UPC · Release
Ultimate Classical Dreams: The Essential Masterpieces
Various Artists
028947814849
66 tracksReleased 2009-04-06
Last verified:
028947814849 is the Universal Product Code (UPC barcode) for the release “Ultimate Classical Dreams: The Essential Masterpieces” by Various Artists, released 2009-04-06. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include NLA505900306, GBF079110300, GBBBA8350140.
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28947Manufacturer
81484Product
9Check digit
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Credit Chain
UPCUltimate Classical Dreams: The Essential Masterpieces
ISRC66 recordings
ISWC30 works
IPI1 songwriter
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite bergamasque: III. Clair de lune | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-011.772.202-7 | |
| 2 | Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | T-070.000.199-5 | |
| 3 | Concierto de Aranjuez: Adagio (excerpt) | Marisa Robles, Philharmonia Orchestra, Charles Dutoit | T-041.489.061-1 | |
| 4 | Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921.418.457-3 | |
| 5 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — | |
| 6 | Pavane, op. 50 | Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | T-010.142.579-9 | |
| 7 | Nocturne no. 2 in E-flat major, op. 9 no. 2 | Vladimir Ashkenazy | T-011.765.543-2 | |
| 8 | Le Carnaval des animaux: XIII. Le Cygne | Heinrich Schiff, Samuel Sanders | — | |
| 9 | String Quintet in C, D. 956: II. Adagio (excerpt) | Dietfried Gürtler, Weller Quartet | T-802.445.410-3 | |
| 10 | Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 | |
| 11 | Gypsy Melodies, op. 55: No. 4. Songs My Mother Taught Me | Arthur Grumiaux, István Hajdu | — | |
| 12 | Jeux interdits: Romance | Pepe Romero | T-041.085.367-6 | |
| 13 | Nocturne no. 1 in E-flat minor, op. 33 no. 1 | Pascal Rogé | — | |
| 14 | Serenade no. 10 in B-flat major, K. 370a/361: Adagio | Academy of St Martin in the Fields Wind Ensemble, Sir Neville Marriner | — | |
| 15 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.613.873-8 | |
| 16 | Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 | |
| 2-1 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Vladimir Ashkenazy | — | |
| 2-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Jack Brymer, London Symphony Orchestra, Sir Colin Davis | T-318.583.906-5 | |
| 2-3 | A Midsummer Night's Dream, op. 61 No. 7: Nocturne | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 2-4 | Impromptu op. 90 no. 3 | Radu Lupu | — | |
| 2-5 | String Quartet no. 2 in D major: III. Notturno | Borodin Quartet | T-927.211.282-0 | |
| 2-6 | Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | T-001.439.586-8 | |
| 2-7 | "Trout" Quintet: Andante (excerpt) | Sir Clifford Curzon, Willi Boskovsky, Günther Breitenbach, Nikolaus Hübner, Johann Krump | T-802.445.410-3 | |
| 2-8 | Concerto for Flute, Harp and Orchestra in C, KV 299/297c: II. Andantino (cadenza: Carl Reinecke) | Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner | T-911.534.020-0 | |
| 2-9 | Guitar Concerto in D major, RV 93: II. Largo | Eduardo Fernández, English Chamber Orchestra, George Malcolm | T-911.640.005-6 | |
| 2-10 | Serenade: Andante cantabile | I Musici | — | |
| 2-11 | The Gadfly, Op. 97: 3. Youth (Romance) | Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly | T-011.363.920-5 | |
| 2-12 | Suite: Lied | Kjell Lysell, Ulf Forsberg, Mats Lidström, Bengt Forsberg | — | |
| 2-13 | Concerto in D minor for Two Violins, BWV 1043: II. Largo, ma non tanto | Maurice Hasson, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-14 | Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902.525.648-8 | |
| 3-1 | Jesu, Joy of Man's Desiring (Cantata, BWV 147) | Stuttgarter Kammerorchester, Karl Münchinger | T-918.336.740-0 | |
| 3-2 | Méditation from Thaïs | Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge | T-303.641.746-2 | |
| 3-3 | Requiem, op. 48: VII. In paradisum | Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | T-924.489.944-3 | |
| 3-4 | Deux Gymnopédies: I. Lent et grave | Orchestre symphonique de Montréal, Charles Dutoit | T-003.010.186-0 | |
| 3-5 | Lakmé : Acte I. « Dôme épais le jasmin » | Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge | T-310.774.658-3 | |
| 3-6 | Le carnaval des animaux, R. 125: Le Cygne | Jascha Silberstein, Marie Goossens | T-004.976.716-9 | |
| 3-7 | "Wachet Auf" From Cantata, BWV 140: Sleepers Awake | New Symphony Orchestra of London, Raymond Agoult | T-031.722.033-9 | |
| 3-8 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 3-9 | Enigma Variations, op. 36: Variation IX. Nimrod | Chicago Symphony Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 3-10 | The Walk to the Paradise Garden | Orchestra of the Welsh National Opera, Charles Mackerras | — | |
| 3-11 | Pavane, op. 50 | Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | T-010.142.579-9 | |
| 3-12 | Panis Angelicus | Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | — | |
| 3-13 | Serse, Act 1: "Ombra mai fù" | Anthony Way, Daniel Phillips, English Sinfonia, Neil Page | T-905.063.977-5 | |
| 3-14 | The Lark Ascending | Iona Brown, Academy of St Martin in the Fields, Neville Marriner | — | |
| 4-1 | Air on a G String | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, István Kertész | T-802.445.410-3 | |
| 4-3 | Symphony no. 2, op. 27: III. Adagio | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 4-4 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Vladimir Ashkenazy | T-001.397.158-8 | |
| 4-5 | Crisantemi | Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | — | |
| 4-6 | Violin Concerto in D major, Op. 77: 2. Adagio | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | T-070.050.551-6 | |
| 4-7 | L'Arlesienne Suite No.1 | Orchestre symphonique de Montréal, Charles Dutoit | T-800.652.468-2 | |
| 4-8 | Carmen Suite no. 1: Intermezzo | Orchestre symphonique de Montréal, Charles Dutoit | T-010.194.849-5 | |
| 4-9 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 4-10 | Horn Concerto no. 4 in E-flat major, K. 495: II. Romanza. Andante | Barry Tuckwell, English Chamber Orchestra | T-900.137.696-1 | |
| 4-11 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 4-12 | Romeo and Juliet, Fantasy Overture: Love Theme (excerpt) | Vienna Philharmonic Orchestra, Herbert von Karajan | T-011.346.619-5 | |
| 5-1 | Tristan Und Isolde | Wiener Philharmoniker, Sir Georg Solti | — | |
| 5-2 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 5-3 | Violin Romance no. 2 in F major, op. 50 | Arthur Grumiaux, Royal Concertgebouw Orchestra, Bernard Haitink | T-001.397.158-8 | |
| 5-4 | Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music | — | |
| 5-5 | Cello Concerto in E minor, op. 85: 3. Adagio | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.155-6 | |
| 5-6 | Liebestraum No. 3 | Misha Dichter | — | |
| 5-7 | Prélude à l’après‐midi d’un faune, L. 86 | Jeffrey Khaner, The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 5-8 | Piano Concerto | Jorge Bolet, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | T-927.972.087-5 | |
| 5-9 | Vocalise, op. 34 no. 14 | Vladimir Ashkenazy, Lynn Harrell | T-900.222.366-7 | |
| 5-10 | Fantasia on a Theme by Thomas Tallis | London Philharmonic Orchestra, Sir Roger Norrington | — |
Eastman-Rochester Pops Orchestra, Frederick Fennell
Marisa Robles, Philharmonia Orchestra, Charles Dutoit
National Philharmonic Orchestra, Gianandrea Gavazzeni
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
Academy of St Martin in the Fields, Neville Marriner
—
Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
Le Carnaval des animaux: XIII. Le Cygne
Heinrich Schiff, Samuel Sanders
—
Stuttgarter Kammerorchester, Karl Münchinger
Gypsy Melodies, op. 55: No. 4. Songs My Mother Taught Me
Arthur Grumiaux, István Hajdu
—
Nocturne no. 1 in E-flat minor, op. 33 no. 1
Pascal Rogé
—
Serenade no. 10 in B-flat major, K. 370a/361: Adagio
Academy of St Martin in the Fields Wind Ensemble, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Vladimir Ashkenazy
—
Jack Brymer, London Symphony Orchestra, Sir Colin Davis
A Midsummer Night's Dream, op. 61 No. 7: Nocturne
Orchestre symphonique de Montréal, Charles Dutoit
—
Impromptu op. 90 no. 3
Radu Lupu
—
Sir Clifford Curzon, Willi Boskovsky, Günther Breitenbach, Nikolaus Hübner, Johann Krump
Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner
Eduardo Fernández, English Chamber Orchestra, George Malcolm
Serenade: Andante cantabile
I Musici
—
Alexander Kerr, Koninklijk Concertgebouworkest, Riccardo Chailly
Suite: Lied
Kjell Lysell, Ulf Forsberg, Mats Lidström, Bengt Forsberg
—
Concerto in D minor for Two Violins, BWV 1043: II. Largo, ma non tanto
Maurice Hasson, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
—
Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész
Stuttgarter Kammerorchester, Karl Münchinger
Nigel Kennedy, The National Philharmonic Orchestra, Richard Bonynge
Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
Jane Berbié, Joan Sutherland, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge
New Symphony Orchestra of London, Raymond Agoult
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Chicago Symphony Orchestra, Sir Georg Solti
The Walk to the Paradise Garden
Orchestra of the Welsh National Opera, Charles Mackerras
—
Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
Panis Angelicus
Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd
—
Anthony Way, Daniel Phillips, English Sinfonia, Neil Page
The Lark Ascending
Iona Brown, Academy of St Martin in the Fields, Neville Marriner
—
Air on a G String
Academy of St Martin in the Fields, Sir Neville Marriner
—
Sir Clifford Curzon, London Symphony Orchestra, István Kertész
Symphony no. 2, op. 27: III. Adagio
Koninklijk Concertgebouworkest, Vladimir Ashkenazy
—
Vladimir Ashkenazy
Crisantemi
Deutsches Symphonie-Orchester Berlin, Riccardo Chailly
—
Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta
—
Barry Tuckwell, English Chamber Orchestra
Vienna Philharmonic Orchestra, Herbert von Karajan
Tristan Und Isolde
Wiener Philharmoniker, Sir Georg Solti
—
Arthur Grumiaux, Royal Concertgebouw Orchestra, Bernard Haitink
Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto
Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music
—
Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin
Liebestraum No. 3
Misha Dichter
—
Prélude à l’après‐midi d’un faune, L. 86
Jeffrey Khaner, The Cleveland Orchestra, Vladimir Ashkenazy
—
Fantasia on a Theme by Thomas Tallis
London Philharmonic Orchestra, Sir Roger Norrington
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music | T-106.677.153-5 |
| Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | — |
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
—
Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music
Sospiri for Strings, Harp and Organ, op. 70
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
Academy of St Martin in the Fields, Neville Marriner
—
Cavalleria rusticana: Intermezzo
National Philharmonic Orchestra, Gianandrea Gavazzeni
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.439.586-8T-003.010.186-0T-003.010.186-0T-010.115.155-6T-010.115.427-1T-010.115.155-6T-010.115.427-1T-010.142.579-9T-010.194.849-5T-011.275.282-5
+20 more
T-011.346.619-5T-011.765.543-2T-039.190.232-1T-041.085.367-6T-070.000.199-5T-070.000.199-5T-072.814.484-0T-303.641.746-2T-310.774.658-3T-800.652.468-2T-802.445.410-3T-901.134.571-4T-902.525.648-8T-911.534.020-0T-911.640.005-6T-914.248.874-2T-914.248.874-2T-915.711.225-9T-918.336.740-0T-921.418.457-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000037455106000000005518373000000000551841270000000055192231000000006304194300000000631050110000000066541353000000007244973X00000000736622410000000078395365
+20 more
00000000783956560000000080076021000000008065375700000000807958780000000080870057000000008089393700000000813713990000000081818146000000008181927X00000000818983770000000082183963000000008359322700000000839846230000000084133759000000009755370100000001069576610000000107899766000000010807050300000001086940840000000108754075
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What is UPC 028947814849?
028947814849 is a Universal Product Code (UPC) assigned to Ultimate Classical Dreams: The Essential Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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