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Mozart’s Garden

UPC · Release

Mozart’s Garden

Mozart, Mojca Erdmann, La Cetra, Andrea Marcon

028947789796
15 tracksReleased 2011-01-01Deutsche Grammophon

Last verified: July 21, 2026

028947789796 is the Universal Product Code (UPC barcode) for the release “Mozart’s Garden” by Mozart, Mojca Erdmann, La Cetra, Andrea Marcon, released 2011-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include DEN961001180, DEN961001190, DEN961001201.

Format

0Number system
28947Manufacturer
78979Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMozart’s Garden
ISRC15 recordings
ISWC2 works

Track List (15)

#Track TitleArtist(s)ISWC
Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”1Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »2Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”3Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”4Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”5Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Nina, o sia La pazza per amore: “Il mio ben quando verrà”8Nina, o sia La pazza per amore: “Il mio ben quando verrà”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”9Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”10Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”11Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”12Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Amadis de Gaule : « À qui pourrai‐je avoir recours »14Amadis de Gaule : « À qui pourrai‐je avoir recours »Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)15Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »16Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”17Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”18Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”
Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »
Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”
Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”
Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”
Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Nina, o sia La pazza per amore: “Il mio ben quando verrà”
Nina, o sia La pazza per amore: “Il mio ben quando verrà”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”
Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”
Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”
Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”
Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Amadis de Gaule : « À qui pourrai‐je avoir recours »
Amadis de Gaule : « À qui pourrai‐je avoir recours »
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)
Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »
Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”
Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”
Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—

Additional database matches (3)

Track TitleArtist(s)ISWC
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Ma se colpa”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Batti, batti, o bel Masetto”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea MarconT-929.621.873-0
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto II. “Vedrai, carino”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea MarconT-929.621.876-3
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Ma se colpa”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Batti, batti, o bel Masetto”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
T-929.621.873-0
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto II. “Vedrai, carino”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
T-929.621.876-3

What other identifiers does this connect to?

Musical Works (ISWC)

T-929.621.873-0T-929.621.876-3

Creative Contributors (ISNI)

000000000508210600000000801586090000000120192327
SourcesMusicBrainzDiscogs✓2 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCMozart’s GardenISRCZaide, K. 344: …ISRCLes Danaïdes : …ISRCIdomeneo, re di…ISRCIdomeneo, re di…ISRCZaide, K. 344: …

People also ask

What is UPC 028947789796?+
UPC 028947789796 is the Universal Product Code (barcode) for "Mozart’s Garden" by Mozart, Mojca Erdmann, La Cetra, Andrea Marcon, released on Deutsche Grammophon.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947789796?+
UPC 028947789796 contains 15 tracks, each with its own ISRC.

What is UPC 028947789796?

028947789796 is a Universal Product Code (UPC) assigned to Mozart’s Garden by Mozart, Mojca Erdmann, La Cetra, Andrea Marcon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Mozart, Mojca Erdmann, La Cetra, Andrea Marcon

028947789796 is the Universal Product Code (UPC barcode) for the release “Mozart’s Garden” by Mozart, Mojca Erdmann, La Cetra, Andrea Marcon, released 2011-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include DEN961001180, DEN961001190, DEN961001201.

Track List (15)

#Track TitleArtist(s)ISWC
Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”1Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »2Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”3Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”4Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”5Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Nina, o sia La pazza per amore: “Il mio ben quando verrà”8Nina, o sia La pazza per amore: “Il mio ben quando verrà”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”9Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”10Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”11Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”12Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Amadis de Gaule : « À qui pourrai‐je avoir recours »14Amadis de Gaule : « À qui pourrai‐je avoir recours »Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)15Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »16Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”17Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”18Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”
Zaide, K. 344: Akt II. “Tiger! wetze nur die Klauen”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »
Les Danaïdes : Acte II, scène 2: « Par les larmes dont votre fille »
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”
Idomeneo, re di Creta, K. 366: Atto I. “Quando avran fine omai”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”
Idomeneo, re di Creta, K. 366: Atto I. “Padre, germani, addio!”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”
Zaide, K. 344: Akt I. “Ruhe sanft, mein holdes Leben”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Nina, o sia La pazza per amore: “Il mio ben quando verrà”
Nina, o sia La pazza per amore: “Il mio ben quando verrà”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”
Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”
Le nozze di Figaro, K. 492: Atto IV. “Deh vieni, non tardar”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”
Günther von Schwarzburg: Akt I, Szene 1: “Es ist geschrieben”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”
Günther von Schwarzburg: Akt I, Szene 1: “Ihr Rosenstunden”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Amadis de Gaule : « À qui pourrai‐je avoir recours »
Amadis de Gaule : « À qui pourrai‐je avoir recours »
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)
Die Zauberflöte, K. 620: Akt II. “Ach, ich fühl's, es ist verschwunden” (Pamina)
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »
Les Danaïdes : Acte V, scène 1. « Père barbare, arrache‐moi »
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”
Idomeneo, re di Creta, K. 366: Atto II. “Se il padre perdei”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”
Günther von Schwarzburg: Akt I, Szene 4: “Die Klüfte sausen!”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—

Additional database matches (3)

Track TitleArtist(s)ISWC
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Ma se colpa”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon—
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Batti, batti, o bel Masetto”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea MarconT-929.621.873-0
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto II. “Vedrai, carino”Mojca Erdmann, La Cetra Barockorchester Basel, Andrea MarconT-929.621.876-3
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Ma se colpa”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
—
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto I. “Batti, batti, o bel Masetto”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
T-929.621.873-0
Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Atto II. “Vedrai, carino”
Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon
T-929.621.876-3