UPC · Release
The Liszt Legacy
Claudio Arrau, Alicia de Larrocha, Raymond Lewenthal, Benno Moiseiwitsch, Egon Petri
028947795278
204 tracksReleased 2011-01-01Deutsche Grammophon
Last verified:
028947795278 is the Universal Product Code (UPC barcode) for the release “The Liszt Legacy” by Claudio Arrau, Alicia de Larrocha, Raymond Lewenthal, Benno Moiseiwitsch, Egon Petri, released 2011-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 204 tracks, each with its own ISRC. Tracks include FR8Z96121314, FR8Z96121315, FR8Z96121316.
Format
0Number system
28947Manufacturer
79527Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Liszt Legacy
ISRC3 recordings
Track List (204)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 1. Allegro | — | ||
| 2 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 3 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 3. Adagio sostenuto | — | ||
| 4 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 4. Largo - Allegro risoluto | — | ||
| 5 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 1. Grave - Allegro di molto e con brio | — | ||
| 6 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 2. Adagio cantabile | — | ||
| 7 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 3. Rondo (Allegro) | — | ||
| 2-1 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenuto | — | ||
| 2-2 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 2. Allegretto | — | ||
| 2-3 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 3. Presto agitato | — | ||
| 2-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 1. Allegro assai | — | ||
| 2-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 2. Andante con moto | — | ||
| 2-6 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 3. Allegro ma non troppo | — | ||
| 2-7 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": 1. Das Lebewohl (Adagio - Allegro) | — | ||
| 2-8 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": 2. Abwesenheit (Andante espressivo) | — | ||
| 2-9 | Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": 3. Das Wiedersehen (Vivacissimamente) | — | ||
| 2-10 | Fantaisie in F minor, op. 49 | — | ||
| 3-1 | Danzas fantásticas, op. 22: 1. Exaltación | — | ||
| 3-2 | Danzas fantásticas, op. 22: 2. Ensueño | — | ||
| 3-3 | Danzas fantásticas, op. 22: 3. Orgía | — | ||
| 3-4 | Preludios, op. 80 (Ciclo pianístico, VII): 1. Adagio | — | ||
| 3-5 | Preludios, op. 80 (Ciclo pianístico, VII): 2. Allegretto | — | ||
| 3-6 | Preludios, op. 80 (Ciclo pianístico, VII): 3. Allegro giusto | — | ||
| 3-7 | Preludios, op. 80 (Ciclo pianístico, VII): 4. Allegretto | — | ||
| 3-8 | Preludios, op. 80 (Ciclo pianístico, VII): 5. Adagio - Allegro vivo | — | ||
| 3-9 | Recuerdos de la antigua España, op. 48: 1. La eterna Carmen | — | ||
| 3-10 | Recuerdos de la antigua España, op. 48: 2. Habanera | — | ||
| 3-11 | Recuerdos de la antigua España, op. 48: 3. Don Juan | — | ||
| 3-12 | Recuerdos de la antigua España, op. 48: 4. Estudiantina | — | ||
| 3-13 | Partita, op. 57 (Ciclo pianístico, II): 1. Preludio | — | ||
| 3-14 | Partita, op. 57 (Ciclo pianístico, II): 2. Zarabanda | — | ||
| 3-15 | Partita, op. 57 (Ciclo pianístico, II): 3. Capricho | — | ||
| 3-16 | Partita, op. 57 (Ciclo pianístico, II): 4. Introducción y giga | — | ||
| 3-17 | Escenas románticas: 1. Mazurka | — | ||
| 3-18 | Escenas románticas: 2. Berceuse | — | ||
| 3-19 | Escenas románticas: 3. Lento con éxtasis | — | ||
| 3-20 | Escenas románticas: 4. Allegretto | — | ||
| 3-21 | Escenas románticas: 5. Allegretto appassionato | — | ||
| 3-22 | Escenas románticas: 6. Epílogo: Andantino spianato | — | ||
| 4-1 | Goyescas Suite: 1. Los requiebros | — | ||
| 4-2 | Goyescas Suite: 2. Coloquio en la reja | — | ||
| 4-3 | Goyescas Suite: 3. El fandango del candil | — | ||
| 4-4 | Goyescas Suite: 4. Quejas o la maja y el ruiseñor | — | ||
| 4-5 | Goyescas Suite: 5. El amor y la muerte (Balada) | — | ||
| 4-6 | Goyescas Suite: 6. Epílogo (Serenata del espectro) | — | ||
| 4-7 | Goyescas Suite: 7. El pelele (Escena goyesca) | — | ||
| 4-8 | Impresiones íntimas: 1. Planys I | — | ||
| 4-9 | Impresiones íntimas: 2. Planys II | — | ||
| 4-10 | Impresiones íntimas: 3. Planys III | — | ||
| 4-11 | Impresiones íntimas: 4. Planys IV | — | ||
| 4-12 | Impresiones íntimas: 5. Pájaro triste | — | ||
| 4-13 | Impresiones íntimas: 6. La barca | — | ||
| 4-14 | Impresiones íntimas: 7. Cuna | — | ||
| 4-15 | Impresiones íntimas: 8. Secreto | — | ||
| 4-16 | Impresiones íntimas: 9. Gitano | — | ||
| 5-1 | 24 Preludes for Piano, op. 11: No. 1 in C | — | ||
| 5-2 | 24 Preludes for Piano, op. 11: No. 5 in D | — | ||
| 5-3 | 24 Preludes for Piano, op. 11: No. 7 in A | — | ||
| 5-4 | 24 Preludes for Piano, op. 11: No. 9 in E | — | ||
| 5-5 | 24 Preludes for Piano, op. 11: No. 20 in C minor | — | ||
| 5-6 | 24 Preludes for Piano, op. 11: No. 12 in G-sharp minor | — | ||
| 5-7 | 24 Preludes for Piano, op. 11: No. 11 in B | — | ||
| 5-8 | 24 Preludes for Piano, op. 11: No. 18 in F minor | — | ||
| 5-9 | 24 Preludes for Piano, op. 11: No. 10 in C-sharp minor | — | ||
| 5-10 | 24 Preludes for Piano, op. 11: No. 13 in G-flat | — | ||
| 5-11 | 24 Preludes for Piano, op. 11: No. 19 in E-flat | — | ||
| 5-12 | 24 Preludes for Piano, op. 11: No. 4 in E minor | — | ||
| 5-13 | 24 Preludes for Piano, op. 11: No. 3 in G | — | ||
| 5-14 | 24 Preludes for Piano, op. 11: No. 16 in B-flat minor | — | ||
| 5-15 | 24 Preludes for Piano, op. 11: No. 17 in A-flat | — | ||
| 5-16 | 24 Preludes for Piano, op. 11: No. 14 in E-flat minor | — | ||
| 5-17 | 24 Preludes for Piano, op. 11: No. 15 in D-flat | — | ||
| 5-18 | 24 Preludes for Piano, op. 11: No. 8 in F-sharp minor | — | ||
| 5-19 | 24 Preludes for Piano, op. 11: No. 2 in A minor | — | ||
| 5-20 | 24 Preludes for Piano, op. 11: No. 21 in B-flat | — | ||
| 5-21 | 24 Preludes for Piano, op. 11: No. 6 in B minor | — | ||
| 5-22 | 24 Preludes for Piano, op. 11: No. 22 in G minor | — | ||
| 5-23 | 24 Preludes for Piano, op. 11: No. 23 in F | — | ||
| 5-24 | 24 Preludes for Piano, op. 11: No. 24 in D minor | — | ||
| 5-25 | 5 Preludes, op. 74: No. 1 | — | ||
| 5-26 | 5 Preludes, op. 74: No. 2 | — | ||
| 5-27 | 5 Preludes, op. 74: No. 3 | — | ||
| 5-28 | 5 Preludes, op. 74: No. 4 | — | ||
| 5-29 | 5 Preludes, op. 74: No. 5 | — | ||
| 5-30 | Fantasy in B minor, op. 28 | — | ||
| 5-31 | Vers la flamme, op. 72 | — | ||
| 5-32 | Greensleeves | — | ||
| 5-33 | Le Carnaval des Animaux: XIII. The Swan | — | ||
| 5-34 | On the Wings of Song, op. 34 no. 2 | — | ||
| 5-35 | How Fair This Spot, op. 21 no. 7 | — | ||
| 6-1 | Toccata in C, op. 7 | — | ||
| 6-2 | Toccatina in C minor, op. 75 | — | ||
| 6-3 | Toccata in C major, op. 92 | — | ||
| 6-4 | Toccata in G minor | — | ||
| 6-5 | Toccata in C minor, BWV 911 | — | ||
| 6-6 | Toccata, op. 11 | — | ||
| 6-7 | Pour le piano, L. 95: 3. Toccata | — | ||
| 6-8 | Le Tombeau de Couperin, M. 68: 6. Toccata | — | ||
| 6-9 | Toccata in C major, op. 19 no. 1 | — | ||
| 6-10 | Toccata alla Scarlatti | — | ||
| 6-11 | Ricercare and Toccata on a Theme from "The Old Maid and the Thief" | — | ||
| 6-12 | 6 Soirées de Saint-Pétersbourg, op. 44: Romance | — | ||
| 6-13 | Elegie | — | ||
| 6-14 | Serenade (from Schwanengesang) | — | ||
| 6-15 | Suite bergamasque, L. 75: 3. Clair de lune | — | ||
| 6-16 | Liebestraum no. 3 in A-flat, S. 541 no. 3 | — | ||
| 7-1 | Carnaval, op. 9: 1. Préambule | — | ||
| 7-2 | Carnaval, op. 9: 2. Pierrot | — | ||
| 7-3 | Carnaval, op. 9: 3. Arlequin | — | ||
| 7-4 | Carnaval, op. 9: 4. Valse noble | — | ||
| 7-5 | Carnaval, op. 9: 5. Eusebius | — | ||
| 7-6 | Carnaval, op. 9: 6. Florestan | — | ||
| 7-7 | Carnaval, op. 9: 7. Coquette | — | ||
| 7-8 | Carnaval, op. 9: 8a. Réplique | — | ||
| 7-9 | Carnaval, op. 9: 9. Papillons | — | ||
| 7-10 | Carnaval, op. 9: 10. A.S.C.H.-S.C.H.A. (Lettres dansantes) | — | ||
| 7-11 | Carnaval, op. 9: 11. Chiarina | — | ||
| 7-12 | Carnaval, op. 9: 12. Chopin | — | ||
| 7-13 | Carnaval, op. 9: 13. Estrella | — | ||
| 7-14 | Carnaval, op. 9: 14. Reconnaissance | — | ||
| 7-15 | Carnaval, op. 9: 15. Pantalon et Colombine | — | ||
| 7-16 | Carnaval, op. 9: 16a. Valse Allemande | — | ||
| 7-17 | Carnaval, op. 9: 16b. Intermezzo: Paganini | — | ||
| 7-18 | Carnaval, op. 9: 17. Aveu | — | ||
| 7-19 | Carnaval, op. 9: 18. Promenade | — | ||
| 7-20 | Carnaval, op. 9: 19. Pause | — | ||
| 7-21 | Carnaval, op. 9: 20. Marche des "Davidsbündler" contre les Philistins | — | ||
| 7-22 | Kreisleriana, op. 16: 1. Äusserst bewegt | — | ||
| 7-23 | Kreisleriana, op. 16: 2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I | — | ||
| 7-24 | Kreisleriana, op. 16: 3. Sehr aufgeregt | — | ||
| 7-25 | Kreisleriana, op. 16: 4. Sehr langsam | — | ||
| 7-26 | Kreisleriana, op. 16: 5. Sehr lebhaft | — | ||
| 7-27 | Kreisleriana, op. 16: 6. Sehr langsam | — | ||
| 7-28 | Kreisleriana, op. 16: 7. Sehr rasch | — | ||
| 7-29 | Kreisleriana, op. 16: 8. Schnell und spielend | — | ||
| 7-30 | Kinderszenen, op. 15: 1. Von fremden Ländern und Menschen | — | ||
| 7-31 | Kinderszenen, op. 15: 2. Kuriose Geschichte | — | ||
| 7-32 | Kinderszenen, op. 15: 3. Hasche-Mann | — | ||
| 7-33 | Kinderszenen, op. 15: 4. Bittendes Kind | — | ||
| 7-34 | Kinderszenen, op. 15: 5. Glückes genug | — | ||
| 7-35 | Kinderszenen, op. 15: 6. Wichtige Begebenheit | — | ||
| 7-36 | Kinderszenen, op. 15: 7. Träumerei | — | ||
| 7-37 | Kinderszenen, op. 15: 8. Am Kamin | — | ||
| 7-38 | Kinderszenen, op. 15: 9. Ritter vom Steckenpferd | — | ||
| 7-39 | Kinderszenen, op. 15: 10. Fast zu ernst | — | ||
| 7-40 | Kinderszenen, op. 15: 11. Fürchtenmachen | — | ||
| 7-41 | Kinderszenen, op. 15: 12. Kind im Einschlummern | — | ||
| 7-42 | Kinderszenen, op. 15: 13. Der Dichter spricht | — | ||
| 7-43 | Arabeske in C, op. 18 | — | ||
| 8-1 | Pictures at an Exhibition: Promenade | — | ||
| 8-2 | Pictures at an Exhibition: Gnomus | — | ||
| 8-3 | Pictures at an Exhibition: Promenade | — | ||
| 8-4 | Pictures at an Exhibition: Il vecchio castello | — | ||
| 8-5 | Pictures at an Exhibition: Promenade | — | ||
| 8-6 | Pictures at an Exhibition: Tuileries | — | ||
| 8-7 | Pictures at an Exhibition: Bydlo | — | ||
| 8-8 | Pictures at an Exhibition: Promenade | — | ||
| 8-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 8-10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 8-11 | Pictures at an Exhibition: The Market-Place at Limoges | — | ||
| 8-12 | Pictures at an Exhibition: Catacombae | — | ||
| 8-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua | — | ||
| 8-14 | Pictures at an Exhibition: The Hut on Chicken's Legs | — | ||
| 8-15 | Pictures at an Exhibition: The Bogatyr Gate at Kiev | — | ||
| 8-16 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenuto | — | ||
| 8-17 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 2. Allegretto | — | ||
| 8-18 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 3. Presto agitato | — | ||
| 8-19 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 1. Das Lebewohl (Adagio – Allegro) | Benno Moiseiwitsch | — | |
| 8-20 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 2. Abwesenheit (Andante espressivo) | Benno Moiseiwitsch | — | |
| 8-21 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 3. Das Wiedersehen (Vivacissimamente) | Benno Moiseiwitsch | — | |
| 8-22 | Andante Favori in F, WoO 57 | — | ||
| 8-23 | Waldszenen, op. 82: 7. Vogel als Prophet | — | ||
| 8-24 | 3 Romanzen, op. 28: No. 2 in F-sharp (Einfach) | — | ||
| 9-1 | Paraphrase on "Wedding March" and "Elfin Chorus" from Mendelssohn's "Midsummer Night's Dream" | — | ||
| 9-2 | Waltz from Gounod's "Faust" | — | ||
| 9-3 | Adélaide (after Beethoven) | — | ||
| 9-4 | Mephisto Waltz no. 1, S. 514 | — | ||
| 9-5 | Fantasy on Two Themes from Mozart's "Le Nozze di Figaro", S.697 | — | ||
| 9-6 | Fantasia Contrappuntistica, Kind. 256: Preludio corale | — | ||
| 9-7 | Fantasia Contrappuntistica, Kind. 256: Fuga I | — | ||
| 9-8 | Fantasia Contrappuntistica, Kind. 256: Fuga II | — | ||
| 9-9 | Fantasia Contrappuntistica, Kind. 256: Fuga III | — | ||
| 9-10 | Fantasia Contrappuntistica, Kind. 256: Intermezzo | — | ||
| 9-11 | Fantasia Contrappuntistica, Kind. 256: Variazione I | — | ||
| 9-12 | Fantasia Contrappuntistica, Kind. 256: Variazone II - Variazione III | — | ||
| 9-13 | Fantasia Contrappuntistica, Kind. 256: Cadenza | — | ||
| 9-14 | Fantasia Contrappuntistica, Kind. 256: Fuga IV - Corale - Stretta | — | ||
| 10-1 | Toccata and Fugue in D minor, BWV 565: Toccata | — | ||
| 10-2 | Toccata and Fugue in D minor, BWV 565: Fugue | — | ||
| 10-3 | Toccata, Adagio and Fugue in C, BWV 564: Toccata | — | ||
| 10-4 | Toccata, Adagio and Fugue in C, BWV 564: Adagio | — | ||
| 10-5 | Toccata, Adagio and Fugue in C, BWV 564: Fugue | — | ||
| 10-6 | Prelude and Fugue in E-flat, BWV 552: Prelude | — | ||
| 10-7 | Prelude and Fugue in E-flat, BWV 552: Fugue | — | ||
| 10-8 | Prelude and Fugue in D major, BWV 532: Prelude | — | ||
| 10-9 | Prelude and Fugue in D major, BWV 532: Fugue | — | ||
| 10-10 | Wachet auf, ruft uns die Stimme, BWV 645 | — | ||
| 10-11 | In dir ist Freude (Fantasia), BWV 615 | — | ||
| 10-12 | Ich ruf zu dir, Herr Jesu Christ, BWV 639 | — | ||
| 10-13 | Nun freut euch, liebe Christen g'mein, BWV 734 | — | ||
| 10-14 | Now We Thank Thee | — | ||
| 10-15 | I Step Before Thy Throne, O Lord | — | ||
| 10-16 | Minuet (from Notebook for W.F. Bach, BWV 841:3) | — | ||
| 10-17 | Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Sheep may safely graze | — |
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 1. Allegro
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 3. Adagio sostenuto
—
Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 4. Largo - Allegro risoluto
—
Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 1. Grave - Allegro di molto e con brio
—
Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 2. Adagio cantabile
—
Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 3. Rondo (Allegro)
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenuto
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 2. Allegretto
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 3. Presto agitato
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 1. Allegro assai
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 2. Andante con moto
—
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": 3. Allegro ma non troppo
—
Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": 1. Das Lebewohl (Adagio - Allegro)
—
Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": 2. Abwesenheit (Andante espressivo)
—
Piano Sonata no. 26 in E-flat, op. 81a "Les adieux": 3. Das Wiedersehen (Vivacissimamente)
—
Fantaisie in F minor, op. 49
—
Danzas fantásticas, op. 22: 1. Exaltación
—
Danzas fantásticas, op. 22: 2. Ensueño
—
Danzas fantásticas, op. 22: 3. Orgía
—
Preludios, op. 80 (Ciclo pianístico, VII): 1. Adagio
—
Preludios, op. 80 (Ciclo pianístico, VII): 2. Allegretto
—
Preludios, op. 80 (Ciclo pianístico, VII): 3. Allegro giusto
—
Preludios, op. 80 (Ciclo pianístico, VII): 4. Allegretto
—
Preludios, op. 80 (Ciclo pianístico, VII): 5. Adagio - Allegro vivo
—
Recuerdos de la antigua España, op. 48: 1. La eterna Carmen
—
Recuerdos de la antigua España, op. 48: 2. Habanera
—
Recuerdos de la antigua España, op. 48: 3. Don Juan
—
Recuerdos de la antigua España, op. 48: 4. Estudiantina
—
Partita, op. 57 (Ciclo pianístico, II): 1. Preludio
—
Partita, op. 57 (Ciclo pianístico, II): 2. Zarabanda
—
Partita, op. 57 (Ciclo pianístico, II): 3. Capricho
—
Partita, op. 57 (Ciclo pianístico, II): 4. Introducción y giga
—
Escenas románticas: 1. Mazurka
—
Escenas románticas: 2. Berceuse
—
Escenas románticas: 3. Lento con éxtasis
—
Escenas románticas: 4. Allegretto
—
Escenas románticas: 5. Allegretto appassionato
—
Escenas románticas: 6. Epílogo: Andantino spianato
—
Goyescas Suite: 1. Los requiebros
—
Goyescas Suite: 2. Coloquio en la reja
—
Goyescas Suite: 3. El fandango del candil
—
Goyescas Suite: 4. Quejas o la maja y el ruiseñor
—
Goyescas Suite: 5. El amor y la muerte (Balada)
—
Goyescas Suite: 6. Epílogo (Serenata del espectro)
—
Goyescas Suite: 7. El pelele (Escena goyesca)
—
Impresiones íntimas: 1. Planys I
—
Impresiones íntimas: 2. Planys II
—
Impresiones íntimas: 3. Planys III
—
Impresiones íntimas: 4. Planys IV
—
Impresiones íntimas: 5. Pájaro triste
—
Impresiones íntimas: 6. La barca
—
Impresiones íntimas: 7. Cuna
—
Impresiones íntimas: 8. Secreto
—
Impresiones íntimas: 9. Gitano
—
24 Preludes for Piano, op. 11: No. 1 in C
—
24 Preludes for Piano, op. 11: No. 5 in D
—
24 Preludes for Piano, op. 11: No. 7 in A
—
24 Preludes for Piano, op. 11: No. 9 in E
—
24 Preludes for Piano, op. 11: No. 20 in C minor
—
24 Preludes for Piano, op. 11: No. 12 in G-sharp minor
—
24 Preludes for Piano, op. 11: No. 11 in B
—
24 Preludes for Piano, op. 11: No. 18 in F minor
—
24 Preludes for Piano, op. 11: No. 10 in C-sharp minor
—
24 Preludes for Piano, op. 11: No. 13 in G-flat
—
24 Preludes for Piano, op. 11: No. 19 in E-flat
—
24 Preludes for Piano, op. 11: No. 4 in E minor
—
24 Preludes for Piano, op. 11: No. 3 in G
—
24 Preludes for Piano, op. 11: No. 16 in B-flat minor
—
24 Preludes for Piano, op. 11: No. 17 in A-flat
—
24 Preludes for Piano, op. 11: No. 14 in E-flat minor
—
24 Preludes for Piano, op. 11: No. 15 in D-flat
—
24 Preludes for Piano, op. 11: No. 8 in F-sharp minor
—
24 Preludes for Piano, op. 11: No. 2 in A minor
—
24 Preludes for Piano, op. 11: No. 21 in B-flat
—
24 Preludes for Piano, op. 11: No. 6 in B minor
—
24 Preludes for Piano, op. 11: No. 22 in G minor
—
24 Preludes for Piano, op. 11: No. 23 in F
—
24 Preludes for Piano, op. 11: No. 24 in D minor
—
5 Preludes, op. 74: No. 1
—
5 Preludes, op. 74: No. 2
—
5 Preludes, op. 74: No. 3
—
5 Preludes, op. 74: No. 4
—
5 Preludes, op. 74: No. 5
—
Fantasy in B minor, op. 28
—
Vers la flamme, op. 72
—
Greensleeves
—
Le Carnaval des Animaux: XIII. The Swan
—
On the Wings of Song, op. 34 no. 2
—
How Fair This Spot, op. 21 no. 7
—
Toccata in C, op. 7
—
Toccatina in C minor, op. 75
—
Toccata in C major, op. 92
—
Toccata in G minor
—
Toccata in C minor, BWV 911
—
Toccata, op. 11
—
Pour le piano, L. 95: 3. Toccata
—
Le Tombeau de Couperin, M. 68: 6. Toccata
—
Toccata in C major, op. 19 no. 1
—
Toccata alla Scarlatti
—
Ricercare and Toccata on a Theme from "The Old Maid and the Thief"
—
6 Soirées de Saint-Pétersbourg, op. 44: Romance
—
Elegie
—
Serenade (from Schwanengesang)
—
Suite bergamasque, L. 75: 3. Clair de lune
—
Liebestraum no. 3 in A-flat, S. 541 no. 3
—
Carnaval, op. 9: 1. Préambule
—
Carnaval, op. 9: 2. Pierrot
—
Carnaval, op. 9: 3. Arlequin
—
Carnaval, op. 9: 4. Valse noble
—
Carnaval, op. 9: 5. Eusebius
—
Carnaval, op. 9: 6. Florestan
—
Carnaval, op. 9: 7. Coquette
—
Carnaval, op. 9: 8a. Réplique
—
Carnaval, op. 9: 9. Papillons
—
Carnaval, op. 9: 10. A.S.C.H.-S.C.H.A. (Lettres dansantes)
—
Carnaval, op. 9: 11. Chiarina
—
Carnaval, op. 9: 12. Chopin
—
Carnaval, op. 9: 13. Estrella
—
Carnaval, op. 9: 14. Reconnaissance
—
Carnaval, op. 9: 15. Pantalon et Colombine
—
Carnaval, op. 9: 16a. Valse Allemande
—
Carnaval, op. 9: 16b. Intermezzo: Paganini
—
Carnaval, op. 9: 17. Aveu
—
Carnaval, op. 9: 18. Promenade
—
Carnaval, op. 9: 19. Pause
—
Carnaval, op. 9: 20. Marche des "Davidsbündler" contre les Philistins
—
Kreisleriana, op. 16: 1. Äusserst bewegt
—
Kreisleriana, op. 16: 2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I
—
Kreisleriana, op. 16: 3. Sehr aufgeregt
—
Kreisleriana, op. 16: 4. Sehr langsam
—
Kreisleriana, op. 16: 5. Sehr lebhaft
—
Kreisleriana, op. 16: 6. Sehr langsam
—
Kreisleriana, op. 16: 7. Sehr rasch
—
Kreisleriana, op. 16: 8. Schnell und spielend
—
Kinderszenen, op. 15: 1. Von fremden Ländern und Menschen
—
Kinderszenen, op. 15: 2. Kuriose Geschichte
—
Kinderszenen, op. 15: 3. Hasche-Mann
—
Kinderszenen, op. 15: 4. Bittendes Kind
—
Kinderszenen, op. 15: 5. Glückes genug
—
Kinderszenen, op. 15: 6. Wichtige Begebenheit
—
Kinderszenen, op. 15: 7. Träumerei
—
Kinderszenen, op. 15: 8. Am Kamin
—
Kinderszenen, op. 15: 9. Ritter vom Steckenpferd
—
Kinderszenen, op. 15: 10. Fast zu ernst
—
Kinderszenen, op. 15: 11. Fürchtenmachen
—
Kinderszenen, op. 15: 12. Kind im Einschlummern
—
Kinderszenen, op. 15: 13. Der Dichter spricht
—
Arabeske in C, op. 18
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: Gnomus
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: Il vecchio castello
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: Tuileries
—
Pictures at an Exhibition: Bydlo
—
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: Ballet of the Unhatched Chicks
—
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
—
Pictures at an Exhibition: The Market-Place at Limoges
—
Pictures at an Exhibition: Catacombae
—
Pictures at an Exhibition: Cum mortuis in lingua mortua
—
Pictures at an Exhibition: The Hut on Chicken's Legs
—
Pictures at an Exhibition: The Bogatyr Gate at Kiev
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenuto
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 2. Allegretto
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": 3. Presto agitato
—
Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 1. Das Lebewohl (Adagio – Allegro)
Benno Moiseiwitsch
—
Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 2. Abwesenheit (Andante espressivo)
Benno Moiseiwitsch
—
Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 3. Das Wiedersehen (Vivacissimamente)
Benno Moiseiwitsch
—
Andante Favori in F, WoO 57
—
Waldszenen, op. 82: 7. Vogel als Prophet
—
3 Romanzen, op. 28: No. 2 in F-sharp (Einfach)
—
Paraphrase on "Wedding March" and "Elfin Chorus" from Mendelssohn's "Midsummer Night's Dream"
—
Waltz from Gounod's "Faust"
—
Adélaide (after Beethoven)
—
Mephisto Waltz no. 1, S. 514
—
Fantasy on Two Themes from Mozart's "Le Nozze di Figaro", S.697
—
Fantasia Contrappuntistica, Kind. 256: Preludio corale
—
Fantasia Contrappuntistica, Kind. 256: Fuga I
—
Fantasia Contrappuntistica, Kind. 256: Fuga II
—
Fantasia Contrappuntistica, Kind. 256: Fuga III
—
Fantasia Contrappuntistica, Kind. 256: Intermezzo
—
Fantasia Contrappuntistica, Kind. 256: Variazione I
—
Fantasia Contrappuntistica, Kind. 256: Variazone II - Variazione III
—
Fantasia Contrappuntistica, Kind. 256: Cadenza
—
Fantasia Contrappuntistica, Kind. 256: Fuga IV - Corale - Stretta
—
Toccata and Fugue in D minor, BWV 565: Toccata
—
Toccata and Fugue in D minor, BWV 565: Fugue
—
Toccata, Adagio and Fugue in C, BWV 564: Toccata
—
Toccata, Adagio and Fugue in C, BWV 564: Adagio
—
Toccata, Adagio and Fugue in C, BWV 564: Fugue
—
Prelude and Fugue in E-flat, BWV 552: Prelude
—
Prelude and Fugue in E-flat, BWV 552: Fugue
—
Prelude and Fugue in D major, BWV 532: Prelude
—
Prelude and Fugue in D major, BWV 532: Fugue
—
Wachet auf, ruft uns die Stimme, BWV 645
—
In dir ist Freude (Fantasia), BWV 615
—
Ich ruf zu dir, Herr Jesu Christ, BWV 639
—
Nun freut euch, liebe Christen g'mein, BWV 734
—
Now We Thank Thee
—
I Step Before Thy Throne, O Lord
—
Minuet (from Notebook for W.F. Bach, BWV 841:3)
—
Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Sheep may safely graze
—
What other identifiers does this connect to?
Creative Contributors (ISNI)
SourcesDiscogsMusicBrainzMLCMusicBrainzNotes5 sources
Verified on
Identifier Graph
People also ask
What is UPC 028947795278?
028947795278 is a Universal Product Code (UPC) assigned to The Liszt Legacy by Claudio Arrau, Alicia de Larrocha, Raymond Lewenthal, Benno Moiseiwitsch, Egon Petri. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 204 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm