UPC · Release
Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras
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The UPC for “Dido and Aeneas / Ode on St. Cecilia’s Day” by Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras is 028947753506. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Archiv Produktion. This release contains 39 tracks, each with its own ISRC. Tracks include DEF056930001, DEF056930002, DEF056930003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 2 | Dido and Aeneas, Z. 626: Act 1. "Shake the cloud from off your brow" | — | ||
| 3 | Dido and Aeneas, Z. 626: Act 1. "Ah! Belinda" / "Grief increases" / "When monarchs unite" | — | ||
| 4 | Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger" | — | ||
| 5 | Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…" | — | ||
| 6 | Dido and Aeneas, Z. 626: Act 1. "If not for mine, for empire's sake" … "To the hills and the vales" | — | ||
| 7 | Dido and Aeneas, Z. 626: Act 1. The Triumphing Dance | — | ||
| 8 | Dido and Aeneas, Z. 626: Act 2. "Prelude for…" / "Harms our…" / "The Queen" / "Ho, ho, ho" | — | ||
| 9 | Dido and Aeneas, Z. 626: Act 2. "Ruin'd ere the set of sun" … "But ere we this perform" | — | ||
| 10 | Dido and Aeneas, Z. 626: Act 2. "In our deep vaulted cell" | — | ||
| 11 | Dido and Aeneas, Z. 626: Act 2. Echo Dance of Furies | — | ||
| 12 | Dido and Aeneas, Z. 626: Act 2. Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance | — | ||
| 13 | Dido and Aeneas, Z. 626: Act 2. "Oft she visits" | — | ||
| 14 | Dido and Aeneas, Z. 626: Act 2. "Behold, upon my bending spear" / "Haste, haste to town" | — | ||
| 15 | Dido and Aeneas, Z. 626: Act 2. "Stay, Prince" | — | ||
| 16 | Dido and Aeneas, Z. 626: Act 2. "Then since our charms have sped" - A Dance - The Groves Dance | — | ||
| 17 | Dido and Aeneas, Z. 626: Act 3. Prelude - "Come away, fellow sailors" | — | ||
| 18 | Dido and Aeneas, Z. 626: Act 3. The Sailors' Dance - "See the flags and streamers curling" | — | ||
| 19 | Dido and Aeneas, Z. 626: Act 3. "Our next motion" - "Destruction's our delight" | — | ||
| 20 | Dido and Aeneas, Z. 626: Act 3. The Witches' Dance | — | ||
| 21 | Dido and Aeneas, Z. 626: Act 3. "Your counsel all is urg'd in vain" - "Great minds against themselves conspire" | — | ||
| 22 | Dido and Aeneas, Z. 626: Act 3. "Thy hand, Belinda" … "When I am laid in earth" | — | ||
| 23 | Dido and Aeneas, Z. 626: Act 3. "With drooping wings…" - Cupids’ Dance | — | ||
| 2-1 | Ode for St Cecilia's Day (1692), Z. 328: Overture - Canzona | English Chamber Orchestra, Charles Mackerras | T-902.876.200-7 | |
| 2-2 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I) | Michael Rippon, English Chamber Orchestra, Charles Mackerras | — | |
| 2-3 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos) | Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | — | |
| 2-4 | Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II) | John Shirley-Quirk, Simon Woolf, Charles Mackerras | — | |
| 2-5 | Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I) | Paul Esswood, English Chamber Orchestra, Charles Mackerras | — | |
| 2-6 | Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | T-909.611.691-5 | |
| 2-7 | Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, Simon Woolf, English Chamber Orchestra, Charles Mackerras | — | |
| 2-8 | Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) | Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras | — | |
| 2-9 | Ode for St Cecilia's Day (1692), Z. 328: Woundrous machine! (Bass II) | John Shirley-Quirk, English Chamber Orchestra, Charles Mackerras | T-926.896.078-7 | |
| 2-10 | Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I) | Paul Esswood, English Chamber Orchestra, Charles Mackerras | T-900.148.980-1 | |
| 2-11 | Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor) | Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras | — | |
| 2-12 | Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I) | Paul Esswood, English Chamber Orchestra, Charles Mackerras | — | |
| 2-13 | Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II) | Michael Rippon, John Shirley-Quirk, English Chamber Orchestra, Charles Mackerras | — | |
| 2-14 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | — | |
| 2-15 | Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras | — | |
| 2-16 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947753506 is a Universal Product Code (UPC) assigned to Dido and Aeneas / Ode on St. Cecilia’s Day by Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Dido and Aeneas / Ode on St. Cecilia’s Day” by Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras is 028947753506. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Archiv Produktion. This release contains 39 tracks, each with its own ISRC. Tracks include DEF056930001, DEF056930002, DEF056930003.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dido and Aeneas, Z. 626: Overture | — | ||
| 2 | Dido and Aeneas, Z. 626: Act 1. "Shake the cloud from off your brow" | — | ||
| 3 | Dido and Aeneas, Z. 626: Act 1. "Ah! Belinda" / "Grief increases" / "When monarchs unite" | — | ||
| 4 | Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger" | — | ||
| 5 | Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…" | — | ||
| 6 | Dido and Aeneas, Z. 626: Act 1. "If not for mine, for empire's sake" … "To the hills and the vales" | — | ||
| 7 | Dido and Aeneas, Z. 626: Act 1. The Triumphing Dance | — | ||
| 8 | Dido and Aeneas, Z. 626: Act 2. "Prelude for…" / "Harms our…" / "The Queen" / "Ho, ho, ho" | — | ||
| 9 | Dido and Aeneas, Z. 626: Act 2. "Ruin'd ere the set of sun" … "But ere we this perform" | — | ||
| 10 | Dido and Aeneas, Z. 626: Act 2. "In our deep vaulted cell" | — | ||
| 11 | Dido and Aeneas, Z. 626: Act 2. Echo Dance of Furies | — | ||
| 12 | Dido and Aeneas, Z. 626: Act 2. Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance | — | ||
| 13 | Dido and Aeneas, Z. 626: Act 2. "Oft she visits" | — | ||
| 14 | Dido and Aeneas, Z. 626: Act 2. "Behold, upon my bending spear" / "Haste, haste to town" | — | ||
| 15 | Dido and Aeneas, Z. 626: Act 2. "Stay, Prince" | — | ||
| 16 | Dido and Aeneas, Z. 626: Act 2. "Then since our charms have sped" - A Dance - The Groves Dance | — | ||
| 17 | Dido and Aeneas, Z. 626: Act 3. Prelude - "Come away, fellow sailors" | — | ||
| 18 | Dido and Aeneas, Z. 626: Act 3. The Sailors' Dance - "See the flags and streamers curling" | — | ||
| 19 | Dido and Aeneas, Z. 626: Act 3. "Our next motion" - "Destruction's our delight" | — | ||
| 20 | Dido and Aeneas, Z. 626: Act 3. The Witches' Dance | — | ||
| 21 | Dido and Aeneas, Z. 626: Act 3. "Your counsel all is urg'd in vain" - "Great minds against themselves conspire" | — | ||
| 22 | Dido and Aeneas, Z. 626: Act 3. "Thy hand, Belinda" … "When I am laid in earth" | — | ||
| 23 | Dido and Aeneas, Z. 626: Act 3. "With drooping wings…" - Cupids’ Dance | — | ||
| 2-1 | Ode for St Cecilia's Day (1692), Z. 328: Overture - Canzona | English Chamber Orchestra, Charles Mackerras | T-902.876.200-7 | |
| 2-2 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I) | Michael Rippon, English Chamber Orchestra, Charles Mackerras | — | |
| 2-3 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos) | Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | — | |
| 2-4 | Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II) | John Shirley-Quirk, Simon Woolf, Charles Mackerras | — | |
| 2-5 | Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I) | Paul Esswood, English Chamber Orchestra, Charles Mackerras | — | |
| 2-6 | Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | T-909.611.691-5 | |
| 2-7 | Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, Simon Woolf, English Chamber Orchestra, Charles Mackerras | — | |
| 2-8 | Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) | Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras | — | |
| 2-9 | Ode for St Cecilia's Day (1692), Z. 328: Woundrous machine! (Bass II) | John Shirley-Quirk, English Chamber Orchestra, Charles Mackerras | T-926.896.078-7 | |
| 2-10 | Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I) | Paul Esswood, English Chamber Orchestra, Charles Mackerras | T-900.148.980-1 | |
| 2-11 | Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor) | Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras | — | |
| 2-12 | Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I) | Paul Esswood, English Chamber Orchestra, Charles Mackerras | — | |
| 2-13 | Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II) | Michael Rippon, John Shirley-Quirk, English Chamber Orchestra, Charles Mackerras | — | |
| 2-14 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | — | |
| 2-15 | Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras | — | |
| 2-16 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | — |
