UPC · Album
Handel Gold
Georg Friedrich Händel
028947814603
28 tracksReleased 2009-01-01Decca
Last verified:
028947814603 is the Universal Product Code (UPC barcode) for the release “Handel Gold” by Georg Friedrich Händel, released 2009-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include DEF055809760, DEF055909675, DEF055934141.
Format
0Number system
28947Manufacturer
81460Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHandel Gold
ISRC33 recordings
ISWC7 works
IPI4 songwriters
Track List (33)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne | Grace Bumbry, Utah Symphony, Maurice Abravanel | DEF055809760 |
| Muzio Scevola: Ah, dolce nome | Georg Friedrich Händel | DEF055909675 |
| Alcina: Verdi prati | Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner | DEF055934141 |
| Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | DEF058102550 |
| Messiah: The People That Walked in Darkness | John Tomlinson, The English Concert, Trevor Pinnock | DEF058830007 |
| Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | DEF058830031 |
| Where’er You Walk | Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras | DEF059703110 |
| Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta" | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | DEF059730871 |
| Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | DEF059830405 |
| Theodora: Angels, Ever Bright and Fair | Susan Gritton, Gabrieli Players, Paul McCreesh | DEN960030025 |
| Frondi tenere e belle - Ombra mai fu | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | DEN960230509 |
| Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira) | Joyce DiDonato, Il Complesso Barocco, Alan Curtis | DEN960533239 |
| Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound | Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | DEN960630806 |
| Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | DEN960631605 |
| Tamerlano: Ciel e terra armi di sdegno | Rolando Villazón, Gabrieli Players, Paul McCreesh | DEN960801810 |
| V'adoro pupille | Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | GBBBA0344400 |
| Il trionfo del tempo e del disinganno: Lascia la spina | Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | GBBBA0540800 |
| Semele: Myself I Shall Adore | Danielle de Niese, Les Arts Florissants, William Christie | GBBBA0741200 |
| Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | GBBBA6050960 |
| Atalanta: Care selve | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | GBF071302050 |
| Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | GBF075210018 |
| Giulio Cesare: Piangerò la sorte mia | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | GBF076010380 |
| Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina) | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | GBF076241013 |
| Semele: Hence, Iris, Hence Away | Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge | GBF076311310 |
| Atalanta: Care selve | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | GBF077340202 |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | GBF078411240 |
| Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | NLA507201023 |
| Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508318913 |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | NLA508325111 |
| Jephtha: Act III, Scene 1. "Waft her, angels, through the skies" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | NLA508723632 |
| Messiah: I know That My Redeemer Liveth | Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner | NLA509200743 |
| Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | NLA608318913 |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | NLF058402120 |
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne
Grace Bumbry, Utah Symphony, Maurice Abravanel
Muzio Scevola: Ah, dolce nome
Georg Friedrich Händel
Alcina: Verdi prati
Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner
Zadok the Priest
Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock
Messiah: The People That Walked in Darkness
John Tomlinson, The English Concert, Trevor Pinnock
Messiah, HWV 56: XLIV. Chorus “Hallelujah”
The English Concert Choir, The English Concert, Trevor Pinnock
Where’er You Walk
Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"
Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
Theodora: Angels, Ever Bright and Fair
Susan Gritton, Gabrieli Players, Paul McCreesh
Frondi tenere e belle - Ombra mai fu
Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)
Joyce DiDonato, Il Complesso Barocco, Alan Curtis
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound
Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)
Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
Tamerlano: Ciel e terra armi di sdegno
Rolando Villazón, Gabrieli Players, Paul McCreesh
V'adoro pupille
Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket
Il trionfo del tempo e del disinganno: Lascia la spina
Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski
Semele: Myself I Shall Adore
Danielle de Niese, Les Arts Florissants, William Christie
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
Atalanta: Care selve
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
Giulio Cesare: Piangerò la sorte mia
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)
Joan Sutherland, London Symphony Orchestra, Richard Bonynge
Semele: Hence, Iris, Hence Away
Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge
Atalanta: Care selve
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
Hercules: "Where shall I fly?"
Janet Baker, Raymond Leppard, English Chamber Orchestra
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
Messiah: I know That My Redeemer Liveth
Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000007101217300000000801586090000000081255750000000008189366400000000835443960000000083544572000000008415427700000001072620360000000108631470000000010914421X
+40 more
00000001092181270000000109379457000000010964596200000001099876550000000110154060000000011018470200000001102130670000000110228787000000011038610100000001106773200000000110928863000000011297410X000000011443908X000000011446189300000001145022610000000114505382000000011453295400000001146665490000000114712250000000011471465100000001147254810000000114761474000000011476148200000001147676650000000114782080000000011480250400000001148028540000000114927630000000011658518700000001176723700000000117984710000000011833751500000001194535340000000119456479000000011957360800000001202019160000000120347819000000012103915600000001210680020000000121174593
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What is UPC 028947814603?
028947814603 is a Universal Product Code (UPC) assigned to Handel Gold by Georg Friedrich Händel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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