UPC · Release
Giulini in America: Los Angeles Philharmonic
Carlo Maria Giulini, Los Angeles Philharmonic
028947788409
43 tracksReleased 2010-01-01Deutsche Grammophon
Last verified:
028947788409 is the Universal Product Code (UPC barcode) for the release “Giulini in America: Los Angeles Philharmonic” by Carlo Maria Giulini, Los Angeles Philharmonic, released 2010-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include DEF058104931, DEF058125140, DEF058125140.
Format
0Number system
28947Manufacturer
78840Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCGiulini in America: Los Angeles Philharmonic
ISRC12 recordings
ISWC1 work
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: 1. Allegro con brio | — | ||
| 2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai | — | ||
| 3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace | — | ||
| 4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: 4. Finale. Allegro molto | — | ||
| 5 | “Manfred” Overture, op. 115 | — | ||
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Los Angeles Philharmonic, Carlo Maria Giulini | T-902.876.200-7 | |
| 2-2 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 2-3 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 2-4 | Symphonie no. 5 c–Moll, op. 67: II. Andante con moto | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 2-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 2-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach: Andante molto mosso | — | ||
| 2-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute: Allegro | — | ||
| 2-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: 4. Gewitter – Sturm: Allegro | — | ||
| 2-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | — | ||
| 3-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro – Meno allegro | — | ||
| 3-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | — | ||
| 3-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 3-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 4-1 | Symphony no. 2 in D major, op. 73: 1. Allegro non troppo | — | ||
| 4-2 | Symphony no. 2 in D major, op. 73: 2. Adagio non troppo – L’istesso tempo, ma grazioso | — | ||
| 4-3 | Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) – Presto ma non assai | — | ||
| 4-4 | Symphony no. 2 in D major, op. 73: 4. Allegro con spirito | — | ||
| 5-1 | Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5-2 | Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5-3 | Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5-4 | Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 5-5 | Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft | Los Angeles Philharmonic, Carlo Maria Giulini | T-902.876.200-7 | |
| 5-6 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 1. Adagio – Allegro non troppo | — | ||
| 5-7 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 2. Allegro con grazia | — | ||
| 5-8 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 3. Allegro molto vivace | — | ||
| 5-9 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 4. Finale: Adagio lamentoso – Andante | — | ||
| 6-1 | La Mer: III. Dialogue du vent et de la mer. Animé | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 6-2 | La Mer: III. Dialogue du vent et de la mer. Animé | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 6-3 | La Mer: III. Dialogue du vent et de la mer. Animé | Los Angeles Philharmonic, Carlo Maria Giulini | — | |
| 6-4 | Ma Mère l’Oye: 1. Pavane de la Belle au bois dormant. Lent | — | ||
| 6-5 | Ma Mère l’Oye: 2. Petit Poucet. Très modéré | — | ||
| 6-6 | Ma Mère l’Oye: 3. Laideronnette, impératrice des pagodes. Mouvement de marche | — | ||
| 6-7 | Ma Mère l’Oye: 4. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré | — | ||
| 6-8 | Ma Mère l’Oye: 5. Le Jardin féerique. Lent et grave | — | ||
| 6-9 | Rapsodie espagnole: 1. Prélude à la nuit. Très modéré | — | ||
| 6-10 | Rapsodie espagnole: 2. Malagueña. Assez vif | — | ||
| 6-11 | Rapsodie espagnole: 3. Habanera. Assez lent et d’un rythme las | — | ||
| 6-12 | Rapsodie espagnole: 4. Feria. Assez animé | — |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: 1. Allegro con brio
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace
—
Symphony no. 3 in E-flat major, op. 55 “Eroica”: 4. Finale. Allegro molto
—
“Manfred” Overture, op. 115
—
Los Angeles Philharmonic, Carlo Maria Giulini
Symphonie no. 5 c–Moll, op. 67: II. Andante con moto
Los Angeles Philharmonic, Carlo Maria Giulini
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Symphonie no. 5 c–Moll, op. 67: II. Andante con moto
Los Angeles Philharmonic, Carlo Maria Giulini
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Symphonie no. 5 c–Moll, op. 67: II. Andante con moto
Los Angeles Philharmonic, Carlo Maria Giulini
—
Symphony no. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
—
Symphony no. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach: Andante molto mosso
—
Symphony no. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute: Allegro
—
Symphony no. 6 in F major, op. 68 “Pastoral”: 4. Gewitter – Sturm: Allegro
—
Symphony no. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
—
Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro – Meno allegro
—
Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto
—
Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso
—
Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro
—
Symphony no. 2 in D major, op. 73: 1. Allegro non troppo
—
Symphony no. 2 in D major, op. 73: 2. Adagio non troppo – L’istesso tempo, ma grazioso
—
Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) – Presto ma non assai
—
Symphony no. 2 in D major, op. 73: 4. Allegro con spirito
—
Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft
Los Angeles Philharmonic, Carlo Maria Giulini
—
Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig
Los Angeles Philharmonic, Carlo Maria Giulini
—
Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell
Los Angeles Philharmonic, Carlo Maria Giulini
—
Symphonie no. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich
Los Angeles Philharmonic, Carlo Maria Giulini
—
Los Angeles Philharmonic, Carlo Maria Giulini
Symphony no. 6 in B minor, op. 74 “Pathétique”: 1. Adagio – Allegro non troppo
—
Symphony no. 6 in B minor, op. 74 “Pathétique”: 2. Allegro con grazia
—
Symphony no. 6 in B minor, op. 74 “Pathétique”: 3. Allegro molto vivace
—
Symphony no. 6 in B minor, op. 74 “Pathétique”: 4. Finale: Adagio lamentoso – Andante
—
La Mer: III. Dialogue du vent et de la mer. Animé
Los Angeles Philharmonic, Carlo Maria Giulini
—
La Mer: III. Dialogue du vent et de la mer. Animé
Los Angeles Philharmonic, Carlo Maria Giulini
—
La Mer: III. Dialogue du vent et de la mer. Animé
Los Angeles Philharmonic, Carlo Maria Giulini
—
Ma Mère l’Oye: 1. Pavane de la Belle au bois dormant. Lent
—
Ma Mère l’Oye: 2. Petit Poucet. Très modéré
—
Ma Mère l’Oye: 3. Laideronnette, impératrice des pagodes. Mouvement de marche
—
Ma Mère l’Oye: 4. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré
—
Ma Mère l’Oye: 5. Le Jardin féerique. Lent et grave
—
Rapsodie espagnole: 1. Prélude à la nuit. Très modéré
—
Rapsodie espagnole: 2. Malagueña. Assez vif
—
Rapsodie espagnole: 3. Habanera. Assez lent et d’un rythme las
—
Rapsodie espagnole: 4. Feria. Assez animé
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Mer: I. De l'aube à midi sur la mer. Très lent | Los Angeles Philharmonic, Carlo Maria Giulini | — |
| La Mer: II. Jeux de vagues. Allegro | Los Angeles Philharmonic, Carlo Maria Giulini | — |
| La Mer: III. Dialogue du vent et de la mer. Animé | Los Angeles Philharmonic, Carlo Maria Giulini | — |
La Mer: I. De l'aube à midi sur la mer. Très lent
Los Angeles Philharmonic, Carlo Maria Giulini
—
La Mer: II. Jeux de vagues. Allegro
Los Angeles Philharmonic, Carlo Maria Giulini
—
La Mer: III. Dialogue du vent et de la mer. Animé
Los Angeles Philharmonic, Carlo Maria Giulini
—
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What is UPC 028947788409?
028947788409 is a Universal Product Code (UPC) assigned to Giulini in America: Los Angeles Philharmonic by Carlo Maria Giulini, Los Angeles Philharmonic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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