UPC · Release
Complete Concertos
Beethoven, Daniel Barenboim, Gidon Kremer, Anne‐Sophie Mutter, Maurizio Pollini
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028947797975 is the Universal Product Code (UPC barcode) for the release “Complete Concertos” by Beethoven, Daniel Barenboim, Gidon Kremer, Anne‐Sophie Mutter, Maurizio Pollini, released 2011-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include DEF058203831, DEF058203832, DEF058203833.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 2 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 3 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: III. Rondo. Allegro scherzando | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 4 | Klavierkonzerte no. 2 B-dur, op. 19: I. Allegro con brio | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | — | |
| 5 | Klavierkonzerte no. 2 B-dur, op. 19: II. Adagio | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | T-900.137.304-2 | |
| 6 | Klavierkonzerte no. 2 B-dur, op. 19: III. Rondo: Molto Allegro | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | — | |
| 7 | Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro | Святослав Теофилович Рихтер, Wiener Philharmoniker, Kurt Sanderling | — | |
| 2-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 2-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 2-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 2-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 2-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 2-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 2-7 | Romance cantabile for Piano, Flute, and Bassoon accompanied by two Oboes and Strings, Hess 13 | Patrick Gallois, Pascal Gallois, Philharmonia Orchestra, 정명훈 | — | |
| 3-1 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070.161.055-0 | |
| 3-2 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 3-3 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700.095.171-5 | |
| 3-4 | Tripelkonzert für Klavier, Violine, Violoncello und Orchester C-Dur, Op. 56: I. Allegro | Mark Zeltser, Anne-Sophie Mutter, Yo-Yo Ma, Berliner Philharmoniker, Herbert von Karajan | T-011.422.353-8 | |
| 3-5 | Tripelkonzert für Klavier, Violine, Violoncello und Orchester C-Dur, Op. 56: II. Largo – attacca | Mark Zeltser, Anne-Sophie Mutter, Yo-Yo Ma, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Tripelkonzert für Klavier, Violine, Violoncello und Orchester C-Dur, Op. 56: III. Rondo alla Polacca | Yo-Yo Ma, Anne-Sophie Mutter, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan | T-922.059.784-2 | |
| 4-1 | Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-031.682.208-8 | |
| 4-2 | Violinkonzert D-dur, Op. 61: II. Larghetto | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Violinkonzert D-dur, Op. 61: III. Rondo. Allegro | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-4 | Violinkonzert C-Dur, WoO 5 | Gidon Kremer, London Symphony Orchestra, Емил Чакъров | T-909.879.288-2 | |
| 4-5 | Romance no. 1 in G major, op. 40 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 4-6 | Romance no. 2 in F major, op. 50 | Gil Shaham, Orpheus Chamber Orchestra | — | |
| 5-1 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo | English Chamber Orchestra, Daniel Barenboim | — | |
| 5-2 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: II. Larghetto | English Chamber Orchestra, Daniel Barenboim | — | |
| 5-3 | Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: III. Rondo. Allegro | English Chamber Orchestra, Daniel Barenboim | T-700.095.171-5 | |
| 5-4 | Concerto for Piano and Orchestra in E‐flat major, WoO 4: I. Allegro moderato | — | ||
| 5-5 | Concerto for Piano and Orchestra in E‐flat major, WoO 4: II. Larghetto | — | ||
| 5-6 | Concerto for Piano and Orchestra in E‐flat major, WoO 4: III. Rondo. Allegretto | — |
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What is UPC 028947797975?
028947797975 is a Universal Product Code (UPC) assigned to Complete Concertos by Beethoven, Daniel Barenboim, Gidon Kremer, Anne‐Sophie Mutter, Maurizio Pollini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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