ||
| 2 | Kafka-Fragmente, op. 24: Teil I. Wie ein Weg im Herbst | — | ||
| 3 | Kafka-Fragmente, op. 24: Teil I. Verstecke | — | ||
| 4 | Kafka-Fragmente, op. 24: Teil I. Ruhelos | — | ||
| 5 | Kafka-Fragmente, op. 24: Teil I. Berceuse I | — | ||
| 6 | Kafka-Fragmente, op. 24: Teil I. Nimmermehr (Excomunicato) | — | ||
| 7 | Kafka-Fragmente, op. 24: Teil I. "Wenn er mich immer frägt" | — | ||
| 8 | Kafka-Fragmente, op. 24: Teil I. Es zupft mich jemand am Kleid | — | ||
| 9 | Kafka-Fragmente, op. 24: Teil I. Die Weißnäherinnen | — | ||
| 10 | Kafka-Fragmente, op. 24: Teil I. Szene am Bahnhof | — | ||
| 11 | Kafka-Fragmente, op. 24: Teil I. Sonntag, den 19. Juli 1910 (Berceuse II) | — | ||
| 12 | Kafka-Fragmente, op. 24: Teil I. Meine Ohrmuschel... | — | ||
| 13 | Kafka-Fragmente, op. 24: Teil I. Einmal brach ich mir das Bein | — | ||
| 14 | Kafka-Fragmente, op. 24: Teil I. Umpanzert | — | ||
| 15 | Kafka-Fragmente, op. 24: Teil I. Zwei Spazierstöcke | — | ||
| 16 | Kafka-Fragmente, op. 24: Teil I. Keine Rückkehr | — | ||
| 17 | Kafka-Fragmente, op. 24: Teil I. Stolz (1910/15. November, zehn Uhr) | — | ||
| 18 | Kafka-Fragmente, op. 24: Teil I. Träumend hing die Blume (Hommage à Schumann) | — | ||
| 19 | Kafka-Fragmente, op. 24: Teil I. Nichts dergleichen | — | ||
| 20 | Kafka-Fragmente, op. 24: Teil II. Der wahre Weg | — | ||
| 21 | Kafka-Fragmente, op. 24: Teil III. Haben? Sein? | — | ||
| 22 | Kafka-Fragmente, op. 24: Teil III. Der Coitus als Bestrafung | — | ||
| 23 | Kafka-Fragmente, op. 24: Teil III. Meine Festung | — | ||
| 24 | Kafka-Fragmente, op. 24: Teil III. Schmutzig bin ich, Milena... | — | ||
| 25 | Kafka-Fragmente, op. 24: Teil III. Elendes Leben (Double) | — | ||
| 26 | Kafka-Fragmente, op. 24: Teil III. Der begrenzte Kreis | — | ||
| 27 | Kafka-Fragmente, op. 24: Teil III. Ziel, Weg, Zögern | — | ||
| 28 | Kafka-Fragmente, op. 24: Teil III. So fest | — | ||
| 29 | Kafka-Fragmente, op. 24: Teil III. Penetrant jüdisch | — | ||
| 30 | Kafka-Fragmente, op. 24: Teil III. Verstecke (Double) | — | ||
| 31 | Kafka-Fragmente, op. 24: Teil III. Staunend sahen wir das große Pferd | — | ||
| 32 | Kafka-Fragmente, op. 24: Teil III. Szene in der Elektrischen / 1910: "Ich bat im Traum die Tänzerin Eduardowa, sie möchte doch den Csárdás noch einmal tanzen." | — | ||
| 33 | Kafka-Fragmente, op. 24: Teil IV. Zu spät (22. Oktober 1913) | — | ||
| 34 | Kafka-Fragmente, op. 24: Teil IV. Eine lange Geschichte | — | ||
| 35 | Kafka-Fragmente, op. 24: Teil IV. In memoriam Robert Klein | — | ||
| 36 | Kafka-Fragmente, op. 24: Teil IV. Aus einem alten Notizbuch | — | ||
| 37 | Kafka-Fragmente, op. 24: Teil IV. Leoparden | — | ||
| 38 | Kafka-Fragmente, op. 24: Teil IV. Im Memoriam Joannis Pilinszky | — | ||
| 39 | Kafka-Fragmente, op. 24: Teil IV. Wiederum, wiederum | — | ||
| 40 | Kafka-Fragmente, op. 24: Teil IV. Es blendete uns die Mondnacht | — |
What other identifiers does this connect to?
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People also ask
What is UPC 028947630999?
028947630999 is a Universal Product Code (UPC) assigned to Kafka-Fragmente by György Kurtág, Juliane Banse, Andras Keller. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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