UPC · Release
Various Artists
Last verified:
The UPC for “50 Years Grosses Festspielhaus Salzburg” by Various Artists is 028947791119. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Deutsche Grammophon. This release contains 277 tracks, each with its own ISRC. Tracks include DEN960531301, DEN960531302, DEN960531303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der Rosenkavalier, op. 59: Act 1. Introduction - "Wie Du Warst! Wie Du Bist!" | — | ||
| 2 | Der Rosenkavalier, op. 59: Act 1. "Er Katzenkopf, Er Unvorsichtiger!" | — | ||
| 3 | Der Rosenkavalier, op. 59: Act 1. "Selbstverständlich Empfängt Mich Ihre Gnaden" | — | ||
| 4 | Der Rosenkavalier, op. 59: Act 1. "Hat Sie Schon Einmal Mit Einem Kavalier" | — | ||
| 5 | Der Rosenkavalier, op. 59: Act 1. "I Komm' Glei...' - 'Drei Arme Adelige Waisen" | — | ||
| 6 | Der Rosenkavalier, op. 59: Act 1. "Di Rigori Armato Il Seno" | — | ||
| 7 | Der Rosenkavalier, op. 59: Act 1. "Als Morgengabe" | — | ||
| 8 | Der Rosenkavalier, op. 59: Act 1. "Da Geht Er Hin" | — | ||
| 9 | Der Rosenkavalier, op. 59: Act 1. "Ach! Du Bist Wieder Da!" | — | ||
| 10 | Der Rosenkavalier, op. 59: Act 1. "Die Zeit, Die Ist Ein Sonderbar Ding" | — | ||
| 2-1 | Der Rosenkavalier, op. 59: Act 2. Introduction - "Ein Ernster Tag" | — | ||
| 2-2 | Der Rosenkavalier, op. 59: Act 2. "Mir Ist Die Ehre Widerfahren" | — | ||
| 2-3 | Der Rosenkavalier, op. 59: Act 2. "Ich Kenn' Ihn Schon Recht Wohl" | — | ||
| 2-4 | Der Rosenkavalier, op. 59: Act 2. "Jetzt Aber Kommt Mein Herr Zukünftiger" | — | ||
| 2-5 | Der Rosenkavalier, op. 59: Act 2. 'Wird Sie Das Mannsbild da Heiraten" | — | ||
| 2-6 | Der Rosenkavalier, op. 59: Act 2. "Herr Baron Von Lerchenau!" | — | ||
| 2-7 | Der Rosenkavalier, op. 59: Act 2. "Da Lieg' Ich!" | — | ||
| 3-1 | Der Rosenkavalier, op. 59: Act 3. Introduction Und Pantomime | — | ||
| 3-2 | Der Rosenkavalier, op. 59: Act 3. "Hab'n Euer Gnaden Noch Weitre Befehle?" | — | ||
| 3-3 | Der Rosenkavalier, op. 59: Act 3. "Die Schöne Musi!" | — | ||
| 3-4 | Der Rosenkavalier, op. 59: Act 3. "Er Ist Es! Es Ist Mein Mann!" | — | ||
| 3-5 | Der Rosenkavalier, op. 59: Act 3. "Bin Glücklich Über Massen" | — | ||
| 3-6 | Der Rosenkavalier, op. 59: Act 3. "Leopold, Wir Gehn!" | — | ||
| 3-7 | Der Rosenkavalier, op. 59: Act 3. "Mein Gott, Es War Nicht Mehr Als Eine Farce" | — | ||
| 3-8 | Der Rosenkavalier, op. 59: Act 3. "Marie Theres'!' - 'Hab Mir's Gelobt, Ihn Lieb Zu Haben" | — | ||
| 3-9 | Der Rosenkavalier, op. 59: Act 3. "Ist Ein Traum, Kann Nicht Wirklich Sein" | — | ||
| 4-1 | Idomeneo, Re di Creta, K.366: Ouverture | — | ||
| 4-2 | Idomeneo, Re di Creta, K.366 / Act 1: 'Quando Avran Fine Omai' | — | ||
| 4-3 | Idomeneo, Re di Creta, K.366 / Act 1: 'Padre, Germani, Addio!' | — | ||
| 4-4 | Idomeneo, Re di Creta, K.366 / Act 1: 'Radunate I Troiani' | — | ||
| 4-5 | Idomeneo, Re di Creta, K.366 / Act 1: 'Non Ho Colpa' | — | ||
| 4-6 | Idomeneo, Re di Creta, K.366 / Act 1: Allegro | — | ||
| 4-7 | Idomeneo, Re di Creta, K.366 / Act 1: 'Ecco Il Misero Resto De' Troiani' | — | ||
| 4-8 | Idomeneo, Re di Creta, K.366 / Act 1: 'Godiam La Pace' | — | ||
| 4-9 | Idomeneo, Re di Creta, K.366 / Act 1: Recitativo 'Mio Signore, de'Mali Il Più Terribil...' | — | ||
| 4-10 | Idomeneo, Re di Creta, K.366 / Act 1: Ciaconna. Allegro | — | ||
| 4-11 | Idomeneo, Re di Creta, K.366 / Act 1: 'Estinto È Idomeneo?' | — | ||
| 4-12 | Idomeneo, Re di Creta, K.366 / Act 1: 'Tutte Nel Cor Vi Sento' | — | ||
| 4-13 | Idomeneo, Re di Creta, K.366 / Act 1: 'Pietà! Numi, Pietà!' | — | ||
| 4-14 | Idomeneo, Re di Creta, K.366 / Act 1: 'Eccoci Salvi Alfin' | — | ||
| 4-15 | Idomeneo, Re di Creta, K.366 / Act 1: Recitativo 'a Qual Gelido Orror' | — | ||
| 4-16 | Idomeneo, Re di Creta, K.366 / Act 1: Intermezzo: Marcia | — | ||
| 4-17 | Idomeneo, Re di Creta, K.366 / Act 1: 'Nettuno S'Onori' | — | ||
| 4-18 | Idomeneo, Re di Creta, K.366 / Act 1: Ciaconna-Pas de Deux/Balletto | — | ||
| 4-19 | Idomeneo, Re di Creta, K.366 / Act 1: Larghetto | — | ||
| 4-20 | Idomeneo, Re di Creta, K.366 / Act 1: Ciaconna | — | ||
| 4-21 | Idomeneo, Re di Creta, K.366 / Act 1: Tempo Primo 'Nettuno S'Onori' | — | ||
| 4-22 | Idomeneo, Re di Creta, K.366 / Act 2: Intermezzo. Andante | — | ||
| 4-23 | Idomeneo, Re di Creta, K.366 / Act 2: Recitativo 'Siam Soli' | — | ||
| 4-24 | Idomeneo, Re di Creta, K.366 / Act 2: 'Se Mai Pomposo Apparse' | — | ||
| 4-25 | Idomeneo, Re di Creta, K.366 / Act 2: 'Se Il Padre Perdei' | — | ||
| 4-26 | Idomeneo, Re di Creta, K.366 / Act 2: 'Qual Mi Conturba I Sensi' | — | ||
| 4-27 | Idomeneo, Re di Creta, K.366 / Act 2: 'Fuor Del Mar' | — | ||
| 4-28 | Idomeneo, Re di Creta, K.366 / Act 2: Recitativo 'Sire, Quanto La Tua Clemenza' | — | ||
| 4-29 | Idomeneo, Re di Creta, K.366 / Act 2: Recitativo Andante 'Parto, E L'Unico Oggetto' | — | ||
| 4-30 | Idomeneo, Re di Creta, K.366 / Act 2: 'Idol Mio, Se Ritroso' | — | ||
| 4-31 | Idomeneo, Re di Creta, K.366 / Act 2: 'Odo da Lunge Armonioso Suono' | — | ||
| 5-1 | Idomeneo, Re di Creta, K.366 / Act 2: 'Sidonie Sponde!' | — | ||
| 5-2 | Idomeneo, Re di Creta, K.366 / Act 2: 'Placido È Il Mar' | — | ||
| 5-3 | Idomeneo, Re di Creta, K.366 / Act 2: 'Vattene Prence' | — | ||
| 5-4 | Idomeneo, Re di Creta, K.366 / Act 2: 'Pria di Partir, Oh Dio!' | — | ||
| 5-5 | Idomeneo, Re di Creta, K.366 / Act 2: 'Qual Nuovo Terrore! | — | ||
| 5-6 | Idomeneo, Re di Creta, K.366 / Act 2: 'Eccoti in Me, Barbaro Nume!' | — | ||
| 5-7 | Idomeneo, Re di Creta, K.366 / Act 2: 'Corriamo, Fuggiamo' | — | ||
| 5-8 | Idomeneo, Re di Creta, K.366 / Act 3: 'Zefiretti Lusinghieri' | — | ||
| 5-9 | Idomeneo, Re di Creta, K.366 / Act 3: 'Ei Stesso Vien' | — | ||
| 5-10 | Idomeneo, Re di Creta, K.366 / Act 3: 'Principessa, A' Tuoi Sguardi' | — | ||
| 5-11 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo Andante (Quasi Adagio) 'Odo? O Sol Quel Che Brama' | — | ||
| 5-12 | Idomeneo, Re di Creta, K.366 / Act 3: Spiegarti Non Poss'Io | — | ||
| 5-13 | Idomeneo, Re di Creta, K.366 / Act 3: 'Cieli! Che Vedo?' | — | ||
| 5-14 | Idomeneo, Re di Creta, K.366 / Act 3: 'Andrò Ramingo E Solo' | — | ||
| 5-15 | Idomeneo, Re di Creta, K.366 / Act 3: 'Sire, Alla Reggia Tua' | — | ||
| 5-16 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo 'Ahimè! Tutto Perdei' | — | ||
| 5-17 | Idomeneo, Re di Creta, K.366 / Act 3: 'd'Oreste, D'Aiace' | — | ||
| 5-18 | Idomeneo, Re di Creta, K.366 / Act 3: Marcia | — | ||
| 5-19 | Idomeneo, Re di Creta, K.366 / Act 3: 'Accogli, o Rè Del Mar' | — | ||
| 5-20 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo Andante 'Non Più! Sacro Ministro' | — | ||
| 5-21 | Idomeneo, Re di Creta, K.366 / Act 3: 'o Voto Tremendo' | — | ||
| 5-22 | Idomeneo, Re di Creta, K.366 / Act 3: Coro E Recitativo Allegro Vivace 'Stupenda Vittoria' - Sire! Il Prence' | — | ||
| 5-23 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo Largo 'Padre, Mio Caro Padre!' Recitativo Presto 'Ferma, o Sire, Che Fai?' Recitativo 'o Ciel Pietoso!' | — | ||
| 5-24 | Idomeneo, Re di Creta, K.366 / Act 3: 'Popoli, a Voi L'Ultima Legge' | — | ||
| 5-25 | Idomeneo, Re di Creta, K.366 / Act 3: 'Scenda Amor, Scenda Imeneo' | — | ||
| 6-1 | From the House of the Dead (Z Mrtvého Domu): Introduction: Moderato | — | ||
| 6-2 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Moderato | — | ||
| 6-3 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Privedou Dnes Pána! | — | ||
| 6-4 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Neuvidi Oko Jiz Kraju | — | ||
| 6-5 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Aljejo, Podavej Nitku! | — | ||
| 6-6 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Moderato 'a' | — | ||
| 6-7 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Milý, Milý Aljejo! | — | ||
| 6-8 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Skuratov: Poslali Mne V Jurjea | — | ||
| 6-9 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Hra o Kedrilovi a Juanovi | — | ||
| 6-10 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Pantomima o Pekne Mlyánrce | — | ||
| 6-11 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Pekne Hrali, Co? | — | ||
| 7-1 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Moderato | — | ||
| 7-2 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Isaj, Prorok Bozi! | — | ||
| 7-3 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Má Detátka Milá | — | ||
| 7-4 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Promena. Allegro. Hou, Hou! | — | ||
| 8-1 | La traviata: Preludio | Wiener Philharmoniker, Carlo Rizzi | T-900.798.614-3 | |
| 8-2 | La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-3 | La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallén, Salvatore Cordella, Paul Gay, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi | T-906.859.796-6 | |
| 8-4 | La traviata: Atto I. “Che è ciò?” (Tutti, Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-5 | La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | T-309.041.381-9 | |
| 8-6 | La traviata: Atto I. “Ebben? che diavol fate?” (Gastone, Violetta, Alfredo) | Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-7 | La traviata: Atto I. “Si ridesta in ciel l’aurora” (Tutti) | Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-8 | La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui” | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-9 | La traviata: Atto I. “Follie! Follie! Delirio vano è questo! – Sempre libera” (Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-10 | La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo) | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-11 | La traviata: Atto II, scena 1. “Annina, donde vieni? – Oh mio rimorso!” (Alfredo, Annina) | Diane Pilcher, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-12 | La traviata: Atto II, scena 1. “Alfredo?” / “Per parigi or or partiva” (Violetta, Annina, Germont) | Thomas Hampson, Anna Netrebko, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-13 | La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-14 | La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont) | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-15 | La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-16 | La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-17 | La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-18 | La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!“ (Violetta, Annina) | Anna Netrebko, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-19 | La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-20 | La traviata: Atto II, scena 1. “Ah, vive sol quel core” (Alfredo, Giuseppe, Commissionario, Germont) | Thomas Hampson, Dritan Luca, Friedrich Springer, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-21 | La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) | Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-22 | La traviata: Atto II, scena 1. “Né rispondi d'un padre all'affetto? – No, non udrai rimproveri” (Germont, Alfredo) | Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-1 | La traviata: Atto II, scena 2. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Tutti) | Luigi Roni, Helene Schneiderman, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-2 | La traviata: Atto II, scena 2. "Noi siamo zingarelle" (Coro, Flora, Marchese, Tutti) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Helene Schneiderman, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | T-005.003.222-8 | |
| 9-3 | La traviata: Atto II, scena 2. "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Luigi Roni, Helene Schneiderman, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-4 | La traviata: Atto II, scena 2. "Alfredo! Voi!" (Tutti, Alfredo, Violetta, Barone) | Paul Gay, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-5 | La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-6 | La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti) | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-7 | La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-8 | La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-9 | La traviata: Atto III. Preludio | Wiener Philharmoniker, Carlo Rizzi | T-900.798.614-3 | |
| 9-10 | La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore) | Anna Netrebko, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-11 | La traviata: Atto III. “Teneste la promessa – Attendo, attendo, né a me giungon mai! – Addio del passato” (Violetta) | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | T-913.424.339-3 | |
| 9-12 | La traviata: Atto III. “Largo al quadrupede” (Coro di maschere) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-13 | La traviata: Atto III. “Signora…” / “Che t’accadde?” (Annina, Violetta, Alfredo) / “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) | Anna Netrebko, Diane Pilcher, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-14 | La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-15 | La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo) | Thomas Hampson, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-16 | La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore) | Thomas Hampson, Anna Netrebko, Diane Pilcher, Luigi Roni, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 10-1 | Eugene Onegin, Op.24 / Act 1 (Scene 1) Introduction | — | ||
| 10-2 | Eugene Onegin, Op.24 / Act 1: Duet and Quartet. 'Slikhali L Vi Za Roschei Glas Nochnoi' | — | ||
| 10-3 | Eugene Onegin, Op.24 / Act 1: Peasants' Chorus and Dance. 'Bolyat Moyi Skori Nozhenki So Pokhodushki' - 'Uzh Kak Po Mostu, Mostochku' | — | ||
| 10-4 | Eugene Onegin, Op.24 / Act 1: Scene and Aria. 'Kak Ya Lyublyu Pod Zvuki Pesen Etikh' - 'Uzh Kak Po Mostu, Mostochku' | — | ||
| 10-5 | Eugene Onegin, Op.24 / Act 1: Scene. 'Nu Ti, Moya Vostrushka' | — | ||
| 10-6 | Eugene Onegin, Op.24 / Act 1: 'Mesdames! Ya Na Sebya Vzyal Smyelost' / 'Skazhi, Kotoraya Tatyana' | — | ||
| 10-7 | Eugene Onegin, Op.24 / Act 1: Scene and Arioso. 'Kak Shchastliv, Kak Shchastliv Ya!' | — | ||
| 10-8 | Eugene Onegin, Op.24 / Act 1: 'Ya Lyublyu Vas' | — | ||
| 10-9 | Eugene Onegin, Op.24 / Act 1: Closing Scene. 'a, Vot I Vi!' | — | ||
| 10-10 | Eugene Onegin, Op.24 / Act 1 (Scene 2) Introduction and Scene. 'Nu, Zaboltalas Ya!' | — | ||
| 10-11 | Eugene Onegin, Op.24 / Act 1: Letter Scene. 'Puskai Pogilabnu Ya, No Pryezhde' | — | ||
| 10-12 | Eugene Onegin, Op.24 / Act 1: Scene and Duet. 'Akh, Noch Minula' | — | ||
| 10-13 | Eugene Onegin, Op.24 / Act 1 (Scene 3) Servant Girls' Chorus. 'Dyevitsi, Krasavitsi' | — | ||
| 10-14 | Eugene Onegin, Op.24 / Act 1: Scene and Aria. 'Zdyes On, Zdyes On, Yevgeni!' | — | ||
| 10-15 | Eugene Onegin, Op.24 / Act 1: 'Kogda Bi Zhizn Domashnim Krugom' | — | ||
| 11-1 | Eugene Onegin, Op.24 / Act 2 (Scene 1) Entr'Acte and Waltz With Chorus. 'Vot Tak Syurpriz!' | — | ||
| 11-2 | Eugene Onegin, Op.24 / Act 2: Scene and Couplets. 'Uzhel Ya Zasluzhil Ot Nasmyeshku Etu?' | — | ||
| 11-3 | Eugene Onegin, Op.24 / Act 2: 'Kakoy Prekrasny Etot Den' | — | ||
| 11-4 | Eugene Onegin, Op.24 / Act 2: Mazurka and Scene. 'Messieurs, Mesdames, Mesta Zanyat Izvolte' - 'Ti Ne Tantsuyesh, Lenski?' | — | ||
| 11-5 | Eugene Onegin, Op.24 / Act 2: Finale. 'v Vashem Dome! V Vashem Dome!' | — | ||
| 11-6 | Eugene Onegin, Op.24 / Act 2 (Scene 2) Introduction, Scene and Aria. 'Nu, Shto Zhe?' | — | ||
| 11-7 | Eugene Onegin, Op.24 / Act 2: 'Kuda, Kuda, Kuda Vi Udalilis' | — | ||
| 11-8 | Eugene Onegin, Op.24 / Act 2: Duel Scene. 'a, Vot Oni!' | — | ||
| 11-9 | Eugene Onegin, Op.24 / Act 3 (Scene 1) Polonaise | — | ||
| 11-10 | Eugene Onegin, Op.24 / Act 3: Scene and Aria. 'i Zdyes Mnye Skuchno!' | — | ||
| 11-11 | Eugene Onegin, Op.24 / Act 3: 'Knyaginya Gremina! Smotrite!' | — | ||
| 11-12 | Eugene Onegin, Op.24 / Act 3: 'Lyubvi Vsye Vozrasti Pokorni' | — | ||
| 11-13 | Eugene Onegin, Op.24 / Act 3: Scene and Arioso. 'Itak, Poidyom, Tebya Predstavlyu Ya' - 'Uzhel Ta Samaya Tatyana' | — | ||
| 11-14 | Eugene Onegin, Op.24 / Act 3: 'o! Kak Mnye Tyazhelo!' / 'Onegin! Ya Togda Molozhe' | — | ||
| 12-1 | Symphony No.40 in G minor, K.550: 1. Molto Allegro | — | ||
| 12-2 | Symphony No.40 in G minor, K.550: 2. Andante | — | ||
| 12-3 | Symphony No.40 in G minor, K.550: 3. Menuetto (Allegretto) - Trio | — | ||
| 12-4 | Symphony No.40 in G minor, K.550: 4. Finale (Allegro Assai) | — | ||
| 12-5 | Symphony No.41 in C, K.551 - 'Jupiter': 1. Allegro Vivace | — | ||
| 12-6 | Symphony No.41 in C, K.551 - 'Jupiter': 2. Andante Cantabile | — | ||
| 12-7 | Symphony No.41 in C, K.551 - 'Jupiter': 3. Menuetto (Allegretto) | — | ||
| 12-8 | Symphony No.41 in C, K.551 - 'Jupiter': 4. Molto Allegro | — | ||
| 13-1 | Symphony no. 3 in D, D. 200: 1. Adagio maestoso - Allegro con brio | — | ||
| 13-2 | Symphony no. 3 in D, D. 200: 2. Allegretto | — | ||
| 13-3 | Symphony no. 3 in D, D. 200: 3. Menuetto (Vivace) | — | ||
| 13-4 | Symphony no. 3 in D, D. 200: 4. Presto. Vivace | — | ||
| 13-5 | Ein Heldenleben, op. 40: Der Held | — | ||
| 13-6 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 13-7 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 13-8 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 13-9 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 13-10 | Ein Heldenleben, op. 40: Des Helden Weltflucht Und Vollendung | — | ||
| 14-1 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-2 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-3 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-4 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-5 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-6 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-7 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-8 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-1 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio | Wiener Philharmoniker, Leonard Bernstein | T-801.364.648-6 | |
| 15-2 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato) | Wiener Philharmoniker, Leonard Bernstein | T-800.828.586-8 | |
| 15-3 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-4 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-5 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-6 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-7 | Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-8 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-9 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-10 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-11 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-12 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-13 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-14 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-15 | Symphony no. 8 in E-flat "Symphony of a Thousand": Part Two: Final Scene From Goethe's "Faust": "Komm! Hebe Dich Zu Höhern Sphären" | — | ||
| 15-16 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVI. Hymnenartig (Ungefähr im selben Zeitmaß weiter) "Blicket auf zum Retterblick, alle reuig Zarten" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-17 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 16-1 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 1. Introduzione (Maestoso Ed Adagio) | — | ||
| 16-2 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 2. Sonata I (Largo) | — | ||
| 16-3 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 3. Sonata II (Grave E Cantabile) | — | ||
| 16-4 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 4. Sonata III (Grave) | — | ||
| 16-5 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 5. Sonata IV (Largo) | — | ||
| 16-6 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 6. Sonata V (Adagio) | — | ||
| 16-7 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 7. Sonata VI (Lento) | — | ||
| 16-8 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 8. Sonata VII (Largo) | — | ||
| 17-1 | Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre | Wiener Philharmoniker, Herbert von Karajan | T-902.772.343-9 | |
| 17-2 | Siegfried-Idyll | Wiener Philharmoniker, Herbert von Karajan | T-306.482.955-2 | |
| 17-3 | Tristan und Isolde: Vorspeil zum I. Aufzug | Wiener Philharmoniker, Herbert von Karajan | T-050.071.427-1 | |
| 17-4 | Tristan und Isolde: Isoldes Liebestod | Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-1 | Opening applause | [no artist] | — | |
| 18-2 | Konzert für Violine und Orchester D-dur, op. 35: 1. Allegro moderato | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-3 | Konzert für Violine und Orchester D-dur, op. 35: 2. Canzonetta (Andante) | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-4 | Konzert für Violine und Orchester D-dur, op. 35: 3. Finale (Allegro vivacissimo) | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | T-902.717.414-7 | |
| 18-5 | Closing applause | [no artist] | — | |
| 19-1 | Mass in D, Op.123 'Missa Solemnis': Kyrie | — | ||
| 19-2 | Mass in D, Op.123 'Missa Solemnis': Gloria | — | ||
| 19-3 | Mass in D, Op.123 'Missa Solemnis': Credo | — | ||
| 20-1 | Mass in D, Op.123 'Missa Solemnis': Sanctus | — | ||
| 20-2 | Mass in D, Op.123 'Missa Solemnis': Sanctus: Benedictus | — | ||
| 20-3 | Mass in D, Op.123 'Missa Solemnis': Agnus Dei | — | ||
| 21-1 | Symphonie fantastique, op. 14: 1. Rêveries. Passions (Largo – Allegro agitato ed appassionato assai) | — | ||
| 21-2 | Symphonie fantastique, op. 14: 2. Un bal (Valse: Allegro non troppo) | — | ||
| 21-3 | Symphonie fantastique, op. 14: 3. Scène aux champs (Adagio) | — | ||
| 21-4 | Symphonie fantastique, op. 14: 4. Marche au supplice (Allegretto Non Troppo) | — | ||
| 21-5 | Symphonie fantastique, op. 14: 5. Songe d’une nuit du sabbat (Larghetto – Allegro – Ronde du sabbat: Poco meno mosso) | — | ||
| 21-6 | Les Préludes, Symphonic Poem No. 3, S. 97 (after Lamartine) | — | ||
| 22-1 | Overture the Storm, op.76 | — | ||
| 22-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 1. Adagio – Allegro non troppo | — | ||
| 22-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 2. Allegro con grazia | — | ||
| 22-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 3. Allegro molto vivace | — | ||
| 22-5 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 4. Finale (Adagio lamentoso – Andante) | — | ||
| 23-1 | Four Orchestral Pieces Op.12 (Sz 51): 1. Preludio | — | ||
| 23-2 | Four Orchestral Pieces Op.12 (Sz 51): 2. Scherzo: Allegro | — | ||
| 23-3 | Four Orchestral Pieces Op.12 (Sz 51): 3. Intermezzo: Moderato | — | ||
| 23-4 | Four Orchestral Pieces Op.12 (Sz 51): 4. Marcia Funebre: Maestoso | — | ||
| 23-5 | Notations I | — | ||
| 23-6 | Notations I-IV Pour Orchestre: Notations IV | — | ||
| 23-7 | Notations I-IV Pour Orchestre: Notations III | — | ||
| 23-8 | Notations I-IV Pour Orchestre: Notations II | — | ||
| 23-9 | Le Sacre Du Printemps: Part 1: L'Adoration de La Terre | — | ||
| 23-10 | Le Sacre Du Printemps: Part 2: Le Sacrifice | — | ||
| 24-1 | Piano Sonata in C minor, H.XVI No.20: 1. Moderato | — | ||
| 24-2 | Piano Sonata in C minor, H.XVI No.20: 2. Andante Con Moto | — | ||
| 24-3 | Piano Sonata in C minor, H.XVI No.20: 3. Finale (Allegro) | — | ||
| 24-4 | Piano Sonata No.31 in A-flat major, Op.110: 1. Moderato Cantabile Molto Espressivo | — | ||
| 24-5 | Piano Sonata No.31 in A-flat major, Op.110: 2. Allegro Molto | — | ||
| 24-6 | Piano Sonata No.31 in A-flat major, Op.110: 3a. Adagio Ma Non Troppo | — | ||
| 24-7 | Piano Sonata No.31 in A-flat major, Op.110: 4. Fuga (Allegro Ma Non Troppo) | — | ||
| 24-8 | 4 Impromptus Op.142, D.935: No.1 in F minor: Allegro Moderato | — | ||
| 24-9 | Piano Sonata No.14 in C minor, K.457: 1. Allegro | — | ||
| 24-10 | Piano Sonata No.14 in C minor, K.457: 2. Adagio | — | ||
| 24-11 | Piano Sonata No.14 in C minor, K.457: 3. Molto Allegro | — | ||
| 25-1 | Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante | Martha Argerich, Nelson Freire | T-322.463.971-4 | |
| 25-2 | Variations on a Theme by Joseph Haydn, op. 56b: Variation I. Andante con moto | Martha Argerich, Nelson Freire | — | |
| 25-3 | Variations on a Theme by Joseph Haydn, op. 56b: Variation II. Vivace | Martha Argerich, Nelson Freire | — | |
| 25-4 | Variations on a Theme by Joseph Haydn, op. 56b: Variation III. Con moto | Martha Argerich, Nelson Freire | — | |
| 25-5 | Variations on a Theme by Joseph Haydn, op. 56b: Variation IV. Andante | Martha Argerich, Nelson Freire | — | |
| 25-6 | Variations on a Theme by Joseph Haydn, op. 56b: Variation V. Poco presto | Martha Argerich, Nelson Freire | — | |
| 25-7 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VI. Vivace | Martha Argerich, Nelson Freire | — | |
| 25-8 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VII. Grazioso | Martha Argerich, Nelson Freire | — | |
| 25-9 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto | Martha Argerich, Nelson Freire | — | |
| 25-10 | Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante | Martha Argerich, Nelson Freire | — | |
| 25-11 | Symphonic Dances, op. 45: I. Non allegro | Nelson Freire, Martha Argerich | — | |
| 25-12 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Nelson Freire, Martha Argerich | — | |
| 25-13 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai (come prima) – L’istesso tempo, ma agitato | Nelson Freire, Martha Argerich | — | |
| 25-14 | Rondo in A major, D 951 “Grand Rondeau” | Nelson Freire, Martha Argerich | — | |
| 25-15 | La Valse: Poème chorégraphique | Martha Argerich, Nelson Freire | — |
Identifier Graph
028947791119 is a Universal Product Code (UPC) assigned to 50 Years Grosses Festspielhaus Salzburg by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 277 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — |
| La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “50 Years Grosses Festspielhaus Salzburg” by Various Artists is 028947791119. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Deutsche Grammophon. This release contains 277 tracks, each with its own ISRC. Tracks include DEN960531301, DEN960531302, DEN960531303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Der Rosenkavalier, op. 59: Act 1. Introduction - "Wie Du Warst! Wie Du Bist!" | — | ||
| 2 | Der Rosenkavalier, op. 59: Act 1. "Er Katzenkopf, Er Unvorsichtiger!" | — | ||
| 3 | Der Rosenkavalier, op. 59: Act 1. "Selbstverständlich Empfängt Mich Ihre Gnaden" | — | ||
| 4 | Der Rosenkavalier, op. 59: Act 1. "Hat Sie Schon Einmal Mit Einem Kavalier" | — | ||
| 5 | Der Rosenkavalier, op. 59: Act 1. "I Komm' Glei...' - 'Drei Arme Adelige Waisen" | — | ||
| 6 | Der Rosenkavalier, op. 59: Act 1. "Di Rigori Armato Il Seno" | — | ||
| 7 | Der Rosenkavalier, op. 59: Act 1. "Als Morgengabe" | — | ||
| 8 | Der Rosenkavalier, op. 59: Act 1. "Da Geht Er Hin" | — | ||
| 9 | Der Rosenkavalier, op. 59: Act 1. "Ach! Du Bist Wieder Da!" | — | ||
| 10 | Der Rosenkavalier, op. 59: Act 1. "Die Zeit, Die Ist Ein Sonderbar Ding" | — | ||
| 2-1 | Der Rosenkavalier, op. 59: Act 2. Introduction - "Ein Ernster Tag" | — | ||
| 2-2 | Der Rosenkavalier, op. 59: Act 2. "Mir Ist Die Ehre Widerfahren" | — | ||
| 2-3 | Der Rosenkavalier, op. 59: Act 2. "Ich Kenn' Ihn Schon Recht Wohl" | — | ||
| 2-4 | Der Rosenkavalier, op. 59: Act 2. "Jetzt Aber Kommt Mein Herr Zukünftiger" | — | ||
| 2-5 | Der Rosenkavalier, op. 59: Act 2. 'Wird Sie Das Mannsbild da Heiraten" | — | ||
| 2-6 | Der Rosenkavalier, op. 59: Act 2. "Herr Baron Von Lerchenau!" | — | ||
| 2-7 | Der Rosenkavalier, op. 59: Act 2. "Da Lieg' Ich!" | — | ||
| 3-1 | Der Rosenkavalier, op. 59: Act 3. Introduction Und Pantomime | — | ||
| 3-2 | Der Rosenkavalier, op. 59: Act 3. "Hab'n Euer Gnaden Noch Weitre Befehle?" | — | ||
| 3-3 | Der Rosenkavalier, op. 59: Act 3. "Die Schöne Musi!" | — | ||
| 3-4 | Der Rosenkavalier, op. 59: Act 3. "Er Ist Es! Es Ist Mein Mann!" | — | ||
| 3-5 | Der Rosenkavalier, op. 59: Act 3. "Bin Glücklich Über Massen" | — | ||
| 3-6 | Der Rosenkavalier, op. 59: Act 3. "Leopold, Wir Gehn!" | — | ||
| 3-7 | Der Rosenkavalier, op. 59: Act 3. "Mein Gott, Es War Nicht Mehr Als Eine Farce" | — | ||
| 3-8 | Der Rosenkavalier, op. 59: Act 3. "Marie Theres'!' - 'Hab Mir's Gelobt, Ihn Lieb Zu Haben" | — | ||
| 3-9 | Der Rosenkavalier, op. 59: Act 3. "Ist Ein Traum, Kann Nicht Wirklich Sein" | — | ||
| 4-1 | Idomeneo, Re di Creta, K.366: Ouverture | — | ||
| 4-2 | Idomeneo, Re di Creta, K.366 / Act 1: 'Quando Avran Fine Omai' | — | ||
| 4-3 | Idomeneo, Re di Creta, K.366 / Act 1: 'Padre, Germani, Addio!' | — | ||
| 4-4 | Idomeneo, Re di Creta, K.366 / Act 1: 'Radunate I Troiani' | — | ||
| 4-5 | Idomeneo, Re di Creta, K.366 / Act 1: 'Non Ho Colpa' | — | ||
| 4-6 | Idomeneo, Re di Creta, K.366 / Act 1: Allegro | — | ||
| 4-7 | Idomeneo, Re di Creta, K.366 / Act 1: 'Ecco Il Misero Resto De' Troiani' | — | ||
| 4-8 | Idomeneo, Re di Creta, K.366 / Act 1: 'Godiam La Pace' | — | ||
| 4-9 | Idomeneo, Re di Creta, K.366 / Act 1: Recitativo 'Mio Signore, de'Mali Il Più Terribil...' | — | ||
| 4-10 | Idomeneo, Re di Creta, K.366 / Act 1: Ciaconna. Allegro | — | ||
| 4-11 | Idomeneo, Re di Creta, K.366 / Act 1: 'Estinto È Idomeneo?' | — | ||
| 4-12 | Idomeneo, Re di Creta, K.366 / Act 1: 'Tutte Nel Cor Vi Sento' | — | ||
| 4-13 | Idomeneo, Re di Creta, K.366 / Act 1: 'Pietà! Numi, Pietà!' | — | ||
| 4-14 | Idomeneo, Re di Creta, K.366 / Act 1: 'Eccoci Salvi Alfin' | — | ||
| 4-15 | Idomeneo, Re di Creta, K.366 / Act 1: Recitativo 'a Qual Gelido Orror' | — | ||
| 4-16 | Idomeneo, Re di Creta, K.366 / Act 1: Intermezzo: Marcia | — | ||
| 4-17 | Idomeneo, Re di Creta, K.366 / Act 1: 'Nettuno S'Onori' | — | ||
| 4-18 | Idomeneo, Re di Creta, K.366 / Act 1: Ciaconna-Pas de Deux/Balletto | — | ||
| 4-19 | Idomeneo, Re di Creta, K.366 / Act 1: Larghetto | — | ||
| 4-20 | Idomeneo, Re di Creta, K.366 / Act 1: Ciaconna | — | ||
| 4-21 | Idomeneo, Re di Creta, K.366 / Act 1: Tempo Primo 'Nettuno S'Onori' | — | ||
| 4-22 | Idomeneo, Re di Creta, K.366 / Act 2: Intermezzo. Andante | — | ||
| 4-23 | Idomeneo, Re di Creta, K.366 / Act 2: Recitativo 'Siam Soli' | — | ||
| 4-24 | Idomeneo, Re di Creta, K.366 / Act 2: 'Se Mai Pomposo Apparse' | — | ||
| 4-25 | Idomeneo, Re di Creta, K.366 / Act 2: 'Se Il Padre Perdei' | — | ||
| 4-26 | Idomeneo, Re di Creta, K.366 / Act 2: 'Qual Mi Conturba I Sensi' | — | ||
| 4-27 | Idomeneo, Re di Creta, K.366 / Act 2: 'Fuor Del Mar' | — | ||
| 4-28 | Idomeneo, Re di Creta, K.366 / Act 2: Recitativo 'Sire, Quanto La Tua Clemenza' | — | ||
| 4-29 | Idomeneo, Re di Creta, K.366 / Act 2: Recitativo Andante 'Parto, E L'Unico Oggetto' | — | ||
| 4-30 | Idomeneo, Re di Creta, K.366 / Act 2: 'Idol Mio, Se Ritroso' | — | ||
| 4-31 | Idomeneo, Re di Creta, K.366 / Act 2: 'Odo da Lunge Armonioso Suono' | — | ||
| 5-1 | Idomeneo, Re di Creta, K.366 / Act 2: 'Sidonie Sponde!' | — | ||
| 5-2 | Idomeneo, Re di Creta, K.366 / Act 2: 'Placido È Il Mar' | — | ||
| 5-3 | Idomeneo, Re di Creta, K.366 / Act 2: 'Vattene Prence' | — | ||
| 5-4 | Idomeneo, Re di Creta, K.366 / Act 2: 'Pria di Partir, Oh Dio!' | — | ||
| 5-5 | Idomeneo, Re di Creta, K.366 / Act 2: 'Qual Nuovo Terrore! | — | ||
| 5-6 | Idomeneo, Re di Creta, K.366 / Act 2: 'Eccoti in Me, Barbaro Nume!' | — | ||
| 5-7 | Idomeneo, Re di Creta, K.366 / Act 2: 'Corriamo, Fuggiamo' | — | ||
| 5-8 | Idomeneo, Re di Creta, K.366 / Act 3: 'Zefiretti Lusinghieri' | — | ||
| 5-9 | Idomeneo, Re di Creta, K.366 / Act 3: 'Ei Stesso Vien' | — | ||
| 5-10 | Idomeneo, Re di Creta, K.366 / Act 3: 'Principessa, A' Tuoi Sguardi' | — | ||
| 5-11 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo Andante (Quasi Adagio) 'Odo? O Sol Quel Che Brama' | — | ||
| 5-12 | Idomeneo, Re di Creta, K.366 / Act 3: Spiegarti Non Poss'Io | — | ||
| 5-13 | Idomeneo, Re di Creta, K.366 / Act 3: 'Cieli! Che Vedo?' | — | ||
| 5-14 | Idomeneo, Re di Creta, K.366 / Act 3: 'Andrò Ramingo E Solo' | — | ||
| 5-15 | Idomeneo, Re di Creta, K.366 / Act 3: 'Sire, Alla Reggia Tua' | — | ||
| 5-16 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo 'Ahimè! Tutto Perdei' | — | ||
| 5-17 | Idomeneo, Re di Creta, K.366 / Act 3: 'd'Oreste, D'Aiace' | — | ||
| 5-18 | Idomeneo, Re di Creta, K.366 / Act 3: Marcia | — | ||
| 5-19 | Idomeneo, Re di Creta, K.366 / Act 3: 'Accogli, o Rè Del Mar' | — | ||
| 5-20 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo Andante 'Non Più! Sacro Ministro' | — | ||
| 5-21 | Idomeneo, Re di Creta, K.366 / Act 3: 'o Voto Tremendo' | — | ||
| 5-22 | Idomeneo, Re di Creta, K.366 / Act 3: Coro E Recitativo Allegro Vivace 'Stupenda Vittoria' - Sire! Il Prence' | — | ||
| 5-23 | Idomeneo, Re di Creta, K.366 / Act 3: Recitativo Largo 'Padre, Mio Caro Padre!' Recitativo Presto 'Ferma, o Sire, Che Fai?' Recitativo 'o Ciel Pietoso!' | — | ||
| 5-24 | Idomeneo, Re di Creta, K.366 / Act 3: 'Popoli, a Voi L'Ultima Legge' | — | ||
| 5-25 | Idomeneo, Re di Creta, K.366 / Act 3: 'Scenda Amor, Scenda Imeneo' | — | ||
| 6-1 | From the House of the Dead (Z Mrtvého Domu): Introduction: Moderato | — | ||
| 6-2 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Moderato | — | ||
| 6-3 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Privedou Dnes Pána! | — | ||
| 6-4 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Neuvidi Oko Jiz Kraju | — | ||
| 6-5 | From the House of the Dead (Z Mrtvého Domu) / Act 1: Aljejo, Podavej Nitku! | — | ||
| 6-6 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Moderato 'a' | — | ||
| 6-7 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Milý, Milý Aljejo! | — | ||
| 6-8 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Skuratov: Poslali Mne V Jurjea | — | ||
| 6-9 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Hra o Kedrilovi a Juanovi | — | ||
| 6-10 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Pantomima o Pekne Mlyánrce | — | ||
| 6-11 | From the House of the Dead (Z Mrtvého Domu) / Act 2: Pekne Hrali, Co? | — | ||
| 7-1 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Moderato | — | ||
| 7-2 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Isaj, Prorok Bozi! | — | ||
| 7-3 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Má Detátka Milá | — | ||
| 7-4 | From the House of the Dead (Z Mrtvého Domu) / Act 3: Promena. Allegro. Hou, Hou! | — | ||
| 8-1 | La traviata: Preludio | Wiener Philharmoniker, Carlo Rizzi | T-900.798.614-3 | |
| 8-2 | La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-3 | La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallén, Salvatore Cordella, Paul Gay, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi | T-906.859.796-6 | |
| 8-4 | La traviata: Atto I. “Che è ciò?” (Tutti, Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-5 | La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | T-309.041.381-9 | |
| 8-6 | La traviata: Atto I. “Ebben? che diavol fate?” (Gastone, Violetta, Alfredo) | Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-7 | La traviata: Atto I. “Si ridesta in ciel l’aurora” (Tutti) | Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-8 | La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui” | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-9 | La traviata: Atto I. “Follie! Follie! Delirio vano è questo! – Sempre libera” (Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-10 | La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo) | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-11 | La traviata: Atto II, scena 1. “Annina, donde vieni? – Oh mio rimorso!” (Alfredo, Annina) | Diane Pilcher, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-12 | La traviata: Atto II, scena 1. “Alfredo?” / “Per parigi or or partiva” (Violetta, Annina, Germont) | Thomas Hampson, Anna Netrebko, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-13 | La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-14 | La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont) | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-15 | La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-16 | La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-17 | La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-18 | La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!“ (Violetta, Annina) | Anna Netrebko, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-19 | La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-20 | La traviata: Atto II, scena 1. “Ah, vive sol quel core” (Alfredo, Giuseppe, Commissionario, Germont) | Thomas Hampson, Dritan Luca, Friedrich Springer, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-21 | La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) | Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | — | |
| 8-22 | La traviata: Atto II, scena 1. “Né rispondi d'un padre all'affetto? – No, non udrai rimproveri” (Germont, Alfredo) | Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-1 | La traviata: Atto II, scena 2. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Tutti) | Luigi Roni, Helene Schneiderman, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-2 | La traviata: Atto II, scena 2. "Noi siamo zingarelle" (Coro, Flora, Marchese, Tutti) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Helene Schneiderman, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | T-005.003.222-8 | |
| 9-3 | La traviata: Atto II, scena 2. "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Luigi Roni, Helene Schneiderman, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-4 | La traviata: Atto II, scena 2. "Alfredo! Voi!" (Tutti, Alfredo, Violetta, Barone) | Paul Gay, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-5 | La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-6 | La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti) | Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-7 | La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-8 | La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-9 | La traviata: Atto III. Preludio | Wiener Philharmoniker, Carlo Rizzi | T-900.798.614-3 | |
| 9-10 | La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore) | Anna Netrebko, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-11 | La traviata: Atto III. “Teneste la promessa – Attendo, attendo, né a me giungon mai! – Addio del passato” (Violetta) | Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | T-913.424.339-3 | |
| 9-12 | La traviata: Atto III. “Largo al quadrupede” (Coro di maschere) | Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-13 | La traviata: Atto III. “Signora…” / “Che t’accadde?” (Annina, Violetta, Alfredo) / “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) | Anna Netrebko, Diane Pilcher, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-14 | La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-15 | La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo) | Thomas Hampson, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 9-16 | La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore) | Thomas Hampson, Anna Netrebko, Diane Pilcher, Luigi Roni, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — | |
| 10-1 | Eugene Onegin, Op.24 / Act 1 (Scene 1) Introduction | — | ||
| 10-2 | Eugene Onegin, Op.24 / Act 1: Duet and Quartet. 'Slikhali L Vi Za Roschei Glas Nochnoi' | — | ||
| 10-3 | Eugene Onegin, Op.24 / Act 1: Peasants' Chorus and Dance. 'Bolyat Moyi Skori Nozhenki So Pokhodushki' - 'Uzh Kak Po Mostu, Mostochku' | — | ||
| 10-4 | Eugene Onegin, Op.24 / Act 1: Scene and Aria. 'Kak Ya Lyublyu Pod Zvuki Pesen Etikh' - 'Uzh Kak Po Mostu, Mostochku' | — | ||
| 10-5 | Eugene Onegin, Op.24 / Act 1: Scene. 'Nu Ti, Moya Vostrushka' | — | ||
| 10-6 | Eugene Onegin, Op.24 / Act 1: 'Mesdames! Ya Na Sebya Vzyal Smyelost' / 'Skazhi, Kotoraya Tatyana' | — | ||
| 10-7 | Eugene Onegin, Op.24 / Act 1: Scene and Arioso. 'Kak Shchastliv, Kak Shchastliv Ya!' | — | ||
| 10-8 | Eugene Onegin, Op.24 / Act 1: 'Ya Lyublyu Vas' | — | ||
| 10-9 | Eugene Onegin, Op.24 / Act 1: Closing Scene. 'a, Vot I Vi!' | — | ||
| 10-10 | Eugene Onegin, Op.24 / Act 1 (Scene 2) Introduction and Scene. 'Nu, Zaboltalas Ya!' | — | ||
| 10-11 | Eugene Onegin, Op.24 / Act 1: Letter Scene. 'Puskai Pogilabnu Ya, No Pryezhde' | — | ||
| 10-12 | Eugene Onegin, Op.24 / Act 1: Scene and Duet. 'Akh, Noch Minula' | — | ||
| 10-13 | Eugene Onegin, Op.24 / Act 1 (Scene 3) Servant Girls' Chorus. 'Dyevitsi, Krasavitsi' | — | ||
| 10-14 | Eugene Onegin, Op.24 / Act 1: Scene and Aria. 'Zdyes On, Zdyes On, Yevgeni!' | — | ||
| 10-15 | Eugene Onegin, Op.24 / Act 1: 'Kogda Bi Zhizn Domashnim Krugom' | — | ||
| 11-1 | Eugene Onegin, Op.24 / Act 2 (Scene 1) Entr'Acte and Waltz With Chorus. 'Vot Tak Syurpriz!' | — | ||
| 11-2 | Eugene Onegin, Op.24 / Act 2: Scene and Couplets. 'Uzhel Ya Zasluzhil Ot Nasmyeshku Etu?' | — | ||
| 11-3 | Eugene Onegin, Op.24 / Act 2: 'Kakoy Prekrasny Etot Den' | — | ||
| 11-4 | Eugene Onegin, Op.24 / Act 2: Mazurka and Scene. 'Messieurs, Mesdames, Mesta Zanyat Izvolte' - 'Ti Ne Tantsuyesh, Lenski?' | — | ||
| 11-5 | Eugene Onegin, Op.24 / Act 2: Finale. 'v Vashem Dome! V Vashem Dome!' | — | ||
| 11-6 | Eugene Onegin, Op.24 / Act 2 (Scene 2) Introduction, Scene and Aria. 'Nu, Shto Zhe?' | — | ||
| 11-7 | Eugene Onegin, Op.24 / Act 2: 'Kuda, Kuda, Kuda Vi Udalilis' | — | ||
| 11-8 | Eugene Onegin, Op.24 / Act 2: Duel Scene. 'a, Vot Oni!' | — | ||
| 11-9 | Eugene Onegin, Op.24 / Act 3 (Scene 1) Polonaise | — | ||
| 11-10 | Eugene Onegin, Op.24 / Act 3: Scene and Aria. 'i Zdyes Mnye Skuchno!' | — | ||
| 11-11 | Eugene Onegin, Op.24 / Act 3: 'Knyaginya Gremina! Smotrite!' | — | ||
| 11-12 | Eugene Onegin, Op.24 / Act 3: 'Lyubvi Vsye Vozrasti Pokorni' | — | ||
| 11-13 | Eugene Onegin, Op.24 / Act 3: Scene and Arioso. 'Itak, Poidyom, Tebya Predstavlyu Ya' - 'Uzhel Ta Samaya Tatyana' | — | ||
| 11-14 | Eugene Onegin, Op.24 / Act 3: 'o! Kak Mnye Tyazhelo!' / 'Onegin! Ya Togda Molozhe' | — | ||
| 12-1 | Symphony No.40 in G minor, K.550: 1. Molto Allegro | — | ||
| 12-2 | Symphony No.40 in G minor, K.550: 2. Andante | — | ||
| 12-3 | Symphony No.40 in G minor, K.550: 3. Menuetto (Allegretto) - Trio | — | ||
| 12-4 | Symphony No.40 in G minor, K.550: 4. Finale (Allegro Assai) | — | ||
| 12-5 | Symphony No.41 in C, K.551 - 'Jupiter': 1. Allegro Vivace | — | ||
| 12-6 | Symphony No.41 in C, K.551 - 'Jupiter': 2. Andante Cantabile | — | ||
| 12-7 | Symphony No.41 in C, K.551 - 'Jupiter': 3. Menuetto (Allegretto) | — | ||
| 12-8 | Symphony No.41 in C, K.551 - 'Jupiter': 4. Molto Allegro | — | ||
| 13-1 | Symphony no. 3 in D, D. 200: 1. Adagio maestoso - Allegro con brio | — | ||
| 13-2 | Symphony no. 3 in D, D. 200: 2. Allegretto | — | ||
| 13-3 | Symphony no. 3 in D, D. 200: 3. Menuetto (Vivace) | — | ||
| 13-4 | Symphony no. 3 in D, D. 200: 4. Presto. Vivace | — | ||
| 13-5 | Ein Heldenleben, op. 40: Der Held | — | ||
| 13-6 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 13-7 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 13-8 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 13-9 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 13-10 | Ein Heldenleben, op. 40: Des Helden Weltflucht Und Vollendung | — | ||
| 14-1 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-2 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-3 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-4 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-5 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-6 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-7 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-8 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-1 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio | Wiener Philharmoniker, Leonard Bernstein | T-801.364.648-6 | |
| 15-2 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato) | Wiener Philharmoniker, Leonard Bernstein | T-800.828.586-8 | |
| 15-3 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-4 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-5 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-6 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-7 | Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-8 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-9 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-10 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-11 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-12 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-13 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-14 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-15 | Symphony no. 8 in E-flat "Symphony of a Thousand": Part Two: Final Scene From Goethe's "Faust": "Komm! Hebe Dich Zu Höhern Sphären" | — | ||
| 15-16 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVI. Hymnenartig (Ungefähr im selben Zeitmaß weiter) "Blicket auf zum Retterblick, alle reuig Zarten" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15-17 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 16-1 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 1. Introduzione (Maestoso Ed Adagio) | — | ||
| 16-2 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 2. Sonata I (Largo) | — | ||
| 16-3 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 3. Sonata II (Grave E Cantabile) | — | ||
| 16-4 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 4. Sonata III (Grave) | — | ||
| 16-5 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 5. Sonata IV (Largo) | — | ||
| 16-6 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 6. Sonata V (Adagio) | — | ||
| 16-7 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 7. Sonata VI (Lento) | — | ||
| 16-8 | The Seven Last Words of Our Saviour on the Cross Op.51 (Hob.III. 50-56): 8. Sonata VII (Largo) | — | ||
| 17-1 | Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre | Wiener Philharmoniker, Herbert von Karajan | T-902.772.343-9 | |
| 17-2 | Siegfried-Idyll | Wiener Philharmoniker, Herbert von Karajan | T-306.482.955-2 | |
| 17-3 | Tristan und Isolde: Vorspeil zum I. Aufzug | Wiener Philharmoniker, Herbert von Karajan | T-050.071.427-1 | |
| 17-4 | Tristan und Isolde: Isoldes Liebestod | Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-1 | Opening applause | [no artist] | — | |
| 18-2 | Konzert für Violine und Orchester D-dur, op. 35: 1. Allegro moderato | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-3 | Konzert für Violine und Orchester D-dur, op. 35: 2. Canzonetta (Andante) | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-4 | Konzert für Violine und Orchester D-dur, op. 35: 3. Finale (Allegro vivacissimo) | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | T-902.717.414-7 | |
| 18-5 | Closing applause | [no artist] | — | |
| 19-1 | Mass in D, Op.123 'Missa Solemnis': Kyrie | — | ||
| 19-2 | Mass in D, Op.123 'Missa Solemnis': Gloria | — | ||
| 19-3 | Mass in D, Op.123 'Missa Solemnis': Credo | — | ||
| 20-1 | Mass in D, Op.123 'Missa Solemnis': Sanctus | — | ||
| 20-2 | Mass in D, Op.123 'Missa Solemnis': Sanctus: Benedictus | — | ||
| 20-3 | Mass in D, Op.123 'Missa Solemnis': Agnus Dei | — | ||
| 21-1 | Symphonie fantastique, op. 14: 1. Rêveries. Passions (Largo – Allegro agitato ed appassionato assai) | — | ||
| 21-2 | Symphonie fantastique, op. 14: 2. Un bal (Valse: Allegro non troppo) | — | ||
| 21-3 | Symphonie fantastique, op. 14: 3. Scène aux champs (Adagio) | — | ||
| 21-4 | Symphonie fantastique, op. 14: 4. Marche au supplice (Allegretto Non Troppo) | — | ||
| 21-5 | Symphonie fantastique, op. 14: 5. Songe d’une nuit du sabbat (Larghetto – Allegro – Ronde du sabbat: Poco meno mosso) | — | ||
| 21-6 | Les Préludes, Symphonic Poem No. 3, S. 97 (after Lamartine) | — | ||
| 22-1 | Overture the Storm, op.76 | — | ||
| 22-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 1. Adagio – Allegro non troppo | — | ||
| 22-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 2. Allegro con grazia | — | ||
| 22-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 3. Allegro molto vivace | — | ||
| 22-5 | Symphony no. 6 in B minor, op. 74 “Pathétique”: 4. Finale (Adagio lamentoso – Andante) | — | ||
| 23-1 | Four Orchestral Pieces Op.12 (Sz 51): 1. Preludio | — | ||
| 23-2 | Four Orchestral Pieces Op.12 (Sz 51): 2. Scherzo: Allegro | — | ||
| 23-3 | Four Orchestral Pieces Op.12 (Sz 51): 3. Intermezzo: Moderato | — | ||
| 23-4 | Four Orchestral Pieces Op.12 (Sz 51): 4. Marcia Funebre: Maestoso | — | ||
| 23-5 | Notations I | — | ||
| 23-6 | Notations I-IV Pour Orchestre: Notations IV | — | ||
| 23-7 | Notations I-IV Pour Orchestre: Notations III | — | ||
| 23-8 | Notations I-IV Pour Orchestre: Notations II | — | ||
| 23-9 | Le Sacre Du Printemps: Part 1: L'Adoration de La Terre | — | ||
| 23-10 | Le Sacre Du Printemps: Part 2: Le Sacrifice | — | ||
| 24-1 | Piano Sonata in C minor, H.XVI No.20: 1. Moderato | — | ||
| 24-2 | Piano Sonata in C minor, H.XVI No.20: 2. Andante Con Moto | — | ||
| 24-3 | Piano Sonata in C minor, H.XVI No.20: 3. Finale (Allegro) | — | ||
| 24-4 | Piano Sonata No.31 in A-flat major, Op.110: 1. Moderato Cantabile Molto Espressivo | — | ||
| 24-5 | Piano Sonata No.31 in A-flat major, Op.110: 2. Allegro Molto | — | ||
| 24-6 | Piano Sonata No.31 in A-flat major, Op.110: 3a. Adagio Ma Non Troppo | — | ||
| 24-7 | Piano Sonata No.31 in A-flat major, Op.110: 4. Fuga (Allegro Ma Non Troppo) | — | ||
| 24-8 | 4 Impromptus Op.142, D.935: No.1 in F minor: Allegro Moderato | — | ||
| 24-9 | Piano Sonata No.14 in C minor, K.457: 1. Allegro | — | ||
| 24-10 | Piano Sonata No.14 in C minor, K.457: 2. Adagio | — | ||
| 24-11 | Piano Sonata No.14 in C minor, K.457: 3. Molto Allegro | — | ||
| 25-1 | Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante | Martha Argerich, Nelson Freire | T-322.463.971-4 | |
| 25-2 | Variations on a Theme by Joseph Haydn, op. 56b: Variation I. Andante con moto | Martha Argerich, Nelson Freire | — | |
| 25-3 | Variations on a Theme by Joseph Haydn, op. 56b: Variation II. Vivace | Martha Argerich, Nelson Freire | — | |
| 25-4 | Variations on a Theme by Joseph Haydn, op. 56b: Variation III. Con moto | Martha Argerich, Nelson Freire | — | |
| 25-5 | Variations on a Theme by Joseph Haydn, op. 56b: Variation IV. Andante | Martha Argerich, Nelson Freire | — | |
| 25-6 | Variations on a Theme by Joseph Haydn, op. 56b: Variation V. Poco presto | Martha Argerich, Nelson Freire | — | |
| 25-7 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VI. Vivace | Martha Argerich, Nelson Freire | — | |
| 25-8 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VII. Grazioso | Martha Argerich, Nelson Freire | — | |
| 25-9 | Variations on a Theme by Joseph Haydn, op. 56b: Variation VIII. Poco presto | Martha Argerich, Nelson Freire | — | |
| 25-10 | Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante | Martha Argerich, Nelson Freire | — | |
| 25-11 | Symphonic Dances, op. 45: I. Non allegro | Nelson Freire, Martha Argerich | — | |
| 25-12 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Nelson Freire, Martha Argerich | — | |
| 25-13 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai (come prima) – L’istesso tempo, ma agitato | Nelson Freire, Martha Argerich | — | |
| 25-14 | Rondo in A major, D 951 “Grand Rondeau” | Nelson Freire, Martha Argerich | — | |
| 25-15 | La Valse: Poème chorégraphique | Martha Argerich, Nelson Freire | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont) | Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | — |
| La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta) | Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | — |
