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Handel Gold

UPC · Release

Handel Gold

Georg Friedrich Händel

028947814603
28 tracksReleased 2009-01-01Decca

Last verified: July 17, 2026

028947814603 is the Universal Product Code (UPC barcode) for the release “Handel Gold” by Georg Friedrich Händel, released 2009-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBF078411240, GBBBA0540800, DEN960230509.

Format

0Number system
28947Manufacturer
81460Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCHandel Gold
ISRC28 recordings
ISWC10 works
IPI4 songwriters

Track List (28)

#Track TitleArtist(s)ISWC
Let the Bright Seraphim1Let the Bright SeraphimKiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose—
Il trionfo del tempo e del disinganno: Lascia la spina2Il trionfo del tempo e del disinganno: Lascia la spinaCecilia Bartoli, Les Musiciens du Louvre, Marc MinkowskiT-005.788.603-9
Frondi tenere e belle - Ombra mai fu3Frondi tenere e belle - Ombra mai fuPlácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello ViottiT-905.063.977-5
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)4Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)Joan Sutherland, London Symphony Orchestra, Richard Bonynge—
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"5Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski—
Atalanta: Care selve6Atalanta: Care selveLuciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard BonyngeT-900.231.958-6
V'adoro pupille7V'adoro pupilleRenée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket—
Tamerlano: Ciel e terra armi di sdegno8Tamerlano: Ciel e terra armi di sdegnoRolando Villazón, Gabrieli Players, Paul McCreesh—
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)9Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)Joyce DiDonato, Il Complesso Barocco, Alan Curtis—
Muzio Scevola: Ah, dolce nome10Muzio Scevola: Ah, dolce nomeGeorg Friedrich Händel—
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"11Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner—
Messiah: He Was Despisèd12Messiah: He Was DespisèdKathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult—
Zadok the Priest13Zadok the PriestChoir of Westminster Abbey, Simon Preston, The English Concert, Trevor PinnockT-900.138.712-8
Where’er You Walk2-1Where’er You WalkBryn Terfel, Scottish Chamber Orchestra, Charles Mackerras—
Hercules: "Where shall I fly?"2-2Hercules: "Where shall I fly?"Janet Baker, Raymond Leppard, English Chamber OrchestraT-911.061.076-9
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)2-3Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)Magdalena Kožená, Venice Baroque Orchestra, Andrea MarconT-900.230.391-5
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"2-4Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner—
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne2-5Judas Maccabaeus: Father of Heav'n! From Thy Eternal ThroneGrace Bumbry, Utah Symphony, Maurice Abravanel—
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)2-6Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)Andreas Scholl, Gabrieli Players, Paul McCreesh—
Semele: Myself I Shall Adore2-7Semele: Myself I Shall AdoreDanielle de Niese, Les Arts Florissants, William Christie—
Messiah: The People That Walked in Darkness2-8Messiah: The People That Walked in DarknessJohn Tomlinson, The English Concert, Trevor Pinnock—
Giulio Cesare: Piangerò la sorte mia2-9Giulio Cesare: Piangerò la sorte miaTeresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson—
Alcina: Verdi prati2-10Alcina: Verdi pratiFritz Wunderlich, Cappella Coloniensis, Ferdinand LeitnerT-324.161.598-1
Semele: Hence, Iris, Hence Away2-11Semele: Hence, Iris, Hence AwayMarilyn Horne, New Symphony Orchestra of London, Richard Bonynge—
Theodora: Angels, Ever Bright and Fair2-12Theodora: Angels, Ever Bright and FairSusan Gritton, Gabrieli Players, Paul McCreesh—
Messiah: I know That My Redeemer Liveth2-13Messiah: I know That My Redeemer LivethSylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner—
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound2-14Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall SoundThomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle—
Messiah, HWV 56: XLIV. Chorus “Hallelujah”2-15Messiah, HWV 56: XLIV. Chorus “Hallelujah”The English Concert Choir, The English Concert, Trevor PinnockT-071.071.619-0
Let the Bright Seraphim
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
Il trionfo del tempo e del disinganno: Lascia la spina
Il trionfo del tempo e del disinganno: Lascia la spina
Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski
T-005.788.603-9
Frondi tenere e belle - Ombra mai fu
Frondi tenere e belle - Ombra mai fu
Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
T-905.063.977-5
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)
Joan Sutherland, London Symphony Orchestra, Richard Bonynge
—
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"
Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
—
Atalanta: Care selve
Atalanta: Care selve
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
T-900.231.958-6
V'adoro pupille
V'adoro pupille
Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket
—
Tamerlano: Ciel e terra armi di sdegno
Tamerlano: Ciel e terra armi di sdegno
Rolando Villazón, Gabrieli Players, Paul McCreesh
—
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)
Joyce DiDonato, Il Complesso Barocco, Alan Curtis
—
Muzio Scevola: Ah, dolce nome
Muzio Scevola: Ah, dolce nome
Georg Friedrich Händel
—
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
—
Messiah: He Was Despisèd
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Zadok the Priest
Zadok the Priest
Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock
T-900.138.712-8
Where’er You Walk
Where’er You Walk
Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
—
Hercules: "Where shall I fly?"
Hercules: "Where shall I fly?"
Janet Baker, Raymond Leppard, English Chamber Orchestra
T-911.061.076-9
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)
Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
T-900.230.391-5
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne
Grace Bumbry, Utah Symphony, Maurice Abravanel
—
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
—
Semele: Myself I Shall Adore
Semele: Myself I Shall Adore
Danielle de Niese, Les Arts Florissants, William Christie
—
Messiah: The People That Walked in Darkness
Messiah: The People That Walked in Darkness
John Tomlinson, The English Concert, Trevor Pinnock
—
Giulio Cesare: Piangerò la sorte mia
Giulio Cesare: Piangerò la sorte mia
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson
—
Alcina: Verdi prati
Alcina: Verdi prati
Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner
T-324.161.598-1
Semele: Hence, Iris, Hence Away
Semele: Hence, Iris, Hence Away
Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge
—
Theodora: Angels, Ever Bright and Fair
Theodora: Angels, Ever Bright and Fair
Susan Gritton, Gabrieli Players, Paul McCreesh
—
Messiah: I know That My Redeemer Liveth
Messiah: I know That My Redeemer Liveth
Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound
Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle
—
Messiah, HWV 56: XLIV. Chorus “Hallelujah”
Messiah, HWV 56: XLIV. Chorus “Hallelujah”
The English Concert Choir, The English Concert, Trevor Pinnock
T-071.071.619-0

Additional database matches (4)

Track TitleArtist(s)ISWC
Messiah: He Was DespisèdKathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult—
Let the Bright SeraphimKiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose—
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner—
Let the Bright SeraphimKiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose—
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-005.788.603-9T-900.138.712-8T-005.788.603-9T-071.071.619-0T-324.161.598-1T-900.138.712-8T-900.230.391-5T-900.231.958-6T-905.063.977-5T-911.061.076-9

Songwriters/Publishers (IPI)

00013146331001587296290016258465900239948320

Creative Contributors (ISNI)

000000007101217300000000801586090000000081255750000000008189366400000000835443960000000083544572000000008415427700000001072620360000000108631470000000010914421X
+40 more
00000001092181270000000109379457000000010964596200000001099876550000000110154060000000011018470200000001102130670000000110228787000000011038610100000001106773200000000110928863000000011297410X000000011443908X000000011446189300000001145022610000000114505382000000011453295400000001146665490000000114712250000000011471465100000001147254810000000114761474000000011476148200000001147676650000000114782080000000011480250400000001148028540000000114927630000000011658518700000001176723700000000117984710000000011833751500000001194535340000000119456479000000011957360800000001202019160000000120347819000000012103915600000001210680020000000121174593
SourcesMLCMusicBrainzNotesDiscogs✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCHandel GoldISRCLet the Bright …ISRCIl trionfo del …ISRCFrondi tenere e…ISRCAlcina: Act I, …ISRCAriodante, HWV …

People also ask

What is UPC 028947814603?+
UPC 028947814603 is the Universal Product Code (barcode) for "Handel Gold" by Georg Friedrich Händel, released on Decca.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947814603?+
UPC 028947814603 contains 28 tracks, each with its own ISRC.

What is UPC 028947814603?

028947814603 is a Universal Product Code (UPC) assigned to Handel Gold by Georg Friedrich Händel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Georg Friedrich Händel

028947814603 is the Universal Product Code (UPC barcode) for the release “Handel Gold” by Georg Friedrich Händel, released 2009-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBF078411240, GBBBA0540800, DEN960230509.

Track List (28)

#Track TitleArtist(s)ISWC
Let the Bright Seraphim1Let the Bright SeraphimKiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose—
Il trionfo del tempo e del disinganno: Lascia la spina2Il trionfo del tempo e del disinganno: Lascia la spinaCecilia Bartoli, Les Musiciens du Louvre, Marc MinkowskiT-005.788.603-9
Frondi tenere e belle - Ombra mai fu3Frondi tenere e belle - Ombra mai fuPlácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello ViottiT-905.063.977-5
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)4Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)Joan Sutherland, London Symphony Orchestra, Richard Bonynge—
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"5Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski—
Atalanta: Care selve6Atalanta: Care selveLuciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard BonyngeT-900.231.958-6
V'adoro pupille7V'adoro pupilleRenée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket—
Tamerlano: Ciel e terra armi di sdegno8Tamerlano: Ciel e terra armi di sdegnoRolando Villazón, Gabrieli Players, Paul McCreesh—
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)9Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)Joyce DiDonato, Il Complesso Barocco, Alan Curtis—
Muzio Scevola: Ah, dolce nome10Muzio Scevola: Ah, dolce nomeGeorg Friedrich Händel—
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"11Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner—
Messiah: He Was Despisèd12Messiah: He Was DespisèdKathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult—
Zadok the Priest13Zadok the PriestChoir of Westminster Abbey, Simon Preston, The English Concert, Trevor PinnockT-900.138.712-8
Where’er You Walk2-1Where’er You WalkBryn Terfel, Scottish Chamber Orchestra, Charles Mackerras—
Hercules: "Where shall I fly?"2-2Hercules: "Where shall I fly?"Janet Baker, Raymond Leppard, English Chamber OrchestraT-911.061.076-9
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)2-3Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)Magdalena Kožená, Venice Baroque Orchestra, Andrea MarconT-900.230.391-5
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"2-4Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner—
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne2-5Judas Maccabaeus: Father of Heav'n! From Thy Eternal ThroneGrace Bumbry, Utah Symphony, Maurice Abravanel—
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)2-6Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)Andreas Scholl, Gabrieli Players, Paul McCreesh—
Semele: Myself I Shall Adore2-7Semele: Myself I Shall AdoreDanielle de Niese, Les Arts Florissants, William Christie—
Messiah: The People That Walked in Darkness2-8Messiah: The People That Walked in DarknessJohn Tomlinson, The English Concert, Trevor Pinnock—
Giulio Cesare: Piangerò la sorte mia2-9Giulio Cesare: Piangerò la sorte miaTeresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson—
Alcina: Verdi prati2-10Alcina: Verdi pratiFritz Wunderlich, Cappella Coloniensis, Ferdinand LeitnerT-324.161.598-1
Semele: Hence, Iris, Hence Away2-11Semele: Hence, Iris, Hence AwayMarilyn Horne, New Symphony Orchestra of London, Richard Bonynge—
Theodora: Angels, Ever Bright and Fair2-12Theodora: Angels, Ever Bright and FairSusan Gritton, Gabrieli Players, Paul McCreesh—
Messiah: I know That My Redeemer Liveth2-13Messiah: I know That My Redeemer LivethSylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner—
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound2-14Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall SoundThomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle—
Messiah, HWV 56: XLIV. Chorus “Hallelujah”2-15Messiah, HWV 56: XLIV. Chorus “Hallelujah”The English Concert Choir, The English Concert, Trevor PinnockT-071.071.619-0
Let the Bright Seraphim
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
Il trionfo del tempo e del disinganno: Lascia la spina
Il trionfo del tempo e del disinganno: Lascia la spina
Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski
T-005.788.603-9
Frondi tenere e belle - Ombra mai fu
Frondi tenere e belle - Ombra mai fu
Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti
T-905.063.977-5
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)
Alcina: Act I, Scene II. "Tornami a vagheggiar" (Alcina)
Joan Sutherland, London Symphony Orchestra, Richard Bonynge
—
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"
Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta"
Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
—
Atalanta: Care selve
Atalanta: Care selve
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge
T-900.231.958-6
V'adoro pupille
V'adoro pupille
Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket
—
Tamerlano: Ciel e terra armi di sdegno
Tamerlano: Ciel e terra armi di sdegno
Rolando Villazón, Gabrieli Players, Paul McCreesh
—
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)
Floridante, HWV 14: Atto II, Scena IX: XLVI. Aria "Ma che vuoi più da me" (Elmira)
Joyce DiDonato, Il Complesso Barocco, Alan Curtis
—
Muzio Scevola: Ah, dolce nome
Muzio Scevola: Ah, dolce nome
Georg Friedrich Händel
—
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Jephtha: Act III, Scene 1. "Waft her, angels, through the skies"
Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner
—
Messiah: He Was Despisèd
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Zadok the Priest
Zadok the Priest
Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock
T-900.138.712-8
Where’er You Walk
Where’er You Walk
Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
—
Hercules: "Where shall I fly?"
Hercules: "Where shall I fly?"
Janet Baker, Raymond Leppard, English Chamber Orchestra
T-911.061.076-9
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)
Joshua, oratorio, HWV 64: Act III, Scene XIV. Air "Oh Had I Jubal's Lyre" (Achsah)
Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
T-900.230.391-5
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne
Judas Maccabaeus: Father of Heav'n! From Thy Eternal Throne
Grace Bumbry, Utah Symphony, Maurice Abravanel
—
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Solomon, HWV 67: Act I, Scene I. "Almighty Power" (Solomon)
Andreas Scholl, Gabrieli Players, Paul McCreesh
—
Semele: Myself I Shall Adore
Semele: Myself I Shall Adore
Danielle de Niese, Les Arts Florissants, William Christie
—
Messiah: The People That Walked in Darkness
Messiah: The People That Walked in Darkness
John Tomlinson, The English Concert, Trevor Pinnock
—
Giulio Cesare: Piangerò la sorte mia
Giulio Cesare: Piangerò la sorte mia
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson
—
Alcina: Verdi prati
Alcina: Verdi prati
Fritz Wunderlich, Cappella Coloniensis, Ferdinand Leitner
T-324.161.598-1
Semele: Hence, Iris, Hence Away
Semele: Hence, Iris, Hence Away
Marilyn Horne, New Symphony Orchestra of London, Richard Bonynge
—
Theodora: Angels, Ever Bright and Fair
Theodora: Angels, Ever Bright and Fair
Susan Gritton, Gabrieli Players, Paul McCreesh
—
Messiah: I know That My Redeemer Liveth
Messiah: I know That My Redeemer Liveth
Sylvia McNair, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound
Messiah: Behold, I Tell You a Mystery ... The Trumpet Shall Sound
Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle
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Messiah, HWV 56: XLIV. Chorus “Hallelujah”
Messiah, HWV 56: XLIV. Chorus “Hallelujah”
The English Concert Choir, The English Concert, Trevor Pinnock
T-071.071.619-0

Additional database matches (4)

Track TitleArtist(s)ISWC
Messiah: He Was DespisèdKathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult—
Let the Bright SeraphimKiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose—
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner—
Let the Bright SeraphimKiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose—
Messiah: He Was Despisèd
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—
Judas Maccabaeus, HWV 63: "See, the conqu'ring hero comes!"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Let the Bright Seraphim
Kiri Te Kanawa, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose
—