UPC · Release
Lorin Maazel, Berlin Philharmonic
Last verified:
028947752547 is the Universal Product Code (UPC barcode) for the release “Complete Early Berlin Philharmonic Recordings 1957 - 1962” by Lorin Maazel, Berlin Philharmonic, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include DEF055800861, DEF055800862, DEF055800863.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | Berliner Philharmoniker, Lorin Maazel | — |
| 2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | Berliner Philharmoniker, Lorin Maazel | — |
| 3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | Berliner Philharmoniker, Lorin Maazel | — |
| 4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | Berliner Philharmoniker, Lorin Maazel | T-318.676.528-2 |
| 5 | Symphony No. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | Berliner Philharmoniker, Lorin Maazel | — |
| 6 | Symphony No. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach | Berliner Philharmoniker, Lorin Maazel | — |
| 7 | Symphony No. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute | Berliner Philharmoniker, Lorin Maazel | — |
| 8 | Symphony No. 6 in F major, op. 68 “Pastoral”: 4. Gewitter – Sturm | Berliner Philharmoniker, Lorin Maazel | — |
| 9 | Symphony No. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm | Berliner Philharmoniker, Lorin Maazel | — |
| 2-1 | Symphony no. 3 in F major, op. 90: 1. Allegro con brio | Berliner Philharmoniker, Lorin Maazel | T-329.366.811-4 |
| 2-2 | Symphony no. 3 in F major, op. 90: 2. Andante | Berliner Philharmoniker, Lorin Maazel | T-329.366.812-5 |
| 2-3 | Symphony no. 3 in F major, op. 90: 3. Poco allegretto | Berliner Philharmoniker, Lorin Maazel | — |
| 2-4 | Symphony no. 3 in F major, op. 90: 4. Allegro | Berliner Philharmoniker, Lorin Maazel | T-318.676.528-2 |
| 2-5 | Tragic Overture, op. 81 | Berliner Philharmoniker, Lorin Maazel | — |
| 2-6 | Overture "The Consecration of the House", op. 124 | Berliner Philharmoniker, Lorin Maazel | — |
| 2-7 | 12 Contredanses for Orchestra, WoO 14: No. 1 in C major | Berliner Philharmoniker, Lorin Maazel | T-010.437.719-6 |
| 2-8 | 12 Contredanses for Orchestra, WoO 14: No. 2 in A major | Berliner Philharmoniker, Lorin Maazel | T-060.019.661-9 |
| 2-9 | 12 Contredanses for Orchestra, WoO 14: No. 3 in D major | Berliner Philharmoniker, Lorin Maazel | — |
| 2-10 | 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major | Berliner Philharmoniker, Lorin Maazel | T-312.542.381-2 |
| 2-11 | 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major | Berliner Philharmoniker, Lorin Maazel | T-902.876.200-7 |
| 2-12 | 12 Contredanses for Orchestra, WoO 14: No. 6 in C major | Berliner Philharmoniker, Lorin Maazel | — |
| 2-13 | 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — |
| 2-14 | 12 Contredanses for Orchestra, WoO 14: No. 8 in C major | Berliner Philharmoniker, Lorin Maazel | — |
| 2-15 | 12 Contredanses for Orchestra, WoO 14: No. 9 in A major | Berliner Philharmoniker, Lorin Maazel | — |
| 2-16 | 12 Contredanses for Orchestra, WoO 14: No. 10 in C major | Berliner Philharmoniker, Lorin Maazel | T-312.958.225-4 |
| 2-17 | 12 Contredanses for Orchestra, WoO 14: No. 11 in G major | Berliner Philharmoniker, Lorin Maazel | — |
| 2-18 | 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major | Berliner Philharmoniker, Lorin Maazel | — |
| 3-1 | Symphony no. 2 in B-flat major, D. 125: 1. Largo – Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — |
| 3-2 | Symphony no. 2 in B-flat major, D. 125: 2. Andante – Variationen I–V | Berliner Philharmoniker, Lorin Maazel | T-802.445.410-3 |
| 3-3 | Symphony no. 2 in B-flat major, D. 125: 3. Menuetto. Allegro vivace – Trio | Berliner Philharmoniker, Lorin Maazel | — |
| 3-4 | Symphony no. 2 in B-flat major, D. 125: 4. Presto vivace | Berliner Philharmoniker, Lorin Maazel | T-318.676.528-2 |
| 3-5 | Symphony no. 3 in D major, D. 200: 1. Adagio maestoso – Allegro con brio | Berliner Philharmoniker, Lorin Maazel | — |
| 3-6 | Symphony no. 3 in D major, D. 200: 2. Allegretto | Berliner Philharmoniker, Lorin Maazel | T-802.445.410-3 |
| 3-7 | Symphony no. 3 in D major, D. 200: 3. Menuetto. Vivace | Berliner Philharmoniker, Lorin Maazel | T-900.158.116-4 |
| 3-8 | Symphony no. 3 in D major, D. 200: 4. Presto vivace | Berliner Philharmoniker, Lorin Maazel | — |
| 3-9 | Symphony no. 4 in C minor, D. 417 "Tragic": 1. Adagio molto – Allegro vivace | Berliner Philharmoniker, Lorin Maazel | T-312.542.531-8 |
| 3-10 | Symphony no. 4 in C minor, D. 417 "Tragic": 2. Andante | Berliner Philharmoniker, Lorin Maazel | T-802.445.410-3 |
| 3-11 | Symphony no. 4 in C minor, D. 417 "Tragic": 3. Menuetto. Allegro vivace – Trio | Berliner Philharmoniker, Lorin Maazel | — |
| 3-12 | Symphony no. 4 in C minor, D. 417 "Tragic": 4. Allegro | Berliner Philharmoniker, Lorin Maazel | T-318.676.528-2 |
| 4-1 | Symphony no. 5 in B-flat major, D. 485: 1. Allegro | Berliner Philharmoniker, Lorin Maazel | T-011.422.353-8 |
| 4-2 | Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto | Berliner Philharmoniker, Lorin Maazel | T-900.158.116-4 |
| 4-3 | Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto – Trio | Berliner Philharmoniker, Lorin Maazel | — |
| 4-4 | Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — |
| 4-5 | Symphony no. 6 in C major D. 589 "Little C major Symphony": 1. Adagio – Allegro | Berliner Philharmoniker, Lorin Maazel | T-011.422.353-8 |
| 4-6 | Symphony no. 6 in C major D. 589 "Little C major Symphony": 2. Andante | Berliner Philharmoniker, Lorin Maazel | T-802.445.410-3 |
| 4-7 | Symphony no. 6 in C major D. 589 "Little C major Symphony": 3. Scherzo. Presto – Più lento | Berliner Philharmoniker, Lorin Maazel | — |
| 4-8 | Symphony no. 6 in C major D. 589 "Little C major Symphony" 4. Allegro moderato | Berliner Philharmoniker, Lorin Maazel | — |
| 4-9 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato | Berliner Philharmoniker, Lorin Maazel | — |
| 4-10 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 2. Andante con moto | Berliner Philharmoniker, Lorin Maazel | — |
| 5-1 | Symphony no. 1 in E-flat major, K. 16: 1. Allegro molto | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-2 | Symphony no. 1 in E-flat major, K. 16: 2. Andante | Orchestre National de la Radiodiffusion Française, Lorin Maazel | T-900.140.821-5 |
| 5-3 | Symphony no. 1 in E-flat major, K. 16: 3. Presto | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-4 | Symphony no. 28 in C major, K. 200 (189k): 1. Allegro spiritoso | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-5 | Symphony no. 28 in C major, K. 200 (189k): 2. Andante | Orchestre National de la Radiodiffusion Française, Lorin Maazel | T-312.542.381-2 |
| 5-6 | Symphony no. 28 in C major, K. 200 (189k): 3. Menuetto. Allegretto – Trio | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-7 | Symphony no. 28 in C major, K. 200 (189k): 4. Presto | Orchestre National de la Radiodiffusion Française, Lorin Maazel | T-318.676.528-2 |
| 5-8 | Symphony no. 41 in C major. K. 551 “Jupiter”: 1. Allegro vivace | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-9 | Symphony no. 41 in C major. K. 551 “Jupiter”: 2. Andante cantabile | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-10 | Symphony no. 41 in C major. K. 551 “Jupiter”: 3. Menuetto. Allegretto – Trio | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 5-11 | Symphony no. 41 in C major. K. 551 “Jupiter”: 4. Finale. Molto allegro | Orchestre National de la Radiodiffusion Française, Lorin Maazel | T-902.781.050-0 |
| 5-12 | Symphony no. 4 in A major, op. 90 "Italian": 1. Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — |
| 5-13 | Symphony no. 4 in A major, op. 90 "Italian": 2. Andante con moto | Berliner Philharmoniker, Lorin Maazel | T-303.792.628-2 |
| 5-14 | Symphony no. 4 in A major, op. 90 "Italian": 3. Con moto moderato | Berliner Philharmoniker, Lorin Maazel | — |
| 5-15 | Symphony no. 4 in A major, op. 90 "Italian": 4. Saltarello. Presto | Berliner Philharmoniker, Lorin Maazel | T-925.645.332-4 |
| 6-1 | Symphony no. 5 in D major, op. 107 "Reformation": 1. Allegro – Allegro con fuoco | Berliner Philharmoniker, Lorin Maazel | T-931.717.651-5 |
| 6-2 | Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace | Berliner Philharmoniker, Lorin Maazel | — |
| 6-3 | Symphony no. 5 in D major, op. 107 "Reformation": 3. Andante | Berliner Philharmoniker, Lorin Maazel | T-902.876.200-7 |
| 6-4 | Symphony no. 5 in D major, op. 107 "Reformation": 4. Chorale “Ein feste Burg ist unser Gott”. Andante con moto – Allegro maestoso | Berliner Philharmoniker, Lorin Maazel | — |
| 6-5 | Roméo et Juliette, op. 17: Grande fête chez Capulet | Berliner Philharmoniker, Lorin Maazel | — |
| 6-6 | Roméo et Juliette, op. 17: La reine Mab. Scherzo | Berliner Philharmoniker, Lorin Maazel | — |
| 6-7 | Roméo et Juliette, op. 17: Scène d’amour | Berliner Philharmoniker, Lorin Maazel | — |
| 6-8 | Roméo et Juliette, op. 17: Roméo au tombeau des Capulets | Berliner Philharmoniker, Lorin Maazel | — |
| 7-1 | Romeo and Juliet | Berliner Philharmoniker, Lorin Maazel | — |
| 7-2 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima | Berliner Philharmoniker, Lorin Maazel | — |
| 7-3 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona | Berliner Philharmoniker, Lorin Maazel | — |
| 7-4 | Symphony no. 4 in F minor, op. 36: 3. Scherzo (Pizzicato ostinato). Allegro | Berliner Philharmoniker, Lorin Maazel | — |
| 7-5 | Symphony no. 4 in F minor, op. 36: 3. Scherzo (Pizzicato ostinato). Allegro | Berliner Philharmoniker, Lorin Maazel | T-318.676.528-2 |
| 7-6 | Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| 7-7 | Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| 7-8 | Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| 7-9 | Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| 7-10 | Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| 8-1 | Romeo and Juliet: The Montagues and the Capulets | Berliner Philharmoniker, Lorin Maazel | — |
| 8-2 | Romeo and Juliet: Dance | Berliner Philharmoniker, Lorin Maazel | — |
| 8-3 | Romeo and Juliet: Romeo at Juliet’s Tomb | Berliner Philharmoniker, Lorin Maazel | — |
| 8-4 | Romeo and Juliet: Dance of the Girls from the Antilles | Berliner Philharmoniker, Lorin Maazel | — |
| 8-5 | Romeo and Juliet: Tybalt’s Death | Berliner Philharmoniker, Lorin Maazel | — |
| 8-6 | Pini di Roma: 1. I pini di Villa Borghese | Berliner Philharmoniker, Lorin Maazel | T-333.047.076-9 |
| 8-7 | Pini di Roma: 2. Pini presso una catacomba | Berliner Philharmoniker, Lorin Maazel | — |
| 8-8 | Pini di Roma: 3. I pini del Gianicolo | Berliner Philharmoniker, Lorin Maazel | T-333.046.977-3 |
| 8-9 | Pini di Roma: 4. I pini della Via Appia | Berliner Philharmoniker, Lorin Maazel | — |
| 8-10 | Night on Bald Mountain | Berliner Philharmoniker, Lorin Maazel | — |
| 8-11 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-12 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-13 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-14 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-15 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-16 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-17 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-18 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-19 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-20 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-21 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-22 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-23 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-24 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-25 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-26 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| 8-27 | The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Capriccio espagnol, op. 34: I. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: II. Variazioni | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: IV. Scena e canto gitano | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: V. Fandango asturiano | Berliner Philharmoniker, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: Tuning up – "These are sounds made by a hundred musicians playing many different kinds of instruments" | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "It all starts with an idea" | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "All of them are now ready …". Theme | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "It is time that each instrument speaks for itself". Variation A | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "When two oboes discuss the theme, their observation may seem more penetrating". Variation B | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "Clarinets are glib talkers and are very popular". Variation C | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "Easily recognized is the gossip of the bassoon". Variation D | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "30 of the 60 string players are violinists". Variation E | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The alto voice of the viola is larger than the violin’s". Variation F | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The violoncello is larger still". Variation G | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The double bass stands as high as a man". Variation H | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: Words plucked from any of the harp’s 47 strings are always easy to understand". Variation I | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The horn is a brass instrument". Variation J | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "These two trumpets challenge each other in a brilliant exchange". Variation K | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The giants of the brass, the trombones and tuba, always like to have the last word". Variation L | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "Everyone has had his say". Fugue | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947752547 is a Universal Product Code (UPC) assigned to Complete Early Berlin Philharmonic Recordings 1957 - 1962 by Lorin Maazel, Berlin Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947752547 is the Universal Product Code (UPC barcode) for the release “Complete Early Berlin Philharmonic Recordings 1957 - 1962” by Lorin Maazel, Berlin Philharmonic, released 2004-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include DEF055800861, DEF055800862, DEF055800863.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Capriccio espagnol, op. 34: I. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: II. Variazioni | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: III. Alborada | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: IV. Scena e canto gitano | Berliner Philharmoniker, Lorin Maazel | — |
| Capriccio espagnol, op. 34: V. Fandango asturiano | Berliner Philharmoniker, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: Tuning up – "These are sounds made by a hundred musicians playing many different kinds of instruments" | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "It all starts with an idea" | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "All of them are now ready …". Theme | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "It is time that each instrument speaks for itself". Variation A | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "When two oboes discuss the theme, their observation may seem more penetrating". Variation B | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "Clarinets are glib talkers and are very popular". Variation C | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "Easily recognized is the gossip of the bassoon". Variation D | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "30 of the 60 string players are violinists". Variation E | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The alto voice of the viola is larger than the violin’s". Variation F | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The violoncello is larger still". Variation G | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The double bass stands as high as a man". Variation H | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: Words plucked from any of the harp’s 47 strings are always easy to understand". Variation I | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The horn is a brass instrument". Variation J | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "These two trumpets challenge each other in a brilliant exchange". Variation K | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The giants of the brass, the trombones and tuba, always like to have the last word". Variation L | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
| The Young Person’s Guide to the Orchestra, op. 34: "Everyone has had his say". Fugue | Orchestre National de la Radiodiffusion Française, Lorin Maazel | — |
