UPC · Release
Wolfgang Amadeus Mozart, Paul McCreesh, Camilla Tilling, Sarah Conolly, Gabrieli Consort & Players
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The UPC for “Great Mass in C minor, K. 427” by Wolfgang Amadeus Mozart, Paul McCreesh, Camilla Tilling, Sarah Conolly, Gabrieli Consort & Players is 028947757443. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Archiv Produktion. This release contains 15 tracks, each with its own ISRC. Tracks include DEN960432610, DEN960432611, DEN960432612.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: I. “Kyrie” | — | ||
| 2 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIa. Gloria: “Gloria in excelsis” | — | ||
| 3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIb. Gloria: “Laudamus te” | — | ||
| 4 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIc. Gloria: “Gratias agimus tibi” | — | ||
| 5 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IId. Gloria: “Domine Deus” | — | ||
| 6 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIe. Gloria: “Qui tollis” | — | ||
| 7 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIf. Gloria: “Quoniam tu solus” | — | ||
| 8 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIg. Gloria: “Jesu Christe” | — | ||
| 9 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIh. Gloria: “Cum Sancto Spiritu” | — | ||
| 10 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | Gabrieli Consort & Players, Paul McCreesh | T-030.223.287-6 | |
| 11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | T-900.009.712-1 | |
| 12 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IV. Sanctus | Gabrieli Consort & Players, Paul McCreesh | — | |
| 13 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | Gabrieli Consort & Players, Paul McCreesh | T-106.642.813-3 | |
| 14 | Scena di Berenice, dramatic scena, Hob XXIVa:10: “Berenice, che fai?” | — | ||
| 15 | “Ah! perfido”, op. 65 | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947757443 is a Universal Product Code (UPC) assigned to Great Mass in C minor, K. 427 by Wolfgang Amadeus Mozart, Paul McCreesh, Camilla Tilling, Sarah Conolly, Gabrieli Consort & Players. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Great Mass in C minor, K. 427” by Wolfgang Amadeus Mozart, Paul McCreesh, Camilla Tilling, Sarah Conolly, Gabrieli Consort & Players is 028947757443. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Archiv Produktion. This release contains 15 tracks, each with its own ISRC. Tracks include DEN960432610, DEN960432611, DEN960432612.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: I. “Kyrie” | — | ||
| 2 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIa. Gloria: “Gloria in excelsis” | — | ||
| 3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIb. Gloria: “Laudamus te” | — | ||
| 4 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIc. Gloria: “Gratias agimus tibi” | — | ||
| 5 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IId. Gloria: “Domine Deus” | — | ||
| 6 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIe. Gloria: “Qui tollis” | — | ||
| 7 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIf. Gloria: “Quoniam tu solus” | — | ||
| 8 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIg. Gloria: “Jesu Christe” | — | ||
| 9 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIh. Gloria: “Cum Sancto Spiritu” | — | ||
| 10 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | Gabrieli Consort & Players, Paul McCreesh | T-030.223.287-6 | |
| 11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | T-900.009.712-1 | |
| 12 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IV. Sanctus | Gabrieli Consort & Players, Paul McCreesh | — | |
| 13 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | Gabrieli Consort & Players, Paul McCreesh | T-106.642.813-3 | |
| 14 | Scena di Berenice, dramatic scena, Hob XXIVa:10: “Berenice, che fai?” | — | ||
| 15 | “Ah! perfido”, op. 65 | — |
