UPC · Release
Niccolò Paganini, Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue
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028947764854 is the Universal Product Code (UPC barcode) for the release “Violin Concertos (with bonus interview tracks)” by Niccolò Paganini, Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include DEN960500721, DEN960500722, DEN960500723.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | T-005.008.537-4 | |
| 2 | Violin Concerto no. 1 in D major, op. 6: II. Adagio | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 4 | Violin Concerto no. 8 in A minor, op. 47: I. Allegro molto | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 5 | Violin Concerto no. 8 in A minor, op. 47: II. Adagio | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 6 | Violin Concerto no. 8 in A minor, op. 47: III. Allegro moderato | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 7 | Interview: Hilary Hahn’s approach to this recording and her interpretation of these | — | ||
| 8 | Interview: The operatic aspect of these pieces | — | ||
| 9 | Interview: The Spohr is undeservedly less well‐known | — | ||
| 10 | Interview: Preparing these pieces for the recording | — | ||
| 11 | Interview: Performing these pieces on stage | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947764854 is a Universal Product Code (UPC) assigned to Violin Concertos (with bonus interview tracks) by Niccolò Paganini, Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947764854 is the Universal Product Code (UPC barcode) for the release “Violin Concertos (with bonus interview tracks)” by Niccolò Paganini, Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include DEN960500721, DEN960500722, DEN960500723.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | T-005.008.537-4 | |
| 2 | Violin Concerto no. 1 in D major, op. 6: II. Adagio | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spirituoso | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 4 | Violin Concerto no. 8 in A minor, op. 47: I. Allegro molto | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 5 | Violin Concerto no. 8 in A minor, op. 47: II. Adagio | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 6 | Violin Concerto no. 8 in A minor, op. 47: III. Allegro moderato | Hilary Hahn, Swedish Radio Symphony Orchestra, Eiji Oue | — | |
| 7 | Interview: Hilary Hahn’s approach to this recording and her interpretation of these | — | ||
| 8 | Interview: The operatic aspect of these pieces | — | ||
| 9 | Interview: The Spohr is undeservedly less well‐known | — | ||
| 10 | Interview: Preparing these pieces for the recording | — | ||
| 11 | Interview: Performing these pieces on stage | — |
