UPC · Release
Various Artists
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028947766568 is the Universal Product Code (UPC barcode) for the release “Steinway Legends (Grand Edition)” by Various Artists, released 2007-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 307 tracks, each with its own ISRC. Tracks include DEF057900150, DEF057100551, DEF057100552.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toccata in C minor, BWV 911 | Martha Argerich | — | |
| 2 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — | |
| 3 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — | |
| 4 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — | |
| 5 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — | |
| 6 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 7 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 8 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 9 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 10 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 11 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 12 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 13 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 14 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 15 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 16 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 17 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 18 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 19 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 2-1 | Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo | Martha Argerich | — | |
| 2-2 | Andante spianato et Grande polonaise brillante in E-flat Major, op. 22: Polonaise. Allegro molto | Martha Argerich | T-902.781.050-0 | |
| 2-3 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 2-4 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 2-5 | Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T-918.063.801-1 | |
| 2-6 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 2-7 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 2-8 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine | Martha Argerich | T-902.777.490-9 | |
| 2-9 | Gaspard de la nuit, M.55: II. Le Gibet. Très Lent | Martha Argerich | T-305.194.353-0 | |
| 2-10 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo | Martha Argerich | T-902.777.490-9 | |
| 2-11 | Toccata, op. 11 | Martha Argerich | — | |
| 2-12 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 3-1 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Claudio Arrau | — | |
| 3-2 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 2. Allegretto | Claudio Arrau | — | |
| 3-3 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 3. Presto agitato | Claudio Arrau | — | |
| 3-4 | Rondo for Piano No. 3 in A minor, K. 511: Andante | Claudio Arrau | T-917.144.482-9 | |
| 3-5 | Allegretto in C minor, D. 915 | Claudio Arrau | T-011.751.253-4 | |
| 3-6 | Sonata in B minor: Lento assai - Allegro energico | Claudio Arrau | — | |
| 3-7 | Sonata in B minor: Grandioso - Recitativo | Claudio Arrau | — | |
| 3-8 | Sonata in B minor: Andante sostenuto | Claudio Arrau | T-011.189.063-1 | |
| 3-9 | Sonata in B minor: Allegro energico - Andante sostenuto - Lento assai | Claudio Arrau | — | |
| 3-10 | Islamey | Claudio Arrau | — | |
| 4-1 | Impromptu no. 1 in A-flat major, op. 29 | Claudio Arrau | — | |
| 4-2 | Impromptu no. 2 in F-sharp minor, op. 36 | Claudio Arrau | T-306.230.833-8 | |
| 4-3 | Impromptu no. 3 in G-flat Major, op. 51 | Claudio Arrau | — | |
| 4-4 | Impromptu no. 4 in C-sharp minor, op. 66 | Claudio Arrau | — | |
| 4-5 | Faschingsschwank aus Wien, op. 26: I. Allegro | Claudio Arrau | — | |
| 4-6 | Faschingsschwank aus Wien, op. 26: II. Romanze | Claudio Arrau | — | |
| 4-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | Claudio Arrau | — | |
| 4-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo | Claudio Arrau | — | |
| 4-9 | Faschingsschwank aus Wien, op. 26: IV. Finale | Claudio Arrau | — | |
| 4-10 | 15 Variations and Fugue in E-Flat Major, Op. 35: 'Eroica Variations' | Claudio Arrau | — | |
| 5-1 | Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito | Vladimir Ashkenazy, Malcolm Frager | — | |
| 5-2 | Sonata in D major for 2 Pianos, K. 448: 2. Andante | Vladimir Ashkenazy, Malcolm Frager | T-802.445.410-3 | |
| 5-3 | Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto | Vladimir Ashkenazy, Malcolm Frager | T-312.439.088-7 | |
| 5-4 | Prélude no. 25 in C-sharp minor, op. 45 | Vladimir Ashkenazy | — | |
| 5-5 | Mazurka No. 37 in A‐Flat Major, Op. 59 No. 2 | Vladimir Ashkenazy | — | |
| 5-6 | Scherzo no. 4 in E major, op. 54 | Vladimir Ashkenazy | — | |
| 5-7 | Dumka, Op. 59 | Vladimir Ashkenazy | — | |
| 5-8 | Piano Sonata No. 5 in F Sharp Major, Op. 53 | Alexander Scriabin, Vladimir Ashkenazy | T-312.606.604-0 | |
| 5-9 | Etude-Tableau no. 1 in C minor, op. 39 | Vladimir Ashkenazy | — | |
| 5-10 | Etude-Tableau no. 2 in A minor, op. 39 | Vladimir Ashkenazy | — | |
| 5-11 | Etude-Tableau no. 5 in E-flat minor, op. 39 | Vladimir Ashkenazy | — | |
| 6-1 | Piano Sonata no. 30 in E, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Vladimir Ashkenazy | — | |
| 6-2 | Piano Sonata no. 30 in E, op. 109: 2. Prestissimo | Vladimir Ashkenazy | — | |
| 6-3 | Piano Sonata No. 30 in E, Op. 109: 3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Vladimir Ashkenazy | — | |
| 6-4 | Piano Sonata No. 17 in D, D.850: 1. Allegro vivace | Vladimir Ashkenazy | — | |
| 6-5 | Piano Sonata No. 17 in D, D.850: 2. Con moto | Vladimir Ashkenazy | — | |
| 6-6 | Piano Sonata No. 17 in D, D.850: 3. Scherzo (Allegro vivace) | Vladimir Ashkenazy | — | |
| 6-7 | Piano Sonata No. 17 in D, D.850: 4. Rondo (Allegro moderato) | Vladimir Ashkenazy | — | |
| 6-8 | Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing | Vladimir Ashkenazy | — | |
| 6-9 | Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks | Vladimir Ashkenazy | — | |
| 6-10 | Prelude and Fugue in G‐Sharp Minor, Op. 29 | Vladimir Ashkenazy | — | |
| 7-1 | Chromatic Fantasia and Fugue in D Minor, BWV 903 | — | ||
| 7-2 | Piano Sonata in C, H.XVI no. 50: 1. Allegro | — | ||
| 7-3 | Piano Sonata in C, H.XVI no. 50: 2. Adagio | — | ||
| 7-4 | Piano Sonata in C, H.XVI no. 50: 3. Allegro molto | — | ||
| 7-5 | Fragment of a Fantasia in C Minor, K396 | — | ||
| 7-6 | Klavierstück in E-Flat Major, D. 946, no. 2: Allegretto | — | ||
| 7-7 | Nuages gris, S.199 | — | ||
| 7-8 | En reve, nocturne, S.207 | — | ||
| 7-9 | Richard-Wagner - Venezia, S.201 | — | ||
| 7-10 | Années de pèlerinage: 2ème année: Italie, S.161: 7. Après un lecture du Dante (Fantasia quasi Sonata) | — | ||
| 8-1 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 1. Allegro assai | — | ||
| 8-2 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 2. Andante con moto | — | ||
| 8-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 3. Allegro ma non troppo | — | ||
| 8-4 | Bagatelle in A Minor, WoO 59 "Für Elise" | — | ||
| 8-5 | 8 Fantasiestücke, op. 12: 1. Des Abends | — | ||
| 8-6 | 8 Fantasiestücke, op. 12: 2. Aufschwung | — | ||
| 8-7 | 8 Fantasiestücke, op. 12: 3. Warum? | — | ||
| 8-8 | 8 Fantasiestücke, op. 12: 4. Grillen | — | ||
| 8-9 | 8 Fantasiestücke, op. 12: 5. In der Nacht | — | ||
| 8-10 | 8 Fantasiestücke, op. 12: 6. Fabel | — | ||
| 8-11 | 8 Fantasiestücke, op. 12: 7. Traumes-Wirren | — | ||
| 8-12 | 8 Fantasiestücke, op. 12: 8. Ende vom Lied | — | ||
| 8-13 | Piano Sonata no. 10 in C Major, K.330: I. Allegro moderato | — | ||
| 8-14 | Piano Sonata no. 10 in C Major, K.330: II. Andante cantabile | — | ||
| 8-15 | Piano Sonata no. 10 in C Major, K.330: III. Allegretto | — | ||
| 9-1 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 9-2 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 9-3 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso | — | ||
| 9-4 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 9-5 | Fantasy in F Minor for Piano Duet, D. 940 | Elena Gilels, Emil Gilels | — | |
| 9-6 | Sonata no. 3 in G minor, op. 22: I. Tenebroso, sempre affrettando - Allegro assai | — | ||
| 9-7 | Sonata no. 3 in G minor, op. 22: II. Interludium. Andante lugubre | — | ||
| 9-8 | Sonata no. 3 in G minor, op. 22: III. Allegro assai | — | ||
| 9-9 | Ballade in D minor, op. 10 no. 1 ('Edward') | — | ||
| 9-10 | Ballade in D minor, op. 10 no. 2 | — | ||
| 9-11 | Fantasia in D minor, K. 397 | — | ||
| 10-1 | Piano Sonata no. 3, op. 58: I. Allegro maestoso | — | ||
| 10-2 | Piano Sonata no. 3, op. 58: II. Scherzo. Molto vivace | — | ||
| 10-3 | Piano Sonata no. 3, op. 58: III. Largo | — | ||
| 10-4 | Piano Sonata no. 3, op. 58: IV. Finale. Presto, non tanto | — | ||
| 10-5 | Lyric Pieces: Berceuse, op. 38 no. 1 | — | ||
| 10-6 | Lyric Pieces: Butterfly, op. 43 no. 1 | — | ||
| 10-7 | Lyric Pieces: Album-Leaf, op. 47 no. 2 | — | ||
| 10-8 | Lyric Pieces: Norwegian Dance: Halling, op. 47 no. 4 | — | ||
| 10-9 | Lyric Pieces: Notturno, op. 54 no. 4 | — | ||
| 10-10 | Lyric Pieces: Grandmother's Minuet, op. 68 no. 2 | — | ||
| 10-11 | Lyric Pieces: At Your Feet, op. 68 no. 3 | — | ||
| 10-12 | Lyric Pieces: Once Upon A Time, op. 71 no. 1 | — | ||
| 10-13 | Lyric Pieces: Puck, op. 71 no. 3 | — | ||
| 10-14 | Piano Sonata no. 3 in B-flat major, K. 281: I. Allegro | — | ||
| 10-15 | Piano Sonata no. 3 in B-flat major, K. 281: II. Andante amoroso | — | ||
| 10-16 | Piano Sonata no. 3 in B-flat major, K. 281: III. Rondeau. Allegro | — | ||
| 11-1 | Chorale Prelude „Nun komm’ der Heiden Heiland“ | Vladimir Horowitz | — | |
| 11-2 | Sonata in E, KK. 380: Andante commodo (live) | — | ||
| 11-3 | Valse oubliée no. 1 in F-sharp, S. 215 | — | ||
| 11-4 | Piano Sonata no. 13 in B-flat, K. 333: 1. Allegro | — | ||
| 11-5 | Piano Sonata no. 13 in B-flat, K. 333: 2. Andante cantabile | — | ||
| 11-6 | Piano Sonata no. 13 in B-flat, K. 333: 3. Allegretto grazioso | — | ||
| 11-7 | Moment musical no. 3 in F minor, D. 780 | — | ||
| 11-8 | Consolation no. 3 in D-flat, S. 172 | — | ||
| 11-9 | Polonaise no. 6 in A-flat, op. 53 "Heroic" | — | ||
| 11-10 | Mazurka no. 13 in A minor op. 17 no. 4 | — | ||
| 11-11 | Scherzo no. 1 in B minor, op. 20 | — | ||
| 11-12 | Schwanengesang, S. 560 no. 7 "Ständchen" | Vladimir Horowitz | — | |
| 11-13 | Impromptu "Nocturne" in F-sharp major | Vladimir Horowitz | — | |
| 11-14 | Etude in F major, op. 72 no. 6 | — | ||
| 11-15 | Étincelles, Morceau caractéristique, op. 36 no. 6 | — | ||
| 12-1 | Marche militaire in D-flat, D. 733 | — | ||
| 12-2 | Rondo in D major, K. 485 | Vladimir Horowitz | — | |
| 12-3 | Impromptu in B-flat, D. 935 no. 3 | — | ||
| 12-4 | Impromptu in A-flat, D. 899 no. 4 | — | ||
| 12-5 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Vladimir Horowitz | — | |
| 12-6 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch / Intermezzo I. Sehr lebhaft / Intermezzo II. Etwas bewegter / Langsamer | Vladimir Horowitz | — | |
| 12-7 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Vladimir Horowitz | — | |
| 12-8 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Vladimir Horowitz | — | |
| 12-9 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Vladimir Horowitz | — | |
| 12-10 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Vladimir Horowitz | — | |
| 12-11 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Vladimir Horowitz | — | |
| 12-12 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Vladimir Horowitz | — | |
| 12-13 | Etude no. 1 in C-sharp minor from Three Pieces, op. 2 | — | ||
| 12-14 | Etude no. 12 in D-sharp minor from Twelve Etudes, op. 8 | Vladimir Horowitz | — | |
| 12-15 | Prelude in G, op. 32 no. 5 | — | ||
| 12-16 | Prélude in G-sharp minor, op. 32 no. 12 | — | ||
| 12-17 | Polka de V. R. | — | ||
| 13-1 | Chorale Prelude BWV639: "Ich ruf' zu dir, Herr Jesu Christ" | — | ||
| 13-2 | Chorus from Cantata BWV140: "Wachet auf, ruft uns die Stimme" | — | ||
| 13-3 | Chorale from Cantata BWV147 ("Herz und Mund und Tat und Leben"): "Jesu, bleibet meine Freude" | — | ||
| 13-4 | Fantasia in C Minor, K.475: Adagio - Allegro - Andantino - Più allegro -Tempo I | — | ||
| 13-5 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: I. Theme and Variation. Andante | Wilhelm Kempff | — | |
| 13-6 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | Wilhelm Kempff | T-911.517.582-1 | |
| 13-7 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe. Maestoso andante | Wilhelm Kempff | — | |
| 13-8 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro | Wilhelm Kempff | T-318.676.528-2 | |
| 13-9 | 3 Klavierstücke, D.946: No. 1 in E-flat Minor (Allegro assai) | — | ||
| 13-10 | 3 Klavierstücke, D.946: No. 2 in E-flat Major (Allegretto) | — | ||
| 13-11 | 3 Klavierstücke, D.946: No. 3 in C Major (Allegro) | — | ||
| 13-12 | 3 Nocturnes, op. 9: No. 3 in B Major: Allegretto | — | ||
| 13-13 | Impromptu no. 3 in G-flat Major, op. 51 | — | ||
| 14-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Wilhelm Kempff | T-314.629.927-2 | |
| 14-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Wilhelm Kempff | T-913.873.556-5 | |
| 14-3 | Kinderszenen, op. 15: III. Hasche-Mann | Wilhelm Kempff | T-913.870.630-6 | |
| 14-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Wilhelm Kempff | T-001.216.772-4 | |
| 14-5 | Kinderszenen, op. 15: V. Glückes genug | Wilhelm Kempff | — | |
| 14-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Wilhelm Kempff | T-330.120.763-2 | |
| 14-7 | Kinderszenen, op. 15: VII. Träumerei | Wilhelm Kempff | — | |
| 14-8 | Kinderszenen, op. 15: VIII. Am Kamin | Wilhelm Kempff | T-330.120.773-4 | |
| 14-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Wilhelm Kempff | T-330.117.403-4 | |
| 14-10 | Kinderszenen, op. 15: X. Fast zu ernst | Wilhelm Kempff | — | |
| 14-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Wilhelm Kempff | T-330.117.411-4 | |
| 14-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Wilhelm Kempff | — | |
| 14-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Wilhelm Kempff | T-001.098.318-2 | |
| 14-14 | Scherzo in E-flat minor, op. 4: Rasch and feurig (Presto con fuoco) — Trio I — Trio II. Molto espressivo — Più mosso — Più sostenuto | Wilhelm Kempff | T-902.764.002-4 | |
| 14-15 | Klavierstücke, op. 119: No. 1. Intermezzo in B minor. Adagio | Wilhelm Kempff | — | |
| 14-16 | Klavierstücke, op. 119: No. 2. Intermezzo in E minor. Andantino un poco agitato | Wilhelm Kempff | T-902.764.002-4 | |
| 14-17 | Klavierstücke, op. 119: No. 3. Intermezzo in C major. Grazioso e giocoso | Wilhelm Kempff | T-329.458.041-5 | |
| 14-18 | Klavierstücke, op. 119: No. 4. Rhapsody in E-flat major. Allegro risoluto | Wilhelm Kempff | T-306.229.921-8 | |
| 14-19 | Légendes, S.175: No. 1 St François d'Assise: La prédication aux oiseaux | — | ||
| 14-20 | Légendes, S.175: No. 2 St François de Paule: Marchant sur les flots | — | ||
| 14-21 | Piano Sonata no. 8 in C Minor, op. 13 "Pathetique": 1. Grave. Allegro di molto e con brio | — | ||
| 14-22 | Piano Sonata no. 8 in C Minor, op. 13 "Pathetique": 2. Adagio cantabile | — | ||
| 14-23 | Piano Sonata no. 8 in C Minor, op. 13 "Pathetique": 3. Rondo. Allegro | — | ||
| 15-1 | Sonata in C minor, K. 11 | — | ||
| 15-2 | Sonata in C major, K. 159 | Arturo Benedetti Michelangeli | T-918.063.799-4 | |
| 15-3 | Sonata in A major, K. 322 | — | ||
| 15-4 | Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 15-5 | Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 15-6 | Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 15-7 | Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo (Poco allegretto e grazioso) | — | ||
| 15-8 | Ballade in D minor, op. 10, no. 1 "Edward" | — | ||
| 15-9 | Images, Book 1: Reflets dans l'eau | — | ||
| 15-10 | Images, Book 2: Et la lune descend sur le temple qui fût | — | ||
| 15-11 | Images, Book 2: Poissons d'or | — | ||
| 15-12 | Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé | Arturo Benedetti Michelangeli | — | |
| 15-13 | Children's Corner: II. Jimbo's Lullaby. Assez modéré | Arturo Benedetti Michelangeli | — | |
| 15-14 | Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo | Arturo Benedetti Michelangeli | — | |
| 15-15 | Children's Corner, L. 113: 4. The Snow Is Dancing | Arturo Benedetti Michelangeli | — | |
| 15-16 | Children's Corner: V. The Little Shepherd. Très modéré | Arturo Benedetti Michelangeli | — | |
| 15-17 | Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto | Arturo Benedetti Michelangeli | — | |
| 16-1 | Ballade g-moll, op. 23: Largo - Moderato - Con fuoco | Arturo Benedetti Michelangeli | T-905.386.370-0 | |
| 16-2 | Scherzo b-moll, op. 31: Presto: Sostenuto | Arturo Benedetti Michelangeli | — | |
| 16-3 | Mazurka, op. 33 no. 4: Mesto | Arturo Benedetti Michelangeli | T-924.335.667-4 | |
| 16-4 | Prelude cis-moll, op. 45: Sostenuto | Arturo Benedetti Michelangeli | — | |
| 16-5 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 16-6 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 16-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 16-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 16-9 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 16-10 | Sonata for Piano no. 4 in A minor, D.537: I. Allegro ma non troppo | — | ||
| 16-11 | Sonata for Piano no. 4 in A minor, D.537: II. Allegretto quasi andantino | — | ||
| 16-12 | Sonata for Piano no. 4 in A minor, D.537: III. Allegro vivace | — | ||
| 17-1 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — | |
| 17-2 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Maurizio Pollini | — | |
| 17-3 | Piano Sonata No. 21 in C, Op. 53 -"Waldstein”: 3. Rondo (Allegretto moderato - Prestissimo) - shortened applause | Maurizio Pollini | T-312.439.094-5 | |
| 17-4 | Symphonic Studies, Op. 13: Theme | Maurizio Pollini | T-061.498.272-7 | |
| 17-5 | Symphonic Studies, Op. 13: Etude I | Maurizio Pollini | — | |
| 17-6 | Symphonic Studies, Op. 13: Etude II | Maurizio Pollini | — | |
| 17-7 | Symphonic Studies, Op. 13: Etude III | Maurizio Pollini | — | |
| 17-8 | Symphonic Studies, Op. 13: Variation III - Etude IV | Maurizio Pollini | — | |
| 17-9 | Symphonic Studies, Op. 13: Variation IV - Etude V | Maurizio Pollini | — | |
| 17-10 | Symphonic Studies, Op. 13: Appendix - Variation I | Maurizio Pollini | — | |
| 17-11 | Symphonic Studies, Op. 13: Appendix - Variation II | Maurizio Pollini | T-003.038.364-2 | |
| 17-12 | Symphonic Studies, Op. 13 - Appendix: Variation III | Maurizio Pollini | — | |
| 17-13 | Symphonic Studies, Op. 13 - Appendix: Variation IV | Maurizio Pollini | — | |
| 17-14 | Symphonic Studies, Op. 13 - Appendix: Variation V | Maurizio Pollini | T-003.038.364-2 | |
| 17-15 | Symphonic Studies, Op. 13: Etude VI | Maurizio Pollini | — | |
| 17-16 | Symphonic Studies, Op. 13: Etude VII | Maurizio Pollini | — | |
| 17-17 | Symphonic Studies, Op. 13: Etude VIII | Maurizio Pollini | — | |
| 17-18 | Symphonic Studies, Op. 13: Etude IX | Maurizio Pollini | — | |
| 17-19 | Symphonic Studies, Op. 13: Etude X | Maurizio Pollini | — | |
| 17-20 | Symphonic Studies, Op. 13: Etude XI | Maurizio Pollini | — | |
| 17-21 | Symphonic Studies, Op. 13: Etude XII (Finale) | Maurizio Pollini | — | |
| 17-22 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 17-23 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 17-24 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 17-25 | Piano Variations, op. 27: Sehr mässig | Maurizio Pollini | — | |
| 17-26 | Piano Variations, op. 27: Sehr schnell | Maurizio Pollini | — | |
| 17-27 | Piano Variations, op. 27: Ruhig, fliessend | Maurizio Pollini | T-329.454.645-1 | |
| 18-1 | Arabeske in C, Op. 18 | Maurizio Pollini | — | |
| 18-2 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 18-3 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 18-4 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 18-5 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 18-6 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 18-7 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 18-8 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 18-9 | Piano Sonata in B minor, S.178: Lento assai (I) | Maurizio Pollini | — | |
| 18-10 | Piano Sonata in B minor - II. Allegro energico | Maurizio Pollini | — | |
| 18-11 | Piano Sonata in B minor - III. Grandioso | Maurizio Pollini | — | |
| 18-12 | Piano Sonata in B minor - IV. Recitativo | Maurizio Pollini | — | |
| 18-13 | Piano Sonata in B minor - V. Andante sostenuto | Maurizio Pollini | — | |
| 18-14 | Piano Sonata in B minor - VI. Quasi adagio | Maurizio Pollini | T-070.125.749-9 | |
| 18-15 | Piano Sonata in B minor - VII. Allegro energico | Maurizio Pollini | — | |
| 18-16 | Piano Sonata in B minor - VIII. Piu mosso | Maurizio Pollini | — | |
| 18-17 | Piano Sonata in B minor, S.178: Stretta quasi Presto- | Maurizio Pollini | — | |
| 18-18 | Piano Sonata in B minor, S.178: Presto - Prestissimo- | Maurizio Pollini | — | |
| 18-19 | Piano Sonata in B minor - XI. Andante sostenuto | Maurizio Pollini | — | |
| 18-20 | Piano Sonata in B minor, S.178: Allegro moderato- | Maurizio Pollini | T-906.860.938-1 | |
| 18-21 | Piano Sonata in B minor - XIII. Lento assai | Maurizio Pollini | — | |
| 18-22 | Douze Etudes pour le piano No. 9: Pour les notes répétées | Maurizio Pollini | — | |
| 18-23 | Douze Etudes pour le piano No. 10: Pour les sonorités opposées | Maurizio Pollini | — | |
| 18-24 | Douze Etudes pour le piano No. 11: Pour les arpèges composés | Maurizio Pollini | — | |
| 18-25 | Douze Etudes pour le piano No. 12: Pour les accords | Maurizio Pollini | — | |
| 19-1 | Rondo in A minor, K. 511 | — | ||
| 19-2 | Piano Sonata no. 18 in D, K. 576: I. Allegro | — | ||
| 19-3 | Piano Sonata no. 18 in D, K. 576: II. Adagio | — | ||
| 19-4 | Piano Sonata no. 18 in D, K. 576: III. Allegretto | — | ||
| 19-5 | Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | Mitsuko Uchida | — | |
| 19-6 | 4 Impromptus, D899: No. 4 in A flat major: Allegretto | Mitsuko Uchida | T-001.444.317-4 | |
| 19-7 | Six German Dances, D. 820: No. 1 in A-flat. Tempo Giusto | — | ||
| 19-8 | 6 Deutsche Tänze, D820: No. 2 in A flat major | Mitsuko Uchida | T-902.750.555-1 | |
| 19-9 | Six German Dances, D. 820: No. 3 in A-flat | — | ||
| 19-10 | Six German Dances, D. 820: No. 4 in B-flat | — | ||
| 19-11 | Six German Dances, D. 820: No. 5 in B-flat | — | ||
| 19-12 | Six German Dances, D. 820: No. 6 in B-flat. Ligato | — | ||
| 19-13 | Piano Sonata no. 15 in C, D. 840: I. Moderato | — | ||
| 19-14 | Piano Sonata no. 15 in C, D. 840: II. Andante | — | ||
| 20-1 | 32 Variations in C minor on an Original Theme, WoO 80 | — | ||
| 20-2 | Kreisleriana, op. 16: 1. Äusserst bewegt | — | ||
| 20-3 | Kreisleriana, op. 16: 2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 20-4 | Kreisleriana, op. 16: 3. Sehr aufgeregt | — | ||
| 20-5 | Kreisleriana, op. 16: 4. Sehr langsam | — | ||
| 20-6 | Kreisleriana, op. 16: 5. Sehr lebhaft | — | ||
| 20-7 | Kreisleriana, op. 16: 6. Sehr langsam | — | ||
| 20-8 | Kreisleriana, op. 16: 7. Sehr rasch | — | ||
| 20-9 | Kreisleriana, op. 16: 8. Schnell und spielend | — | ||
| 20-10 | Douze Études pour le piano, L. 136: 11. Pour les arpèges composés | — | ||
| 20-11 | Douze Études pour le piano, L. 136: 10. Pour les sonorités opposées | — | ||
| 20-12 | Douze Études pour le piano, L. 136: 9. Pour les notes répétées | — | ||
| 20-13 | Douze Études pour le piano, L. 136: 8. Pour les agréments | — | ||
| 20-14 | Piano Sonata, op. 1 | — | ||
| 21-1 | Sonata No. 17 In D Minor, Op.31, No.2 "Tempest" Largo - Allegro | — | ||
| 21-2 | Sonata No. 17 In D Minor, Op.31, No.2 "Tempest" Adagio | — | ||
| 21-3 | Sonata No. 17 In D Minor, Op.31, No.2 "Tempest" Allegretto | — | ||
| 21-4 | Andante Spianato Et Grand Polonaise Brillante, Op. 22 Andante Spianato | — | ||
| 21-5 | Andante Spianato Et Grand Polonaise Brillante, Op. 22 Grand Polonaise Brillante | — | ||
| 21-6 | Andante Spianato Et Grand Polonaise Brillante, Op. 22 | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947766568 is a Universal Product Code (UPC) assigned to Steinway Legends (Grand Edition) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 307 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947766568 is the Universal Product Code (UPC barcode) for the release “Steinway Legends (Grand Edition)” by Various Artists, released 2007-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 307 tracks, each with its own ISRC. Tracks include DEF057900150, DEF057100551, DEF057100552.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toccata in C minor, BWV 911 | Martha Argerich | — | |
| 2 | Piano Sonata no. 2 In G Minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | Martha Argerich | — | |
| 3 | Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen | Martha Argerich | — | |
| 4 | Piano Sonata no. 2 In G Minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | Martha Argerich | — | |
| 5 | Piano Sonata no. 2 In G Minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | Martha Argerich | — | |
| 6 | 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato | Martha Argerich | T-308.384.655-9 | |
| 7 | 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro | Martha Argerich | T-920.065.990-1 | |
| 8 | Hungarian Rhapsody in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante allegro - Presto | Martha Argerich | — | |
| 9 | Piano Sonata in B minor, S. 178: I. Lento assai - Allegro energico | Martha Argerich | — | |
| 10 | Piano Sonata in B minor, S. 178: II. Grandioso | Martha Argerich | — | |
| 11 | Piano Sonata in B Minor, S.178: Cantando espressivo | Martha Argerich | — | |
| 12 | Piano Sonata in B minor, S. 178: IV. Pesante - Recitativo | Martha Argerich | — | |
| 13 | Piano Sonata in B Minor, S.178: Andante sostenuto | Martha Argerich | — | |
| 14 | Piano Sonata in B minor, S. 178: VI. Quasi Adagio | Martha Argerich | T-070.125.749-9 | |
| 15 | Sonate pour piano en Si mineur, S. 178: Allegro energico | Martha Argerich | — | |
| 16 | Piano Sonata in B Minor, S.178: Più mosso | Martha Argerich | — | |
| 17 | Piano Sonata in B minor, S. 178: IX. Cantando Espressivo senza slentare | Martha Argerich | — | |
| 18 | Piano Sonata in B minor, S. 178: X. Stretta quasi Presto - Presto - Prestissimo | Martha Argerich | — | |
| 19 | Piano Sonata in B minor, S. 178: XI. Andante sostenuto - Allegro moderato - Lento assai | Martha Argerich | — | |
| 2-1 | Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo | Martha Argerich | — | |
| 2-2 | Andante spianato et Grande polonaise brillante in E-flat Major, op. 22: Polonaise. Allegro molto | Martha Argerich | T-902.781.050-0 | |
| 2-3 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 2-4 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 2-5 | Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco | Martha Argerich | T-918.063.801-1 | |
| 2-6 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 2-7 | Jeux d'eau: Très doux | Martha Argerich | T-003.011.149-9 | |
| 2-8 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine | Martha Argerich | T-902.777.490-9 | |
| 2-9 | Gaspard de la nuit, M.55: II. Le Gibet. Très Lent | Martha Argerich | T-305.194.353-0 | |
| 2-10 | Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo | Martha Argerich | T-902.777.490-9 | |
| 2-11 | Toccata, op. 11 | Martha Argerich | — | |
| 2-12 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 3-1 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Claudio Arrau | — | |
| 3-2 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 2. Allegretto | Claudio Arrau | — | |
| 3-3 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 3. Presto agitato | Claudio Arrau | — | |
| 3-4 | Rondo for Piano No. 3 in A minor, K. 511: Andante | Claudio Arrau | T-917.144.482-9 | |
| 3-5 | Allegretto in C minor, D. 915 | Claudio Arrau | T-011.751.253-4 | |
| 3-6 | Sonata in B minor: Lento assai - Allegro energico | Claudio Arrau | — | |
| 3-7 | Sonata in B minor: Grandioso - Recitativo | Claudio Arrau | — | |
| 3-8 | Sonata in B minor: Andante sostenuto | Claudio Arrau | T-011.189.063-1 | |
| 3-9 | Sonata in B minor: Allegro energico - Andante sostenuto - Lento assai | Claudio Arrau | — | |
| 3-10 | Islamey | Claudio Arrau | — | |
| 4-1 | Impromptu no. 1 in A-flat major, op. 29 | Claudio Arrau | — | |
| 4-2 | Impromptu no. 2 in F-sharp minor, op. 36 | Claudio Arrau | T-306.230.833-8 | |
| 4-3 | Impromptu no. 3 in G-flat Major, op. 51 | Claudio Arrau | — | |
| 4-4 | Impromptu no. 4 in C-sharp minor, op. 66 | Claudio Arrau | — | |
| 4-5 | Faschingsschwank aus Wien, op. 26: I. Allegro | Claudio Arrau | — | |
| 4-6 | Faschingsschwank aus Wien, op. 26: II. Romanze | Claudio Arrau | — | |
| 4-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | Claudio Arrau | — | |
| 4-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo | Claudio Arrau | — | |
| 4-9 | Faschingsschwank aus Wien, op. 26: IV. Finale | Claudio Arrau | — | |
| 4-10 | 15 Variations and Fugue in E-Flat Major, Op. 35: 'Eroica Variations' | Claudio Arrau | — | |
| 5-1 | Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito | Vladimir Ashkenazy, Malcolm Frager | — | |
| 5-2 | Sonata in D major for 2 Pianos, K. 448: 2. Andante | Vladimir Ashkenazy, Malcolm Frager | T-802.445.410-3 | |
| 5-3 | Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto | Vladimir Ashkenazy, Malcolm Frager | T-312.439.088-7 | |
| 5-4 | Prélude no. 25 in C-sharp minor, op. 45 | Vladimir Ashkenazy | — | |
| 5-5 | Mazurka No. 37 in A‐Flat Major, Op. 59 No. 2 | Vladimir Ashkenazy | — | |
| 5-6 | Scherzo no. 4 in E major, op. 54 | Vladimir Ashkenazy | — | |
| 5-7 | Dumka, Op. 59 | Vladimir Ashkenazy | — | |
| 5-8 | Piano Sonata No. 5 in F Sharp Major, Op. 53 | Alexander Scriabin, Vladimir Ashkenazy | T-312.606.604-0 | |
| 5-9 | Etude-Tableau no. 1 in C minor, op. 39 | Vladimir Ashkenazy | — | |
| 5-10 | Etude-Tableau no. 2 in A minor, op. 39 | Vladimir Ashkenazy | — | |
| 5-11 | Etude-Tableau no. 5 in E-flat minor, op. 39 | Vladimir Ashkenazy | — | |
| 6-1 | Piano Sonata no. 30 in E, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Vladimir Ashkenazy | — | |
| 6-2 | Piano Sonata no. 30 in E, op. 109: 2. Prestissimo | Vladimir Ashkenazy | — | |
| 6-3 | Piano Sonata No. 30 in E, Op. 109: 3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Vladimir Ashkenazy | — | |
| 6-4 | Piano Sonata No. 17 in D, D.850: 1. Allegro vivace | Vladimir Ashkenazy | — | |
| 6-5 | Piano Sonata No. 17 in D, D.850: 2. Con moto | Vladimir Ashkenazy | — | |
| 6-6 | Piano Sonata No. 17 in D, D.850: 3. Scherzo (Allegro vivace) | Vladimir Ashkenazy | — | |
| 6-7 | Piano Sonata No. 17 in D, D.850: 4. Rondo (Allegro moderato) | Vladimir Ashkenazy | — | |
| 6-8 | Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing | Vladimir Ashkenazy | — | |
| 6-9 | Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks | Vladimir Ashkenazy | — | |
| 6-10 | Prelude and Fugue in G‐Sharp Minor, Op. 29 | Vladimir Ashkenazy | — | |
| 7-1 | Chromatic Fantasia and Fugue in D Minor, BWV 903 | — | ||
| 7-2 | Piano Sonata in C, H.XVI no. 50: 1. Allegro | — | ||
| 7-3 | Piano Sonata in C, H.XVI no. 50: 2. Adagio | — | ||
| 7-4 | Piano Sonata in C, H.XVI no. 50: 3. Allegro molto | — | ||
| 7-5 | Fragment of a Fantasia in C Minor, K396 | — | ||
| 7-6 | Klavierstück in E-Flat Major, D. 946, no. 2: Allegretto | — | ||
| 7-7 | Nuages gris, S.199 | — | ||
| 7-8 | En reve, nocturne, S.207 | — | ||
| 7-9 | Richard-Wagner - Venezia, S.201 | — | ||
| 7-10 | Années de pèlerinage: 2ème année: Italie, S.161: 7. Après un lecture du Dante (Fantasia quasi Sonata) | — | ||
| 8-1 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 1. Allegro assai | — | ||
| 8-2 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 2. Andante con moto | — | ||
| 8-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 3. Allegro ma non troppo | — | ||
| 8-4 | Bagatelle in A Minor, WoO 59 "Für Elise" | — | ||
| 8-5 | 8 Fantasiestücke, op. 12: 1. Des Abends | — | ||
| 8-6 | 8 Fantasiestücke, op. 12: 2. Aufschwung | — | ||
| 8-7 | 8 Fantasiestücke, op. 12: 3. Warum? | — | ||
| 8-8 | 8 Fantasiestücke, op. 12: 4. Grillen | — | ||
| 8-9 | 8 Fantasiestücke, op. 12: 5. In der Nacht | — | ||
| 8-10 | 8 Fantasiestücke, op. 12: 6. Fabel | — | ||
| 8-11 | 8 Fantasiestücke, op. 12: 7. Traumes-Wirren | — | ||
| 8-12 | 8 Fantasiestücke, op. 12: 8. Ende vom Lied | — | ||
| 8-13 | Piano Sonata no. 10 in C Major, K.330: I. Allegro moderato | — | ||
| 8-14 | Piano Sonata no. 10 in C Major, K.330: II. Andante cantabile | — | ||
| 8-15 | Piano Sonata no. 10 in C Major, K.330: III. Allegretto | — | ||
| 9-1 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | — | ||
| 9-2 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | — | ||
| 9-3 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso | — | ||
| 9-4 | Piano Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | — | ||
| 9-5 | Fantasy in F Minor for Piano Duet, D. 940 | Elena Gilels, Emil Gilels | — | |
| 9-6 | Sonata no. 3 in G minor, op. 22: I. Tenebroso, sempre affrettando - Allegro assai | — | ||
| 9-7 | Sonata no. 3 in G minor, op. 22: II. Interludium. Andante lugubre | — | ||
| 9-8 | Sonata no. 3 in G minor, op. 22: III. Allegro assai | — | ||
| 9-9 | Ballade in D minor, op. 10 no. 1 ('Edward') | — | ||
| 9-10 | Ballade in D minor, op. 10 no. 2 | — | ||
| 9-11 | Fantasia in D minor, K. 397 | — | ||
| 10-1 | Piano Sonata no. 3, op. 58: I. Allegro maestoso | — | ||
| 10-2 | Piano Sonata no. 3, op. 58: II. Scherzo. Molto vivace | — | ||
| 10-3 | Piano Sonata no. 3, op. 58: III. Largo | — | ||
| 10-4 | Piano Sonata no. 3, op. 58: IV. Finale. Presto, non tanto | — | ||
| 10-5 | Lyric Pieces: Berceuse, op. 38 no. 1 | — | ||
| 10-6 | Lyric Pieces: Butterfly, op. 43 no. 1 | — | ||
| 10-7 | Lyric Pieces: Album-Leaf, op. 47 no. 2 | — | ||
| 10-8 | Lyric Pieces: Norwegian Dance: Halling, op. 47 no. 4 | — | ||
| 10-9 | Lyric Pieces: Notturno, op. 54 no. 4 | — | ||
| 10-10 | Lyric Pieces: Grandmother's Minuet, op. 68 no. 2 | — | ||
| 10-11 | Lyric Pieces: At Your Feet, op. 68 no. 3 | — | ||
| 10-12 | Lyric Pieces: Once Upon A Time, op. 71 no. 1 | — | ||
| 10-13 | Lyric Pieces: Puck, op. 71 no. 3 | — | ||
| 10-14 | Piano Sonata no. 3 in B-flat major, K. 281: I. Allegro | — | ||
| 10-15 | Piano Sonata no. 3 in B-flat major, K. 281: II. Andante amoroso | — | ||
| 10-16 | Piano Sonata no. 3 in B-flat major, K. 281: III. Rondeau. Allegro | — | ||
| 11-1 | Chorale Prelude „Nun komm’ der Heiden Heiland“ | Vladimir Horowitz | — | |
| 11-2 | Sonata in E, KK. 380: Andante commodo (live) | — | ||
| 11-3 | Valse oubliée no. 1 in F-sharp, S. 215 | — | ||
| 11-4 | Piano Sonata no. 13 in B-flat, K. 333: 1. Allegro | — | ||
| 11-5 | Piano Sonata no. 13 in B-flat, K. 333: 2. Andante cantabile | — | ||
| 11-6 | Piano Sonata no. 13 in B-flat, K. 333: 3. Allegretto grazioso | — | ||
| 11-7 | Moment musical no. 3 in F minor, D. 780 | — | ||
| 11-8 | Consolation no. 3 in D-flat, S. 172 | — | ||
| 11-9 | Polonaise no. 6 in A-flat, op. 53 "Heroic" | — | ||
| 11-10 | Mazurka no. 13 in A minor op. 17 no. 4 | — | ||
| 11-11 | Scherzo no. 1 in B minor, op. 20 | — | ||
| 11-12 | Schwanengesang, S. 560 no. 7 "Ständchen" | Vladimir Horowitz | — | |
| 11-13 | Impromptu "Nocturne" in F-sharp major | Vladimir Horowitz | — | |
| 11-14 | Etude in F major, op. 72 no. 6 | — | ||
| 11-15 | Étincelles, Morceau caractéristique, op. 36 no. 6 | — | ||
| 12-1 | Marche militaire in D-flat, D. 733 | — | ||
| 12-2 | Rondo in D major, K. 485 | Vladimir Horowitz | — | |
| 12-3 | Impromptu in B-flat, D. 935 no. 3 | — | ||
| 12-4 | Impromptu in A-flat, D. 899 no. 4 | — | ||
| 12-5 | Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo | Vladimir Horowitz | — | |
| 12-6 | Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch / Intermezzo I. Sehr lebhaft / Intermezzo II. Etwas bewegter / Langsamer | Vladimir Horowitz | — | |
| 12-7 | Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato | Vladimir Horowitz | — | |
| 12-8 | Kreisleriana, op. 16: IV. Sehr langsam. Lento assai | Vladimir Horowitz | — | |
| 12-9 | Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai | Vladimir Horowitz | — | |
| 12-10 | Kreisleriana, op. 16: VI. Sehr langsam. Lento assai | Vladimir Horowitz | — | |
| 12-11 | Kreisleriana, op. 16: VII. Sehr rasch. Molto presto | Vladimir Horowitz | — | |
| 12-12 | Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando | Vladimir Horowitz | — | |
| 12-13 | Etude no. 1 in C-sharp minor from Three Pieces, op. 2 | — | ||
| 12-14 | Etude no. 12 in D-sharp minor from Twelve Etudes, op. 8 | Vladimir Horowitz | — | |
| 12-15 | Prelude in G, op. 32 no. 5 | — | ||
| 12-16 | Prélude in G-sharp minor, op. 32 no. 12 | — | ||
| 12-17 | Polka de V. R. | — | ||
| 13-1 | Chorale Prelude BWV639: "Ich ruf' zu dir, Herr Jesu Christ" | — | ||
| 13-2 | Chorus from Cantata BWV140: "Wachet auf, ruft uns die Stimme" | — | ||
| 13-3 | Chorale from Cantata BWV147 ("Herz und Mund und Tat und Leben"): "Jesu, bleibet meine Freude" | — | ||
| 13-4 | Fantasia in C Minor, K.475: Adagio - Allegro - Andantino - Più allegro -Tempo I | — | ||
| 13-5 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: I. Theme and Variation. Andante | Wilhelm Kempff | — | |
| 13-6 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo. Allegro molto | Wilhelm Kempff | T-911.517.582-1 | |
| 13-7 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe. Maestoso andante | Wilhelm Kempff | — | |
| 13-8 | Sonata for Piano no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro | Wilhelm Kempff | T-318.676.528-2 | |
| 13-9 | 3 Klavierstücke, D.946: No. 1 in E-flat Minor (Allegro assai) | — | ||
| 13-10 | 3 Klavierstücke, D.946: No. 2 in E-flat Major (Allegretto) | — | ||
| 13-11 | 3 Klavierstücke, D.946: No. 3 in C Major (Allegro) | — | ||
| 13-12 | 3 Nocturnes, op. 9: No. 3 in B Major: Allegretto | — | ||
| 13-13 | Impromptu no. 3 in G-flat Major, op. 51 | — | ||
| 14-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Wilhelm Kempff | T-314.629.927-2 | |
| 14-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Wilhelm Kempff | T-913.873.556-5 | |
| 14-3 | Kinderszenen, op. 15: III. Hasche-Mann | Wilhelm Kempff | T-913.870.630-6 | |
| 14-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Wilhelm Kempff | T-001.216.772-4 | |
| 14-5 | Kinderszenen, op. 15: V. Glückes genug | Wilhelm Kempff | — | |
| 14-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Wilhelm Kempff | T-330.120.763-2 | |
| 14-7 | Kinderszenen, op. 15: VII. Träumerei | Wilhelm Kempff | — | |
| 14-8 | Kinderszenen, op. 15: VIII. Am Kamin | Wilhelm Kempff | T-330.120.773-4 | |
| 14-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Wilhelm Kempff | T-330.117.403-4 | |
| 14-10 | Kinderszenen, op. 15: X. Fast zu ernst | Wilhelm Kempff | — | |
| 14-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Wilhelm Kempff | T-330.117.411-4 | |
| 14-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Wilhelm Kempff | — | |
| 14-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Wilhelm Kempff | T-001.098.318-2 | |
| 14-14 | Scherzo in E-flat minor, op. 4: Rasch and feurig (Presto con fuoco) — Trio I — Trio II. Molto espressivo — Più mosso — Più sostenuto | Wilhelm Kempff | T-902.764.002-4 | |
| 14-15 | Klavierstücke, op. 119: No. 1. Intermezzo in B minor. Adagio | Wilhelm Kempff | — | |
| 14-16 | Klavierstücke, op. 119: No. 2. Intermezzo in E minor. Andantino un poco agitato | Wilhelm Kempff | T-902.764.002-4 | |
| 14-17 | Klavierstücke, op. 119: No. 3. Intermezzo in C major. Grazioso e giocoso | Wilhelm Kempff | T-329.458.041-5 | |
| 14-18 | Klavierstücke, op. 119: No. 4. Rhapsody in E-flat major. Allegro risoluto | Wilhelm Kempff | T-306.229.921-8 | |
| 14-19 | Légendes, S.175: No. 1 St François d'Assise: La prédication aux oiseaux | — | ||
| 14-20 | Légendes, S.175: No. 2 St François de Paule: Marchant sur les flots | — | ||
| 14-21 | Piano Sonata no. 8 in C Minor, op. 13 "Pathetique": 1. Grave. Allegro di molto e con brio | — | ||
| 14-22 | Piano Sonata no. 8 in C Minor, op. 13 "Pathetique": 2. Adagio cantabile | — | ||
| 14-23 | Piano Sonata no. 8 in C Minor, op. 13 "Pathetique": 3. Rondo. Allegro | — | ||
| 15-1 | Sonata in C minor, K. 11 | — | ||
| 15-2 | Sonata in C major, K. 159 | Arturo Benedetti Michelangeli | T-918.063.799-4 | |
| 15-3 | Sonata in A major, K. 322 | — | ||
| 15-4 | Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | — | ||
| 15-5 | Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | — | ||
| 15-6 | Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | — | ||
| 15-7 | Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo (Poco allegretto e grazioso) | — | ||
| 15-8 | Ballade in D minor, op. 10, no. 1 "Edward" | — | ||
| 15-9 | Images, Book 1: Reflets dans l'eau | — | ||
| 15-10 | Images, Book 2: Et la lune descend sur le temple qui fût | — | ||
| 15-11 | Images, Book 2: Poissons d'or | — | ||
| 15-12 | Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé | Arturo Benedetti Michelangeli | — | |
| 15-13 | Children's Corner: II. Jimbo's Lullaby. Assez modéré | Arturo Benedetti Michelangeli | — | |
| 15-14 | Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo | Arturo Benedetti Michelangeli | — | |
| 15-15 | Children's Corner, L. 113: 4. The Snow Is Dancing | Arturo Benedetti Michelangeli | — | |
| 15-16 | Children's Corner: V. The Little Shepherd. Très modéré | Arturo Benedetti Michelangeli | — | |
| 15-17 | Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto | Arturo Benedetti Michelangeli | — | |
| 16-1 | Ballade g-moll, op. 23: Largo - Moderato - Con fuoco | Arturo Benedetti Michelangeli | T-905.386.370-0 | |
| 16-2 | Scherzo b-moll, op. 31: Presto: Sostenuto | Arturo Benedetti Michelangeli | — | |
| 16-3 | Mazurka, op. 33 no. 4: Mesto | Arturo Benedetti Michelangeli | T-924.335.667-4 | |
| 16-4 | Prelude cis-moll, op. 45: Sostenuto | Arturo Benedetti Michelangeli | — | |
| 16-5 | Faschingsschwank aus Wien, op. 26: I. Allegro (Vivace assai) | — | ||
| 16-6 | Faschingsschwank aus Wien, op. 26: II. Romanze (Piuttosto lento) | — | ||
| 16-7 | Faschingsschwank aus Wien, op. 26: III. Scherzino | — | ||
| 16-8 | Faschingsschwank aus Wien, op. 26: IV. Intermezzo (Colla più grande energia) | — | ||
| 16-9 | Faschingsschwank aus Wien, op. 26: V. Finale (Il più vivace possibile) | — | ||
| 16-10 | Sonata for Piano no. 4 in A minor, D.537: I. Allegro ma non troppo | — | ||
| 16-11 | Sonata for Piano no. 4 in A minor, D.537: II. Allegretto quasi andantino | — | ||
| 16-12 | Sonata for Piano no. 4 in A minor, D.537: III. Allegro vivace | — | ||
| 17-1 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — | |
| 17-2 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Maurizio Pollini | — | |
| 17-3 | Piano Sonata No. 21 in C, Op. 53 -"Waldstein”: 3. Rondo (Allegretto moderato - Prestissimo) - shortened applause | Maurizio Pollini | T-312.439.094-5 | |
| 17-4 | Symphonic Studies, Op. 13: Theme | Maurizio Pollini | T-061.498.272-7 | |
| 17-5 | Symphonic Studies, Op. 13: Etude I | Maurizio Pollini | — | |
| 17-6 | Symphonic Studies, Op. 13: Etude II | Maurizio Pollini | — | |
| 17-7 | Symphonic Studies, Op. 13: Etude III | Maurizio Pollini | — | |
| 17-8 | Symphonic Studies, Op. 13: Variation III - Etude IV | Maurizio Pollini | — | |
| 17-9 | Symphonic Studies, Op. 13: Variation IV - Etude V | Maurizio Pollini | — | |
| 17-10 | Symphonic Studies, Op. 13: Appendix - Variation I | Maurizio Pollini | — | |
| 17-11 | Symphonic Studies, Op. 13: Appendix - Variation II | Maurizio Pollini | T-003.038.364-2 | |
| 17-12 | Symphonic Studies, Op. 13 - Appendix: Variation III | Maurizio Pollini | — | |
| 17-13 | Symphonic Studies, Op. 13 - Appendix: Variation IV | Maurizio Pollini | — | |
| 17-14 | Symphonic Studies, Op. 13 - Appendix: Variation V | Maurizio Pollini | T-003.038.364-2 | |
| 17-15 | Symphonic Studies, Op. 13: Etude VI | Maurizio Pollini | — | |
| 17-16 | Symphonic Studies, Op. 13: Etude VII | Maurizio Pollini | — | |
| 17-17 | Symphonic Studies, Op. 13: Etude VIII | Maurizio Pollini | — | |
| 17-18 | Symphonic Studies, Op. 13: Etude IX | Maurizio Pollini | — | |
| 17-19 | Symphonic Studies, Op. 13: Etude X | Maurizio Pollini | — | |
| 17-20 | Symphonic Studies, Op. 13: Etude XI | Maurizio Pollini | — | |
| 17-21 | Symphonic Studies, Op. 13: Etude XII (Finale) | Maurizio Pollini | — | |
| 17-22 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 17-23 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 17-24 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 17-25 | Piano Variations, op. 27: Sehr mässig | Maurizio Pollini | — | |
| 17-26 | Piano Variations, op. 27: Sehr schnell | Maurizio Pollini | — | |
| 17-27 | Piano Variations, op. 27: Ruhig, fliessend | Maurizio Pollini | T-329.454.645-1 | |
| 18-1 | Arabeske in C, Op. 18 | Maurizio Pollini | — | |
| 18-2 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 18-3 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 18-4 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 18-5 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 18-6 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 18-7 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 18-8 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 18-9 | Piano Sonata in B minor, S.178: Lento assai (I) | Maurizio Pollini | — | |
| 18-10 | Piano Sonata in B minor - II. Allegro energico | Maurizio Pollini | — | |
| 18-11 | Piano Sonata in B minor - III. Grandioso | Maurizio Pollini | — | |
| 18-12 | Piano Sonata in B minor - IV. Recitativo | Maurizio Pollini | — | |
| 18-13 | Piano Sonata in B minor - V. Andante sostenuto | Maurizio Pollini | — | |
| 18-14 | Piano Sonata in B minor - VI. Quasi adagio | Maurizio Pollini | T-070.125.749-9 | |
| 18-15 | Piano Sonata in B minor - VII. Allegro energico | Maurizio Pollini | — | |
| 18-16 | Piano Sonata in B minor - VIII. Piu mosso | Maurizio Pollini | — | |
| 18-17 | Piano Sonata in B minor, S.178: Stretta quasi Presto- | Maurizio Pollini | — | |
| 18-18 | Piano Sonata in B minor, S.178: Presto - Prestissimo- | Maurizio Pollini | — | |
| 18-19 | Piano Sonata in B minor - XI. Andante sostenuto | Maurizio Pollini | — | |
| 18-20 | Piano Sonata in B minor, S.178: Allegro moderato- | Maurizio Pollini | T-906.860.938-1 | |
| 18-21 | Piano Sonata in B minor - XIII. Lento assai | Maurizio Pollini | — | |
| 18-22 | Douze Etudes pour le piano No. 9: Pour les notes répétées | Maurizio Pollini | — | |
| 18-23 | Douze Etudes pour le piano No. 10: Pour les sonorités opposées | Maurizio Pollini | — | |
| 18-24 | Douze Etudes pour le piano No. 11: Pour les arpèges composés | Maurizio Pollini | — | |
| 18-25 | Douze Etudes pour le piano No. 12: Pour les accords | Maurizio Pollini | — | |
| 19-1 | Rondo in A minor, K. 511 | — | ||
| 19-2 | Piano Sonata no. 18 in D, K. 576: I. Allegro | — | ||
| 19-3 | Piano Sonata no. 18 in D, K. 576: II. Adagio | — | ||
| 19-4 | Piano Sonata no. 18 in D, K. 576: III. Allegretto | — | ||
| 19-5 | Fantasia for Piano in D minor, K. 385g / 397 (Mitsuko Uchida completion): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | Mitsuko Uchida | — | |
| 19-6 | 4 Impromptus, D899: No. 4 in A flat major: Allegretto | Mitsuko Uchida | T-001.444.317-4 | |
| 19-7 | Six German Dances, D. 820: No. 1 in A-flat. Tempo Giusto | — | ||
| 19-8 | 6 Deutsche Tänze, D820: No. 2 in A flat major | Mitsuko Uchida | T-902.750.555-1 | |
| 19-9 | Six German Dances, D. 820: No. 3 in A-flat | — | ||
| 19-10 | Six German Dances, D. 820: No. 4 in B-flat | — | ||
| 19-11 | Six German Dances, D. 820: No. 5 in B-flat | — | ||
| 19-12 | Six German Dances, D. 820: No. 6 in B-flat. Ligato | — | ||
| 19-13 | Piano Sonata no. 15 in C, D. 840: I. Moderato | — | ||
| 19-14 | Piano Sonata no. 15 in C, D. 840: II. Andante | — | ||
| 20-1 | 32 Variations in C minor on an Original Theme, WoO 80 | — | ||
| 20-2 | Kreisleriana, op. 16: 1. Äusserst bewegt | — | ||
| 20-3 | Kreisleriana, op. 16: 2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 20-4 | Kreisleriana, op. 16: 3. Sehr aufgeregt | — | ||
| 20-5 | Kreisleriana, op. 16: 4. Sehr langsam | — | ||
| 20-6 | Kreisleriana, op. 16: 5. Sehr lebhaft | — | ||
| 20-7 | Kreisleriana, op. 16: 6. Sehr langsam | — | ||
| 20-8 | Kreisleriana, op. 16: 7. Sehr rasch | — | ||
| 20-9 | Kreisleriana, op. 16: 8. Schnell und spielend | — | ||
| 20-10 | Douze Études pour le piano, L. 136: 11. Pour les arpèges composés | — | ||
| 20-11 | Douze Études pour le piano, L. 136: 10. Pour les sonorités opposées | — | ||
| 20-12 | Douze Études pour le piano, L. 136: 9. Pour les notes répétées | — | ||
| 20-13 | Douze Études pour le piano, L. 136: 8. Pour les agréments | — | ||
| 20-14 | Piano Sonata, op. 1 | — | ||
| 21-1 | Sonata No. 17 In D Minor, Op.31, No.2 "Tempest" Largo - Allegro | — | ||
| 21-2 | Sonata No. 17 In D Minor, Op.31, No.2 "Tempest" Adagio | — | ||
| 21-3 | Sonata No. 17 In D Minor, Op.31, No.2 "Tempest" Allegretto | — | ||
| 21-4 | Andante Spianato Et Grand Polonaise Brillante, Op. 22 Andante Spianato | — | ||
| 21-5 | Andante Spianato Et Grand Polonaise Brillante, Op. 22 Grand Polonaise Brillante | — | ||
| 21-6 | Andante Spianato Et Grand Polonaise Brillante, Op. 22 | — |
