UPC · Release
Clear or Cloudy: Complete Recordings on Deutsche Grammophon
György Ligeti
028947764434
75 tracksReleased 2006-01-01Deutsche Grammophon
Last verified:
028947764434 is the Universal Product Code (UPC barcode) for the release “Clear or Cloudy: Complete Recordings on Deutsche Grammophon” by György Ligeti, released 2006-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include DEF056904291, DEF056904292, DEF056904293.
Format
0Number system
28947Manufacturer
76443Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClear or Cloudy: Complete Recordings on Deutsche Grammophon
ISRC12 recordings
ISWC7 works
IPI1 songwriter
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Solo Cello: I. Dialogo. Adagio, rubato, cantabile | — | ||
| 2 | Sonata for Solo Cello: II. Capriccio. Presto con slancio | — | ||
| 3 | 6 Bagatelles for Wind Quintet: I. Allegro con spirito | — | ||
| 4 | 6 Bagatelles for Wind Quintet: II. Rubato. Lamentoso | — | ||
| 5 | 6 Bagatelles for Wind Quintet: III. Allegro grazioso - | — | ||
| 6 | 6 Bagatelles for Wind Quintet: IV. Presto ruvido | — | ||
| 7 | 6 Bagatelles for Wind Quintet: V. Adagio. Mesto (Béla Bartók in memoriam) | — | ||
| 8 | 6 Bagatelles for Wind Quintet: VI. Molto vivace. Capriccioso | — | ||
| 9 | String Quartet No. 1, "Métamorphoses nocturnes": Allegro grazioso | — | ||
| 10 | String Quartet No. 1, "Métamorphoses nocturnes": Vivace, capriccioso | — | ||
| 11 | String Quartet No. 1, "Métamorphoses nocturnes": A tempo | — | ||
| 12 | String Quartet No. 1, "Métamorphoses nocturnes": Adagio, mesto | — | ||
| 13 | String Quartet No. 1, "Métamorphoses nocturnes": Presto | — | ||
| 14 | String Quartet No. 1, "Métamorphoses nocturnes": [...] molto sostenuto - Andante tranquillo | — | ||
| 15 | String Quartet No. 1, "Métamorphoses nocturnes": Più mosso | — | ||
| 16 | String Quartet No. 1, "Métamorphoses nocturnes": Tempo di valse, moderato, con eleganza, un poco capriccioso | — | ||
| 17 | String Quartet No. 1, "Métamorphoses nocturnes": Subito prestissimo | — | ||
| 18 | String Quartet No. 1, "Métamorphoses nocturnes": Subito: Molto sostenuto | — | ||
| 19 | String Quartet No. 1, "Métamorphoses nocturnes": Allegretto, un poco gioviale | — | ||
| 20 | String Quartet No. 1, "Métamorphoses nocturnes": Allarg. Poco più mosso | — | ||
| 21 | String Quartet No. 1, "Métamorphoses nocturnes": Subito allegro con moto, string. poco a poco sin al prestissimo | — | ||
| 22 | String Quartet No. 1, "Métamorphoses nocturnes": Prestissimo | — | ||
| 23 | String Quartet No. 1, "Métamorphoses nocturnes": Allegro comodo, gioviale | — | ||
| 24 | String Quartet No. 1, "Métamorphoses nocturnes": Sostenuto, accelerando | — | ||
| 25 | String Quartet No. 1, "Métamorphoses nocturnes": Lento | — | ||
| 26 | 10 Pieces for Wind Quintet: I. Molto sostenuto e calmo | — | ||
| 27 | 10 Pieces for Wind Quintet: II. Prestissimo minaccioso e burlesco | — | ||
| 28 | 10 Pieces for Wind Quintet: III. Lento | — | ||
| 29 | 10 Pieces for Wind Quintet: IV. Prestissimo leggiero e virtuoso | — | ||
| 30 | 10 Pieces for Wind Quintet: V. Presto stacatissimo e leggiero | — | ||
| 31 | 10 Pieces for Wind Quintet: VI. Lo stesso tempo. Presto staccatissimo e leggiero | — | ||
| 32 | 10 Pieces for Wind Quintet: VII. Vivo, energico | — | ||
| 33 | 10 Pieces for Wind Quintet: VIII. Allegro con delicatezza | — | ||
| 34 | 10 Pieces for Wind Quintet: IX. Sostenuto, stridente | — | ||
| 35 | 10 Pieces for Wind Quintet: X. Presto bizarro e rubato, so schnell wie möglich | — | ||
| 36 | String Quartet no. 2: Allegro nervoso | LaSalle Quartet | — | |
| 37 | String Quartet no. 2: Sostenuto, molto calmo | LaSalle Quartet | — | |
| 38 | String Quartet no. 2: Come un meccanismo di precisione | LaSalle Quartet | — | |
| 39 | String Quartet no. 2: Presto furioso, brutale, tumultuoso | LaSalle Quartet | — | |
| 40 | String Quartet no. 2: Allegro con delicatezza – stets sehr mild | LaSalle Quartet | — | |
| 2-1 | Atmosphères (1961) | Wiener Philharmoniker, Claudio Abbado | — | |
| 2-2 | Volumina | Gerd Zacher | — | |
| 2-3 | Lux aeterna | Chor des Norddeutschen Rundfunks, Helmut Franz | T-801.249.643-5 | |
| 2-4 | Organ Study No. 1, "Harmonies" | Gerd Zacher | T-801.249.942-3 | |
| 2-5 | Lontano (1967) | Wiener Philharmoniker, Claudio Abbado | T-005.007.306-7 | |
| 2-6 | Ramifications | Ensemble intercontemporain, Pierre Boulez | — | |
| 2-7 | Melodien | London Sinfonietta, David Atherton | — | |
| 3-1 | Aventures | — | ||
| 3-2 | Nouvelles Aventures: I. Sostenuto | — | ||
| 3-3 | Nouvelles Aventures: II. Agitato molto | — | ||
| 3-4 | Cello Concerto: I. | — | ||
| 3-5 | Cello Concerto: II. (Lo stesso tempo) | — | ||
| 3-6 | Chamber Concerto: Corrente | — | ||
| 3-7 | Chamber Concerto: Calmo, sostenuto | — | ||
| 3-8 | Chamber Concerto: Movimento preciso e meccanico | — | ||
| 3-9 | Chamber Concerto: Presto | — | ||
| 3-10 | Mysteries of the Macabre | — | ||
| 3-11 | Double Concerto for Flute and Oboe: I. Calmo, con tenerezza | — | ||
| 3-12 | Double Concerto for Flute and Oboe: II. Allegro corrente | — | ||
| 4-1 | The Big Turtle Fanfare From the South China Sea | — | ||
| 4-2 | 3 Pieces for 2 Pianos: Monument | — | ||
| 4-3 | 3 Pieces for 2 Pianos: Selbstportrait mit Reich und Riley (und Chopin ist auch dabei) | — | ||
| 4-4 | 3 Pieces for 2 Pianos: Bewegung | — | ||
| 4-5 | Etudes pour piano, Livre I: Etude 2. Cordes à vide. Andantino con moto, molto tenero | — | ||
| 4-6 | Etudes pour piano, Livre I: Etude 4. Fanfares. Vivacissimo molto ritmico | — | ||
| 4-7 | Piano Concerto: I. Vivace molto ritmico e preciso - | — | ||
| 4-8 | Piano Concerto: II. Lento e deserto | — | ||
| 4-9 | Piano Concerto: III. Vivace cantabile | — | ||
| 4-10 | Piano Concerto: IV. Allegro risoluto, molto ritmico - | — | ||
| 4-11 | Piano Concerto: V. Presto luminoso: fluido, costante, sempre molto ritmico | — | ||
| 4-12 | Violin Concerto: I. Praeludium: Vivacissimo luminoso - | — | ||
| 4-13 | Violin Concerto: II. Aria, Hoquetus, Choral: Andante con moto - | — | ||
| 4-14 | Violin Concerto: III. Intermezzo: Presto fluido | — | ||
| 4-15 | Violin Concerto: IV. Passacaglia: Lento intenso | — | ||
| 4-16 | Violin Concerto: V. Appassionato: Agitato molto | — |
Sonata for Solo Cello: I. Dialogo. Adagio, rubato, cantabile
—
Sonata for Solo Cello: II. Capriccio. Presto con slancio
—
6 Bagatelles for Wind Quintet: I. Allegro con spirito
—
6 Bagatelles for Wind Quintet: II. Rubato. Lamentoso
—
6 Bagatelles for Wind Quintet: III. Allegro grazioso -
—
6 Bagatelles for Wind Quintet: IV. Presto ruvido
—
6 Bagatelles for Wind Quintet: V. Adagio. Mesto (Béla Bartók in memoriam)
—
6 Bagatelles for Wind Quintet: VI. Molto vivace. Capriccioso
—
String Quartet No. 1, "Métamorphoses nocturnes": Allegro grazioso
—
String Quartet No. 1, "Métamorphoses nocturnes": Vivace, capriccioso
—
String Quartet No. 1, "Métamorphoses nocturnes": A tempo
—
String Quartet No. 1, "Métamorphoses nocturnes": Adagio, mesto
—
String Quartet No. 1, "Métamorphoses nocturnes": Presto
—
String Quartet No. 1, "Métamorphoses nocturnes": [...] molto sostenuto - Andante tranquillo
—
String Quartet No. 1, "Métamorphoses nocturnes": Più mosso
—
String Quartet No. 1, "Métamorphoses nocturnes": Tempo di valse, moderato, con eleganza, un poco capriccioso
—
String Quartet No. 1, "Métamorphoses nocturnes": Subito prestissimo
—
String Quartet No. 1, "Métamorphoses nocturnes": Subito: Molto sostenuto
—
String Quartet No. 1, "Métamorphoses nocturnes": Allegretto, un poco gioviale
—
String Quartet No. 1, "Métamorphoses nocturnes": Allarg. Poco più mosso
—
String Quartet No. 1, "Métamorphoses nocturnes": Subito allegro con moto, string. poco a poco sin al prestissimo
—
String Quartet No. 1, "Métamorphoses nocturnes": Prestissimo
—
String Quartet No. 1, "Métamorphoses nocturnes": Allegro comodo, gioviale
—
String Quartet No. 1, "Métamorphoses nocturnes": Sostenuto, accelerando
—
String Quartet No. 1, "Métamorphoses nocturnes": Lento
—
10 Pieces for Wind Quintet: I. Molto sostenuto e calmo
—
10 Pieces for Wind Quintet: II. Prestissimo minaccioso e burlesco
—
10 Pieces for Wind Quintet: III. Lento
—
10 Pieces for Wind Quintet: IV. Prestissimo leggiero e virtuoso
—
10 Pieces for Wind Quintet: V. Presto stacatissimo e leggiero
—
10 Pieces for Wind Quintet: VI. Lo stesso tempo. Presto staccatissimo e leggiero
—
10 Pieces for Wind Quintet: VII. Vivo, energico
—
10 Pieces for Wind Quintet: VIII. Allegro con delicatezza
—
10 Pieces for Wind Quintet: IX. Sostenuto, stridente
—
10 Pieces for Wind Quintet: X. Presto bizarro e rubato, so schnell wie möglich
—
String Quartet no. 2: Allegro nervoso
LaSalle Quartet
—
String Quartet no. 2: Sostenuto, molto calmo
LaSalle Quartet
—
String Quartet no. 2: Come un meccanismo di precisione
LaSalle Quartet
—
String Quartet no. 2: Presto furioso, brutale, tumultuoso
LaSalle Quartet
—
String Quartet no. 2: Allegro con delicatezza – stets sehr mild
LaSalle Quartet
—
Atmosphères (1961)
Wiener Philharmoniker, Claudio Abbado
—
Volumina
Gerd Zacher
—
Ramifications
Ensemble intercontemporain, Pierre Boulez
—
Melodien
London Sinfonietta, David Atherton
—
Aventures
—
Nouvelles Aventures: I. Sostenuto
—
Nouvelles Aventures: II. Agitato molto
—
Cello Concerto: I.
—
Cello Concerto: II. (Lo stesso tempo)
—
Chamber Concerto: Corrente
—
Chamber Concerto: Calmo, sostenuto
—
Chamber Concerto: Movimento preciso e meccanico
—
Chamber Concerto: Presto
—
Mysteries of the Macabre
—
Double Concerto for Flute and Oboe: I. Calmo, con tenerezza
—
Double Concerto for Flute and Oboe: II. Allegro corrente
—
The Big Turtle Fanfare From the South China Sea
—
3 Pieces for 2 Pianos: Monument
—
3 Pieces for 2 Pianos: Selbstportrait mit Reich und Riley (und Chopin ist auch dabei)
—
3 Pieces for 2 Pianos: Bewegung
—
Etudes pour piano, Livre I: Etude 2. Cordes à vide. Andantino con moto, molto tenero
—
Etudes pour piano, Livre I: Etude 4. Fanfares. Vivacissimo molto ritmico
—
Piano Concerto: I. Vivace molto ritmico e preciso -
—
Piano Concerto: II. Lento e deserto
—
Piano Concerto: III. Vivace cantabile
—
Piano Concerto: IV. Allegro risoluto, molto ritmico -
—
Piano Concerto: V. Presto luminoso: fluido, costante, sempre molto ritmico
—
Violin Concerto: I. Praeludium: Vivacissimo luminoso -
—
Violin Concerto: II. Aria, Hoquetus, Choral: Andante con moto -
—
Violin Concerto: III. Intermezzo: Presto fluido
—
Violin Concerto: IV. Passacaglia: Lento intenso
—
Violin Concerto: V. Appassionato: Agitato molto
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055155588000000005550480500000000555155980000000059440562000000006309063000000000631023120000000081517220000000008168009500000000818427280000000108228788
+19 more
0000000109713646000000011013128000000001101493680000000110177393000000011042598300000001108678960000000114514350000000011463346400000001147030390000000115071168000000012022261000000001203305660000000120959719000000012097801200000001214211280000000121468794000000012277906800000001233124350000000123641853
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What is UPC 028947764434?
028947764434 is a Universal Product Code (UPC) assigned to Clear or Cloudy: Complete Recordings on Deutsche Grammophon by György Ligeti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm