UPC · Album
It Ain’t Necessarily So: Legendary Classic and Jazz Studio Takes
Heifetz
Last verified:
028947762690 is the Universal Product Code (UPC barcode) for the release “It Ain’t Necessarily So: Legendary Classic and Jazz Studio Takes” by Heifetz, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include DEF054430301, DEF054430302, DEF054430303.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (52)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| From the Canebrake, op. 5 no. 1 | Jascha Heifetz, Milton Kaye | DEF054430301 |
| Jamaican Rumba | Jascha Heifetz, Milton Kaye | DEF054430302 |
| Beau Soir | Jascha Heifetz, Milton Kaye | DEF054430303 |
| Pièce en forme de habanera | Jascha Heifetz, Milton Kaye | DEF054430304 |
| Levee Dance op. 27 no. 2 | Jascha Heifetz, Milton Kaye | DEF054430305 |
| Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia” | Jascha Heifetz, Milton Kaye | DEF054430306 |
| Jeannie With the Light Brown Hair | Jascha Heifetz, Milton Kaye | DEF054430307 |
| A la valse | Jascha Heifetz, Milton Kaye | DEF054430308 |
| Humoresque in G-flat major, op. 101 no. 7 | Jascha Heifetz, Milton Kaye | DEF054430309 |
| Gweedore Brae | Jascha Heifetz, Milton Kaye | DEF054430310 |
| Old Folks at Home | Jascha Heifetz, Milton Kaye | DEF054430311 |
| Traditional: Deep River | Jascha Heifetz, Milton Kaye | DEF054430312 |
| Viennese · Wienerisch | Jascha Heifetz, Milton Kaye | DEF054430313 |
| White Christmas | Jascha Heifetz, Salvador Camarata | DEF054430314 |
| Porgy and Bess: Summertime | Jascha Heifetz, Emanuel Bay | DEF054502061 |
| Porgy and Bess: A Woman Is A Sometime Thing | Jascha Heifetz, Emanuel Bay | DEF054502062 |
| Porgy and Bess: My Man’s Gone Now | Jascha Heifetz, Emanuel Bay | DEF054502063 |
| Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | DEF054502064 |
| Porgy and Bess: Tempo di Blues “There’s A Boat That’s Leavin’ Soon For New York” | Jascha Heifetz, Emanuel Bay | DEF054502065 |
| Porgy and Bess: Bess, You Is My Woman Now | Jascha Heifetz, Emanuel Bay | DEF054502066 |
| Three Preludes: I. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | DEF054502071 |
| Three Preludes: II. Andante con moto e poco rubato | Jascha Heifetz, Emanuel Bay | DEF054502072 |
| Three Preludes: III. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | DEF054502073 |
| An Outlandish Suite: No. 2. Florida Night Song | Jascha Heifetz, Emanuel Bay | DEF054530101 |
| Golliwog’s Cakewalk | Emanuel Bay, Jascha Heifetz | DEF054530102 |
| Clair de lune | Jascha Heifetz, Emanuel Bay | DEF054530103 |
| Ao pé da fogueira | Jascha Heifetz, Emanuel Bay | DEF054530104 |
| Huella, op. 49 (Canción argentina) | Jascha Heifetz, Emanuel Bay | DEF054530105 |
| Prelude in C-sharp minor, op. 34 no. 10 | Jascha Heifetz, Emanuel Bay | DEF054530106 |
| Prelude in D-flat major, op. 34 no. 15 | Jascha Heifetz, Emanuel Bay | DEF054530107 |
| Waves at Play | Jascha Heifetz, Emanuel Bay | DEF054530108 |
| March (from The Love for Three Oranges) | Jascha Heifetz, Emanuel Bay | DEF054530109 |
| Masks, from Romeo and Juliet | Jascha Heifetz, Emanuel Bay | DEF054530110 |
| Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus | Jascha Heifetz, Emanuel Bay | DEF054530111 |
| Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair | Jascha Heifetz, Emanuel Bay | DEF054530112 |
| Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes | Jascha Heifetz, Emanuel Bay | DEF054530113 |
| Hexapoda: 4. Jim Jives | Jascha Heifetz, Emanuel Bay | DEF054530114 |
| Hexapoda: 5. ...Till Dawn Sunday | Jascha Heifetz, Emanuel Bay | DEF054530115 |
| The Ballad of Mack the Knife, from The Threepenny Opera | Jascha Heifetz, Emanuel Bay | DEF054530116 |
| Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42) | Jascha Heifetz, Emanuel Bay | DEF054530117 |
| Nocturne in E-flat, op. 55 no. 2 | Jascha Heifetz, Emanuel Bay | DEF054530118 |
| Mélodie, from Orphée et Euridice | Jascha Heifetz, Emanuel Bay | DEF054530119 |
| Bird as prophet, from Waldszenen | Jascha Heifetz, Emanuel Bay | DEF054530120 |
| Hymn to the Sun, from The Golden Cockerel | Jascha Heifetz, Emanuel Bay | DEF054530121 |
| Dance no. 4 | Jascha Heifetz, Emanuel Bay | DEF054530122 |
| Hungarian Dance no. 7 in A major | Jascha Heifetz, Emanuel Bay | DEF054530123 |
| The Swan (from Carnival of the Animals) | Jascha Heifetz, Emanuel Bay | DEF054530124 |
| Size Pictures, op. 30: No. 4. Hills | Jascha Heifetz, Emanuel Bay | DEF054530125 |
| Small Concert Pieces, op. 21: No. 4. Moto perpetuo | Emanuel Bay, Jascha Heifetz | DEF054600021 |
| Lullaby (from Jocelyn) | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | DEF054600022 |
| Where My Caravan Has Rested | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | DEF054600023 |
| When You Make Love to Me (Don’t Make Believe) | Jim Hoyl | DEF054600031 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
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What is UPC 028947762690?
028947762690 is a Universal Product Code (UPC) assigned to It Ain’t Necessarily So: Legendary Classic and Jazz Studio Takes by Heifetz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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