UPC · Release
Karl Richter
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028947762102 is the Universal Product Code (UPC barcode) for the release “Karl Richter: A Universal Musician” by Karl Richter, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 126 tracks, each with its own ISRC. Tracks include DEF055303770, DEF055303780, DEF055303790.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Musikalische Exequien, SWV 279-281: I. "Nacket bin ich vom Mutterleibe kommen" | Friedrich Brückner-Rüggeberg, Rudolf Gantner, Brian Hanson, Heinrich-Schütz-Kreis München, Elisabeth Lindermeier, Ruth Michaelis, Max Proebstl, Anneliese Seitz, Franz Ortner, Oswald Uhl, Heinrich Wiesmeier, Karl Richter | — |
| 2 | Musikalische Exequien, SWV 279-281: II. "Also hat Gott die Welt geliebet" | Friedrich Brückner-Rüggeberg, Rudolf Gantner, Brian Hanson, Heinrich-Schütz-Kreis München, Elisabeth Lindermeier, Ruth Michaelis, Max Proebstl, Anneliese Seitz, Franz Ortner, Oswald Uhl, Heinrich Wiesmeier, Karl Richter | — |
| 3 | Musikalische Exequien, SWV 279-281: III. "Herr, wenn ich nur dich habe" | Heinrich-Schütz-Kreis München, Karl Richter | — |
| 4 | Musikalische Exequien, SWV 279-281: IV. "Herr, nun lässest du deinen Diener" | Friedrich Brückner-Rüggeberg, Heinrich-Schütz-Kreis München, Elisabeth Lindermeier, Anneliese Seitz, Franz Ortner, Oswald Uhl, Heinrich Wiesmeier, Karl Richter | — |
| 5 | Serse, HWV 40: Recitativo "Frondi tenere" / Aria "Ombra mai fu" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 6 | Serse, HWV 40: Aria "Se bramate d'amar, chi vi sdegna" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 7 | Giulio Cesare in Egitto, HWV 17: Aria "Svegliatevi nel core" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 8 | Samson, HWV 57: Aria "Total eclipse" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 9 | Samson, HWV 57: Aria "Thus when the sun from's watry bed" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 2-1 | Su le sponde del Tebro | Maria Stader, Willy Bauer, Münchener Bach-Orchester, Karl Richter | T-909.594.573-6 |
| 2-2 | Johannes-Passion, BWV 245: Aria: "Zerfließe, mein Herze" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-3 | Matthäus-Passion, BWV 244: Aria: "Ich will dir mein Herze schenken" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-4 | Matthäus-Passion, BWV 244: Aria: "Aus Liebe will mein Heiland sterben" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-5 | Der Messias, HWV 56: Aria: "Er weidet seine Herde" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-6 | Der Messias, HWV 56: Aria: "Ich weiß, dass mein Erlöser lebet" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-7 | Josua, HWV 64: Aria: "O hätt' ich Jubals Harf" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-8 | Die Schöpfung, Hob. XXI:2: Rezitativ & Arie: "Und Gott sprach: Es bringe die Erde Gras hervor" - "Nun beut die Flut das frische Grün" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-9 | Die Schöpfung, Hob. XXI:2: Rezitativ & Arie: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" - "Auf starkem Fittiche schwinget sich der Adler stolz" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-10 | Die Jahreszeiten, Hob. XXI:3: Rezitativ & Arie: "Willkommen jetzt, o dunkler Hain" - "Welche Labung für die Sinne!" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-11 | Elias, op.70: Aria: "Höre, Israel, höre des Herrn Stimme!" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 3-1 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 1. Allegro | Gerhart Hetzel, Aurèle Nicolet, Karl Richter, Münchener Bach-Orchester | T-011.422.353-8 |
| 3-2 | Concerto for Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 2. Adagio, ma non tanto, e dolce | Gerhart Hetzel, Aurèle Nicolet, Karl Richter, Münchener Bach-Orchester | — |
| 3-3 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 3. Allabreve | Gerhart Hetzel, Aurèle Nicolet, Karl Richter, Münchener Bach-Orchester | — |
| 3-4 | Concerto for Harpsichord, Strings, and Continuo no. 4 in A major, BWV 1055: I. (Allegro moderato) | Manfred Clement, Karl Richter, Münchener Bach-Orchester | T-801.411.105-9 |
| 3-5 | Concerto for Harpsichord, Strings, and Continuo no. 4 in A major, BWV 1055: II. Larghetto | Karl Richter, Manfred Clement, Münchener Bach-Orchester | — |
| 3-6 | Concerto for Harpsichord, Strings, and Continuo no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Manfred Clement, Karl Richter, Münchener Bach-Orchester | T-910.415.380-2 |
| 3-7 | Sinfonia in D major, Wq. 183 no. 1: 1. Allegro di molto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-329.454.787-4 |
| 3-8 | Sinfonia in D major, Wq. 183 no. 1: 2. Largo | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-9 | Sinfonia in D major, Wq. 183 no. 1: 3. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 |
| 3-10 | Sinfonia in E-flat major, Wq 183 No. 2: I. Allegro di molto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-329.454.787-4 |
| 3-11 | Sinfonia in E-flat major, Wq 183 No. 2: II. Larghetto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-12 | Sinfonia in E-flat major, Wq 183 No. 2: III. Allegretto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-13 | Sinfonia in F major, Wq 183 No. 3: I. Allegro di molto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-329.454.787-4 |
| 3-14 | Sinfonia in F major, Wq 183 No. 3: II. Larghetto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-15 | Sinfonia in F major, Wq 183 No. 3: III. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 |
| 3-16 | Sinfonia in G major, Wq 183 No. 4: I. Allegro assai | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-306.395.786-4 |
| 3-17 | Sinfonia in G major, Wq 183 No. 4: II. Poco andante | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-18 | Sinfonia in G major, Wq 183 No. 4: III. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 |
| 4-1 | Symphony in G major, "Surprise", Hob. I:94: 1. Adagio - Vivace assai | — | |
| 4-2 | Symphony in G major, "Surprise", Hob. I:94: 2. Andante | — | |
| 4-3 | Symphony in G major, "Surprise", Hob. I:94: 3. Menuet. Allegro molto - Trio - Menuet | — | |
| 4-4 | Symphony in G major, "Surprise", Hob. I:94: 4. Finale. Allegro di molto | — | |
| 4-5 | Symphony in D major, "The Clock", Hob. I:101: 1. Adagio - Presto | — | |
| 4-6 | Symphony in D major, "The Clock", Hob. I:101: 2. Andante | — | |
| 4-7 | Symphony in D major, "The Clock", Hob. I:101: 3. Menuet. Allegretto - Trio - Menuet | — | |
| 4-8 | Symphony in D major, "The Clock", Hob. I:101: 4. Finale. Vivace | — | |
| 5-1 | Fantasia in F minor, K.608 | — | |
| 5-2 | Choral Preludes op.122: 1. Mein Jesu, der du mich | — | |
| 5-3 | Choral Preludes op.122: 2. Herzliebster Jesu | — | |
| 5-4 | Choral Preludes op.122: 3. O Welt, ich muss dich lassen | — | |
| 5-5 | Choral Preludes op.122: 4. Herzlich tut mich erfreuen | — | |
| 5-6 | Choral Preludes op.122: 5. Schmücke dich, o liebe Seele | — | |
| 5-7 | Choral Preludes op.122: 6. O wie selig seid ihr doch, ihr Frommen | — | |
| 5-8 | Choral Preludes op.122: 7. O Gott, du frommer Gott | — | |
| 5-9 | Choral Preludes op.122: 8. Es ist ein Ros' entsprungen | — | |
| 5-10 | Choral Preludes op.122: 9. Herzlich tut mich verlangen | — | |
| 5-11 | Choral Preludes op.122: 10. Herzlich tut mich verlangen | — | |
| 5-12 | Choral Preludes op.122: 11. O Welt, ich muss dich lassen | — | |
| 5-13 | Prelude and Fugue on the name of B-A-C-H: 1. Prelude | — | |
| 5-14 | Prelude and Fugue on the name of B-A-C-H: 2. Fugue | — | |
| 6-1 | Harpsichord Suite no.5 in E major, HWV 430: 1. Prélude | — | |
| 6-2 | Harpsichord Suite no.5 in E major, HWV 430: 2. Allemande | — | |
| 6-3 | Harpsichord Suite no.5 in E major, HWV 430: 3. Courante | — | |
| 6-4 | Harpsichord Suite no.5 in E major, HWV 430: 4. Air con Variazioni | — | |
| 6-5 | Chaconne in G major with 21 Variations, HWV 435 | — | |
| 6-6 | Italian Concerto in F major, BWV 971: 1. Allegro | — | |
| 6-7 | Italian Concerto in F major, BWV 971: 2. Andante | — | |
| 6-8 | Italian Concerto in F major, BWV 971: 3. Presto | — | |
| 6-9 | Chromatic Fantasy and Fugue in D minor, BWV 903: 1. Fantasy | — | |
| 6-10 | Chromatic Fantasy and Fugue in D minor, BWV 903: 2. Fugue | — | |
| 6-11 | Toccata and Fugue in G minor, BWV 915: 1. Toccata | — | |
| 6-12 | Toccata and Fugue in G minor, BWV 915: 2. Fugue | — | |
| 6-13 | Pastorale in F major, BWV 590 | — | |
| 6-14 | Fantasia in C minor, BWV 906 | — | |
| 7-1 | Goldberg Variations, BWV 988: Aria | — | |
| 7-2 | Goldberg Variations, BWV 988: Variatio 1 a 1 Clav. | — | |
| 7-3 | Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. | — | |
| 7-4 | Goldberg Variations, BWV 988: Variatio 3 Canone all'unisono. a 1 Clav. | — | |
| 7-5 | Goldberg Variations, BWV 988: Variatio 4 a 1 Clav. | — | |
| 7-6 | Goldberg Variations, BWV 988: Variatio 5 a 1 ovvero 2 Clav. | — | |
| 7-7 | Goldberg Variations, BWV 988: Variatio 6 Canone alla Seconda. a 1 Clav. | — | |
| 7-8 | Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | — | |
| 7-9 | Goldberg Variations, BWV 988: Variatio 8 a 2 Clav. | — | |
| 7-10 | Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. | — | |
| 7-11 | Goldberg Variations, BWV 988: Variatio 10 Fughetta a 1 Clav. | — | |
| 7-12 | Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. | — | |
| 7-13 | Goldberg Variations, BWV 988: Variatio 12 Canone alla Quarta. (a 1 Clav.) | — | |
| 7-14 | Goldberg Variations, BWV 988: Variatio 13 a 2 Clav. | — | |
| 7-15 | Goldberg Variations, BWV 988: Variatio 14 a 2 Clav. | — | |
| 7-16 | Goldberg Variations, BWV 988: Variatio 15 Canone alla Quinta. a 1 Clav. Andante | — | |
| 7-17 | Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav. | — | |
| 7-18 | Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. | — | |
| 7-19 | Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav. | — | |
| 7-20 | Goldberg Variations, BWV 988: Variatio 19 a 1 Clav. | — | |
| 7-21 | Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. | — | |
| 7-22 | Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima (a 1 Clav.) | — | |
| 7-23 | Goldberg Variations, BWV 988: Variatio 22 a 1 Clav. Alla breve | — | |
| 7-24 | Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. | — | |
| 7-25 | Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. | — | |
| 7-26 | Goldberg Variations, BWV 988: Variatio 25 a 2 Clav. Adagio | — | |
| 7-27 | Goldberg Variations, BWV 988: Variatio 26 a 2 Clav. | — | |
| 7-28 | Goldberg Variations, BWV 988: Variatio 27 Canone alla Nona. a 2 Clav. | — | |
| 7-29 | Goldberg Variations, BWV 988: Variatio 28 a 2 Clav. | — | |
| 7-30 | Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. | — | |
| 7-31 | Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. | — | |
| 7-32 | Goldberg Variations, BWV 988: Aria da Capo | — | |
| 8-1 | Die goldne Sonne, BWV 451 | — | |
| 8-2 | O Jesulein süß, BWV 493 | Peter Schreier, Karl Richter | — |
| 8-3 | Ich steh’ an deiner Krippen hier, BWV 469 | Peter Schreier, Karl Richter | — |
| 8-4 | Die bittre Leidenszeit beginnet abermal, BWV 450 | — | |
| 8-5 | Mein Jesu, was für Seelenweh BWV 487 | — | |
| 8-6 | Jesus, unser Trost und Leben, BWV 475 | — | |
| 8-7 | Gott lebet noch, BWV 461 | — | |
| 8-8 | Kommt wieder aus der finstern Gruft, BWV 480 | — | |
| 8-9 | Der Tag ist hin, die Sonne gehet nieder, BWV 447 | Peter Schreier, Karl Richter | — |
| 8-10 | Der lieben Sonne Licht und Pracht BWV 446 | — | |
| 8-11 | Beschränkt, ihr Weisen dieser Welt, BWV 443 | — | |
| 8-12 | Was bist du doch, o Seele, so betrübet, BWV 506 | — | |
| 8-13 | Eins ist not! Ach Herr, dies eine, BWV 453 | — | |
| 8-14 | Brunnquell aller Güter, BWV 445 | — | |
| 8-15 | Ich halte treulich still, BWV 466 | — | |
| 8-16 | Dich bet' ich an, mein höchster Gott, BWV 449 | — | |
| 8-17 | Gib dich zufrieden und sei stille, BWV 460 | — | |
| 8-18 | Liebster Herr Jesu, wo bleibst du so lange?, BWV 484 | — | |
| 8-19 | O wie selig seid ihr doch, ihr Frommen, BWV 495 | — | |
| 8-20 | Komm, süßer Tod, BWV 478 | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947762102 is a Universal Product Code (UPC) assigned to Karl Richter: A Universal Musician by Karl Richter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 126 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947762102 is the Universal Product Code (UPC barcode) for the release “Karl Richter: A Universal Musician” by Karl Richter, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 126 tracks, each with its own ISRC. Tracks include DEF055303770, DEF055303780, DEF055303790.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Musikalische Exequien, SWV 279-281: I. "Nacket bin ich vom Mutterleibe kommen" | Friedrich Brückner-Rüggeberg, Rudolf Gantner, Brian Hanson, Heinrich-Schütz-Kreis München, Elisabeth Lindermeier, Ruth Michaelis, Max Proebstl, Anneliese Seitz, Franz Ortner, Oswald Uhl, Heinrich Wiesmeier, Karl Richter | — |
| 2 | Musikalische Exequien, SWV 279-281: II. "Also hat Gott die Welt geliebet" | Friedrich Brückner-Rüggeberg, Rudolf Gantner, Brian Hanson, Heinrich-Schütz-Kreis München, Elisabeth Lindermeier, Ruth Michaelis, Max Proebstl, Anneliese Seitz, Franz Ortner, Oswald Uhl, Heinrich Wiesmeier, Karl Richter | — |
| 3 | Musikalische Exequien, SWV 279-281: III. "Herr, wenn ich nur dich habe" | Heinrich-Schütz-Kreis München, Karl Richter | — |
| 4 | Musikalische Exequien, SWV 279-281: IV. "Herr, nun lässest du deinen Diener" | Friedrich Brückner-Rüggeberg, Heinrich-Schütz-Kreis München, Elisabeth Lindermeier, Anneliese Seitz, Franz Ortner, Oswald Uhl, Heinrich Wiesmeier, Karl Richter | — |
| 5 | Serse, HWV 40: Recitativo "Frondi tenere" / Aria "Ombra mai fu" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 6 | Serse, HWV 40: Aria "Se bramate d'amar, chi vi sdegna" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 7 | Giulio Cesare in Egitto, HWV 17: Aria "Svegliatevi nel core" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 8 | Samson, HWV 57: Aria "Total eclipse" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 9 | Samson, HWV 57: Aria "Thus when the sun from's watry bed" | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | — |
| 2-1 | Su le sponde del Tebro | Maria Stader, Willy Bauer, Münchener Bach-Orchester, Karl Richter | T-909.594.573-6 |
| 2-2 | Johannes-Passion, BWV 245: Aria: "Zerfließe, mein Herze" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-3 | Matthäus-Passion, BWV 244: Aria: "Ich will dir mein Herze schenken" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-4 | Matthäus-Passion, BWV 244: Aria: "Aus Liebe will mein Heiland sterben" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-5 | Der Messias, HWV 56: Aria: "Er weidet seine Herde" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-6 | Der Messias, HWV 56: Aria: "Ich weiß, dass mein Erlöser lebet" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-7 | Josua, HWV 64: Aria: "O hätt' ich Jubals Harf" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-8 | Die Schöpfung, Hob. XXI:2: Rezitativ & Arie: "Und Gott sprach: Es bringe die Erde Gras hervor" - "Nun beut die Flut das frische Grün" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-9 | Die Schöpfung, Hob. XXI:2: Rezitativ & Arie: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" - "Auf starkem Fittiche schwinget sich der Adler stolz" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-10 | Die Jahreszeiten, Hob. XXI:3: Rezitativ & Arie: "Willkommen jetzt, o dunkler Hain" - "Welche Labung für die Sinne!" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 2-11 | Elias, op.70: Aria: "Höre, Israel, höre des Herrn Stimme!" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — |
| 3-1 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 1. Allegro | Gerhart Hetzel, Aurèle Nicolet, Karl Richter, Münchener Bach-Orchester | T-011.422.353-8 |
| 3-2 | Concerto for Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 2. Adagio, ma non tanto, e dolce | Gerhart Hetzel, Aurèle Nicolet, Karl Richter, Münchener Bach-Orchester | — |
| 3-3 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 3. Allabreve | Gerhart Hetzel, Aurèle Nicolet, Karl Richter, Münchener Bach-Orchester | — |
| 3-4 | Concerto for Harpsichord, Strings, and Continuo no. 4 in A major, BWV 1055: I. (Allegro moderato) | Manfred Clement, Karl Richter, Münchener Bach-Orchester | T-801.411.105-9 |
| 3-5 | Concerto for Harpsichord, Strings, and Continuo no. 4 in A major, BWV 1055: II. Larghetto | Karl Richter, Manfred Clement, Münchener Bach-Orchester | — |
| 3-6 | Concerto for Harpsichord, Strings, and Continuo no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Manfred Clement, Karl Richter, Münchener Bach-Orchester | T-910.415.380-2 |
| 3-7 | Sinfonia in D major, Wq. 183 no. 1: 1. Allegro di molto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-329.454.787-4 |
| 3-8 | Sinfonia in D major, Wq. 183 no. 1: 2. Largo | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-9 | Sinfonia in D major, Wq. 183 no. 1: 3. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 |
| 3-10 | Sinfonia in E-flat major, Wq 183 No. 2: I. Allegro di molto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-329.454.787-4 |
| 3-11 | Sinfonia in E-flat major, Wq 183 No. 2: II. Larghetto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-12 | Sinfonia in E-flat major, Wq 183 No. 2: III. Allegretto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-13 | Sinfonia in F major, Wq 183 No. 3: I. Allegro di molto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-329.454.787-4 |
| 3-14 | Sinfonia in F major, Wq 183 No. 3: II. Larghetto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-15 | Sinfonia in F major, Wq 183 No. 3: III. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 |
| 3-16 | Sinfonia in G major, Wq 183 No. 4: I. Allegro assai | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-306.395.786-4 |
| 3-17 | Sinfonia in G major, Wq 183 No. 4: II. Poco andante | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | — |
| 3-18 | Sinfonia in G major, Wq 183 No. 4: III. Presto | Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | T-902.717.414-7 |
| 4-1 | Symphony in G major, "Surprise", Hob. I:94: 1. Adagio - Vivace assai | — | |
| 4-2 | Symphony in G major, "Surprise", Hob. I:94: 2. Andante | — | |
| 4-3 | Symphony in G major, "Surprise", Hob. I:94: 3. Menuet. Allegro molto - Trio - Menuet | — | |
| 4-4 | Symphony in G major, "Surprise", Hob. I:94: 4. Finale. Allegro di molto | — | |
| 4-5 | Symphony in D major, "The Clock", Hob. I:101: 1. Adagio - Presto | — | |
| 4-6 | Symphony in D major, "The Clock", Hob. I:101: 2. Andante | — | |
| 4-7 | Symphony in D major, "The Clock", Hob. I:101: 3. Menuet. Allegretto - Trio - Menuet | — | |
| 4-8 | Symphony in D major, "The Clock", Hob. I:101: 4. Finale. Vivace | — | |
| 5-1 | Fantasia in F minor, K.608 | — | |
| 5-2 | Choral Preludes op.122: 1. Mein Jesu, der du mich | — | |
| 5-3 | Choral Preludes op.122: 2. Herzliebster Jesu | — | |
| 5-4 | Choral Preludes op.122: 3. O Welt, ich muss dich lassen | — | |
| 5-5 | Choral Preludes op.122: 4. Herzlich tut mich erfreuen | — | |
| 5-6 | Choral Preludes op.122: 5. Schmücke dich, o liebe Seele | — | |
| 5-7 | Choral Preludes op.122: 6. O wie selig seid ihr doch, ihr Frommen | — | |
| 5-8 | Choral Preludes op.122: 7. O Gott, du frommer Gott | — | |
| 5-9 | Choral Preludes op.122: 8. Es ist ein Ros' entsprungen | — | |
| 5-10 | Choral Preludes op.122: 9. Herzlich tut mich verlangen | — | |
| 5-11 | Choral Preludes op.122: 10. Herzlich tut mich verlangen | — | |
| 5-12 | Choral Preludes op.122: 11. O Welt, ich muss dich lassen | — | |
| 5-13 | Prelude and Fugue on the name of B-A-C-H: 1. Prelude | — | |
| 5-14 | Prelude and Fugue on the name of B-A-C-H: 2. Fugue | — | |
| 6-1 | Harpsichord Suite no.5 in E major, HWV 430: 1. Prélude | — | |
| 6-2 | Harpsichord Suite no.5 in E major, HWV 430: 2. Allemande | — | |
| 6-3 | Harpsichord Suite no.5 in E major, HWV 430: 3. Courante | — | |
| 6-4 | Harpsichord Suite no.5 in E major, HWV 430: 4. Air con Variazioni | — | |
| 6-5 | Chaconne in G major with 21 Variations, HWV 435 | — | |
| 6-6 | Italian Concerto in F major, BWV 971: 1. Allegro | — | |
| 6-7 | Italian Concerto in F major, BWV 971: 2. Andante | — | |
| 6-8 | Italian Concerto in F major, BWV 971: 3. Presto | — | |
| 6-9 | Chromatic Fantasy and Fugue in D minor, BWV 903: 1. Fantasy | — | |
| 6-10 | Chromatic Fantasy and Fugue in D minor, BWV 903: 2. Fugue | — | |
| 6-11 | Toccata and Fugue in G minor, BWV 915: 1. Toccata | — | |
| 6-12 | Toccata and Fugue in G minor, BWV 915: 2. Fugue | — | |
| 6-13 | Pastorale in F major, BWV 590 | — | |
| 6-14 | Fantasia in C minor, BWV 906 | — | |
| 7-1 | Goldberg Variations, BWV 988: Aria | — | |
| 7-2 | Goldberg Variations, BWV 988: Variatio 1 a 1 Clav. | — | |
| 7-3 | Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. | — | |
| 7-4 | Goldberg Variations, BWV 988: Variatio 3 Canone all'unisono. a 1 Clav. | — | |
| 7-5 | Goldberg Variations, BWV 988: Variatio 4 a 1 Clav. | — | |
| 7-6 | Goldberg Variations, BWV 988: Variatio 5 a 1 ovvero 2 Clav. | — | |
| 7-7 | Goldberg Variations, BWV 988: Variatio 6 Canone alla Seconda. a 1 Clav. | — | |
| 7-8 | Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | — | |
| 7-9 | Goldberg Variations, BWV 988: Variatio 8 a 2 Clav. | — | |
| 7-10 | Goldberg Variations, BWV 988: Variatio 9 Canone alla Terza. a 1 Clav. | — | |
| 7-11 | Goldberg Variations, BWV 988: Variatio 10 Fughetta a 1 Clav. | — | |
| 7-12 | Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. | — | |
| 7-13 | Goldberg Variations, BWV 988: Variatio 12 Canone alla Quarta. (a 1 Clav.) | — | |
| 7-14 | Goldberg Variations, BWV 988: Variatio 13 a 2 Clav. | — | |
| 7-15 | Goldberg Variations, BWV 988: Variatio 14 a 2 Clav. | — | |
| 7-16 | Goldberg Variations, BWV 988: Variatio 15 Canone alla Quinta. a 1 Clav. Andante | — | |
| 7-17 | Goldberg Variations, BWV 988: Variatio 16 Ouverture. a 1 Clav. | — | |
| 7-18 | Goldberg Variations, BWV 988: Variatio 17 a 2 Clav. | — | |
| 7-19 | Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav. | — | |
| 7-20 | Goldberg Variations, BWV 988: Variatio 19 a 1 Clav. | — | |
| 7-21 | Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. | — | |
| 7-22 | Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima (a 1 Clav.) | — | |
| 7-23 | Goldberg Variations, BWV 988: Variatio 22 a 1 Clav. Alla breve | — | |
| 7-24 | Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. | — | |
| 7-25 | Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. | — | |
| 7-26 | Goldberg Variations, BWV 988: Variatio 25 a 2 Clav. Adagio | — | |
| 7-27 | Goldberg Variations, BWV 988: Variatio 26 a 2 Clav. | — | |
| 7-28 | Goldberg Variations, BWV 988: Variatio 27 Canone alla Nona. a 2 Clav. | — | |
| 7-29 | Goldberg Variations, BWV 988: Variatio 28 a 2 Clav. | — | |
| 7-30 | Goldberg Variations, BWV 988: Variatio 29 a 1 ovvero 2 Clav. | — | |
| 7-31 | Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. | — | |
| 7-32 | Goldberg Variations, BWV 988: Aria da Capo | — | |
| 8-1 | Die goldne Sonne, BWV 451 | — | |
| 8-2 | O Jesulein süß, BWV 493 | Peter Schreier, Karl Richter | — |
| 8-3 | Ich steh’ an deiner Krippen hier, BWV 469 | Peter Schreier, Karl Richter | — |
| 8-4 | Die bittre Leidenszeit beginnet abermal, BWV 450 | — | |
| 8-5 | Mein Jesu, was für Seelenweh BWV 487 | — | |
| 8-6 | Jesus, unser Trost und Leben, BWV 475 | — | |
| 8-7 | Gott lebet noch, BWV 461 | — | |
| 8-8 | Kommt wieder aus der finstern Gruft, BWV 480 | — | |
| 8-9 | Der Tag ist hin, die Sonne gehet nieder, BWV 447 | Peter Schreier, Karl Richter | — |
| 8-10 | Der lieben Sonne Licht und Pracht BWV 446 | — | |
| 8-11 | Beschränkt, ihr Weisen dieser Welt, BWV 443 | — | |
| 8-12 | Was bist du doch, o Seele, so betrübet, BWV 506 | — | |
| 8-13 | Eins ist not! Ach Herr, dies eine, BWV 453 | — | |
| 8-14 | Brunnquell aller Güter, BWV 445 | — | |
| 8-15 | Ich halte treulich still, BWV 466 | — | |
| 8-16 | Dich bet' ich an, mein höchster Gott, BWV 449 | — | |
| 8-17 | Gib dich zufrieden und sei stille, BWV 460 | — | |
| 8-18 | Liebster Herr Jesu, wo bleibst du so lange?, BWV 484 | — | |
| 8-19 | O wie selig seid ihr doch, ihr Frommen, BWV 495 | — | |
| 8-20 | Komm, süßer Tod, BWV 478 | — |
