UPC · Album
Boulez conducts Bartók
Bartók, Boulez
028947781257
87 tracksReleased 2009-01-01Deutsche Grammophon
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028947781257 is the Universal Product Code (UPC barcode) for the release “Boulez conducts Bartók” by Bartók, Boulez, released 2009-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include DEF059103781, DEF059103782, DEF059103783.
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Credit Chain
UPCBoulez conducts Bartók
ISRC87 recordings
ISWC7 works
IPI1 songwriter
Track List (87)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | DEF059103781 |
| Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | DEF059103782 |
| Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | DEF059103783 |
| The Wooden Prince: Introduction | Chicago Symphony Orchestra, Pierre Boulez | DEF059103791 |
| The Wooden Prince: First Dance: Dance of the Princess in the Forest | Chicago Symphony Orchestra, Pierre Boulez | DEF059103792 |
| The Wooden Prince: Second Dance: Dance of the Trees | Chicago Symphony Orchestra, Pierre Boulez | DEF059103793 |
| The Wooden Prince: Third Dance: Dance of the Waves | Chicago Symphony Orchestra, Pierre Boulez | DEF059103794 |
| The Wooden Prince: Fourth Dance: Dance of the Princess With the Wooden Prince | Chicago Symphony Orchestra, Pierre Boulez | DEF059103795 |
| The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince | Chicago Symphony Orchestra, Pierre Boulez | DEF059103796 |
| The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | Chicago Symphony Orchestra, Pierre Boulez | DEF059103797 |
| The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way | Chicago Symphony Orchestra, Pierre Boulez | DEF059103798 |
| Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato | Chicago Symphony Orchestra, Pierre Boulez | DEF059204141 |
| Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro | Chicago Symphony Orchestra, Pierre Boulez | DEF059204142 |
| Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato | Chicago Symphony Orchestra, Pierre Boulez | DEF059204143 |
| Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso | Chicago Symphony Orchestra, Pierre Boulez | DEF059204144 |
| Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I | Chicago Symphony Orchestra, Pierre Boulez | DEF059204151 |
| Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando | Chicago Symphony Orchestra, Pierre Boulez | DEF059204152 |
| Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | Chicago Symphony Orchestra, Pierre Boulez | DEF059204153 |
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | Chicago Symphony Orchestra, Pierre Boulez | DEF059204154 |
| Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto | Chicago Symphony Orchestra, Pierre Boulez | DEF059204155 |
| Dance Suite, Sz 77: I. Moderato | Chicago Symphony Orchestra, Pierre Boulez | DEF059205301 |
| Dance Suite, Sz 77: II. Allegro molto | Chicago Symphony Orchestra, Pierre Boulez | DEF059205302 |
| Dance Suite, Sz 77: III. Allegro vivace | Chicago Symphony Orchestra, Pierre Boulez | DEF059205303 |
| Dance Suite, Sz 77: IV. Molto tranquillo | Chicago Symphony Orchestra, Pierre Boulez | DEF059205304 |
| Dance Suite, Sz 77: V. Comodo | Chicago Symphony Orchestra, Pierre Boulez | DEF059205305 |
| Dance Suite, Sz 77: VI. Finale: Allegro | Chicago Symphony Orchestra, Pierre Boulez | DEF059205306 |
| Deux Images, Op 10, Sz 46: I. In Full Flower | Chicago Symphony Orchestra, Pierre Boulez | DEF059205311 |
| Deux Images, Op 10, Sz 46: II. Village Dance | Chicago Symphony Orchestra, Pierre Boulez | DEF059205312 |
| Hungarian Sketches, Sz 97: I. An Evening with the Szekely | Chicago Symphony Orchestra, Pierre Boulez | DEF059304611 |
| Hungarian Sketches, Sz 97: II. Bear Dance | Chicago Symphony Orchestra, Pierre Boulez | DEF059304612 |
| Hungarian Sketches, Sz 97: III. Melody | Chicago Symphony Orchestra, Pierre Boulez | DEF059304613 |
| Hungarian Sketches, Sz 97: IV. Slightly Tipsy | Chicago Symphony Orchestra, Pierre Boulez | DEF059304614 |
| Hungarian Sketches, Sz 97: V. Swineherd's Dance | Chicago Symphony Orchestra, Pierre Boulez | DEF059304615 |
| Divertimento, Sz 113: I. Allegro non troppo | Chicago Symphony Orchestra, Pierre Boulez | DEF059304621 |
| Divertimento, Sz 113: II. Molto adagio | Chicago Symphony Orchestra, Pierre Boulez | DEF059304622 |
| Divertimento, Sz 113: III. Allegro assai | Chicago Symphony Orchestra, Pierre Boulez | DEF059304623 |
| Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk" | Chicago Symphony Orchestra, Pierre Boulez | DEF059331401 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Ez a Kékszakállú véra?" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331402 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Nagy csukott ajtókat" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331403 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331404 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | DEF059331405 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331406 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331407 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | DEF059331408 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331409 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | DEF059331410 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Tudom, tudom, Kékszakállú" (Judith) | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | DEF059331411 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard) | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | DEF059331412 |
| The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato) | Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez | DEF059400010 |
| The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo) | Chicago Symphony Orchestra, Pierre Boulez | DEF059400020 |
| The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403981 |
| The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403982 |
| The Miraculous Mandarin, op. 19, Sz 73: Second seduction game | Chicago Symphony Orchestra, Pierre Boulez | DEF059403983 |
| The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403984 |
| The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403985 |
| The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403986 |
| The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo | Chicago Symphony Orchestra, Pierre Boulez | DEF059403987 |
| The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403988 |
| The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato) | Chicago Symphony Orchestra, Pierre Boulez | DEF059403989 |
| Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo | Chicago Symphony Orchestra, Pierre Boulez | DEF059403991 |
| Music for Strings, Percussion and Celesta, Sz 106: Allegro | Chicago Symphony Orchestra, Pierre Boulez | DEF059403992 |
| Music for Strings, Percussion and Celesta, Sz 106: Adagio | Chicago Symphony Orchestra, Pierre Boulez | DEF059403993 |
| Music for Strings, Percussion and Celesta, Sz 106: Allegro molto | Chicago Symphony Orchestra, Pierre Boulez | DEF059403994 |
| Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059802991 |
| Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059802992 |
| Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059802993 |
| Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059803001 |
| Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059803002 |
| Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059803011 |
| Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | DEF059803012 |
| Piano Concerto No. 1: I. Allegro moderato - Allegro | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | DEN960101241 |
| Piano Concerto No. 1: II. Andante - | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | DEN960101242 |
| Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto | Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez | DEN960101243 |
| Piano Concerto No. 2: I. Allegro | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | DEN960301841 |
| Piano Concerto No. 2: II. Adagio - Presto - Adagio | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | DEN960301842 |
| Piano Concerto No. 2: III. Allegro molto | Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | DEN960301843 |
| Piano Concerto No. 3: I. Allegretto | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | DEN960400901 |
| Piano Concerto No. 3: II. Adagio religioso | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | DEN960400902 |
| Piano Concerto No. 3: III. Allegro vivace | Hélène Grimaud, London Symphony Orchestra, Pierre Boulez | DEN960400903 |
| Concerto for Violin and Orchestra No. 1: I. Andante sostenuto | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | DEN960402141 |
| Concerto for Violin and Orchestra No. 1: II. Allegro giocoso | Gidon Kremer, Berliner Philharmoniker, Pierre Boulez | DEN960402142 |
| Concerto for Viola and Orchestra: I. Moderato | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | DEN960402151 |
| Concerto for Viola and Orchestra: II. Adagio religioso | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | DEN960402152 |
| Concerto for Viola and Orchestra: III. Allegro vivace | Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez | DEN960402153 |
| Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | DEN960800931 |
| Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | DEN960800932 |
| Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo | Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez | DEN960800933 |
Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man
Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient
Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man
Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Introduction
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: First Dance: Dance of the Princess in the Forest
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Second Dance: Dance of the Trees
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Third Dance: Dance of the Waves
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Fourth Dance: Dance of the Princess With the Wooden Prince
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing
Chicago Symphony Orchestra, Pierre Boulez
The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
Chicago Symphony Orchestra, Pierre Boulez
Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato
Chicago Symphony Orchestra, Pierre Boulez
Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro
Chicago Symphony Orchestra, Pierre Boulez
Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato
Chicago Symphony Orchestra, Pierre Boulez
Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso
Chicago Symphony Orchestra, Pierre Boulez
Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I
Chicago Symphony Orchestra, Pierre Boulez
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando
Chicago Symphony Orchestra, Pierre Boulez
Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo
Chicago Symphony Orchestra, Pierre Boulez
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto
Chicago Symphony Orchestra, Pierre Boulez
Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto
Chicago Symphony Orchestra, Pierre Boulez
Dance Suite, Sz 77: I. Moderato
Chicago Symphony Orchestra, Pierre Boulez
Dance Suite, Sz 77: II. Allegro molto
Chicago Symphony Orchestra, Pierre Boulez
Dance Suite, Sz 77: III. Allegro vivace
Chicago Symphony Orchestra, Pierre Boulez
Dance Suite, Sz 77: IV. Molto tranquillo
Chicago Symphony Orchestra, Pierre Boulez
Dance Suite, Sz 77: V. Comodo
Chicago Symphony Orchestra, Pierre Boulez
Dance Suite, Sz 77: VI. Finale: Allegro
Chicago Symphony Orchestra, Pierre Boulez
Deux Images, Op 10, Sz 46: I. In Full Flower
Chicago Symphony Orchestra, Pierre Boulez
Deux Images, Op 10, Sz 46: II. Village Dance
Chicago Symphony Orchestra, Pierre Boulez
Hungarian Sketches, Sz 97: I. An Evening with the Szekely
Chicago Symphony Orchestra, Pierre Boulez
Hungarian Sketches, Sz 97: II. Bear Dance
Chicago Symphony Orchestra, Pierre Boulez
Hungarian Sketches, Sz 97: III. Melody
Chicago Symphony Orchestra, Pierre Boulez
Hungarian Sketches, Sz 97: IV. Slightly Tipsy
Chicago Symphony Orchestra, Pierre Boulez
Hungarian Sketches, Sz 97: V. Swineherd's Dance
Chicago Symphony Orchestra, Pierre Boulez
Divertimento, Sz 113: I. Allegro non troppo
Chicago Symphony Orchestra, Pierre Boulez
Divertimento, Sz 113: II. Molto adagio
Chicago Symphony Orchestra, Pierre Boulez
Divertimento, Sz 113: III. Allegro assai
Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk"
Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): "Ez a Kékszakállú véra?" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): "Nagy csukott ajtókat" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard)
László Polgár, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard)
László Polgár, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard)
László Polgár, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): "Tudom, tudom, Kékszakállú" (Judith)
Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard)
László Polgár, Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)
Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: Second seduction game
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)
Chicago Symphony Orchestra, Pierre Boulez
The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)
Chicago Symphony Orchestra, Pierre Boulez
Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo
Chicago Symphony Orchestra, Pierre Boulez
Music for Strings, Percussion and Celesta, Sz 106: Allegro
Chicago Symphony Orchestra, Pierre Boulez
Music for Strings, Percussion and Celesta, Sz 106: Adagio
Chicago Symphony Orchestra, Pierre Boulez
Music for Strings, Percussion and Celesta, Sz 106: Allegro molto
Chicago Symphony Orchestra, Pierre Boulez
Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato
Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez
Piano Concerto No. 1: I. Allegro moderato - Allegro
Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez
Piano Concerto No. 1: II. Andante -
Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez
Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto
Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez
Piano Concerto No. 2: I. Allegro
Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez
Piano Concerto No. 2: II. Adagio - Presto - Adagio
Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez
Piano Concerto No. 2: III. Allegro molto
Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez
Piano Concerto No. 3: I. Allegretto
Hélène Grimaud, London Symphony Orchestra, Pierre Boulez
Piano Concerto No. 3: II. Adagio religioso
Hélène Grimaud, London Symphony Orchestra, Pierre Boulez
Piano Concerto No. 3: III. Allegro vivace
Hélène Grimaud, London Symphony Orchestra, Pierre Boulez
Concerto for Violin and Orchestra No. 1: I. Andante sostenuto
Gidon Kremer, Berliner Philharmoniker, Pierre Boulez
Concerto for Violin and Orchestra No. 1: II. Allegro giocoso
Gidon Kremer, Berliner Philharmoniker, Pierre Boulez
Concerto for Viola and Orchestra: I. Moderato
Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez
Concerto for Viola and Orchestra: II. Adagio religioso
Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez
Concerto for Viola and Orchestra: III. Allegro vivace
Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez
Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento
Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez
Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo
Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez
Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo
Pierre-Laurent Aimard, Neil Percy, Tamara Stefanovich, Nigel Thomas, London Symphony Orchestra, Pierre Boulez
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What is UPC 028947781257?
028947781257 is a Universal Product Code (UPC) assigned to Boulez conducts Bartók by Bartók, Boulez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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