Dido and Aeneas / Ode on St. Cecilia’s Day

UPC · Release

Dido and Aeneas / Ode on St. Cecilia’s Day

Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras

028947753506
39 tracksReleased 2005-01-01Archiv Produktion

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028947753506 is the Universal Product Code (UPC barcode) for the release Dido and Aeneas / Ode on St. Cecilia’s Day by Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras, released 2005-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include DEF056930001, DEF056930002, DEF056930003.

Format

0Number system
28947Manufacturer
75350Product
6Check digit
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Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
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Credit Chain

UPCDido and Aeneas / Ode on St. Cecilia’s Day
ISRC16 recordings
ISWC4 works

Track List (39)

Dido and Aeneas, Z. 626: Overture
Dido and Aeneas, Z. 626: Overture
Dido and Aeneas, Z. 626: Act 1. "Shake the cloud from off your brow"
Dido and Aeneas, Z. 626: Act 1. "Shake the cloud from off your brow"
Dido and Aeneas, Z. 626: Act 1. "Ah! Belinda" / "Grief increases" / "When monarchs unite"
Dido and Aeneas, Z. 626: Act 1. "Ah! Belinda" / "Grief increases" / "When monarchs unite"
Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger"
Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger"
Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…"
Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…"
Dido and Aeneas, Z. 626: Act 1. "If not for mine, for empire's sake" … "To the hills and the vales"
Dido and Aeneas, Z. 626: Act 1. "If not for mine, for empire's sake" … "To the hills and the vales"
Dido and Aeneas, Z. 626: Act 1. The Triumphing Dance
Dido and Aeneas, Z. 626: Act 1. The Triumphing Dance
Dido and Aeneas, Z. 626: Act 2. "Prelude for…" / "Harms our…" / "The Queen" / "Ho, ho, ho"
Dido and Aeneas, Z. 626: Act 2. "Prelude for…" / "Harms our…" / "The Queen" / "Ho, ho, ho"
Dido and Aeneas, Z. 626: Act 2. "Ruin'd ere the set of sun" … "But ere we this perform"
Dido and Aeneas, Z. 626: Act 2. "Ruin'd ere the set of sun" … "But ere we this perform"
Dido and Aeneas, Z. 626: Act 2. "In our deep vaulted cell"
Dido and Aeneas, Z. 626: Act 2. "In our deep vaulted cell"
Dido and Aeneas, Z. 626: Act 2. Echo Dance of Furies
Dido and Aeneas, Z. 626: Act 2. Echo Dance of Furies
Dido and Aeneas, Z. 626: Act 2. Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance
Dido and Aeneas, Z. 626: Act 2. Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance
Dido and Aeneas, Z. 626: Act 2. "Oft she visits"
Dido and Aeneas, Z. 626: Act 2. "Oft she visits"
Dido and Aeneas, Z. 626: Act 2. "Behold, upon my bending spear" / "Haste, haste to town"
Dido and Aeneas, Z. 626: Act 2. "Behold, upon my bending spear" / "Haste, haste to town"
Dido and Aeneas, Z. 626: Act 2. "Stay, Prince"
Dido and Aeneas, Z. 626: Act 2. "Stay, Prince"
Dido and Aeneas, Z. 626: Act 2. "Then since our charms have sped" - A Dance - The Groves Dance
Dido and Aeneas, Z. 626: Act 2. "Then since our charms have sped" - A Dance - The Groves Dance
Dido and Aeneas, Z. 626: Act 3. Prelude - "Come away, fellow sailors"
Dido and Aeneas, Z. 626: Act 3. Prelude - "Come away, fellow sailors"
Dido and Aeneas, Z. 626: Act 3. The Sailors' Dance - "See the flags and streamers curling"
Dido and Aeneas, Z. 626: Act 3. The Sailors' Dance - "See the flags and streamers curling"
Dido and Aeneas, Z. 626: Act 3. "Our next motion" - "Destruction's our delight"
Dido and Aeneas, Z. 626: Act 3. "Our next motion" - "Destruction's our delight"
Dido and Aeneas, Z. 626: Act 3. The Witches' Dance
Dido and Aeneas, Z. 626: Act 3. The Witches' Dance
Dido and Aeneas, Z. 626: Act 3. "Your counsel all is urg'd in vain" - "Great minds against themselves conspire"
Dido and Aeneas, Z. 626: Act 3. "Your counsel all is urg'd in vain" - "Great minds against themselves conspire"
Dido and Aeneas, Z. 626: Act 3. "Thy hand, Belinda" … "When I am laid in earth"
Dido and Aeneas, Z. 626: Act 3. "Thy hand, Belinda" … "When I am laid in earth"
Dido and Aeneas, Z. 626: Act 3. "With drooping wings…" - Cupids’ Dance
Dido and Aeneas, Z. 626: Act 3. "With drooping wings…" - Cupids’ Dance
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I)
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I)
Michael Rippon, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos)
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos)
Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II)
Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II)
John Shirley-Quirk, Simon Woolf, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I)
Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I)
Paul Esswood, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus)
The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus)
Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus)
The Ambrosian Singers, Tiffin Boys’ Choir, Simon Woolf, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass)
Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass)
Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Woundrous machine! (Bass II)
John Shirley-Quirk, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor)
Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor)
Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I)
Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I)
Paul Esswood, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II)
Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II)
Michael Rippon, John Shirley-Quirk, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)
The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I)
Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I)
Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)
The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras

Credits Graph

People also ask

What is UPC 028947753506?
UPC 028947753506 is the Universal Product Code (barcode) for "Dido and Aeneas / Ode on St. Cecilia’s Day" by Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras, released on Archiv Produktion.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947753506?
UPC 028947753506 contains 39 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 028947753506?

028947753506 is a Universal Product Code (UPC) assigned to Dido and Aeneas / Ode on St. Cecilia’s Day by Henry Purcell, Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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