UPC · Album
Enchantment
Magdalena Kožená
028947761532
35 tracksReleased 2006-01-01Deutsche Grammophon
Last verified:
028947761532 is the Universal Product Code (UPC barcode) for the release “Enchantment” by Magdalena Kožená, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC. Tracks include DEF059603980, DEF059604000, DEF059604090.
Format
0Number system
28947Manufacturer
76153Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCEnchantment
ISRC34 recordings
ISWC4 works
IPI1 songwriter
Track List (34)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Cantata "Was mir behagt", BWV 208: Schafe können sicher weiden | Magdalena Kožená, Musica Florea, Marek Štryncl | DEF059603980 |
| Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | Magdalena Kožená, Musica Florea, Marek Štryncl | DEF059604000 |
| Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" | Magdalena Kožená, Musica Florea, Marek Štryncl | DEF059604090 |
| Dixit Dominus, in G minor, HWV 232: De torrente | Magdalena Kožená, Annick Massis, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | DEF059804047 |
| Moravská lidová poezie v písních, JW 5/2: No. 17. Komu kytka | Magdalena Kožená, Graham Johnson | DEF059804221 |
| Moravská lidová poezie v písních, JW 5/2: No. 5. Obrázek milého | Magdalena Kožená, Graham Johnson | DEF059804222 |
| Moravská lidová poezie v písních, JW 5/2: No. 19. Pérecko | Magdalena Kožená, Graham Johnson | DEF059804223 |
| Moravská lidová poezie v písních, JW 5/2: No. 16. Stálost’ | Magdalena Kožená, Graham Johnson | DEF059804224 |
| Moravská lidová poezie v písních, JW 5/2: No. 1. Láska | Magdalena Kožená, Graham Johnson | DEF059804225 |
| Moravská lidová poezie v písních, JW 5/2: No. 38. Loucení | Magdalena Kožená, Graham Johnson | DEF059804226 |
| Moravská lidová poezie v písních, JW 5/2: No. 18. Konícky milého | Magdalena Kožená, Graham Johnson | DEF059804227 |
| In Folk Tone, Op. 73: Dobrú noc, má milá | Magdalena Kožená, Graham Johnson | DEF059804230 |
| Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour » | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEF059831513 |
| Dardanus: Air – Allez, jeune guerrier (Première Phrygienne) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEF059831524 |
| Tra le fiamme, HWV 170: III. Aria "Voli per l'aria chi può volare" - "L'uomo, che nacque per salire al cielo" | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEF059905083 |
| Tra le fiamme, HWV 170: IV. Da capo "Tra le fiamme tu scherzi" | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEF059905084 |
| Le nozze di Figaro: “Voi che sapete che cosa è amor” | Magdalena Kožená, Prague Philharmonia, Michel Swierczewski | DEN960130304 |
| L’Olimpiade: Act II. “Che non mi disse” | Magdalena Kožená, The City of Prague Philharmonic Orchestra, Pražská komorní filharmonie, Michel Swierczewski | DEN960130312 |
| Giulio Cesare in Egitto, HWV 17: Atto II, no. 26. Recitativo accompagnato “Che sento? Oh Dio!” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEN960231553 |
| Giulio Cesare in Egitto, HWV 17: Atto II, no. 27. Aria “Se pietà di me non senti” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEN960231554 |
| Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEN960231566 |
| Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra) | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | DEN960231575 |
| Cinq Mars: Nuit Resplendissante (Marie) | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski | DEN960231902 |
| Cléopâtre: J'ai versé le poison (Cléopâtre) | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski | DEN960231904 |
| Carmen: “Les tringles des sistres tintaient” (Carmen) | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski | DEN960231915 |
| Il tramonto, P. 101 | Magdalena Kožená, Henschel Quartett | DEN960300400 |
| Satirï, op. 109: Potomki | Magdalena Kožená, Malcolm Martineau | DEN960300433 |
| A Charm of Lullabies, op. 41: The Highland Balou | Magdalena Kožená, Malcolm Martineau | DEN960300442 |
| Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | DEN960301760 |
| Languet anima mea: II. Aria: O vulnera, vita coelestis | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | DEN960301772 |
| Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | DEN960301781 |
| Paride ed Elena, Wq. 39: Quegli occhi belli (Paride) | Susan Gritton, Magdalena Kožená, Carolyn Sampson, Gabrieli Players, Paul McCreesh | DEN960332165 |
| La clemenza di Tito: Act II, no. 19. Rondò "Deh, per questo istante solo" (Sesto) | Magdalena Kožená, Scottish Chamber Orchestra, Charles Mackerras | DEN960532136 |
| V národním tónu, B. 146, op. 73: No. 2. Žalo dievča | Magdalena Kožená, Ludovit Marcinger | DEUM70600531 |
Cantata "Was mir behagt", BWV 208: Schafe können sicher weiden
Magdalena Kožená, Musica Florea, Marek Štryncl
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Magdalena Kožená, Musica Florea, Marek Štryncl
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder"
Magdalena Kožená, Musica Florea, Marek Štryncl
Dixit Dominus, in G minor, HWV 232: De torrente
Magdalena Kožená, Annick Massis, Chœur des Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski
Moravská lidová poezie v písních, JW 5/2: No. 17. Komu kytka
Magdalena Kožená, Graham Johnson
Moravská lidová poezie v písních, JW 5/2: No. 5. Obrázek milého
Magdalena Kožená, Graham Johnson
Moravská lidová poezie v písních, JW 5/2: No. 19. Pérecko
Magdalena Kožená, Graham Johnson
Moravská lidová poezie v písních, JW 5/2: No. 16. Stálost’
Magdalena Kožená, Graham Johnson
Moravská lidová poezie v písních, JW 5/2: No. 1. Láska
Magdalena Kožená, Graham Johnson
Moravská lidová poezie v písních, JW 5/2: No. 38. Loucení
Magdalena Kožená, Graham Johnson
Moravská lidová poezie v písních, JW 5/2: No. 18. Konícky milého
Magdalena Kožená, Graham Johnson
In Folk Tone, Op. 73: Dobrú noc, má milá
Magdalena Kožená, Graham Johnson
Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour »
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Dardanus: Air – Allez, jeune guerrier (Première Phrygienne)
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Tra le fiamme, HWV 170: III. Aria "Voli per l'aria chi può volare" - "L'uomo, che nacque per salire al cielo"
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Tra le fiamme, HWV 170: IV. Da capo "Tra le fiamme tu scherzi"
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Le nozze di Figaro: “Voi che sapete che cosa è amor”
Magdalena Kožená, Prague Philharmonia, Michel Swierczewski
L’Olimpiade: Act II. “Che non mi disse”
Magdalena Kožená, The City of Prague Philharmonic Orchestra, Pražská komorní filharmonie, Michel Swierczewski
Giulio Cesare in Egitto, HWV 17: Atto II, no. 26. Recitativo accompagnato “Che sento? Oh Dio!” (Cleopatra)
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Giulio Cesare in Egitto, HWV 17: Atto II, no. 27. Aria “Se pietà di me non senti” (Cleopatra)
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Giulio Cesare in Egitto, HWV 17: Atto III, no. 32. Aria “Piangerò la sorte mia” (Cleopatra)
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Aria “Da tempeste il legno infranto” (Cleopatra)
Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski
Cinq Mars: Nuit Resplendissante (Marie)
Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski
Cléopâtre: J'ai versé le poison (Cléopâtre)
Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski
Carmen: “Les tringles des sistres tintaient” (Carmen)
Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski
Il tramonto, P. 101
Magdalena Kožená, Henschel Quartett
Satirï, op. 109: Potomki
Magdalena Kožená, Malcolm Martineau
A Charm of Lullabies, op. 41: The Highland Balou
Magdalena Kožená, Malcolm Martineau
Ach, dass ich Wassers g'nug hätte
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
Languet anima mea: II. Aria: O vulnera, vita coelestis
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
Paride ed Elena, Wq. 39: Quegli occhi belli (Paride)
Susan Gritton, Magdalena Kožená, Carolyn Sampson, Gabrieli Players, Paul McCreesh
La clemenza di Tito: Act II, no. 19. Rondò "Deh, per questo istante solo" (Sesto)
Magdalena Kožená, Scottish Chamber Orchestra, Charles Mackerras
V národním tónu, B. 146, op. 73: No. 2. Žalo dievča
Magdalena Kožená, Ludovit Marcinger
What other identifiers does this connect to?
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Songwriters/Publishers (IPI)
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What is UPC 028947761532?
028947761532 is a Universal Product Code (UPC) assigned to Enchantment by Magdalena Kožená. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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