UPC · Release
Monique Haas
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028947762010 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Deutsche Grammophon” by Monique Haas, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC. Tracks include DEF055302531, DEF055302532, DEF055302533.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 1. Allegro vivace | — | ||
| 2 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 2. Andantino | — | ||
| 3 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 3. Allegro, ma non troppo | — | ||
| 4 | Sonata for Piano Duet in B-flat major, K. 358 (186c): 1. Allegro | — | ||
| 5 | Sonata for Piano Duet in B-flat major, K. 358 (186c): 2. Adagio | — | ||
| 6 | Sonata for Piano Duet in B-flat major, K. 358 (186c): 3. Molto presto | — | ||
| 7 | Sonata for Piano Duet in D major, K. 381 (123a): 1. Allegro | — | ||
| 8 | Sonata for Piano Duet in D major, K. 381 (123a): 2. Andante | — | ||
| 9 | Sonata for Piano Duet in D major, K. 381 (123a): 3. Allegro molto | — | ||
| 10 | Sonata for Two Pianos in D major, K. 448 (375a): 1. Allegro con spirito | — | ||
| 11 | Sonata for Two Pianos in D major, K. 448 (375a): 2. Andante | — | ||
| 12 | Sonata for Two Pianos in D major, K. 448 (375a): 3. Allegro molto | — | ||
| 2-1 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: 1. Allegro | Monique Haas, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 2-2 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: 2. Adagio | Monique Haas, Berliner Philharmoniker, Ferdinand Leitner | T-802.445.410-3 | |
| 2-3 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: 3. Allegro assai | Monique Haas, Berliner Philharmoniker, Ferdinand Leitner | T-306.395.786-4 | |
| 2-4 | Piano Sonata in F major, Hob. XVI:23: 1. Allegro | — | ||
| 2-5 | Piano Sonata in F major, Hob. XVI:23: 2. Adagio | — | ||
| 2-6 | Piano Sonata in F major, Hob. XVI:23: 3. Finale. Presto | — | ||
| 2-7 | Arietta con variazioni in E-flat major, Hob. XVII:3: Moderato - Variations 1-12 | — | ||
| 2-8 | Piano Sonata in E-flat major, Hob. XVI:52: 1. Allegro (moderato) | — | ||
| 2-9 | Piano Sonata in E-flat major, Hob. XVI:52: 2. Adagio | — | ||
| 2-10 | Piano Sonata in E-flat major, Hob. XVI:52: 3. Finale. Presto | — | ||
| 2-11 | Fantasia in C major, Hob. XVII:4: Presto | — | ||
| 3-1 | Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso | — | ||
| 3-2 | Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso - | — | ||
| 3-3 | Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace | — | ||
| 3-4 | Fantasiestücke, op. 12: 1. Des Abends. Sehr innig zu spielen | — | ||
| 3-5 | Fantasiestücke, op. 12: 2. Aufschwung. Sehr rasch | — | ||
| 3-6 | Fantasiestücke, op. 12: 3. Warum? Langsam und zart | — | ||
| 3-7 | Fantasiestücke, op. 12: 4. Grillen. Mit Humor | — | ||
| 3-8 | Fantasiestücke, op. 12: 5. In der Nacht. Mit Leidenschaft | — | ||
| 3-9 | Fantasiestücke, op. 12: 6. Fabel. Langsam - Schnell | — | ||
| 3-10 | Fantasiestücke, op. 12: 7. Traumes Wirren. Äußerst lebhaft | — | ||
| 3-11 | Fantasiestücke, op. 12: 8. Ende vom Lied. Mit gutem Humor | — | ||
| 3-12 | Etude in G-flat major, op. 10 no. 5: Vivace | — | ||
| 3-13 | Etude in E major, op. 10 no. 3: Lento, ma non troppo | — | ||
| 4-1 | Préludes, 1ᵉʳ Livre: I. Danseuses de Delphes. Lent et grave | — | ||
| 4-2 | Préludes, 1ᵉʳ Livre: II. Voiles. Modéré | — | ||
| 4-3 | Préludes, 1ᵉʳ Livre: III. Le vent dans la plaine. Animé | — | ||
| 4-4 | Préludes, 1ᵉʳ Livre: IV. Les sons et les parfums tournent dans lʼair du soir. Modéré | — | ||
| 4-5 | Préludes, 1ᵉʳ Livre: V. Les collines dʼAnacapri. Très modéré | — | ||
| 4-6 | Préludes, 1ᵉʳ Livre: VI. Des pas sur la neige. triste et lent | — | ||
| 4-7 | Préludes, 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼouest. Animé et tumultueux | — | ||
| 4-8 | Préludes, 1ᵉʳ Livre: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | — | ||
| 4-9 | Préludes, 1ᵉʳ Livre: IX. La sérénade interrompue. Modérément animé | — | ||
| 4-10 | Préludes, 1ᵉʳ Livre: X. La cathédrale engloutie. Profonément calme | — | ||
| 4-11 | Préludes, 1ᵉʳ Livre: XI. La danse de Puck. Capricieux et léger | — | ||
| 4-12 | Préludes, 1ᵉʳ Livre: XII. Minstrels. Modéré | — | ||
| 4-13 | Préludes, 2ᵉ Livre: I. Brouillards. Modéré | — | ||
| 4-14 | Préludes, 2ᵉ Livre: II. Feuilles mortes. Lent et mélancolique | — | ||
| 4-15 | Préludes, 2ᵉ Livre: III. La puerta del vino. Mouvement de Habanera | — | ||
| 4-16 | Préludes, 2ᵉ Livre: IV. Les fées sont dʼexquises danseuses. Rapide et léger | — | ||
| 4-17 | Préludes, 2ᵉ Livre: V. Bruyères. Calme | — | ||
| 4-18 | Préludes, 2ᵉ Livre: VI. «General Lavine» — eccentric. Dans le style et le Mouvement dʼun Cake-Walk | — | ||
| 4-19 | Préludes, 2ᵉ Livre: VII. La terrasse des audiences du clair de lune. Lent | — | ||
| 4-20 | Préludes, 2ᵉ Livre: VIII. Ondine. Scherzando | — | ||
| 4-21 | Préludes, 2ᵉ Livre: IX. Hommage à S. Pickwick, Esq., P.P.M.P.C. Grave | — | ||
| 4-22 | Préludes, 2ᵉ Livre: X. Canope. Très calme et doucement triste | — | ||
| 4-23 | Préludes, 2ᵉ Livre: XI. Les tierces alternées. Modérément animé | — | ||
| 4-24 | Préludes, 2ᵉ Livre: XII. Feux dʼartifice. Modérément animé | — | ||
| 5-1 | Douze etudes pour piano, Premier Livre: I. Pour les «cinq doigts» dʼaprès Monsieur Czerny | — | ||
| 5-2 | Douze etudes pour piano, Premier Livre: II. Pour les tierces | — | ||
| 5-3 | Douze etudes pour piano, Premier Livre: III. Pour les quartes | — | ||
| 5-4 | Douze etudes pour piano, Premier Livre: IV. Pour les sixtes | — | ||
| 5-5 | Douze etudes pour piano, Premier Livre: V. Pour les octaves | — | ||
| 5-6 | Douze etudes pour piano, Premier Livre: VI. Pour les huit doigts | — | ||
| 5-7 | Douze etudes pour piano, Deuxième Livre: VII. Pour les degrés chromatiques | — | ||
| 5-8 | Douze etudes pour piano, Deuxième Livre: VIII. Pour les agréments | — | ||
| 5-9 | Douze etudes pour piano, Deuxième Livre: IX. Pour les notes répétées | — | ||
| 5-10 | Douze etudes pour piano, Deuxième Livre: X. Pour les sonorités opposées | — | ||
| 5-11 | Douze etudes pour piano, Deuxième Livre: XI. Pour les arpèges composés | — | ||
| 5-12 | Douze etudes pour piano, Deuxième Livre: XII. Pour les accords | — | ||
| 5-13 | Valses nobles et sentimentales: 1. Modéré | — | ||
| 5-14 | Valses nobles et sentimentales: 2. Assez lent | — | ||
| 5-15 | Valses nobles et sentimentales: 3. Modéré | — | ||
| 5-16 | Valses nobles et sentimentales: 4. Assez animé | — | ||
| 5-17 | Valses nobles et sentimentales: 5. Presque lent | — | ||
| 5-18 | Valses nobles et sentimentales: 6. Vif | — | ||
| 5-19 | Valses nobles et sentimentales: 7. Moins vif | — | ||
| 5-20 | Valses nobles et sentimentales: 8. Epilogue. Lent | — | ||
| 5-21 | Le Tombeau de Couperin, Suite pour piano: 1. Prélude | — | ||
| 5-22 | Le Tombeau de Couperin, Suite pour piano: 2. Fugue | — | ||
| 5-23 | Le Tombeau de Couperin, Suite pour piano: 3. Forlane | — | ||
| 5-24 | Le Tombeau de Couperin, Suite pour piano: 4. Rigaudon | — | ||
| 5-25 | Le Tombeau de Couperin, Suite pour piano: 5. Menuet | — | ||
| 5-26 | Le Tombeau de Couperin, Suite pour piano: 6. Toccata | — | ||
| 6-1 | Capriccio for Piano and Orchestra: 1. Presto | — | ||
| 6-2 | Capriccio for Piano and Orchestra: 2. Andante rapsodico | — | ||
| 6-3 | Capriccio for Piano and Orchestra: 3. Allegro capriccioso ma tempo giusto | — | ||
| 6-4 | Concerto in G for Piano and Orchestra: 1. Allegramente | — | ||
| 6-5 | Concerto in G for Piano and Orchestra: 2. Adagio assai | — | ||
| 6-6 | Concerto in G for Piano and Orchestra: 3. Presto | — | ||
| 6-7 | Concerto for Piano and Orchestra no. 3: 1. Allegretto | — | ||
| 6-8 | Concerto for Piano and Orchestra no. 3: 2. Adagio religioso | — | ||
| 6-9 | Concerto for Piano and Orchestra no. 3: 3. (Allegro vivace) | — | ||
| 6-10 | Pour le piano: Toccata | — | ||
| 6-11 | Préludes 1ᵉʳ Livre: La fille aux cheveux de lin | — | ||
| 6-12 | Etudes pour le piano: Pour les huit doigts | — | ||
| 6-13 | Préludes 2ᵉ Livre: Feux dʼartifice | — | ||
| 7-1 | Concerto in G for Piano and Orchestra: 1. Allegramente | — | ||
| 7-2 | Concerto in G for Piano and Orchestra: 2. Adagio assai | — | ||
| 7-3 | Concerto in G for Piano and Orchestra: 3. Presto | — | ||
| 7-4 | Piano Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo 1 | — | ||
| 7-5 | Sonatine: 1. Modéré | — | ||
| 7-6 | Sonatine: 2. Mouvement de Menuet | — | ||
| 7-7 | Sonatine: 3. Animé | — | ||
| 7-8 | Konzertmusik op 49: 1. Ruhig gehende Viertel | — | ||
| 7-9 | Konzertmusik op 49: 2. Lebhaft | — | ||
| 7-10 | Konzertmusik op 49: 3. Sehr ruhig. Variationen | — | ||
| 7-11 | Konzertmusik op 49: 4. Mäßig schnell, kraftvoll | — | ||
| 8-1 | Ricercari, op.46: 1. Poco lento (Tempo di passacaglia) | — | ||
| 8-2 | Ricercari, op.46: 2. Un poco più mosso | — | ||
| 8-3 | Ricercari, op.46: 3. Andante, non troppo | — | ||
| 8-4 | Ricercari, op.46: 4. Allegro ben ritmato | — | ||
| 8-5 | Ricercari, op.46: 5. Allegro giusto | — | ||
| 8-6 | Ricercari, op.46: 6. Lento sostenuto | — | ||
| 8-7 | Ricercari, op.46: 7. Leggiero, con moto | — | ||
| 8-8 | Ricercari, op.46: 8. Andantino | — | ||
| 8-9 | Ricercari, op.46: 9. Allegretto capriccioso, ma molto ritmato | — | ||
| 8-10 | Ricercari, op.46: 10. Molto vivace | — | ||
| 8-11 | Ricercari, op.46: 11. Grave, più tosto moderato | — | ||
| 8-12 | Trois Pièces, op. 49: 1. Allegro con brio | — | ||
| 8-13 | Trois Pièces, op. 49: 2. Allegro grazioso (Tempo di valse) | — | ||
| 8-14 | Trois Pièces, op. 49: 3. Allegro con spirito | — | ||
| 8-15 | Sonatine: 1. Bagpipe Players (Allegretto) | — | ||
| 8-16 | Sonatine: 2. Dance of the Bear (Moderato) | — | ||
| 8-17 | Sonatine: 3. Finale (Allegro vivace) | — | ||
| 8-18 | Sonata for Violin and Piano: 1. Allegretto | — | ||
| 8-19 | Sonata for Violin and Piano: 2. Blues. Moderato | — | ||
| 8-20 | Sonata for Violin and Piano: 3. Perpetuum mobile. Allegro | — | ||
| 8-21 | Sonata for Violin and Piano no. 2, op. 45: 1. Allegro molto appassionato | — | ||
| 8-22 | Sonata for Violin and Piano no. 2, op. 45: 2. Larghetto cantabile | — | ||
| 8-23 | Sonata for Violin and Piano no. 2, op. 45: 3. Molto vivace | — |
Musical Works (ISWC)
Identifier Graph
028947762010 is a Universal Product Code (UPC) assigned to Complete Recordings on Deutsche Grammophon by Monique Haas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 133 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947762010 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Deutsche Grammophon” by Monique Haas, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC. Tracks include DEF055302531, DEF055302532, DEF055302533.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 1. Allegro vivace | — | ||
| 2 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 2. Andantino | — | ||
| 3 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 3. Allegro, ma non troppo | — | ||
| 4 | Sonata for Piano Duet in B-flat major, K. 358 (186c): 1. Allegro | — | ||
| 5 | Sonata for Piano Duet in B-flat major, K. 358 (186c): 2. Adagio | — | ||
| 6 | Sonata for Piano Duet in B-flat major, K. 358 (186c): 3. Molto presto | — | ||
| 7 | Sonata for Piano Duet in D major, K. 381 (123a): 1. Allegro | — | ||
| 8 | Sonata for Piano Duet in D major, K. 381 (123a): 2. Andante | — | ||
| 9 | Sonata for Piano Duet in D major, K. 381 (123a): 3. Allegro molto | — | ||
| 10 | Sonata for Two Pianos in D major, K. 448 (375a): 1. Allegro con spirito | — | ||
| 11 | Sonata for Two Pianos in D major, K. 448 (375a): 2. Andante | — | ||
| 12 | Sonata for Two Pianos in D major, K. 448 (375a): 3. Allegro molto | — | ||
| 2-1 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: 1. Allegro | Monique Haas, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 2-2 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: 2. Adagio | Monique Haas, Berliner Philharmoniker, Ferdinand Leitner | T-802.445.410-3 | |
| 2-3 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: 3. Allegro assai | Monique Haas, Berliner Philharmoniker, Ferdinand Leitner | T-306.395.786-4 | |
| 2-4 | Piano Sonata in F major, Hob. XVI:23: 1. Allegro | — | ||
| 2-5 | Piano Sonata in F major, Hob. XVI:23: 2. Adagio | — | ||
| 2-6 | Piano Sonata in F major, Hob. XVI:23: 3. Finale. Presto | — | ||
| 2-7 | Arietta con variazioni in E-flat major, Hob. XVII:3: Moderato - Variations 1-12 | — | ||
| 2-8 | Piano Sonata in E-flat major, Hob. XVI:52: 1. Allegro (moderato) | — | ||
| 2-9 | Piano Sonata in E-flat major, Hob. XVI:52: 2. Adagio | — | ||
| 2-10 | Piano Sonata in E-flat major, Hob. XVI:52: 3. Finale. Presto | — | ||
| 2-11 | Fantasia in C major, Hob. XVII:4: Presto | — | ||
| 3-1 | Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso | — | ||
| 3-2 | Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso - | — | ||
| 3-3 | Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace | — | ||
| 3-4 | Fantasiestücke, op. 12: 1. Des Abends. Sehr innig zu spielen | — | ||
| 3-5 | Fantasiestücke, op. 12: 2. Aufschwung. Sehr rasch | — | ||
| 3-6 | Fantasiestücke, op. 12: 3. Warum? Langsam und zart | — | ||
| 3-7 | Fantasiestücke, op. 12: 4. Grillen. Mit Humor | — | ||
| 3-8 | Fantasiestücke, op. 12: 5. In der Nacht. Mit Leidenschaft | — | ||
| 3-9 | Fantasiestücke, op. 12: 6. Fabel. Langsam - Schnell | — | ||
| 3-10 | Fantasiestücke, op. 12: 7. Traumes Wirren. Äußerst lebhaft | — | ||
| 3-11 | Fantasiestücke, op. 12: 8. Ende vom Lied. Mit gutem Humor | — | ||
| 3-12 | Etude in G-flat major, op. 10 no. 5: Vivace | — | ||
| 3-13 | Etude in E major, op. 10 no. 3: Lento, ma non troppo | — | ||
| 4-1 | Préludes, 1ᵉʳ Livre: I. Danseuses de Delphes. Lent et grave | — | ||
| 4-2 | Préludes, 1ᵉʳ Livre: II. Voiles. Modéré | — | ||
| 4-3 | Préludes, 1ᵉʳ Livre: III. Le vent dans la plaine. Animé | — | ||
| 4-4 | Préludes, 1ᵉʳ Livre: IV. Les sons et les parfums tournent dans lʼair du soir. Modéré | — | ||
| 4-5 | Préludes, 1ᵉʳ Livre: V. Les collines dʼAnacapri. Très modéré | — | ||
| 4-6 | Préludes, 1ᵉʳ Livre: VI. Des pas sur la neige. triste et lent | — | ||
| 4-7 | Préludes, 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼouest. Animé et tumultueux | — | ||
| 4-8 | Préludes, 1ᵉʳ Livre: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | — | ||
| 4-9 | Préludes, 1ᵉʳ Livre: IX. La sérénade interrompue. Modérément animé | — | ||
| 4-10 | Préludes, 1ᵉʳ Livre: X. La cathédrale engloutie. Profonément calme | — | ||
| 4-11 | Préludes, 1ᵉʳ Livre: XI. La danse de Puck. Capricieux et léger | — | ||
| 4-12 | Préludes, 1ᵉʳ Livre: XII. Minstrels. Modéré | — | ||
| 4-13 | Préludes, 2ᵉ Livre: I. Brouillards. Modéré | — | ||
| 4-14 | Préludes, 2ᵉ Livre: II. Feuilles mortes. Lent et mélancolique | — | ||
| 4-15 | Préludes, 2ᵉ Livre: III. La puerta del vino. Mouvement de Habanera | — | ||
| 4-16 | Préludes, 2ᵉ Livre: IV. Les fées sont dʼexquises danseuses. Rapide et léger | — | ||
| 4-17 | Préludes, 2ᵉ Livre: V. Bruyères. Calme | — | ||
| 4-18 | Préludes, 2ᵉ Livre: VI. «General Lavine» — eccentric. Dans le style et le Mouvement dʼun Cake-Walk | — | ||
| 4-19 | Préludes, 2ᵉ Livre: VII. La terrasse des audiences du clair de lune. Lent | — | ||
| 4-20 | Préludes, 2ᵉ Livre: VIII. Ondine. Scherzando | — | ||
| 4-21 | Préludes, 2ᵉ Livre: IX. Hommage à S. Pickwick, Esq., P.P.M.P.C. Grave | — | ||
| 4-22 | Préludes, 2ᵉ Livre: X. Canope. Très calme et doucement triste | — | ||
| 4-23 | Préludes, 2ᵉ Livre: XI. Les tierces alternées. Modérément animé | — | ||
| 4-24 | Préludes, 2ᵉ Livre: XII. Feux dʼartifice. Modérément animé | — | ||
| 5-1 | Douze etudes pour piano, Premier Livre: I. Pour les «cinq doigts» dʼaprès Monsieur Czerny | — | ||
| 5-2 | Douze etudes pour piano, Premier Livre: II. Pour les tierces | — | ||
| 5-3 | Douze etudes pour piano, Premier Livre: III. Pour les quartes | — | ||
| 5-4 | Douze etudes pour piano, Premier Livre: IV. Pour les sixtes | — | ||
| 5-5 | Douze etudes pour piano, Premier Livre: V. Pour les octaves | — | ||
| 5-6 | Douze etudes pour piano, Premier Livre: VI. Pour les huit doigts | — | ||
| 5-7 | Douze etudes pour piano, Deuxième Livre: VII. Pour les degrés chromatiques | — | ||
| 5-8 | Douze etudes pour piano, Deuxième Livre: VIII. Pour les agréments | — | ||
| 5-9 | Douze etudes pour piano, Deuxième Livre: IX. Pour les notes répétées | — | ||
| 5-10 | Douze etudes pour piano, Deuxième Livre: X. Pour les sonorités opposées | — | ||
| 5-11 | Douze etudes pour piano, Deuxième Livre: XI. Pour les arpèges composés | — | ||
| 5-12 | Douze etudes pour piano, Deuxième Livre: XII. Pour les accords | — | ||
| 5-13 | Valses nobles et sentimentales: 1. Modéré | — | ||
| 5-14 | Valses nobles et sentimentales: 2. Assez lent | — | ||
| 5-15 | Valses nobles et sentimentales: 3. Modéré | — | ||
| 5-16 | Valses nobles et sentimentales: 4. Assez animé | — | ||
| 5-17 | Valses nobles et sentimentales: 5. Presque lent | — | ||
| 5-18 | Valses nobles et sentimentales: 6. Vif | — | ||
| 5-19 | Valses nobles et sentimentales: 7. Moins vif | — | ||
| 5-20 | Valses nobles et sentimentales: 8. Epilogue. Lent | — | ||
| 5-21 | Le Tombeau de Couperin, Suite pour piano: 1. Prélude | — | ||
| 5-22 | Le Tombeau de Couperin, Suite pour piano: 2. Fugue | — | ||
| 5-23 | Le Tombeau de Couperin, Suite pour piano: 3. Forlane | — | ||
| 5-24 | Le Tombeau de Couperin, Suite pour piano: 4. Rigaudon | — | ||
| 5-25 | Le Tombeau de Couperin, Suite pour piano: 5. Menuet | — | ||
| 5-26 | Le Tombeau de Couperin, Suite pour piano: 6. Toccata | — | ||
| 6-1 | Capriccio for Piano and Orchestra: 1. Presto | — | ||
| 6-2 | Capriccio for Piano and Orchestra: 2. Andante rapsodico | — | ||
| 6-3 | Capriccio for Piano and Orchestra: 3. Allegro capriccioso ma tempo giusto | — | ||
| 6-4 | Concerto in G for Piano and Orchestra: 1. Allegramente | — | ||
| 6-5 | Concerto in G for Piano and Orchestra: 2. Adagio assai | — | ||
| 6-6 | Concerto in G for Piano and Orchestra: 3. Presto | — | ||
| 6-7 | Concerto for Piano and Orchestra no. 3: 1. Allegretto | — | ||
| 6-8 | Concerto for Piano and Orchestra no. 3: 2. Adagio religioso | — | ||
| 6-9 | Concerto for Piano and Orchestra no. 3: 3. (Allegro vivace) | — | ||
| 6-10 | Pour le piano: Toccata | — | ||
| 6-11 | Préludes 1ᵉʳ Livre: La fille aux cheveux de lin | — | ||
| 6-12 | Etudes pour le piano: Pour les huit doigts | — | ||
| 6-13 | Préludes 2ᵉ Livre: Feux dʼartifice | — | ||
| 7-1 | Concerto in G for Piano and Orchestra: 1. Allegramente | — | ||
| 7-2 | Concerto in G for Piano and Orchestra: 2. Adagio assai | — | ||
| 7-3 | Concerto in G for Piano and Orchestra: 3. Presto | — | ||
| 7-4 | Piano Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo 1 | — | ||
| 7-5 | Sonatine: 1. Modéré | — | ||
| 7-6 | Sonatine: 2. Mouvement de Menuet | — | ||
| 7-7 | Sonatine: 3. Animé | — | ||
| 7-8 | Konzertmusik op 49: 1. Ruhig gehende Viertel | — | ||
| 7-9 | Konzertmusik op 49: 2. Lebhaft | — | ||
| 7-10 | Konzertmusik op 49: 3. Sehr ruhig. Variationen | — | ||
| 7-11 | Konzertmusik op 49: 4. Mäßig schnell, kraftvoll | — | ||
| 8-1 | Ricercari, op.46: 1. Poco lento (Tempo di passacaglia) | — | ||
| 8-2 | Ricercari, op.46: 2. Un poco più mosso | — | ||
| 8-3 | Ricercari, op.46: 3. Andante, non troppo | — | ||
| 8-4 | Ricercari, op.46: 4. Allegro ben ritmato | — | ||
| 8-5 | Ricercari, op.46: 5. Allegro giusto | — | ||
| 8-6 | Ricercari, op.46: 6. Lento sostenuto | — | ||
| 8-7 | Ricercari, op.46: 7. Leggiero, con moto | — | ||
| 8-8 | Ricercari, op.46: 8. Andantino | — | ||
| 8-9 | Ricercari, op.46: 9. Allegretto capriccioso, ma molto ritmato | — | ||
| 8-10 | Ricercari, op.46: 10. Molto vivace | — | ||
| 8-11 | Ricercari, op.46: 11. Grave, più tosto moderato | — | ||
| 8-12 | Trois Pièces, op. 49: 1. Allegro con brio | — | ||
| 8-13 | Trois Pièces, op. 49: 2. Allegro grazioso (Tempo di valse) | — | ||
| 8-14 | Trois Pièces, op. 49: 3. Allegro con spirito | — | ||
| 8-15 | Sonatine: 1. Bagpipe Players (Allegretto) | — | ||
| 8-16 | Sonatine: 2. Dance of the Bear (Moderato) | — | ||
| 8-17 | Sonatine: 3. Finale (Allegro vivace) | — | ||
| 8-18 | Sonata for Violin and Piano: 1. Allegretto | — | ||
| 8-19 | Sonata for Violin and Piano: 2. Blues. Moderato | — | ||
| 8-20 | Sonata for Violin and Piano: 3. Perpetuum mobile. Allegro | — | ||
| 8-21 | Sonata for Violin and Piano no. 2, op. 45: 1. Allegro molto appassionato | — | ||
| 8-22 | Sonata for Violin and Piano no. 2, op. 45: 2. Larghetto cantabile | — | ||
| 8-23 | Sonata for Violin and Piano no. 2, op. 45: 3. Molto vivace | — |
