UPC · Release
Georg Friedrich Händel
Last verified:
The UPC for “Handel Gold” by Georg Friedrich Händel is 028947814603. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Decca. This release contains 28 tracks, each with its own ISRC. Tracks include GBF078411240, GBBBA0540800, DEN960230509.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — | |
| 2 | Il trionfo del tempo e del disinganno: Lascia la spina | Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | T-005.788.603-9 | |
| 3 | Frondi tenere e belle - Ombra mai fu | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | T-905.063.977-5 | |
| 4 | Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina) | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — | |
| 5 | Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta" | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 6 | Atalanta: Care selve | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-900.231.958-6 | |
| 7 | V'adoro pupille | Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | — | |
| 8 | Tamerlano: Ciel e terra armi di sdegno | Rolando Villazón, Gabrieli Players, Paul McCreesh | — | |
| 9 | Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira) | Joyce DiDonato, Il Complesso Barocco, Alan Curtis | — | |
| 10 | Muzio Scevola: Ah, dolce nome | Georg Friedrich Händel | — | |
| 11 | Jephtha: Act III, Scene 1. "Waft her, angels, through the skies" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12 | Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13 | Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | T-900.138.712-8 | |
| 2-1 | Where’er You Walk | Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 2-2 | Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-911.061.076-9 | |
| 2-3 | Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-900.230.391-5 | |
| 2-4 | Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne | Grace Bumbry, Utah Symphony, Maurice Abravanel | — | |
| 2-6 | Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 2-7 | Semele: Myself I Shall Adore | Danielle de Niese, Les Arts Florissants, William Christie | — | |
| 2-8 | Messiah: The People That Walked in Darkness | John Tomlinson, The English Concert, Trevor Pinnock | — | |
| 2-9 | Giulio Cesare: Piangerò la sorte mia | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | — | |
| 2-10 | Alcina: Verdi prati | Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner | T-324.161.598-1 | |
| 2-11 | Semele: Hence, Iris, Hence Away | Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge | — | |
| 2-12 | Theodora: Angels, Ever Bright and Fair | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 2-13 | Messiah: I know That My Redeemer Liveth | Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-14 | Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound | Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | — | |
| 2-15 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947814603 is a Universal Product Code (UPC) assigned to Handel Gold by Georg Friedrich Händel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
Creative Contributors (ISNI)
The UPC for “Handel Gold” by Georg Friedrich Händel is 028947814603. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Decca. This release contains 28 tracks, each with its own ISRC. Tracks include GBF078411240, GBBBA0540800, DEN960230509.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — | |
| 2 | Il trionfo del tempo e del disinganno: Lascia la spina | Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | T-005.788.603-9 | |
| 3 | Frondi tenere e belle - Ombra mai fu | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | T-905.063.977-5 | |
| 4 | Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina) | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — | |
| 5 | Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta" | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 6 | Atalanta: Care selve | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-900.231.958-6 | |
| 7 | V'adoro pupille | Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | — | |
| 8 | Tamerlano: Ciel e terra armi di sdegno | Rolando Villazón, Gabrieli Players, Paul McCreesh | — | |
| 9 | Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira) | Joyce DiDonato, Il Complesso Barocco, Alan Curtis | — | |
| 10 | Muzio Scevola: Ah, dolce nome | Georg Friedrich Händel | — | |
| 11 | Jephtha: Act III, Scene 1. "Waft her, angels, through the skies" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12 | Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13 | Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | T-900.138.712-8 | |
| 2-1 | Where’er You Walk | Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 2-2 | Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-911.061.076-9 | |
| 2-3 | Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-900.230.391-5 | |
| 2-4 | Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne | Grace Bumbry, Utah Symphony, Maurice Abravanel | — | |
| 2-6 | Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 2-7 | Semele: Myself I Shall Adore | Danielle de Niese, Les Arts Florissants, William Christie | — | |
| 2-8 | Messiah: The People That Walked in Darkness | John Tomlinson, The English Concert, Trevor Pinnock | — | |
| 2-9 | Giulio Cesare: Piangerò la sorte mia | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | — | |
| 2-10 | Alcina: Verdi prati | Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner | T-324.161.598-1 | |
| 2-11 | Semele: Hence, Iris, Hence Away | Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge | — | |
| 2-12 | Theodora: Angels, Ever Bright and Fair | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 2-13 | Messiah: I know That My Redeemer Liveth | Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-14 | Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound | Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | — | |
| 2-15 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
