UPC · Release
Various Artists
Last verified:
028947672043 is the Universal Product Code (UPC barcode) for the release “The Classic 100 Piano, Volume II” by Various Artists, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include AUAB00150083, AUAB00350074, GBF079111161.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 17 in D minor, op. 31 no. 2, “The Tempest”: I. Largo - Allegro | — | ||
| 2 | Ballade in F minor, op. 52 no. 4 | — | ||
| 3 | Nocturne in B-flat minor, op. 9 no. 1 | — | ||
| 4 | Consolation in D-flat major, S172 no. 3 | — | ||
| 5 | Pavane pour une infante défunte | Stephanie McCallum | T-003.013.767-7 | |
| 6 | Berceuse in D-flat major, op. 57 | — | ||
| 7 | Gnossienne no. 1 | — | ||
| 8 | Chaconne from Partita no. 2 in D minor for solo violin, BWV1004 (arr. Ferruccio Busoni) | — | ||
| 9 | Nocturne no. 8 in D-flat, op. 27 no. 2 | — | ||
| 10 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche Funèbre - Lento | — | ||
| 2-1 | Gaspard de la nuit: Ondine | — | ||
| 2-2 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 2-3 | Quejas o la maja y el ruiseñor (The Maiden and the Nightingale) from Goyescas, Book I | — | ||
| 2-4 | Concert Étude, S144 no. 3, “Un sospiro” | — | ||
| 2-5 | Left Bank Waltz | David Stanhope | — | |
| 2-6 | Italian Concerto in F major, BWV 971: I. Allegro | András Schiff | T-312.198.890-3 | |
| 2-7 | Walking in the Air from Lifecycle | — | ||
| 2-8 | Nocturne no. 13 in C minor, op. 48 no. 1 | — | ||
| 2-9 | Gymnopédie no. 3 from Trois Gymnopédies | — | ||
| 2-10 | 4 Impromptus, op. 90, D. 899 no. 2 in E-flat major (Allegro) | András Schiff | — | |
| 2-11 | Variations and Fugue on a Theme by G.F. Handel, op. 24 (excerpt) | — | ||
| 2-12 | Nocturne no. 20 in C-sharp minor, op. posth. | — | ||
| 2-13 | 24 Preludes and Fugues, op. 87: Prelude and Fugue in D minor | — | ||
| 2-14 | Fantasia in D minor, KV 397 | John Champ | — | |
| 3-1 | Fantasie in C major, op. 17: II. Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 3-2 | Les Saisons, op. 37a: Juin: Barcarolle | Vladimir Ashkenazy | — | |
| 3-3 | Barcarolle in F-sharp major, op. 60 | — | ||
| 3-4 | Étude in A-flat major, op. 25 no. 1, “Aeolian Harp” | — | ||
| 3-5 | Arabesque no. 1 from Deux Arabesques: Andantino con moto | — | ||
| 3-6 | Vingt regards sur l’enfant Jésus: I. Regard du Père | — | ||
| 3-7 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 3-8 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo. Molto vivace | — | ||
| 3-9 | 12 Variations in C on "Ah, vous dirai-je Maman", K. 265 | Clara Haskil | — | |
| 3-10 | Le Tombeau de Couperin: Forlane | — | ||
| 3-11 | Thirty-Three Variations in C major on a Waltz by Diabelli, op. 120 (excerpt) | — | ||
| 3-12 | Piano Sonata no. 26 in E-flat major, op. 81a, “Les Adieux”: I. Adagio - Allegro | — | ||
| 3-13 | Prelude in E minor, op. 28 no. 4 | John Champ | — | |
| 4-1 | Rhapsody in G minor, op. 79 no. 2 | — | ||
| 4-2 | Solace - A Mexican Serenade | — | ||
| 4-3 | Ständchen from Schwanengesang, S560 (arr. Franz Liszt) | — | ||
| 4-4 | Waltz in A-flat, op. 39 no. 15 | — | ||
| 4-5 | Andante spianato et Grande Polonaise brilliante in E-flat major, op. 22 | — | ||
| 4-6 | No. 3 from Six Moments Musicaux | Radu Lupu | — | |
| 4-7 | Handel in the Strand (Clog Dance), RMTB2 | — | ||
| 4-8 | Concert Paraphrase on the Quartet from Giuseppe Verdi’s opera “Rigoletto”, S434 | — | ||
| 4-9 | Iberia Suite, B. 47: Evocación | Alicia de Larrocha | T-041.538.731-3 | |
| 4-10 | 4 Impromptus, D935: No. 2 in A flat major: Allegretto | Mitsuko Uchida | — | |
| 4-11 | Sonatine: I. Modéré | — | ||
| 4-12 | Arabeske in C major, op. 18 | — | ||
| 4-13 | Für Alina | — |
Musical Works (ISWC)
Identifier Graph
028947672043 is a Universal Product Code (UPC) assigned to The Classic 100 Piano, Volume II by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947672043 is the Universal Product Code (UPC barcode) for the release “The Classic 100 Piano, Volume II” by Various Artists, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include AUAB00150083, AUAB00350074, GBF079111161.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 17 in D minor, op. 31 no. 2, “The Tempest”: I. Largo - Allegro | — | ||
| 2 | Ballade in F minor, op. 52 no. 4 | — | ||
| 3 | Nocturne in B-flat minor, op. 9 no. 1 | — | ||
| 4 | Consolation in D-flat major, S172 no. 3 | — | ||
| 5 | Pavane pour une infante défunte | Stephanie McCallum | T-003.013.767-7 | |
| 6 | Berceuse in D-flat major, op. 57 | — | ||
| 7 | Gnossienne no. 1 | — | ||
| 8 | Chaconne from Partita no. 2 in D minor for solo violin, BWV1004 (arr. Ferruccio Busoni) | — | ||
| 9 | Nocturne no. 8 in D-flat, op. 27 no. 2 | — | ||
| 10 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche Funèbre - Lento | — | ||
| 2-1 | Gaspard de la nuit: Ondine | — | ||
| 2-2 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 2-3 | Quejas o la maja y el ruiseñor (The Maiden and the Nightingale) from Goyescas, Book I | — | ||
| 2-4 | Concert Étude, S144 no. 3, “Un sospiro” | — | ||
| 2-5 | Left Bank Waltz | David Stanhope | — | |
| 2-6 | Italian Concerto in F major, BWV 971: I. Allegro | András Schiff | T-312.198.890-3 | |
| 2-7 | Walking in the Air from Lifecycle | — | ||
| 2-8 | Nocturne no. 13 in C minor, op. 48 no. 1 | — | ||
| 2-9 | Gymnopédie no. 3 from Trois Gymnopédies | — | ||
| 2-10 | 4 Impromptus, op. 90, D. 899 no. 2 in E-flat major (Allegro) | András Schiff | — | |
| 2-11 | Variations and Fugue on a Theme by G.F. Handel, op. 24 (excerpt) | — | ||
| 2-12 | Nocturne no. 20 in C-sharp minor, op. posth. | — | ||
| 2-13 | 24 Preludes and Fugues, op. 87: Prelude and Fugue in D minor | — | ||
| 2-14 | Fantasia in D minor, KV 397 | John Champ | — | |
| 3-1 | Fantasie in C major, op. 17: II. Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 3-2 | Les Saisons, op. 37a: Juin: Barcarolle | Vladimir Ashkenazy | — | |
| 3-3 | Barcarolle in F-sharp major, op. 60 | — | ||
| 3-4 | Étude in A-flat major, op. 25 no. 1, “Aeolian Harp” | — | ||
| 3-5 | Arabesque no. 1 from Deux Arabesques: Andantino con moto | — | ||
| 3-6 | Vingt regards sur l’enfant Jésus: I. Regard du Père | — | ||
| 3-7 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 3-8 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo. Molto vivace | — | ||
| 3-9 | 12 Variations in C on "Ah, vous dirai-je Maman", K. 265 | Clara Haskil | — | |
| 3-10 | Le Tombeau de Couperin: Forlane | — | ||
| 3-11 | Thirty-Three Variations in C major on a Waltz by Diabelli, op. 120 (excerpt) | — | ||
| 3-12 | Piano Sonata no. 26 in E-flat major, op. 81a, “Les Adieux”: I. Adagio - Allegro | — | ||
| 3-13 | Prelude in E minor, op. 28 no. 4 | John Champ | — | |
| 4-1 | Rhapsody in G minor, op. 79 no. 2 | — | ||
| 4-2 | Solace - A Mexican Serenade | — | ||
| 4-3 | Ständchen from Schwanengesang, S560 (arr. Franz Liszt) | — | ||
| 4-4 | Waltz in A-flat, op. 39 no. 15 | — | ||
| 4-5 | Andante spianato et Grande Polonaise brilliante in E-flat major, op. 22 | — | ||
| 4-6 | No. 3 from Six Moments Musicaux | Radu Lupu | — | |
| 4-7 | Handel in the Strand (Clog Dance), RMTB2 | — | ||
| 4-8 | Concert Paraphrase on the Quartet from Giuseppe Verdi’s opera “Rigoletto”, S434 | — | ||
| 4-9 | Iberia Suite, B. 47: Evocación | Alicia de Larrocha | T-041.538.731-3 | |
| 4-10 | 4 Impromptus, D935: No. 2 in A flat major: Allegretto | Mitsuko Uchida | — | |
| 4-11 | Sonatine: I. Modéré | — | ||
| 4-12 | Arabeske in C major, op. 18 | — | ||
| 4-13 | Für Alina | — |
