UPC · Release
Handel Gold
Georg Friedrich Händel
028947814603
28 tracksReleased 2009-01-01Decca
Last verified:
028947814603 is the Universal Product Code (UPC barcode) for the release “Handel Gold” by Georg Friedrich Händel, released 2009-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBF078411240, GBBBA0540800, DEN960230509.
Format
0Number system
28947Manufacturer
81460Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHandel Gold
ISRC28 recordings
ISWC10 works
IPI4 songwriters
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — | |
| 2 | Il trionfo del tempo e del disinganno: Lascia la spina | Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | T-005.788.603-9 | |
| 3 | Frondi tenere e belle - Ombra mai fu | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | T-905.063.977-5 | |
| 4 | Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina) | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — | |
| 5 | Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta" | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | — | |
| 6 | Atalanta: Care selve | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | T-900.231.958-6 | |
| 7 | V'adoro pupille | Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | — | |
| 8 | Tamerlano: Ciel e terra armi di sdegno | Rolando Villazón, Gabrieli Players, Paul McCreesh | — | |
| 9 | Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira) | Joyce DiDonato, Il Complesso Barocco, Alan Curtis | — | |
| 10 | Muzio Scevola: Ah, dolce nome | Georg Friedrich Händel | — | |
| 11 | Jephtha: Act III, Scene 1. "Waft her, angels, through the skies" | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 12 | Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 13 | Zadok the Priest | Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock | T-900.138.712-8 | |
| 2-1 | Where’er You Walk | Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 2-2 | Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-911.061.076-9 | |
| 2-3 | Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | T-900.230.391-5 | |
| 2-4 | Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne | Grace Bumbry, Utah Symphony, Maurice Abravanel | — | |
| 2-6 | Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon) | Andreas Scholl, Gabrieli Players, Paul McCreesh | — | |
| 2-7 | Semele: Myself I Shall Adore | Danielle de Niese, Les Arts Florissants, William Christie | — | |
| 2-8 | Messiah: The People That Walked in Darkness | John Tomlinson, The English Concert, Trevor Pinnock | — | |
| 2-9 | Giulio Cesare: Piangerò la sorte mia | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | — | |
| 2-10 | Alcina: Verdi prati | Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner | T-324.161.598-1 | |
| 2-11 | Semele: Hence, Iris, Hence Away | Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge | — | |
| 2-12 | Theodora: Angels, Ever Bright and Fair | Susan Gritton, Gabrieli Players, Paul McCreesh | — | |
| 2-13 | Messiah: I know That My Redeemer Liveth | Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-14 | Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound | Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | — | |
| 2-15 | Messiah, HWV 56: XLIV. Chorus “Hallelujah” | The English Concert Choir, The English Concert, Trevor Pinnock | T-071.071.619-0 |
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski
Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)
Joan Sutherland, London Symphony Orchestra, Richard Bonynge
—
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"
Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
—
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
V'adoro pupille
Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket
—
Tamerlano: Ciel e terra armi di sdegno
Rolando Villazón, Gabrieli Players, Paul McCreesh
—
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)
Joyce DiDonato, Il Complesso Barocco, Alan Curtis
—
Muzio Scevola: Ah, dolce nome
Georg Friedrich Händel
—
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
—
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock
Where’er You Walk
Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
—
Janet Baker, Raymond Leppard, English Chamber Orchestra
Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne
Grace Bumbry, Utah Symphony, Maurice Abravanel
—
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
—
Semele: Myself I Shall Adore
Danielle de Niese, Les Arts Florissants, William Christie
—
Messiah: The People That Walked in Darkness
John Tomlinson, The English Concert, Trevor Pinnock
—
Giulio Cesare: Piangerò la sorte mia
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson
—
Semele: Hence, Iris, Hence Away
Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge
—
Theodora: Angels, Ever Bright and Fair
Susan Gritton, Gabrieli Players, Paul McCreesh
—
Messiah: I know That My Redeemer Liveth
Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound
Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle
—
The English Concert Choir, The English Concert, Trevor Pinnock
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah: He Was Despisèd | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
| Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Let the Bright Seraphim | Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | — |
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000007101217300000000801586090000000081255750000000008189366400000000835443960000000083544572000000008415427700000001072620360000000108631470000000010914421X
+40 more
00000001092181270000000109379457000000010964596200000001099876550000000110154060000000011018470200000001102130670000000110228787000000011038610100000001106773200000000110928863000000011297410X000000011443908X000000011446189300000001145022610000000114505382000000011453295400000001146665490000000114712250000000011471465100000001147254810000000114761474000000011476148200000001147676650000000114782080000000011480250400000001148028540000000114927630000000011658518700000001176723700000000117984710000000011833751500000001194535340000000119456479000000011957360800000001202019160000000120347819000000012103915600000001210680020000000121174593
Identifier Graph
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What is UPC 028947814603?
028947814603 is a Universal Product Code (UPC) assigned to Handel Gold by Georg Friedrich Händel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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