UPC · Release
Martha Argerich
Last verified:
The UPC for “The Collection 3: Chamber Ensembles” by Martha Argerich is 028947788478. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Deutsche Grammophon. This release contains 81 tracks, each with its own ISRC. Tracks include DEF058302041, DEF058302042, DEF058302043.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 2 | Symphonische Tänze, op. 45: II. Andante con moto. Tempo di Valse | Nicolas Economou, Martha Argerich | — | |
| 3 | Symphonische Tänze, op. 45: III. Lento assai - Allegro vivace | Nicolas Economou, Martha Argerich | — | |
| 4 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 | |
| 5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — | |
| 6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — | |
| 8 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — | |
| 9 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — | |
| 10 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — | |
| 11 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — | |
| 2-1 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-2 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-3 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-4 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 2-5 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 2-6 | Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 2-7 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-8 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-9 | Rapsodie espagnole: I. Prélude à la nuit. Modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 2-10 | Rapsodie espagnole: II. Malagueña. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 2-11 | Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-12 | Rapsodie espagnole: IV. Feria. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 3-1 | Applause | [no artist] | T-072.571.419-1 | |
| 3-2 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato - Poco più mosso | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-3 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro con brio | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-4 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gidon Kremer, Mischa Maisky | T-005.005.728-7 | |
| 3-5 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto - Allegro | Martha Argerich, Gidon Kremer, Mischa Maisky | T-318.676.528-2 | |
| 3-6 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-7 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-8 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-9 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-10 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-11 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-12 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-13 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-14 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-15 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-16 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-17 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-18 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-19 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-20 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-21 | Tango pathétique | Martha Argerich, Gidon Kremer, Mischa Maisky | T-800.683.174-0 | |
| 4-1 | Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 4-2 | Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 4-3 | Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 4-4 | Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese | Martha Argerich, Yuri Bashmet, Gidon Kremer, Mischa Maisky | T-001.269.912-5 | |
| 4-5 | Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 4-6 | Fantasiestücke, op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 4-7 | Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 4-8 | Fantasiestücke, op. 88: IV. Finale: Im Marschtempo | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 5-1 | Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce | Martha Argerich, Mikhail Pletnev | — | |
| 5-2 | Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 5-3 | Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio – Allegro moderato | Martha Argerich, Mikhail Pletnev | T-900.143.433-9 | |
| 5-4 | Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio – Moderato – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 5-5 | Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto – Poco più animato – Più animato – Meno mosso | Martha Argerich, Mikhail Pletnev | — | |
| 5-6 | Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 5-7 | Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto – Andantino – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 5-8 | Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio – Poco più animato – Assai più mosso – Poco più animato – Meno mosso (più animato dell’adagio) | Martha Argerich, Mikhail Pletnev | — | |
| 5-9 | Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato – Allegro espressivo – Presto – Allegro moderato – Andante | Martha Argerich, Mikhail Pletnev | — | |
| 5-10 | Ma Mère l’Oye, ballet, M. 62: I. Pavane de la Belle au bois dormant | Martha Argerich, Mikhail Pletnev | — | |
| 5-11 | Ma Mère l’Oye, ballet, M. 62: II. Petit Poucet | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 5-12 | Ma Mère l’Oye, ballet, M. 62: III. Laideronnette, Impératrice des pagodes | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 5-13 | Ma Mère l’Oye, ballet, M. 62: IV. Les entretiens de la Belle et de la Bête | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 5-14 | Ma Mère l’Oye, ballet, M. 62: V. Le jardin féerique | Martha Argerich, Mikhail Pletnev | T-305.194.399-4 | |
| 6-1 | Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante | Martha Argerich, Nelson Freire | T-322.463.971-4 | |
| 6-2 | Variations on a Theme by Joseph Haydn, op. 56b: Variation I. Andante con moto | Martha Argerich, Nelson Freire | — | |
| 6-3 | Variations on a Theme by Joseph Haydn, op. 56b: Variation II. Vivace | Martha Argerich, Nelson Freire | — | |
| 6-4 | Variations on a Theme by Joseph Haydn, op. 56b: Variation III. Con moto | Martha Argerich, Nelson Freire | — | |
| 6-5 | Variations on a Theme by Joseph Haydn, op. 56b: Variation IV. Andante | Martha Argerich, Nelson Freire | — | |
| 6-6 | Variations on a Theme by Joseph Haydn, op. 56b: Variation V. Poco presto | Martha Argerich, Nelson Freire | — | |
| 6-7 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VI. Vivace | Martha Argerich, Nelson Freire | — | |
| 6-8 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VII. Grazioso | Martha Argerich, Nelson Freire | — | |
| 6-9 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto | Martha Argerich, Nelson Freire | — | |
| 6-10 | Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante | Martha Argerich, Nelson Freire | — | |
| 6-11 | Symphonic Dances, op. 45: I. Non allegro | Nelson Freire, Martha Argerich | — | |
| 6-12 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Nelson Freire, Martha Argerich | — | |
| 6-13 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai (come prima) – L’istesso tempo, ma agitato | Nelson Freire, Martha Argerich | — | |
| 6-14 | Rondo in A major, D 951 “Grand Rondeau” | Nelson Freire, Martha Argerich | — | |
| 6-15 | La Valse: Poème chorégraphique | Martha Argerich, Nelson Freire | — |
Identifier Graph
028947788478 is a Universal Product Code (UPC) assigned to The Collection 3: Chamber Ensembles by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 81 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
The UPC for “The Collection 3: Chamber Ensembles” by Martha Argerich is 028947788478. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Deutsche Grammophon. This release contains 81 tracks, each with its own ISRC. Tracks include DEF058302041, DEF058302042, DEF058302043.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonische Tänze, op. 45: I. Non allegro | Nicolas Economou, Martha Argerich | — | |
| 2 | Symphonische Tänze, op. 45: II. Andante con moto. Tempo di Valse | Nicolas Economou, Martha Argerich | — | |
| 3 | Symphonische Tänze, op. 45: III. Lento assai - Allegro vivace | Nicolas Economou, Martha Argerich | — | |
| 4 | The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | Martha Argerich, Nicolas Economou | T-312.199.363-9 | |
| 5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Martha Argerich, Nicolas Economou | — | |
| 6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | Martha Argerich, Nicolas Economou | — | |
| 8 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | Martha Argerich, Nicolas Economou | — | |
| 9 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | Martha Argerich, Nicolas Economou | — | |
| 10 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | Martha Argerich, Nicolas Economou | — | |
| 11 | The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | Martha Argerich, Nicolas Economou | — | |
| 2-1 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-2 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-3 | Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-4 | Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 2-5 | Ma Mère l'Oye: II. Petit Poucet. Très modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 2-6 | Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-004.018.862-2 | |
| 2-7 | Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-8 | Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-9 | Rapsodie espagnole: I. Prélude à la nuit. Modéré | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 2-10 | Rapsodie espagnole: II. Malagueña. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 2-11 | Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | — | |
| 2-12 | Rapsodie espagnole: IV. Feria. Assez vif | Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | T-003.015.127-9 | |
| 3-1 | Applause | [no artist] | T-072.571.419-1 | |
| 3-2 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato - Poco più mosso | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-3 | Piano Trio No. 2 in E minor, Op. 67: II. Allegro con brio | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-4 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gidon Kremer, Mischa Maisky | T-005.005.728-7 | |
| 3-5 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto - Allegro | Martha Argerich, Gidon Kremer, Mischa Maisky | T-318.676.528-2 | |
| 3-6 | Piano Trio in A minor, Op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto - In tempo molto sostenuto - Adagio con duolo e ben sostenuto - Moderato assai - Allegro giusto | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-7 | Piano Trio in A minor, Op. 50: IIa. Tema con variazioni: Andante con moto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-8 | Piano Trio in A minor, Op. 50: IIb. Variation 1 - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-9 | Piano Trio in A minor, Op. 50: IIc. Variation 2: Più mosso - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-10 | Piano Trio in A minor, Op. 50: IId. Variation 3: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-11 | Piano Trio in A minor, Op. 50: IIe. Variation 4: L'istesso tempo (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-12 | Piano Trio in A minor, Op. 50: IIf. Variation 5: L'istesso tempo - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-13 | Piano Trio in A minor, Op. 50: IIg. Variation 6: Tempo di Valse - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-14 | Piano Trio in A minor, Op. 50: IIh. Variation 7: Allegro moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-15 | Piano Trio in A minor, Op. 50: IIi. Variation 8: Fuga (Allegro moderato) - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-16 | Piano Trio in A minor, Op. 50: IIj. Variation 9: Andante flebile, ma non tanto - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-17 | Piano Trio in A minor, Op. 50: IIk. Variation 10: Tempo di Mazurka - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-18 | Piano Trio in A minor, Op. 50: IIl. Variation 11: Moderato - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-19 | Piano Trio in A minor, Op. 50: IIm. Variation finale e Coda: Allegretto risoluto e con fuoco - | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-20 | Piano Trio in A minor, Op. 50: IIn. [Coda]: Andante con moto - Lugubre | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 3-21 | Tango pathétique | Martha Argerich, Gidon Kremer, Mischa Maisky | T-800.683.174-0 | |
| 4-1 | Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 4-2 | Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 4-3 | Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto | Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | — | |
| 4-4 | Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese | Martha Argerich, Yuri Bashmet, Gidon Kremer, Mischa Maisky | T-001.269.912-5 | |
| 4-5 | Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 4-6 | Fantasiestücke, op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 4-7 | Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 4-8 | Fantasiestücke, op. 88: IV. Finale: Im Marschtempo | Martha Argerich, Gidon Kremer, Mischa Maisky | — | |
| 5-1 | Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce | Martha Argerich, Mikhail Pletnev | — | |
| 5-2 | Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 5-3 | Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio – Allegro moderato | Martha Argerich, Mikhail Pletnev | T-900.143.433-9 | |
| 5-4 | Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio – Moderato – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 5-5 | Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto – Poco più animato – Più animato – Meno mosso | Martha Argerich, Mikhail Pletnev | — | |
| 5-6 | Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Allegretto | Martha Argerich, Mikhail Pletnev | — | |
| 5-7 | Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto – Andantino – Presto | Martha Argerich, Mikhail Pletnev | — | |
| 5-8 | Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio – Poco più animato – Assai più mosso – Poco più animato – Meno mosso (più animato dell’adagio) | Martha Argerich, Mikhail Pletnev | — | |
| 5-9 | Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato – Allegro espressivo – Presto – Allegro moderato – Andante | Martha Argerich, Mikhail Pletnev | — | |
| 5-10 | Ma Mère l’Oye, ballet, M. 62: I. Pavane de la Belle au bois dormant | Martha Argerich, Mikhail Pletnev | — | |
| 5-11 | Ma Mère l’Oye, ballet, M. 62: II. Petit Poucet | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 5-12 | Ma Mère l’Oye, ballet, M. 62: III. Laideronnette, Impératrice des pagodes | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 5-13 | Ma Mère l’Oye, ballet, M. 62: IV. Les entretiens de la Belle et de la Bête | Martha Argerich, Mikhail Pletnev | T-004.018.862-2 | |
| 5-14 | Ma Mère l’Oye, ballet, M. 62: V. Le jardin féerique | Martha Argerich, Mikhail Pletnev | T-305.194.399-4 | |
| 6-1 | Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante | Martha Argerich, Nelson Freire | T-322.463.971-4 | |
| 6-2 | Variations on a Theme by Joseph Haydn, op. 56b: Variation I. Andante con moto | Martha Argerich, Nelson Freire | — | |
| 6-3 | Variations on a Theme by Joseph Haydn, op. 56b: Variation II. Vivace | Martha Argerich, Nelson Freire | — | |
| 6-4 | Variations on a Theme by Joseph Haydn, op. 56b: Variation III. Con moto | Martha Argerich, Nelson Freire | — | |
| 6-5 | Variations on a Theme by Joseph Haydn, op. 56b: Variation IV. Andante | Martha Argerich, Nelson Freire | — | |
| 6-6 | Variations on a Theme by Joseph Haydn, op. 56b: Variation V. Poco presto | Martha Argerich, Nelson Freire | — | |
| 6-7 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VI. Vivace | Martha Argerich, Nelson Freire | — | |
| 6-8 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VII. Grazioso | Martha Argerich, Nelson Freire | — | |
| 6-9 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto | Martha Argerich, Nelson Freire | — | |
| 6-10 | Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante | Martha Argerich, Nelson Freire | — | |
| 6-11 | Symphonic Dances, op. 45: I. Non allegro | Nelson Freire, Martha Argerich | — | |
| 6-12 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Nelson Freire, Martha Argerich | — | |
| 6-13 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai (come prima) – L’istesso tempo, ma agitato | Nelson Freire, Martha Argerich | — | |
| 6-14 | Rondo in A major, D 951 “Grand Rondeau” | Nelson Freire, Martha Argerich | — | |
| 6-15 | La Valse: Poème chorégraphique | Martha Argerich, Nelson Freire | — |
