UPC · Release
The 20th-Century Cello
Matt Haimovitz
028947755067
70 tracksReleased 2005-01-01Deutsche Grammophon
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028947755067 is the Universal Product Code (UPC barcode) for the release “The 20th-Century Cello” by Matt Haimovitz, released 2005-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 70 tracks, each with its own ISRC.
Format
0Number system
28947Manufacturer
75506Product
7Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
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- Product:
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Track List (70)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Suite No.1, op.72: Canto primo: Sostenuto e largamente | — | ||
| 2 | Cello Suite No.1, op.72: 1. Fuga: Andante moderato | — | ||
| 3 | Cello Suite No.1, op.72: 2. Lamento: Lento rubato | — | ||
| 4 | Cello Suite No.1, op.72: Canto secondo: Sostenuto | — | ||
| 5 | Cello Suite No.1, op.72: 3. Serenata: Allegretto (pizzacato) | — | ||
| 6 | Cello Suite No.1, op.72: 4. Marcia: Alla marcia moderato | — | ||
| 7 | Cello Suite No.1, op.72: Canto terzo: Sostenuto | — | ||
| 8 | Cello Suite No.1, op.72: 5. Bordone: Moderato quasi recitativo | — | ||
| 9 | Cello Suite No.1, op.72: 6. Moto perpetuo e Canto quarto: Presto · Sostenuto | — | ||
| 10 | Sonata for Solo Cello: I. Fantasia: Andante espressivo e con molto rubato | — | ||
| 11 | Sonata for Solo Cello: II. Tema pastorale con variazioni | — | ||
| 12 | Sonata for Solo Cello: III. Toccata: Largo e drammatico · Allegro vivace | — | ||
| 13 | Three Little Pieces for Cello & Piano, op.11: I. Mäßige Achtel | — | ||
| 14 | Three Little Pieces for Cello & Piano, op.11: II. Sehr bewegt | — | ||
| 15 | Three Little Pieces for Cello & Piano, op.11: III. Äußerst ruhig | — | ||
| 16 | 3 Strophes sur le nom de Sacher: I. Un poco indeciso | — | ||
| 17 | 3 Strophes sur le nom de Sacher: II. Andante sostenuto | — | ||
| 18 | 3 Strophes sur le nom de Sacher: III. Vivace | — | ||
| 19 | Sonata for Cello & Piano: I. Prologue: Lent | — | ||
| 20 | Sonata for Cello & Piano: II. Sérénade: Modérément animé. Fantastique et léger | — | ||
| 21 | Sonata for Cello & Piano: III. Finale: Animé | — | ||
| 22 | Tema "Sacher" for Cello Solo: Lento maestoso · Largamente | — | ||
| 23 | Sonata in C for Cello & Piano, op.65: I. Dialogo: Allegro | — | ||
| 24 | Sonata in C for Cello & Piano, op.65: II. Scherzo: Allegretto (pizzicato) | — | ||
| 25 | Sonata in C for Cello & Piano, op.65: III. Elegia: Lento | — | ||
| 26 | Sonata in C for Cello & Piano, op.65: IV. Marcia: Energico | — | ||
| 27 | Sonata in C for Cello & Piano, op.65: V. Moto Perpetuo: Presto | — | ||
| 2-1 | Cello Suite in G, op.131c/1: I. Präludium: Vivace | — | ||
| 2-2 | Cello Suite in G, op.131c/1: II. Adagio | — | ||
| 2-3 | Cello Suite in G, op.131c/1: III. Fuge: Allegro | — | ||
| 2-4 | Sonata for Solo Cello, op.25/3: I. Lebhaft, sehr markiert. Mit festen Bogenstrichen | — | ||
| 2-5 | Sonata for Solo Cello, op.25/3: II. Mäßig schnell, gemächlich. Durchweg sehr leise | — | ||
| 2-6 | Sonata for Solo Cello, op.25/3: III. Langsam · Ruhig | — | ||
| 2-7 | Sonata for Solo Cello, op.25/3: IV. Lebhafte Viertel. Ohne jeden Ausdruck und stets Pianissimo | — | ||
| 2-8 | Sonata for Solo Cello, op.25/3: V. Mäßig schnell. Sehr scharf markierte Viertel | — | ||
| 2-9 | Synchronisms No.3: Espressivo assai · Tempo giusto · Più lento · Calmo | — | ||
| 2-10 | Cello Suite No.2, op.80: I. Declamato: Largo | — | ||
| 2-11 | Cello Suite No.2, op.80: II. Fuga: Andante | — | ||
| 2-12 | Cello Suite No.2, op.80: III. Scherzo: Allegro molto | — | ||
| 2-13 | Cello Suite No.2, op.80: IV. Andante lento | — | ||
| 2-14 | Cello Suite No.2, op.80: V. Ciaccona: Allegro | — | ||
| 2-15 | Six Pieces for Cello: I. Prelude: Allegro energico · Molto meno mosso e misterioso · Tempo I · Tranquillo | — | ||
| 2-16 | Six Pieces for Cello: II. Dialogue: Andante · Più mosso e poco stringendo · Tempo I | — | ||
| 2-17 | Six Pieces for Cello: III. Scherzo: Allegro | — | ||
| 2-18 | Six Pieces for Cello: IV. Berceuse: Lento e dolce | — | ||
| 2-19 | Six Pieces for Cello: V. Fantasy: Con fantasia | — | ||
| 2-20 | Six Pieces for Cello: VI. Epilogue: Adagio molto | — | ||
| 2-21 | Cello Suite: I. Preludio: Andante, rubato | — | ||
| 2-22 | Cello Suite: II. Fuga · Burletta: Allegro moderato | — | ||
| 2-23 | Cello Suite: III. Sarabanda: Lento molto | — | ||
| 2-24 | Cello Suite: IV. Giga: Prestissimo | — | ||
| 2-25 | Hebrew Melodies: I. Psalm 93: Moderato | — | ||
| 2-26 | Hebrew Melodies: II. Cantillation: Moderato | — | ||
| 3-1 | Sonata for Solo Cello, op.8: I. Allegro maestoso ma appassionato | — | ||
| 3-2 | Sonata for Solo Cello, op.8: II. Adagio | — | ||
| 3-3 | Sonata for Solo Cello, op.8: III. Allegro molto vivace | — | ||
| 3-4 | Cello Suite No.3, op.87: 1. Introduzione: Lento | — | ||
| 3-5 | Cello Suite No.3, op.87: 2. Marcia: Allegro | — | ||
| 3-6 | Cello Suite No.3, op.87: 3. Canto: Con moto | — | ||
| 3-7 | Cello Suite No.3, op.87: 4. Barcarolla: Lento | — | ||
| 3-8 | Cello Suite No.3, op.87: 5. Dialogo: Allegretto | — | ||
| 3-9 | Cello Suite No.3, op.87: 6. Fuga: Andante espressivo | — | ||
| 3-10 | Cello Suite No.3, op.87: 7. Recitativo: Fantastico | — | ||
| 3-11 | Cello Suite No.3, op.87: 8. Moto perpetuo: Presto | — | ||
| 3-12 | Cello Suite No.3, op.87: 9. Passacaglia: Lento solenne | — | ||
| 3-13 | Cello Suite No.3, op.87: 9. Three Russian folk songs & Grand Repose | — | ||
| 3-14 | Les Mots sont allés: Intime, comme en parlant | — | ||
| 3-15 | Capriccio for Cello: Vivace | — | ||
| 3-16 | Sonata for Cello: I. Dialogo: Adagio, rubato, cantabile | — | ||
| 3-17 | Sonata for Cello: II. Capriccio: Presto con slancio | — |
Cello Suite No.1, op.72: Canto primo: Sostenuto e largamente
—
Cello Suite No.1, op.72: 1. Fuga: Andante moderato
—
Cello Suite No.1, op.72: 2. Lamento: Lento rubato
—
Cello Suite No.1, op.72: Canto secondo: Sostenuto
—
Cello Suite No.1, op.72: 3. Serenata: Allegretto (pizzacato)
—
Cello Suite No.1, op.72: 4. Marcia: Alla marcia moderato
—
Cello Suite No.1, op.72: Canto terzo: Sostenuto
—
Cello Suite No.1, op.72: 5. Bordone: Moderato quasi recitativo
—
Cello Suite No.1, op.72: 6. Moto perpetuo e Canto quarto: Presto · Sostenuto
—
Sonata for Solo Cello: I. Fantasia: Andante espressivo e con molto rubato
—
Sonata for Solo Cello: II. Tema pastorale con variazioni
—
Sonata for Solo Cello: III. Toccata: Largo e drammatico · Allegro vivace
—
Three Little Pieces for Cello & Piano, op.11: I. Mäßige Achtel
—
Three Little Pieces for Cello & Piano, op.11: II. Sehr bewegt
—
Three Little Pieces for Cello & Piano, op.11: III. Äußerst ruhig
—
3 Strophes sur le nom de Sacher: I. Un poco indeciso
—
3 Strophes sur le nom de Sacher: II. Andante sostenuto
—
3 Strophes sur le nom de Sacher: III. Vivace
—
Sonata for Cello & Piano: I. Prologue: Lent
—
Sonata for Cello & Piano: II. Sérénade: Modérément animé. Fantastique et léger
—
Sonata for Cello & Piano: III. Finale: Animé
—
Tema "Sacher" for Cello Solo: Lento maestoso · Largamente
—
Sonata in C for Cello & Piano, op.65: I. Dialogo: Allegro
—
Sonata in C for Cello & Piano, op.65: II. Scherzo: Allegretto (pizzicato)
—
Sonata in C for Cello & Piano, op.65: III. Elegia: Lento
—
Sonata in C for Cello & Piano, op.65: IV. Marcia: Energico
—
Sonata in C for Cello & Piano, op.65: V. Moto Perpetuo: Presto
—
Cello Suite in G, op.131c/1: I. Präludium: Vivace
—
Cello Suite in G, op.131c/1: II. Adagio
—
Cello Suite in G, op.131c/1: III. Fuge: Allegro
—
Sonata for Solo Cello, op.25/3: I. Lebhaft, sehr markiert. Mit festen Bogenstrichen
—
Sonata for Solo Cello, op.25/3: II. Mäßig schnell, gemächlich. Durchweg sehr leise
—
Sonata for Solo Cello, op.25/3: III. Langsam · Ruhig
—
Sonata for Solo Cello, op.25/3: IV. Lebhafte Viertel. Ohne jeden Ausdruck und stets Pianissimo
—
Sonata for Solo Cello, op.25/3: V. Mäßig schnell. Sehr scharf markierte Viertel
—
Synchronisms No.3: Espressivo assai · Tempo giusto · Più lento · Calmo
—
Cello Suite No.2, op.80: I. Declamato: Largo
—
Cello Suite No.2, op.80: II. Fuga: Andante
—
Cello Suite No.2, op.80: III. Scherzo: Allegro molto
—
Cello Suite No.2, op.80: IV. Andante lento
—
Cello Suite No.2, op.80: V. Ciaccona: Allegro
—
Six Pieces for Cello: I. Prelude: Allegro energico · Molto meno mosso e misterioso · Tempo I · Tranquillo
—
Six Pieces for Cello: II. Dialogue: Andante · Più mosso e poco stringendo · Tempo I
—
Six Pieces for Cello: III. Scherzo: Allegro
—
Six Pieces for Cello: IV. Berceuse: Lento e dolce
—
Six Pieces for Cello: V. Fantasy: Con fantasia
—
Six Pieces for Cello: VI. Epilogue: Adagio molto
—
Cello Suite: I. Preludio: Andante, rubato
—
Cello Suite: II. Fuga · Burletta: Allegro moderato
—
Cello Suite: III. Sarabanda: Lento molto
—
Cello Suite: IV. Giga: Prestissimo
—
Hebrew Melodies: I. Psalm 93: Moderato
—
Hebrew Melodies: II. Cantillation: Moderato
—
Sonata for Solo Cello, op.8: I. Allegro maestoso ma appassionato
—
Sonata for Solo Cello, op.8: II. Adagio
—
Sonata for Solo Cello, op.8: III. Allegro molto vivace
—
Cello Suite No.3, op.87: 1. Introduzione: Lento
—
Cello Suite No.3, op.87: 2. Marcia: Allegro
—
Cello Suite No.3, op.87: 3. Canto: Con moto
—
Cello Suite No.3, op.87: 4. Barcarolla: Lento
—
Cello Suite No.3, op.87: 5. Dialogo: Allegretto
—
Cello Suite No.3, op.87: 6. Fuga: Andante espressivo
—
Cello Suite No.3, op.87: 7. Recitativo: Fantastico
—
Cello Suite No.3, op.87: 8. Moto perpetuo: Presto
—
Cello Suite No.3, op.87: 9. Passacaglia: Lento solenne
—
Cello Suite No.3, op.87: 9. Three Russian folk songs & Grand Repose
—
Les Mots sont allés: Intime, comme en parlant
—
Capriccio for Cello: Vivace
—
Sonata for Cello: I. Dialogo: Adagio, rubato, cantabile
—
Sonata for Cello: II. Capriccio: Presto con slancio
—
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What is UPC 028947755067?
028947755067 is a Universal Product Code (UPC) assigned to The 20th-Century Cello by Matt Haimovitz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 70 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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