UPC · Album
Violetta: Arias and Duets from Verdi’s “La Traviata”
Verdi, Anna Netrebko, Rolando Villazón and 1 more
028947759539
25 tracksReleased 2005-01-01Deutsche Grammophon
Last verified:
028947759539 is the Universal Product Code (UPC barcode) for the release “Violetta: Arias and Duets from Verdi’s “La Traviata”” by Verdi, Anna Netrebko, Rolando Villazón, Thomas Hampson, released 2005-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include DEN960531303, DEN960531305, DEN960531308.
Format
0Number system
28947Manufacturer
75953Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCVioletta: Arias and Duets from Verdi’s “La Traviata”
ISRC25 recordings
ISWC4 works
Track List (25)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallén, Salvatore Cordella, Paul Gay, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi | DEN960531303 |
| La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531305 |
| La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui” | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531308 |
| La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo) | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531310 |
| La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531313 |
| La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont) | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531314 |
| La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531315 |
| La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531316 |
| La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531317 |
| La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531319 |
| La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531327 |
| La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti) | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531328 |
| La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | DEN960531329 |
| La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | DEN960531330 |
| La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore) | Anna Netrebko, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | DEN960531332 |
| La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531336 |
| La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo) | Thomas Hampson, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531337 |
| La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore) | Thomas Hampson, Anna Netrebko, Diane Pilcher, Luigi Roni, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531338 |
| La traviata: Atto III. Scena e duetto “Signora”; “Che t'accadde?” | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531339 |
| La traviata: Atto III. “Parigi, o cara, noi lasceremo” | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531340 |
| La traviata: Atto II. “O mio rimorso!” | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531342 |
| La traviata: Atto III. “Addio del passato” | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531344 |
| La traviata: Atto III. “Teneste la promessa – Attendo, attendo, n’e a me giungon mai!” | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531345 |
| La traviata: Atto I. “Follie! Follie! Delirio vano è questo!” | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | DEN960531346 |
| La traviata: Atto I. “Sempre libera” | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | DEN960531347 |
La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi)
Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallén, Salvatore Cordella, Paul Gay, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta)
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui”
Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo)
Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta)
Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont)
Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta)
Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont)
Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont)
Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta)
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti)
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti)
Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone)
Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont)
Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore)
Anna Netrebko, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo)
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo)
Thomas Hampson, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore)
Thomas Hampson, Anna Netrebko, Diane Pilcher, Luigi Roni, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. Scena e duetto “Signora”; “Che t'accadde?”
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Parigi, o cara, noi lasceremo”
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto II. “O mio rimorso!”
Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Addio del passato”
Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto III. “Teneste la promessa – Attendo, attendo, n’e a me giungon mai!”
Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto I. “Follie! Follie! Delirio vano è questo!”
Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
La traviata: Atto I. “Sempre libera”
Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi
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Musical Works (ISWC)
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What is UPC 028947759539?
028947759539 is a Universal Product Code (UPC) assigned to Violetta: Arias and Duets from Verdi’s “La Traviata” by Verdi, Anna Netrebko, Rolando Villazón, Thomas Hampson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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