UPC · Release
Various Artists
Last verified:
The UPC for “Ballet Masterpieces” by Various Artists is 028947815266. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Decca. This release contains 555 tracks, each with its own ISRC. Tracks include GBF078210471, GBF078210472, GBF078210473.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Giselle, Act I: Introduction | — | ||
| 2 | Giselle, Act I: No. 1 Les Vendangeurs | — | ||
| 3 | Giselle, Act I: No. 2 Entrée du Prince | — | ||
| 4 | Giselle, Act I: No. 3 Entrée de Giselle | — | ||
| 5 | Giselle, Act I: No. 4 Retour des Vendangeurs: No. 4(bis) Valse | — | ||
| 6 | Giselle, Act I: No. 5b La Chasse | — | ||
| 7 | Giselle, Act I: No. 6 Scène d'Hilarion | — | ||
| 8 | Giselle, Act I: No. 7 Marche des vignerons | — | ||
| 9 | Giselle, Act I: Pas seul (Bürgmüller interpolation) | — | ||
| 10 | Giselle, Act I: Pas de deux des jeunes paysans: Polacca | — | ||
| 11 | Giselle, Act I: Pas de deux des jeunes paysans: Andante | — | ||
| 12 | Giselle, Act I: Pas de deux des jeunes paysans: Pesante | — | ||
| 13 | Giselle, Act I: Pas de deux des jeunes paysans: Allegretto | — | ||
| 14 | Giselle, Act I: Pas de deux des jeunes paysans: Allegretto pesante | — | ||
| 15 | Giselle, Act I: Pas de deux des jeunes paysans: Valse | — | ||
| 16 | Giselle, Act I: Pas des vendanges: Andante | — | ||
| 17 | Giselle, Act I: Pas des vendanges: Moderato | — | ||
| 18 | Giselle, Act I: Pas des vendanges: Allegro moderato | — | ||
| 19 | Giselle, Act I: Allegro un peu louré | — | ||
| 20 | Giselle, Act I: No. 8 Galop | — | ||
| 21 | Giselle, Act I: Finale du 1er Acte et Scène de folie | — | ||
| 2-1 | Giselle, Act II: No. 9 Introduction (La halte des chasseurs) | — | ||
| 2-2 | Giselle, Act II: Apparition de Myrthe et évocation magique | — | ||
| 2-3 | Giselle, Act II: Pas des premières Wilis | — | ||
| 2-4 | Giselle, Act II: No.11 Apparition de Giselle | — | ||
| 2-5 | Giselle, Act II: Entrée des paysans | — | ||
| 2-6 | Giselle, Act II: No.13 Entrée de Loys | — | ||
| 2-7 | Giselle, Act II: No. 14 Scène des Wilis (Entrée d'Hilarion) | — | ||
| 2-8 | Giselle, Act II: Grand pas de deux: Adage | — | ||
| 2-9 | Giselle, Act II: Grand pas de deux: Andantino | — | ||
| 2-10 | Giselle, Act II: Grand pas de deux: Andante | — | ||
| 2-11 | Giselle, Act II: Grand pas de deux: Valse (interpolated) | — | ||
| 2-12 | Giselle, Act II: No. 16 Final | — | ||
| 2-13 | Giselle, Act II: Lever du soleil et arrivée de la cour | — | ||
| 3-1 | Le Corsaire, Act I: Overture and opening of Scene 1 | — | ||
| 3-2 | Le Corsaire, Act I: Introduction | — | ||
| 3-3 | Le Corsaire, Act I: Tarantella | — | ||
| 3-4 | Le Corsaire, Act I: Mazuetta | — | ||
| 3-5 | Le Corsaire, Act I: La Française | — | ||
| 3-6 | Le Corsaire, Act I: Boléro | — | ||
| 3-7 | Le Corsaire, Act I: Ecossaise | — | ||
| 3-8 | Le Corsaire, Act I: Coda | — | ||
| 3-9 | Le Corsaire, Act I: Action | — | ||
| 3-10 | Le Corsaire, Act I: Corsairs' bacchanal | — | ||
| 3-11 | Le Corsaire, Act I: Scene 2. Action | — | ||
| 3-12 | Le Corsaire, Act I: Pas des évantails | — | ||
| 3-13 | Le Corsaire, Act I: Action | — | ||
| 3-14 | Le Corsaire, Act I: Variation for Mlle Grantzow (1867) | — | ||
| 3-15 | Le Corsaire, Act I: Action | — | ||
| 4-1 | Le Corsaire, Act II: Scene 1. Pas des odalisques | — | ||
| 4-2 | Le Corsaire, Act II: Entrance of Gulnare | — | ||
| 4-3 | Le Corsaire, Act II: Gulnare's dance | — | ||
| 4-4 | Le Corsaire, Act II: Action | — | ||
| 4-5 | Le Corsaire, Act II: Scene 1. Action (Pas des fleurs, Delibes) | — | ||
| 4-6 | Le Corsaire, Act III: Valse de Naila (for Mlle Grantzow) | — | ||
| 4-7 | Le Corsaire, Act III: Andante | — | ||
| 4-8 | Le Corsaire, Act III: 1st variation (for Gulnare, Mlle Fioretti) | — | ||
| 4-9 | Le Corsaire, Act III: 2nd variation (for Medora, Mlle Grantzow) | — | ||
| 4-10 | Le Corsaire, Act III: Finale | — | ||
| 4-11 | Le Corsaire, Act III: Action | — | ||
| 4-12 | Le Corsaire, Act III: Scene 2 | — | ||
| 4-13 | Le Corsaire, Act III: Scene 3. Storm and shipwreck | — | ||
| 5-1 | Invitation to the Dance, Op.65 (Aufforderung zum Tanze) | — | ||
| 5-2 | Les Sylphides : 1. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-3 | Les Sylphides : 2. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-4 | Les Sylphides : 3. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-5 | Les Sylphides : 4. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-6 | Les Sylphides : 5. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-7 | Les Sylphides : 6. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-8 | Les Sylphides : 7. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-9 | Les Sylphides : 8. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-10 | Die Fledermaus, Bal de Vienne: Ballet Suite for Act 2 of “Die Fledermaus” | — | ||
| 5-11 | Ballet égyptien, op. 12: Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 5-12 | Ballet égyptien, op. 12: Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 6-1 | La Boutique Fantasque | — | ||
| 6-2 | Soirées musicales, op. 9: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-3 | Soirées musicales, op. 9: II. Canzonetta | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-4 | Soirées musicales, op. 9: III. Tirolese | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-5 | Soirées musicales, op. 9: IV. Bolero | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-6 | Soirées musicales, op. 9: V. Tarantella | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-7 | Matinées musicales, op. 24: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-8 | Matinées musicales, op. 24: II. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-9 | Matinées musicales, op. 24: III. Waltz | National Philharmonic Orchestra, Richard Bonynge | T-905.049.109-3 | |
| 6-10 | Matinées musicales, op. 24: IV. Pantomime | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-11 | Matinées musicales, op. 24: V. Moto perpetuo | National Philharmonic Orchestra, Richard Bonynge | — | |
| 7-1 | Coppélia, Tableau I, Prélude - Mazurka | — | ||
| 7-2 | Coppélia, Tableau I, No. 1 Valse | — | ||
| 7-3 | Coppélia, Tableau I, No. 2 Scène (Swanilda et Frantz) | — | ||
| 7-4 | Coppélia, Tableau I, No. 3 Mazurka | — | ||
| 7-5 | Coppélia, Tableau I, No. 4 Scène (Préparatifs de fête) | — | ||
| 7-6 | Coppélia, Tableau I, No. 5 Ballade de l'épi | — | ||
| 7-7 | Coppélia, Tableau I, No. 6 Thème slave varié | — | ||
| 7-8 | Coppélia, Tableau I, Czardas (Danse hongroise) - Sortie | — | ||
| 7-9 | Coppélia, Tableau I, No. 8 Final | — | ||
| 7-10 | Coppélia, Tableau II, Entr'acte - Valse | — | ||
| 7-11 | Coppélia, Tableau II, No. 9 Scène (L'atelier de Coppélius) | — | ||
| 7-12 | Coppélia, Tableau II, No. 10 Scène | — | ||
| 7-13 | Coppélia, Tableau II, No.11 Musique des automates - scène | — | ||
| 7-14 | Coppélia, Tableau II, No. 12 Scène | — | ||
| 7-15 | Coppélia, Tableau II, No. 13 Chanson à boire - Scène | — | ||
| 7-16 | Coppélia, Tableau II, No.14 Scène et Valse de la Poupée | — | ||
| 7-17 | Coppélia, Tableau II, No. 15 Scène | — | ||
| 7-18 | Coppélia, Tableau II, No. 16 Boléro | — | ||
| 7-19 | Coppélia, Tableau II, No. 17 Gigue | — | ||
| 7-20 | Coppélia, Tableau II, No. 18 Scène (Final) | — | ||
| 8-1 | Coppélia, Tableau III, No. 19 Marche de la cloche | — | ||
| 8-2 | Coppélia, Tableau III, No. 20 Fête de la cloche (Divertissement) | — | ||
| 8-3 | Coppélia, Tableau III, No. 20 Fête de la cloche: 1) Valse des heures | — | ||
| 8-4 | Coppélia, Tableau III, No. 20 Fête de la cloche: 2) L'aurore | — | ||
| 8-5 | Coppélia, Tableau III, No. 20 Fête de la cloche: 3) La prière | — | ||
| 8-6 | Coppélia, Tableau III, No. 20 Fête de la cloche: 4) Le travail (La fileuse) | — | ||
| 8-7 | Coppélia, Tableau III, No. 20 Fête de la cloche: 5) L'hymen (Noce villageoise) | — | ||
| 8-8 | Coppélia, Tableau III, No. 20 Fête de la cloche: 6) La discorde et la guerre | — | ||
| 8-9 | Coppélia, Tableau III, No. 20 Fête de la cloche: 7a) La paix | — | ||
| 8-10 | Coppélia, Tableau III, No. 20 Fête de la cloche: 7b) Danse de fête | — | ||
| 8-11 | Coppélia, Tableau III, No. 20 Fête de la cloche: 8) Galop final | — | ||
| 8-12 | Sylvia, Prélude | — | ||
| 8-13 | Sylvia, Act I, No. 1 Faunes et dryades (Scherzo) | — | ||
| 8-14 | Sylvia, Act I, No. 2 Le berger (Pastorale) | — | ||
| 8-15 | Sylvia, Act I, No. 3 Les chasseresses (Fanfare) | — | ||
| 8-16 | Sylvia, Act I, No. 4a Intermezzo | — | ||
| 8-17 | Sylvia, Act I, No. 4b Valse lente | — | ||
| 8-18 | Sylvia, Act I, No. 5 Scène | — | ||
| 8-19 | Sylvia, Act I, No. 6 Cortège rustique | — | ||
| 8-20 | Sylvia, Act I, No. 7 Scène | — | ||
| 8-21 | Sylvia, Act I, No.8 Entrée du sorcier (Finale) | — | ||
| 9-1 | Sylvia, Entr'acte | — | ||
| 9-2 | Sylvia, Act II, No. 9 La grotte d'Orion (Scène) | — | ||
| 9-3 | Sylvia, Act II, No. 10 Pas des Ethiopiens | — | ||
| 9-4 | Sylvia, Act II, No. 11 Chant bachique | — | ||
| 9-5 | Sylvia, Act II, No. 12a Scène et danse de la Bacchante | — | ||
| 9-6 | Sylvia, Act II, No. 13 Scène finale | — | ||
| 9-7 | Sylvia, Act III, Marche et cortège de Bacchus | — | ||
| 9-8 | Sylvia, Act III, No. 15a Scène | — | ||
| 9-9 | Sylvia, Act III, No. 15b Barcarolle | — | ||
| 9-10 | Sylvia, Act III, No. 16 Divertissement: a) Pizzicati | — | ||
| 9-11 | Sylvia, Act III, No. 16 Divertissement: b) Violon solo | — | ||
| 9-12 | Sylvia, Act III, No. 16 Divertissement: c) Pas des esclaves | — | ||
| 9-13 | Sylvia, Act III, No. 16 Divertissement: d) Variation-Valse | — | ||
| 9-14 | Sylvia, Act III, No. 16 Divertissement: e) Strette-Galop | — | ||
| 9-15 | Sylvia, Act III, No. 17 Le Temple de Diane (Final) | — | ||
| 9-16 | Sylvia, Act III, No. 18 Apparition d'Endymion (Apothéose) | — | ||
| 9-17 | La Source, Prélude | — | ||
| 9-18 | La Source, Act I, Introduction fantastique | — | ||
| 9-19 | La Source, Act I, L'Ephemère - Scène dansée | — | ||
| 9-20 | La Source, Act I, Scène | — | ||
| 9-21 | La Source, Act I, Marche del la caravane | — | ||
| 9-22 | La Source, Act I, Berceuse | — | ||
| 10-1 | La Source, Act I, Pas de la guzla | — | ||
| 10-2 | La Source, Act I, Pas de la guzla | — | ||
| 10-3 | La Source, Act I, Scène | — | ||
| 10-4 | La Source, Act I, Scène dansée | — | ||
| 10-5 | La Source, Act I, Valse | — | ||
| 10-6 | La Source, Act I, Scène et danse | — | ||
| 10-7 | La Source, Act I, Danse des sylphes et des lutins | — | ||
| 10-8 | La Source, Act I, Variation de Naïlia | — | ||
| 10-9 | La Source, Act I, Scène et danse | — | ||
| 10-10 | La Source, Act I, Galop | — | ||
| 10-11 | La Source, Act I, Scène finale | — | ||
| 10-12 | La Source, Act II, Introduction | — | ||
| 10-13 | La Source, Act II, Scène | — | ||
| 10-14 | La Source, Act II, Scène: Arrivée de Nouredda | — | ||
| 10-15 | La Source, Act II, Divertissement: Pas des voiles | — | ||
| 10-16 | La Source, Act II, Divertissement: Andante | — | ||
| 10-17 | La Source, Act II, Divertissement: Variation | — | ||
| 10-18 | La Source, Act II, Divertissement: Final: Danse circassienne | — | ||
| 10-19 | La Source, Act II, Scène | — | ||
| 10-20 | La Source, Act II, Pas de Naïla. Scherzo-Polka | — | ||
| 10-21 | La Source, Act II, Scène et pas d'action | — | ||
| 10-22 | La Source, Act II, Mazurka | — | ||
| 10-23 | La Source, Act II, Scène | — | ||
| 10-24 | La Source, Act II, Marche dansée et final | — | ||
| 10-25 | La Source, Act III, Introduction | — | ||
| 10-26 | La Source, Act III, Scène | — | ||
| 10-27 | La Source, Act III, Romance | — | ||
| 10-28 | La Source, Act III, Scène et danse | — | ||
| 11-1 | La fille mal gardée, Act I, 1-2. Dance of the cock and hens | — | ||
| 11-2 | La fille mal gardée, Act I, 3. Lise and the Ribbon | — | ||
| 11-3 | La fille mal gardée, Act I, 4. Colas | — | ||
| 11-4 | La fille mal gardée, Act I, 4a. Colas' Solo | — | ||
| 11-5 | La fille mal gardée, Act I, 5. Coals & Simone/6. Villagers | — | ||
| 11-6 | La fille mal gardée, Act I, 7. Simone and Lise | — | ||
| 11-7 | La fille mal gardée, Act I, 8. Lise and Colas | — | ||
| 11-8 | La fille mal gardée, Act I, 9. Village Girls | — | ||
| 11-9 | La fille mal gardée, Act I, 10. Thomas and Alain | — | ||
| 11-10 | La fille mal gardée, Act I, 11. Off to the harvest | — | ||
| 11-11 | La fille mal gardée, Act I, 12. Colas | — | ||
| 11-12 | La fille mal gardée, Act I, 13. Picnic | — | ||
| 11-13 | La fille mal gardée, Act I, 14. Flute Dance | — | ||
| 11-14 | La fille mal gardée, Act I, 15. Quarrel | — | ||
| 11-15 | La fille mal gardée, Act I, 16. The Fanny Ellsler Pas-de Deux | — | ||
| 11-16 | La fille mal gardée, Act I, 17. Simone | — | ||
| 11-17 | La Fille mal gardée: Act I. No. 17a Clog Dance | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 11-18 | La fille mal gardée, Act I, 18. Maypole Dance | — | ||
| 11-19 | La fille mal gardée, Act I, 19. Storm and Finale | — | ||
| 12-1 | La fille mal gardée, Act II, 20. Overture | — | ||
| 12-2 | La fille mal gardée, Act II, 21. Lise and Simone | — | ||
| 12-3 | La fille mal gardée, Act II, 22. Spinning | — | ||
| 12-4 | La fille mal gardée, Act II, 23. Tambourine Dance | — | ||
| 12-5 | La fille mal gardée, Act II, 24. Harvesters | — | ||
| 12-6 | La fille mal gardée, Act II, 25. When I'm married | — | ||
| 12-7 | La fille mal gardée, Act II, 26. Simone's Return | — | ||
| 12-8 | La fille mal gardée, Act II, 27. Thomas, Alain.../XXVIII Consternation.... | — | ||
| 12-9 | La fille mal gardée, Act II, 29. Pas-de-deux | — | ||
| 12-10 | La fille mal gardée, Act II, 30. Finale | — | ||
| 12-11 | Mam'zelle Angot - ballet, Overture | — | ||
| 12-12 | Mam'zelle Angot - ballet, 1. Allegro | — | ||
| 12-13 | Mam'zelle Angot - ballet, 2. Allegretto | — | ||
| 12-14 | Mam'zelle Angot - ballet, 3. Mazurka | — | ||
| 12-15 | Mam'zelle Angot - ballet, 4. Andantino - Valse | — | ||
| 12-16 | Mam'zelle Angot - ballet, 5. Tempo di marcia - Gavotte | — | ||
| 12-17 | Mam'zelle Angot - ballet, 6. Allegro vivace | — | ||
| 12-18 | Mam'zelle Angot - ballet, 7. Allegretto | — | ||
| 12-19 | Mam'zelle Angot - ballet, 8. Allegro-Gavotte | — | ||
| 12-20 | Mam'zelle Angot - ballet, 9. Allegretto-Galop | — | ||
| 12-21 | Mam'zelle Angot - ballet, 10. Allegro-Valse | — | ||
| 12-22 | Mam'zelle Angot - ballet, 11. Allegro-Presto | — | ||
| 12-23 | Mam'zelle Angot - ballet, 12. Adagio | — | ||
| 12-24 | Mam'zelle Angot - ballet, 13. Allegro moderato - 14. Allegro molto (Finale) | — | ||
| 13-1 | Spartacus - Ballet Suite, Variation of Aegina & Bacchanalia | — | ||
| 13-2 | Spartacus - Ballet Suite, Adagio of Spartacus and Phrygia | — | ||
| 13-3 | Spartacus - Ballet Suite, Dance of the Gaditanae | — | ||
| 13-4 | Masquerade - Ballet Suite, Waltz | — | ||
| 13-5 | Masquerade - Ballet Suite, Nocturne | — | ||
| 13-6 | Masquerade - Ballet Suite, Mazurka | — | ||
| 13-7 | Masquerade - Ballet Suite, Romance | — | ||
| 13-8 | Masquerade - Ballet Suite, Galop | — | ||
| 13-9 | Gayaneh, Sabre Dance | — | ||
| 13-10 | Gayaneh, Ayesha's Dance | — | ||
| 13-11 | Gayaneh, Dance of the Rose Maidens | — | ||
| 13-12 | Gayaneh, Lullaby | — | ||
| 13-13 | Gayaneh, Lezghinka | — | ||
| 14-1 | Manon Ballet, Act I, Scene 1: The Courtyard of an Inn near Paris | — | ||
| 14-2 | Manon Ballet, Act I, Scene 2: Des Grieux's lodgings in Paris | — | ||
| 14-3 | Manon Ballet, Act II, Scene 1: A Party at the Hotel particulier of Madame | — | ||
| 15-1 | Manon Ballet, Act II, Scene 1: A Party at the Hotel particulier of Madame (Conclusion) | — | ||
| 15-2 | Manon Ballet, Act II, Scene 2: Des Grieux's lodgings | — | ||
| 15-3 | Manon Ballet, Act III, Scene 1: The port of New Orleans | — | ||
| 15-4 | Manon Ballet, Act III, Scene 2: The goaler's rooms in New Orleans | — | ||
| 15-5 | Manon Ballet, Act III, Scene 3: A swamp in Louisiana | — | ||
| 16-1 | Gaîté parisienne : Overture | — | ||
| 16-2 | Gaîté parisienne : Allegro brillante | — | ||
| 16-3 | Gaîté parisienne : Polka - Allegro/Valse | — | ||
| 16-4 | Gaîté parisienne : Mazurka - Valse | — | ||
| 16-5 | Gaîté parisienne : Peruvian Dance (Allegro) - Polka | — | ||
| 16-6 | Gaîté parisienne : Valse Lente - Tempo di Marcia | — | ||
| 16-7 | Gaîté parisienne : Valse - Allegro vivo - Valse - Allegro misterioso | — | ||
| 16-8 | Gaîté parisienne : Valse | — | ||
| 16-9 | Gaîté parisienne : Allegro vivo - Can-Can - Quadrille | — | ||
| 16-10 | Gaîté parisienne : Can-Can - Allegro moderato - Allegro - Leggiero | — | ||
| 16-11 | Gaîté parisienne : Vivo | — | ||
| 16-12 | Gaîté parisienne : Barcarolle | — | ||
| 16-13 | Faust : Ballet Music | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 17-1 | Cinderella: Act I. No. 1. Introduction | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-2 | Cinderella: Act I. No. 2. Shawl Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-3 | Cinderella: Act I. No. 3. Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-4 | Cinderella: Act I. No. 4. The Father | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-5 | Cinderella: Act I. No. 5. The Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-6 | Cinderella: Act I. No. 6. The Sisters’ New Clothes | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-7 | Cinderella: Act I. No. 7. The Dancing Lesson | The Cleveland Orchestra, Vladimir Ashkenazy | T-070.089.012-5 | |
| 17-8 | Cinderella: Act I. No. 8. Departure of the Stepmother and Sisters for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-9 | Cinderella: Act I. No. 9. Cinderella Dreams of the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-10 | Cinderella: Act I. No. 10. Gavotte | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-11 | Cinderella: Act I. No. 11. Second Appearance of the Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-12 | Cinderella: Act I. No. 12. Spring Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-13 | Cinderella: Act I. No. 13. Summer Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-14 | Cinderella: Act I. No. 14. Grasshoppers and Dragonflies | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-15 | Cinderella: Act I. No. 15. Autumn Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-16 | Cinderella: Act I. No. 16. Winter Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-17 | Cinderella: Act I. No. 17. The Interrupted Departure | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-18 | Cinderella: Act I. No. 18. The Clock | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-19 | Cinderella: Act I. No. 19. Cinderella’s Departure for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-20 | Cinderella: Act II. No. 20. Dance of the Courtiers | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-21 | Cinderella: Act II. No. 21. Court Dance (Passepied) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-22 | Cinderella: Act II. No. 22. Cavaliers’ Dance (Bourrée) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-23 | Cinderella: Act II. No. 23. Skinny’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-24 | Cinderella: Act II. No. 24. Dumpy’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-25 | Cinderella: Act II. No. 25. Dance of the Courtiers (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-26 | Cinderella: Act II. No. 26. Mazurka and Entrance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-27 | Cinderella: Act II. No. 27. Dance of the Prince's Four Companions | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-28 | Cinderella: Act II. No. 28. Mazurka (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-29 | Cinderella: Act II. No. 29. Cinderella’s Arrival at the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-30 | Cinderella: Act II. No. 30. Granz Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-31 | Cinderella: Act II. No. 31. Promenade | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-32 | Cinderella: Act II. No. 32. Cinderella’s Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-33 | Cinderella: Act II. No. 33. Dance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-34 | Cinderella: Act II. No. 34. Refreshments for the Guests | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-35 | Cinderella: Act II. No. 35. Duet of the Sisters with the Oranges | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-36 | Cinderella: Act II. No. 36. Duet of the Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-37 | Cinderella: Act II. No. 37. Waltz-Coda | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-38 | Cinderella: Act II. No. 38. Midnight | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-1 | Cinderella: Act III. No. 39. The Prince and the Cobblers | The Cleveland Orchestra, Vladimir Ashkenazy | T-921.977.698-4 | |
| 18-2 | Cinderella: Act III. No. 40. First Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-3 | Cinderella: Act III. No. 41. Temptation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-4 | Cinderella: Act III. No. 42. Second Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-5 | Cinderella: Act III. No. 43. Oriental Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-6 | Cinderella: Act III. No. 44. Third Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-7 | Cinderella: Act III. No. 45. Cinderella’s Awakening | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-8 | Cinderella: Act III. No. 46. The Morning After the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-9 | Cinderella: Act III. No. 47. The Prince’s Visit | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-10 | Cinderella: Act III. No. 48. The Prince Recognises Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-11 | Cinderella: Act III. No. 49. Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-12 | Cinderella: Act III. No. 50. Amoroso: The Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-13 | The Seasons, op. 67: 1. Winter | — | ||
| 18-14 | The Seasons, op. 67: 2. Spring | — | ||
| 18-15 | The Seasons, op. 67: 3. Summer | — | ||
| 18-16 | The Seasons, op. 67: 4. Autumn | — | ||
| 19-1 | Romeo and Juliet, Op.64, Act I, 1. Introduction | — | ||
| 19-2 | Romeo and Juliet, Op.64, Act I, 2. Romeo | — | ||
| 19-3 | Romeo and Juliet, Op.64, Act I, The street wakens - The quarrel | — | ||
| 19-4 | Romeo and Juliet, Op.64, Act I, 5. The quarrel | — | ||
| 19-5 | Romeo and Juliet, Op.64, Act I, 6. The fight | — | ||
| 19-6 | Romeo and Juliet, Op.64, Act I, The Duke's command - Interlude | — | ||
| 19-7 | Romeo and Juliet, Op.64, Act I, 9. At the Capulets' (Preparations for the ball) | — | ||
| 19-8 | Romeo and Juliet, Op.64, Act I, 10. The young Juliet | — | ||
| 19-9 | Romeo and Juliet, Op.64, Act I, 11. Arrival of the guests | — | ||
| 19-10 | Romeo and Juliet, Op.64, Act I, 12. Masks | — | ||
| 19-11 | Romeo and Juliet, Op.64, Act I, 13. Dance of the knights | — | ||
| 19-12 | Romeo and Juliet, Op.64, Act I, 14. Juliet's variation | — | ||
| 19-13 | Romeo and Juliet, Op.64, Act I, 15. Mercutio | — | ||
| 19-14 | Romeo and Juliet, Op.64, Act I, 16. Madrigal | — | ||
| 19-15 | Romeo and Juliet, Op.64, Act I, 17. Tybalt recognizes Romeo | — | ||
| 19-16 | Romeo and Juliet, Op.64, Act II, 18. Gavotte | — | ||
| 19-17 | Romeo and Juliet, Op.64, Act II, Balcony scene - Romeo's variation - Love Dance | — | ||
| 19-18 | Romeo and Juliet, Op.64, Act II, 22. Folk dance | — | ||
| 19-19 | Romeo and Juliet, Op.64, Act II, 23. Romeo and Mercutio | — | ||
| 19-20 | Romeo and Juliet, Op.64, Act II, 24. Dance of the five couples | — | ||
| 19-21 | Romeo and Juliet, Op.64, Act II, 25. Dance with mandolins | — | ||
| 19-22 | Romeo and Juliet, Op.64, Act II, The nurse - The nurse and Romeo | — | ||
| 20-1 | Romeo and Juliet, Op.64, Act II, 28. Romeo at friar Laurence's | — | ||
| 20-2 | Romeo and Juliet, Op.64, Act II, 29. Juliet at friar Laurence's | — | ||
| 20-3 | Romeo and Juliet, Op.64, Act II, Public merrymaking - Further public festivities | — | ||
| 20-4 | Romeo and Juliet, Op.64, Act II, Meeting of Tybalt and Mercutio - Duel - Death of Mercut | — | ||
| 20-5 | Romeo and Juliet, Op.64, Act II, 35/36. Romeo decides to avenge Mercutio - Finale | — | ||
| 20-6 | Romeo and Juliet, Op.64, Act III, 37/38. Introduction - Romeo and Juliet | — | ||
| 20-7 | Romeo and Juliet, Op.64, Act III, 39. Romeo bids Juliet farewell | — | ||
| 20-8 | Romeo and Juliet, Op.64, Act III, 40. Nurse | — | ||
| 20-9 | Romeo and Juliet, Op.64, Act III, 41. Juliet refuses to marry Paris | — | ||
| 20-10 | Romeo and Juliet, Op.64, Act III, 42/43. Juliet alone - Interlude | — | ||
| 20-11 | Romeo and Juliet, Op.64, Act III, 44/45. At friar Laurence's cell - Interlude | — | ||
| 20-12 | Romeo and Juliet, Op.64, Act III, 46. Juliet's room | — | ||
| 20-13 | Romeo and Juliet, Op.64, Act III, 47. Juliet alone | — | ||
| 20-14 | Romeo and Juliet, Op.64, Act III, 48. Aubade | — | ||
| 20-15 | Romeo and Juliet, Op.64, Act III, 49. Dance of the girls with lilies | — | ||
| 20-16 | Romeo and Juliet, Op.64, Act III, 50. At Juliet's bedside | — | ||
| 20-17 | Romeo and Juliet, Op.64, Act IV, Juliet's funeral - Juliet's death | — | ||
| 21-1 | Daphnis et Chloé, 1re Partie: Introduction et danse religieuse | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-004.014.574-1 | |
| 21-2 | Daphnis et Chloé, 1re Partie: Scène - Danse générale | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 21-3 | Daphnis et Chloé, 1re Partie: Danse grotesque de Dorcon - Scène | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 21-4 | Daphnis et Chloé, 1re Partie: Danse légère et gracieuse de Daphnis | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-5 | Daphnis et Chloé, 1re Partie: Scène - Danse de Lyceion - Scène (les pirates) | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-6 | Daphnis et Chloé, 1re Partie: Nocturne - Danse lente et mystérieuse | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-7 | Daphnis et Chloé, 2e Partie: Introduction | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-8 | Daphnis et Chloé, 2e Partie: Danse guerrière | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-9 | Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 21-10 | Daphnis et Chloé, 3e Partie: Lever du jour - Scène | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-11 | Daphnis et Chloé, 3e Partie: Daphnis et Chloé miment l'aventure de Pan et Syrinx | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-12 | Daphnis et Chloé, 3e Partie: Danse générale | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-13 | Alborada del gracioso, M. 43c | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-304.229.137-8 | |
| 21-14 | La Valse, M. 72 | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-305.194.234-4 | |
| 22-1 | Cinderella, Vorspiel | — | ||
| 22-2 | Cinderella, Act I, Allegro | — | ||
| 22-3 | Cinderella, Act I, Franz' Selbstporträt | — | ||
| 22-4 | Cinderella, Act I, Promenade-Abenteuer | — | ||
| 22-5 | Cinderella, Act I, Entrée des Piccolo. Liebesbotschaft | — | ||
| 22-6 | Cinderella, Act I, An der schönen blauen Danube | — | ||
| 22-7 | Cinderella, Act I, Tauben-Walzer | — | ||
| 22-8 | Cinderella, Act I, Zwischenspiel | — | ||
| 22-9 | Cinderella, Act II, Allegretto | — | ||
| 22-10 | Cinderella, Act II, Agyptischer Sklavinnentanz | — | ||
| 22-11 | Cinderella, Act II, Einzug Floras | — | ||
| 22-12 | Cinderella, Act II, Aschenbrödel-Walzer | — | ||
| 22-13 | Cinderella, Act II, Zwischenspiel | — | ||
| 22-14 | Cinderella, Act III, Allegretto | — | ||
| 22-15 | Cinderella, Act III, 1. Traumbild | — | ||
| 22-16 | Cinderella, Act III, 2. Traumbild | — | ||
| 22-17 | Cinderella, Act III, 3. Traumbild. Amorettenreigen | — | ||
| 22-18 | Cinderella, Act III, Moderato | — | ||
| 23-1 | Cinderella, Act III, Zwischenspiel | — | ||
| 23-2 | Cinderella, Act III, Allegretto. Trousseau-Divertissement | — | ||
| 23-3 | Cinderella, Act III, Monogramm-Tanz | — | ||
| 23-4 | Cinderella, Act III, Tarantella | — | ||
| 23-5 | Cinderella, Act III, Walzer-Tempo | — | ||
| 23-6 | Cinderella, Act III, Mazurka | — | ||
| 23-7 | Cinderella, Act III, Csárdás | — | ||
| 23-8 | Cinderella, Act III, Brautschatz-Walzer | — | ||
| 23-9 | Ritter Pásmán - Ballet Music, Allegretto - Tempo di Polka | — | ||
| 23-10 | Ritter Pásmán - Ballet Music, Andantino grazioso - Tempo di Valse | — | ||
| 23-11 | Ritter Pásmán - Ballet Music, Csárdás | — | ||
| 23-12 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-13 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro marcato: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-14 | Le Beau Danube, Orchestrated: Roger Desormière: Andantino: Tempo di Valse... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-15 | Le Beau Danube, Orchestrated: Roger Desormière: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 24-1 | The Firebird (L'oiseau de feu) - Ballet (1910), Introduction | — | ||
| 24-2 | The Firebird (L'oiseau de feu) - Ballet (1910), Kashchei's enchanted garden | — | ||
| 24-3 | The Firebird (L'oiseau de feu) - Ballet (1910), Appearance of the Firebird pursued by Ivan Tsarevich | — | ||
| 24-4 | The Firebird (L'oiseau de feu) - Ballet (1910), Dance of the Firebird | — | ||
| 24-5 | The Firebird (L'oiseau de feu) - Ballet (1910), Ivan Tsarevich captures the Firebird | — | ||
| 24-6 | The Firebird (L'oiseau de feu) - Ballet (1910), Supplication of the Firebird | — | ||
| 24-7 | The Firebird (L'oiseau de feu) - Ballet (1910), Game of the Princesses with the golden apples | — | ||
| 24-8 | The Firebird (L'oiseau de feu) - Ballet (1910), Sudden appearance of Ivan Tsarevich | — | ||
| 24-9 | The Firebird (L'oiseau de feu) - Ballet (1910), Round dance of the Princesses | — | ||
| 24-10 | The Firebird (L'oiseau de feu) - Ballet (1910), Daybreak | — | ||
| 24-11 | The Firebird (L'oiseau de feu) - Ballet (1910), Magic carillon, appearance of Kashchei's guardian monsters and capture of Ivan Tsarevich | — | ||
| 24-12 | The Firebird (L'oiseau de feu) - Ballet (1910), Dance of Kashchei's retinue under the spell of the Firebird | — | ||
| 24-13 | The Firebird (L'oiseau de feu) - Ballet (1910), Infernal dance of all Kashchei's subject's | — | ||
| 24-14 | The Firebird (L'oiseau de feu) - Ballet (1910), Lullaby of the Firebird | — | ||
| 24-15 | The Firebird (L'oiseau de feu) - Ballet (1910), Collapse of Kashchei's palace and dissolution of all enchantments - Reanimation of the petrified prisoners - General rejoicing | — | ||
| 25-1 | Petrouchka - Version 1947, Scene 1 | — | ||
| 25-2 | Petrouchka - Version 1947, Scene 2 | — | ||
| 25-3 | Petrouchka - Version 1947, Scene 3 | — | ||
| 25-4 | Petrouchka - Version 1947, Scene 4 | — | ||
| 25-5 | Le Sacre du Printemps: Part I: L'Adoration de la terre | Detroit Symphony Orchestra, Antal Doráti | T-070.257.887-7 | |
| 25-6 | Le Sacre du Printemps: Part II: Le Sacrifice | Detroit Symphony Orchestra, Antal Doráti | T-070.257.887-7 | |
| 26-1 | The Sleeping Beauty: Prologue: no. Introduction | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-2 | The Sleeping Beauty: Prologue: no. 1: Marche (Entrance of King and Court) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-3 | The Sleeping Beauty: Prologue: no. 2. Scène dansante (Entrance of Fairies) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-4 | The Sleeping Beauty: Prologue: no. 3: Pas de six: Intrada - Adagio (Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-5 | The Sleeping Beauty: Prologue: no. 3c: Pas de six: Variation I (Candite) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-6 | The Sleeping Beauty: Prologue: no. 3d: Pas de six: Variation II (Coulante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-7 | The Sleeping Beauty: Prologue: no. 3e: Pas de six: Variation III (Falling crumbs) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-8 | The Sleeping Beauty: Prologue: no. 3f: Pas de six: Variation IV (Song-bird Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-9 | The Sleeping Beauty: Prologue: no. 3g: Pas de six: Variation V (Violente) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-10 | The Sleeping Beauty: Prologue: no. 3h: Pas de six: Variation VI (Lilac Fairy)(Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-11 | The Sleeping Beauty: Prologue: no. 3i: Pas de six: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-12 | The Sleeping Beauty: Prologue: no. 4: Final (La Fée des lilas sort) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-13 | The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-14 | The Sleeping Beauty: Act I: no. 6: Valse | National Philharmonic Orchestra, Richard Bonynge | T-913.706.049-2 | |
| 26-15 | The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-16 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 26-17 | The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-18 | The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-19 | The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-20 | The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-1 | The Sleeping Beauty: Act II: no. 10: Entr'acte et scène | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-2 | The Sleeping Beauty: Act II: no. 11: Colin-maillard (Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-3 | The Sleeping Beauty: Act II: no. 12: Scène - Danse des duchesses - Danse des baronnes - Danse des comtesses - Danse des marquises | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-4 | The Sleeping Beauty: Act II: no. 13: Farandole: Scène - Danse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-5 | The Sleeping Beauty: Act II: no. 14: Scène (Arrival of Huntsmen) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-6 | The Sleeping Beauty: Act II: no. 15a: Pas d'action (Vision of Aurora) | Francisco Gabarro, National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-7 | The Sleeping Beauty: Act II: no. 15b: Variation d'Aurore (Allegro comodo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-8 | The Sleeping Beauty: Act II: no. 15c: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-9 | The Sleeping Beauty: Act II: no. 16: Scène (Allegro agitato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-10 | The Sleeping Beauty: Act II: no. 17: Panorama (Andantino) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-11 | The Sleeping Beauty: Act II: no. 18: Entr'acte (Andante sostenuto) | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-12 | The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-13 | The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-14 | The Sleeping Beauty: Act III: no. 21: Marche | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-15 | The Sleeping Beauty: Act III: no. 22: Polacca (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-16 | The Sleeping Beauty: Act III: no. 23a: Pas de quatre: Intrada (Allegro non tanto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-17 | The Sleeping Beauty: Act III: no. 23b: Pas de quatre: Variation I (Valse) (Golden Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-18 | The Sleeping Beauty: Act III: no. 23c: Pas de quatre: Variation II (Polka) (Silver Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-19 | The Sleeping Beauty: Act III: no. 23d: Pas de quatre: Variation III (Saphir Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-20 | The Sleeping Beauty: Act III: no. 23e: Pas de quatre: Variation IV (Diamond Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-21 | The Sleeping Beauty: Act III: no. 23f: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-22 | The Sleeping Beauty: Act III: no. 24: Pas de caractère (Puss in Boots) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-23 | The Sleeping Beauty: Act III: no. 25a: Pas de quatre: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-24 | The Sleeping Beauty: Act III: no. 25b: Pas de quatre: Variation I (Cinderella and Prince) (Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-25 | The Sleeping Beauty: Act III: no. 25c: Pas de quatre: Variation II (Bluebird and Florisse) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-26 | The Sleeping Beauty: Act III: no. 25d: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-1 | The Sleeping Beauty: Act III: no. 26: Pas de caractère (Red Riding Hood) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-2 | The Sleeping Beauty: Act III: Cendrillon et le prince Fortune (Allegro - Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-3 | The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-4 | The Sleeping Beauty: Act III: no. 28a: Pas de deux: Intrada | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-5 | The Sleeping Beauty: Act III: no. 28b: Pas de deux: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-6 | The Sleeping Beauty: Act III: no. 28c: Pas de deux: Variation I (Prince) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-7 | The Sleeping Beauty: Act III: no. 28d: Pas de deux: Variation II (Aurora) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-8 | The Sleeping Beauty: Act III: no. 28e: Pas de deux: Coda (Allegro vivace) (The Three Ivans) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-9 | The Sleeping Beauty: Act III: no. 29: Sarabande | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-10 | The Sleeping Beauty: Act III: no. 30a: Finale: Allegro brillante (Mazurka) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-11 | The Sleeping Beauty: Act III: no. 30b: Finale: Apothéose (Andante molto maestoso) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-12 | Les Patineurs, arr. Lambert: Entrée | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-13 | Les Patineurs, arr. Lambert: Pas seul. Pas de deux | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-14 | Les Patineurs, arr. Lambert: Ensemble | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-15 | Les Patineurs, arr. Lambert: Pas de trois | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-16 | Les Patineurs, arr. Lambert: Duet | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-17 | Les Patineurs, arr. Lambert: Pas des patineurs | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-18 | Les Patineurs, arr. Lambert: Finale | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-1 | Swan Lake, Op.20, Act I, No.1 Scène (Allegro giusto) | — | ||
| 29-2 | Swan Lake, Op.20, Act I, No.2 Valse (Corps de Ballet) | — | ||
| 29-3 | Swan Lake, Op.20, Act I, No.3 Scène (Allegro moderato) | — | ||
| 29-4 | Swan Lake, Op.20, Act I, No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace) | — | ||
| 29-5 | Swan Lake, Op.20, Act I, No.5 Pas de deux: a) Intrada-Valse - b) Andante - c) Valse - d) Coda (Allegro molto vivace) | — | ||
| 29-6 | Swan Lake, Op.20, Act I, No.6 Pas d'action (Andantino quasi moderato - Allegro) | — | ||
| 29-7 | Swan Lake, Op.20, Act I, No.7 Sujet | — | ||
| 29-8 | Swan Lake, Op.20, Act I, No.8 Danse des coupes (Tempo di polacca) | — | ||
| 29-9 | Swan Lake, Op.20, Act I, No.9 Finale (Andante) | — | ||
| 29-10 | Swan Lake: Act 2, No.10 Scène (Moderato) | Orchestre symphonique de Montréal, Charles Dutoit | T-320.177.456-9 | |
| 29-11 | Swan Lake, Op.20, Act II, No.11 Scène (Allegro moderato) | — | ||
| 29-12 | Swan Lake, Op.20, Act II, No.12 Scène (Allegro) | — | ||
| 29-13 | Swan Lake, Op.20, Act II, No.13 Danses des cygnes: a) Valse - b) Moderato assai - c) Valse - d) Allegro moderato - e) Pas d'action (Andante) - f) Valse - g) Coda (Allegro vivace) | — | ||
| 30-1 | Swan Lake, Op.20, Act III, No.15 Danse de fançailles (Allegro giusto) | — | ||
| 30-2 | Swan Lake, Op.20, Act III, No.16 Danses du corps de ballet et des nains (Moderato assai) | — | ||
| 30-3 | Swan Lake, Op.20, Act III, No.17 Scène: Entrée des invités (Fanfares) et la valse (Allegro) | — | ||
| 30-4 | Swan Lake, Op.20, Act III, No.18 Scène (Allegro) | — | ||
| 30-5 | Swan Lake, Op.20, Act III, No.19 Pas de six: Intrada (Moderato assai) - Variations I/V - Coda | — | ||
| 30-6 | Swan Lake, Op.20, Act III, Pas de deux: Introduction (Moderato) - Variations I & II - Coda | — | ||
| 30-7 | Swan Lake, Op.20, Act III, No.20 Danse hongroise (Czárdás) | — | ||
| 30-8 | Swan Lake, Op.20, Act III, Danse russe (Moderato) | — | ||
| 30-9 | Swan Lake, Op.20, Act III, No.21 Danse espagnole (Allegro non troppo. Tempo di bolero) | — | ||
| 30-10 | Swan Lake, Op.20, Act III, No.22 Danse napolitaine | — | ||
| 30-11 | Swan Lake, Op.20, Act III, No.23 Mazurka | — | ||
| 30-12 | Swan Lake, Op.20, Act III, No.24 Scène (Allegro - Valse - Allegro vivo) | — | ||
| 30-13 | Swan Lake, Op.20, Act IV, No.25 Entr'acte (Moderato) | — | ||
| 30-14 | Swan Lake, Op.20, Act IV, No.26 Scène (Allegro non troppo) | — | ||
| 30-15 | Swan Lake, Op.20, Act IV, No.27 Danses des petits cygnes (Moderato) | — | ||
| 30-16 | Swan Lake, Op.20, Act IV, No.28 Scène (Allegro agitato) | — | ||
| 30-17 | Swan Lake, Op.20, Act IV, No.29 Scène finale (Andante) | — | ||
| 31-1 | The Nutcracker, Op.71, Overture | — | ||
| 31-2 | The Nutcracker, Op.71, Act I, No. 1 The Christmas Tree | — | ||
| 31-3 | The Nutcracker, Op.71, Act I, No. 2 March | — | ||
| 31-4 | The Nutcracker, Op.71, Act I, No. 3 Galop and Dance of the Parents | — | ||
| 31-5 | The Nutcracker, Op.71, Act I, No. 4 Dance Scene - The Presents of Drosselmeyer | — | ||
| 31-6 | The Nutcracker, Op.71, Act I, No. 5a Scene | — | ||
| 31-7 | The Nutcracker, Op.71, Act I, No. 5b Grandfather Dance | — | ||
| 31-8 | The Nutcracker, Op.71, Act I, No. 6 Clara and the Nutcracker | — | ||
| 31-9 | The Nutcracker, Op.71, Act I, No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming | — | ||
| 31-10 | The Nutcracker, Op.71, Act I, No. 8 In the Christmas Tree | — | ||
| 31-11 | The Nutcracker, Op.71, Act I, No. 9 Scene and Waltz of the Snowflakes | — | ||
| 32-1 | The Nutcracker, Op.71, Act II, No. 10 The Magic Castle on the Mountain of Sweets | — | ||
| 32-2 | The Nutcracker, Op.71, Act II, No. 11 Clara and Prince Charming | — | ||
| 32-3 | The Nutcracker, Op.71, Act II, No. 12a Character Dances: Chocolate (Spanish Dance) | — | ||
| 32-4 | The Nutcracker, Op.71, Act II, No. 12b Character Dances: Coffee (Arabian Dance) | — | ||
| 32-5 | The Nutcracker, Op.71, Act II, No. 12c Character Dances: Tea (Chinese Dance) | — | ||
| 32-6 | The Nutcracker, Op.71, Act II, No. 12d Character Dances: Trépak (Russian Dance) | — | ||
| 32-7 | The Nutcracker, Op.71, Act II, No. 12e Character Dances: Dance of the Reed Pipes | — | ||
| 32-8 | The Nutcracker, Op.71, Act II, No. 12f Character Dances: Polchinelle (The Clown) | — | ||
| 32-9 | The Nutcracker, Op.71, Act II, No. 13 Waltz of the Flowers | — | ||
| 32-10 | The Nutcracker, Op.71, Act II, No. 14a Pas de deux: Intrada | — | ||
| 32-11 | The Nutcracker, Op.71, Act II, No. 14b Pas de deux: Variation I (Tarantella) | — | ||
| 32-12 | The Nutcracker, Op.71, Act II, No. 14c Pas de deux: Variation II (Dance of the Sugar-Plum Fairy) | — | ||
| 32-13 | The Nutcracker, Op.71, Act II, No. 14d Pas de deux: Coda | — | ||
| 32-14 | The Nutcracker, Op.71, Act II, No. 15a Final Waltz | — | ||
| 32-15 | The Nutcracker, Op.71, Act II, No. 15b Apotheosis | — | ||
| 32-16 | Eugene Onegin, Op.24, Entracte | — | ||
| 32-17 | Eugene Onegin, Op.24, Act 2, Valse | — | ||
| 32-18 | Eugene Onegin, Op.24, Polonaise | — | ||
| 33-1 | Otello, Act III, Ballet Music | — | ||
| 33-2 | Don Carlo, Act III, Ballo della Regina | — | ||
| 33-3 | Aida, Acti II, Grand March - Ballet Music | — | ||
| 33-4 | Macbeth, Act III, Ballet Music | — | ||
| 33-5 | I vespri siciliani, Act III, Le quattro stagioni: 1. L'inverno | — | ||
| 33-6 | I vespri siciliani, Act III, Le quattro stagioni: 2. La primavera | — | ||
| 33-7 | I vespri siciliani, Act III, Le quattro stagioni: 3. L'estate | — | ||
| 33-8 | I vespri siciliani, Act III, Le quattro stagioni: 4. L'autunno | — | ||
| 34-1 | Paquita, Grand pas | — | ||
| 34-2 | Paquita, Pas de quatre - Arr. Peter March | — | ||
| 34-3 | Paquita, Le Papillon | — | ||
| 34-4 | Don Quixote, Act IV, Pas de deux | — | ||
| 34-5 | Le Corsaire, Pas de deux | — | ||
| 35-1 | Pas classique | — | ||
| 35-2 | Les Rendez-vous (arr. Constant Lambert) | — | ||
| 35-3 | Diana and Actaeon: Pas de deux | — | ||
| 35-4 | The Good-Humoured Ladies (arr. Vincenzo Tommasini) | — | ||
| 35-5 | Françoise de Rimini | — |
Identifier Graph
028947815266 is a Universal Product Code (UPC) assigned to Ballet Masterpieces by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 555 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Creative Contributors (ISNI)
The UPC for “Ballet Masterpieces” by Various Artists is 028947815266. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Decca. This release contains 555 tracks, each with its own ISRC. Tracks include GBF078210471, GBF078210472, GBF078210473.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Giselle, Act I: Introduction | — | ||
| 2 | Giselle, Act I: No. 1 Les Vendangeurs | — | ||
| 3 | Giselle, Act I: No. 2 Entrée du Prince | — | ||
| 4 | Giselle, Act I: No. 3 Entrée de Giselle | — | ||
| 5 | Giselle, Act I: No. 4 Retour des Vendangeurs: No. 4(bis) Valse | — | ||
| 6 | Giselle, Act I: No. 5b La Chasse | — | ||
| 7 | Giselle, Act I: No. 6 Scène d'Hilarion | — | ||
| 8 | Giselle, Act I: No. 7 Marche des vignerons | — | ||
| 9 | Giselle, Act I: Pas seul (Bürgmüller interpolation) | — | ||
| 10 | Giselle, Act I: Pas de deux des jeunes paysans: Polacca | — | ||
| 11 | Giselle, Act I: Pas de deux des jeunes paysans: Andante | — | ||
| 12 | Giselle, Act I: Pas de deux des jeunes paysans: Pesante | — | ||
| 13 | Giselle, Act I: Pas de deux des jeunes paysans: Allegretto | — | ||
| 14 | Giselle, Act I: Pas de deux des jeunes paysans: Allegretto pesante | — | ||
| 15 | Giselle, Act I: Pas de deux des jeunes paysans: Valse | — | ||
| 16 | Giselle, Act I: Pas des vendanges: Andante | — | ||
| 17 | Giselle, Act I: Pas des vendanges: Moderato | — | ||
| 18 | Giselle, Act I: Pas des vendanges: Allegro moderato | — | ||
| 19 | Giselle, Act I: Allegro un peu louré | — | ||
| 20 | Giselle, Act I: No. 8 Galop | — | ||
| 21 | Giselle, Act I: Finale du 1er Acte et Scène de folie | — | ||
| 2-1 | Giselle, Act II: No. 9 Introduction (La halte des chasseurs) | — | ||
| 2-2 | Giselle, Act II: Apparition de Myrthe et évocation magique | — | ||
| 2-3 | Giselle, Act II: Pas des premières Wilis | — | ||
| 2-4 | Giselle, Act II: No.11 Apparition de Giselle | — | ||
| 2-5 | Giselle, Act II: Entrée des paysans | — | ||
| 2-6 | Giselle, Act II: No.13 Entrée de Loys | — | ||
| 2-7 | Giselle, Act II: No. 14 Scène des Wilis (Entrée d'Hilarion) | — | ||
| 2-8 | Giselle, Act II: Grand pas de deux: Adage | — | ||
| 2-9 | Giselle, Act II: Grand pas de deux: Andantino | — | ||
| 2-10 | Giselle, Act II: Grand pas de deux: Andante | — | ||
| 2-11 | Giselle, Act II: Grand pas de deux: Valse (interpolated) | — | ||
| 2-12 | Giselle, Act II: No. 16 Final | — | ||
| 2-13 | Giselle, Act II: Lever du soleil et arrivée de la cour | — | ||
| 3-1 | Le Corsaire, Act I: Overture and opening of Scene 1 | — | ||
| 3-2 | Le Corsaire, Act I: Introduction | — | ||
| 3-3 | Le Corsaire, Act I: Tarantella | — | ||
| 3-4 | Le Corsaire, Act I: Mazuetta | — | ||
| 3-5 | Le Corsaire, Act I: La Française | — | ||
| 3-6 | Le Corsaire, Act I: Boléro | — | ||
| 3-7 | Le Corsaire, Act I: Ecossaise | — | ||
| 3-8 | Le Corsaire, Act I: Coda | — | ||
| 3-9 | Le Corsaire, Act I: Action | — | ||
| 3-10 | Le Corsaire, Act I: Corsairs' bacchanal | — | ||
| 3-11 | Le Corsaire, Act I: Scene 2. Action | — | ||
| 3-12 | Le Corsaire, Act I: Pas des évantails | — | ||
| 3-13 | Le Corsaire, Act I: Action | — | ||
| 3-14 | Le Corsaire, Act I: Variation for Mlle Grantzow (1867) | — | ||
| 3-15 | Le Corsaire, Act I: Action | — | ||
| 4-1 | Le Corsaire, Act II: Scene 1. Pas des odalisques | — | ||
| 4-2 | Le Corsaire, Act II: Entrance of Gulnare | — | ||
| 4-3 | Le Corsaire, Act II: Gulnare's dance | — | ||
| 4-4 | Le Corsaire, Act II: Action | — | ||
| 4-5 | Le Corsaire, Act II: Scene 1. Action (Pas des fleurs, Delibes) | — | ||
| 4-6 | Le Corsaire, Act III: Valse de Naila (for Mlle Grantzow) | — | ||
| 4-7 | Le Corsaire, Act III: Andante | — | ||
| 4-8 | Le Corsaire, Act III: 1st variation (for Gulnare, Mlle Fioretti) | — | ||
| 4-9 | Le Corsaire, Act III: 2nd variation (for Medora, Mlle Grantzow) | — | ||
| 4-10 | Le Corsaire, Act III: Finale | — | ||
| 4-11 | Le Corsaire, Act III: Action | — | ||
| 4-12 | Le Corsaire, Act III: Scene 2 | — | ||
| 4-13 | Le Corsaire, Act III: Scene 3. Storm and shipwreck | — | ||
| 5-1 | Invitation to the Dance, Op.65 (Aufforderung zum Tanze) | — | ||
| 5-2 | Les Sylphides : 1. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-3 | Les Sylphides : 2. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-4 | Les Sylphides : 3. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-5 | Les Sylphides : 4. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-6 | Les Sylphides : 5. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-7 | Les Sylphides : 6. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-8 | Les Sylphides : 7. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-9 | Les Sylphides : 8. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 5-10 | Die Fledermaus, Bal de Vienne: Ballet Suite for Act 2 of “Die Fledermaus” | — | ||
| 5-11 | Ballet égyptien, op. 12: Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 5-12 | Ballet égyptien, op. 12: Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 6-1 | La Boutique Fantasque | — | ||
| 6-2 | Soirées musicales, op. 9: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-3 | Soirées musicales, op. 9: II. Canzonetta | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-4 | Soirées musicales, op. 9: III. Tirolese | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-5 | Soirées musicales, op. 9: IV. Bolero | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-6 | Soirées musicales, op. 9: V. Tarantella | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-7 | Matinées musicales, op. 24: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-8 | Matinées musicales, op. 24: II. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-9 | Matinées musicales, op. 24: III. Waltz | National Philharmonic Orchestra, Richard Bonynge | T-905.049.109-3 | |
| 6-10 | Matinées musicales, op. 24: IV. Pantomime | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-11 | Matinées musicales, op. 24: V. Moto perpetuo | National Philharmonic Orchestra, Richard Bonynge | — | |
| 7-1 | Coppélia, Tableau I, Prélude - Mazurka | — | ||
| 7-2 | Coppélia, Tableau I, No. 1 Valse | — | ||
| 7-3 | Coppélia, Tableau I, No. 2 Scène (Swanilda et Frantz) | — | ||
| 7-4 | Coppélia, Tableau I, No. 3 Mazurka | — | ||
| 7-5 | Coppélia, Tableau I, No. 4 Scène (Préparatifs de fête) | — | ||
| 7-6 | Coppélia, Tableau I, No. 5 Ballade de l'épi | — | ||
| 7-7 | Coppélia, Tableau I, No. 6 Thème slave varié | — | ||
| 7-8 | Coppélia, Tableau I, Czardas (Danse hongroise) - Sortie | — | ||
| 7-9 | Coppélia, Tableau I, No. 8 Final | — | ||
| 7-10 | Coppélia, Tableau II, Entr'acte - Valse | — | ||
| 7-11 | Coppélia, Tableau II, No. 9 Scène (L'atelier de Coppélius) | — | ||
| 7-12 | Coppélia, Tableau II, No. 10 Scène | — | ||
| 7-13 | Coppélia, Tableau II, No.11 Musique des automates - scène | — | ||
| 7-14 | Coppélia, Tableau II, No. 12 Scène | — | ||
| 7-15 | Coppélia, Tableau II, No. 13 Chanson à boire - Scène | — | ||
| 7-16 | Coppélia, Tableau II, No.14 Scène et Valse de la Poupée | — | ||
| 7-17 | Coppélia, Tableau II, No. 15 Scène | — | ||
| 7-18 | Coppélia, Tableau II, No. 16 Boléro | — | ||
| 7-19 | Coppélia, Tableau II, No. 17 Gigue | — | ||
| 7-20 | Coppélia, Tableau II, No. 18 Scène (Final) | — | ||
| 8-1 | Coppélia, Tableau III, No. 19 Marche de la cloche | — | ||
| 8-2 | Coppélia, Tableau III, No. 20 Fête de la cloche (Divertissement) | — | ||
| 8-3 | Coppélia, Tableau III, No. 20 Fête de la cloche: 1) Valse des heures | — | ||
| 8-4 | Coppélia, Tableau III, No. 20 Fête de la cloche: 2) L'aurore | — | ||
| 8-5 | Coppélia, Tableau III, No. 20 Fête de la cloche: 3) La prière | — | ||
| 8-6 | Coppélia, Tableau III, No. 20 Fête de la cloche: 4) Le travail (La fileuse) | — | ||
| 8-7 | Coppélia, Tableau III, No. 20 Fête de la cloche: 5) L'hymen (Noce villageoise) | — | ||
| 8-8 | Coppélia, Tableau III, No. 20 Fête de la cloche: 6) La discorde et la guerre | — | ||
| 8-9 | Coppélia, Tableau III, No. 20 Fête de la cloche: 7a) La paix | — | ||
| 8-10 | Coppélia, Tableau III, No. 20 Fête de la cloche: 7b) Danse de fête | — | ||
| 8-11 | Coppélia, Tableau III, No. 20 Fête de la cloche: 8) Galop final | — | ||
| 8-12 | Sylvia, Prélude | — | ||
| 8-13 | Sylvia, Act I, No. 1 Faunes et dryades (Scherzo) | — | ||
| 8-14 | Sylvia, Act I, No. 2 Le berger (Pastorale) | — | ||
| 8-15 | Sylvia, Act I, No. 3 Les chasseresses (Fanfare) | — | ||
| 8-16 | Sylvia, Act I, No. 4a Intermezzo | — | ||
| 8-17 | Sylvia, Act I, No. 4b Valse lente | — | ||
| 8-18 | Sylvia, Act I, No. 5 Scène | — | ||
| 8-19 | Sylvia, Act I, No. 6 Cortège rustique | — | ||
| 8-20 | Sylvia, Act I, No. 7 Scène | — | ||
| 8-21 | Sylvia, Act I, No.8 Entrée du sorcier (Finale) | — | ||
| 9-1 | Sylvia, Entr'acte | — | ||
| 9-2 | Sylvia, Act II, No. 9 La grotte d'Orion (Scène) | — | ||
| 9-3 | Sylvia, Act II, No. 10 Pas des Ethiopiens | — | ||
| 9-4 | Sylvia, Act II, No. 11 Chant bachique | — | ||
| 9-5 | Sylvia, Act II, No. 12a Scène et danse de la Bacchante | — | ||
| 9-6 | Sylvia, Act II, No. 13 Scène finale | — | ||
| 9-7 | Sylvia, Act III, Marche et cortège de Bacchus | — | ||
| 9-8 | Sylvia, Act III, No. 15a Scène | — | ||
| 9-9 | Sylvia, Act III, No. 15b Barcarolle | — | ||
| 9-10 | Sylvia, Act III, No. 16 Divertissement: a) Pizzicati | — | ||
| 9-11 | Sylvia, Act III, No. 16 Divertissement: b) Violon solo | — | ||
| 9-12 | Sylvia, Act III, No. 16 Divertissement: c) Pas des esclaves | — | ||
| 9-13 | Sylvia, Act III, No. 16 Divertissement: d) Variation-Valse | — | ||
| 9-14 | Sylvia, Act III, No. 16 Divertissement: e) Strette-Galop | — | ||
| 9-15 | Sylvia, Act III, No. 17 Le Temple de Diane (Final) | — | ||
| 9-16 | Sylvia, Act III, No. 18 Apparition d'Endymion (Apothéose) | — | ||
| 9-17 | La Source, Prélude | — | ||
| 9-18 | La Source, Act I, Introduction fantastique | — | ||
| 9-19 | La Source, Act I, L'Ephemère - Scène dansée | — | ||
| 9-20 | La Source, Act I, Scène | — | ||
| 9-21 | La Source, Act I, Marche del la caravane | — | ||
| 9-22 | La Source, Act I, Berceuse | — | ||
| 10-1 | La Source, Act I, Pas de la guzla | — | ||
| 10-2 | La Source, Act I, Pas de la guzla | — | ||
| 10-3 | La Source, Act I, Scène | — | ||
| 10-4 | La Source, Act I, Scène dansée | — | ||
| 10-5 | La Source, Act I, Valse | — | ||
| 10-6 | La Source, Act I, Scène et danse | — | ||
| 10-7 | La Source, Act I, Danse des sylphes et des lutins | — | ||
| 10-8 | La Source, Act I, Variation de Naïlia | — | ||
| 10-9 | La Source, Act I, Scène et danse | — | ||
| 10-10 | La Source, Act I, Galop | — | ||
| 10-11 | La Source, Act I, Scène finale | — | ||
| 10-12 | La Source, Act II, Introduction | — | ||
| 10-13 | La Source, Act II, Scène | — | ||
| 10-14 | La Source, Act II, Scène: Arrivée de Nouredda | — | ||
| 10-15 | La Source, Act II, Divertissement: Pas des voiles | — | ||
| 10-16 | La Source, Act II, Divertissement: Andante | — | ||
| 10-17 | La Source, Act II, Divertissement: Variation | — | ||
| 10-18 | La Source, Act II, Divertissement: Final: Danse circassienne | — | ||
| 10-19 | La Source, Act II, Scène | — | ||
| 10-20 | La Source, Act II, Pas de Naïla. Scherzo-Polka | — | ||
| 10-21 | La Source, Act II, Scène et pas d'action | — | ||
| 10-22 | La Source, Act II, Mazurka | — | ||
| 10-23 | La Source, Act II, Scène | — | ||
| 10-24 | La Source, Act II, Marche dansée et final | — | ||
| 10-25 | La Source, Act III, Introduction | — | ||
| 10-26 | La Source, Act III, Scène | — | ||
| 10-27 | La Source, Act III, Romance | — | ||
| 10-28 | La Source, Act III, Scène et danse | — | ||
| 11-1 | La fille mal gardée, Act I, 1-2. Dance of the cock and hens | — | ||
| 11-2 | La fille mal gardée, Act I, 3. Lise and the Ribbon | — | ||
| 11-3 | La fille mal gardée, Act I, 4. Colas | — | ||
| 11-4 | La fille mal gardée, Act I, 4a. Colas' Solo | — | ||
| 11-5 | La fille mal gardée, Act I, 5. Coals & Simone/6. Villagers | — | ||
| 11-6 | La fille mal gardée, Act I, 7. Simone and Lise | — | ||
| 11-7 | La fille mal gardée, Act I, 8. Lise and Colas | — | ||
| 11-8 | La fille mal gardée, Act I, 9. Village Girls | — | ||
| 11-9 | La fille mal gardée, Act I, 10. Thomas and Alain | — | ||
| 11-10 | La fille mal gardée, Act I, 11. Off to the harvest | — | ||
| 11-11 | La fille mal gardée, Act I, 12. Colas | — | ||
| 11-12 | La fille mal gardée, Act I, 13. Picnic | — | ||
| 11-13 | La fille mal gardée, Act I, 14. Flute Dance | — | ||
| 11-14 | La fille mal gardée, Act I, 15. Quarrel | — | ||
| 11-15 | La fille mal gardée, Act I, 16. The Fanny Ellsler Pas-de Deux | — | ||
| 11-16 | La fille mal gardée, Act I, 17. Simone | — | ||
| 11-17 | La Fille mal gardée: Act I. No. 17a Clog Dance | Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | — | |
| 11-18 | La fille mal gardée, Act I, 18. Maypole Dance | — | ||
| 11-19 | La fille mal gardée, Act I, 19. Storm and Finale | — | ||
| 12-1 | La fille mal gardée, Act II, 20. Overture | — | ||
| 12-2 | La fille mal gardée, Act II, 21. Lise and Simone | — | ||
| 12-3 | La fille mal gardée, Act II, 22. Spinning | — | ||
| 12-4 | La fille mal gardée, Act II, 23. Tambourine Dance | — | ||
| 12-5 | La fille mal gardée, Act II, 24. Harvesters | — | ||
| 12-6 | La fille mal gardée, Act II, 25. When I'm married | — | ||
| 12-7 | La fille mal gardée, Act II, 26. Simone's Return | — | ||
| 12-8 | La fille mal gardée, Act II, 27. Thomas, Alain.../XXVIII Consternation.... | — | ||
| 12-9 | La fille mal gardée, Act II, 29. Pas-de-deux | — | ||
| 12-10 | La fille mal gardée, Act II, 30. Finale | — | ||
| 12-11 | Mam'zelle Angot - ballet, Overture | — | ||
| 12-12 | Mam'zelle Angot - ballet, 1. Allegro | — | ||
| 12-13 | Mam'zelle Angot - ballet, 2. Allegretto | — | ||
| 12-14 | Mam'zelle Angot - ballet, 3. Mazurka | — | ||
| 12-15 | Mam'zelle Angot - ballet, 4. Andantino - Valse | — | ||
| 12-16 | Mam'zelle Angot - ballet, 5. Tempo di marcia - Gavotte | — | ||
| 12-17 | Mam'zelle Angot - ballet, 6. Allegro vivace | — | ||
| 12-18 | Mam'zelle Angot - ballet, 7. Allegretto | — | ||
| 12-19 | Mam'zelle Angot - ballet, 8. Allegro-Gavotte | — | ||
| 12-20 | Mam'zelle Angot - ballet, 9. Allegretto-Galop | — | ||
| 12-21 | Mam'zelle Angot - ballet, 10. Allegro-Valse | — | ||
| 12-22 | Mam'zelle Angot - ballet, 11. Allegro-Presto | — | ||
| 12-23 | Mam'zelle Angot - ballet, 12. Adagio | — | ||
| 12-24 | Mam'zelle Angot - ballet, 13. Allegro moderato - 14. Allegro molto (Finale) | — | ||
| 13-1 | Spartacus - Ballet Suite, Variation of Aegina & Bacchanalia | — | ||
| 13-2 | Spartacus - Ballet Suite, Adagio of Spartacus and Phrygia | — | ||
| 13-3 | Spartacus - Ballet Suite, Dance of the Gaditanae | — | ||
| 13-4 | Masquerade - Ballet Suite, Waltz | — | ||
| 13-5 | Masquerade - Ballet Suite, Nocturne | — | ||
| 13-6 | Masquerade - Ballet Suite, Mazurka | — | ||
| 13-7 | Masquerade - Ballet Suite, Romance | — | ||
| 13-8 | Masquerade - Ballet Suite, Galop | — | ||
| 13-9 | Gayaneh, Sabre Dance | — | ||
| 13-10 | Gayaneh, Ayesha's Dance | — | ||
| 13-11 | Gayaneh, Dance of the Rose Maidens | — | ||
| 13-12 | Gayaneh, Lullaby | — | ||
| 13-13 | Gayaneh, Lezghinka | — | ||
| 14-1 | Manon Ballet, Act I, Scene 1: The Courtyard of an Inn near Paris | — | ||
| 14-2 | Manon Ballet, Act I, Scene 2: Des Grieux's lodgings in Paris | — | ||
| 14-3 | Manon Ballet, Act II, Scene 1: A Party at the Hotel particulier of Madame | — | ||
| 15-1 | Manon Ballet, Act II, Scene 1: A Party at the Hotel particulier of Madame (Conclusion) | — | ||
| 15-2 | Manon Ballet, Act II, Scene 2: Des Grieux's lodgings | — | ||
| 15-3 | Manon Ballet, Act III, Scene 1: The port of New Orleans | — | ||
| 15-4 | Manon Ballet, Act III, Scene 2: The goaler's rooms in New Orleans | — | ||
| 15-5 | Manon Ballet, Act III, Scene 3: A swamp in Louisiana | — | ||
| 16-1 | Gaîté parisienne : Overture | — | ||
| 16-2 | Gaîté parisienne : Allegro brillante | — | ||
| 16-3 | Gaîté parisienne : Polka - Allegro/Valse | — | ||
| 16-4 | Gaîté parisienne : Mazurka - Valse | — | ||
| 16-5 | Gaîté parisienne : Peruvian Dance (Allegro) - Polka | — | ||
| 16-6 | Gaîté parisienne : Valse Lente - Tempo di Marcia | — | ||
| 16-7 | Gaîté parisienne : Valse - Allegro vivo - Valse - Allegro misterioso | — | ||
| 16-8 | Gaîté parisienne : Valse | — | ||
| 16-9 | Gaîté parisienne : Allegro vivo - Can-Can - Quadrille | — | ||
| 16-10 | Gaîté parisienne : Can-Can - Allegro moderato - Allegro - Leggiero | — | ||
| 16-11 | Gaîté parisienne : Vivo | — | ||
| 16-12 | Gaîté parisienne : Barcarolle | — | ||
| 16-13 | Faust : Ballet Music | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 17-1 | Cinderella: Act I. No. 1. Introduction | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-2 | Cinderella: Act I. No. 2. Shawl Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-3 | Cinderella: Act I. No. 3. Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-4 | Cinderella: Act I. No. 4. The Father | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-5 | Cinderella: Act I. No. 5. The Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-6 | Cinderella: Act I. No. 6. The Sisters’ New Clothes | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-7 | Cinderella: Act I. No. 7. The Dancing Lesson | The Cleveland Orchestra, Vladimir Ashkenazy | T-070.089.012-5 | |
| 17-8 | Cinderella: Act I. No. 8. Departure of the Stepmother and Sisters for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-9 | Cinderella: Act I. No. 9. Cinderella Dreams of the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-10 | Cinderella: Act I. No. 10. Gavotte | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-11 | Cinderella: Act I. No. 11. Second Appearance of the Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-12 | Cinderella: Act I. No. 12. Spring Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-13 | Cinderella: Act I. No. 13. Summer Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-14 | Cinderella: Act I. No. 14. Grasshoppers and Dragonflies | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-15 | Cinderella: Act I. No. 15. Autumn Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-16 | Cinderella: Act I. No. 16. Winter Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-17 | Cinderella: Act I. No. 17. The Interrupted Departure | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-18 | Cinderella: Act I. No. 18. The Clock | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-19 | Cinderella: Act I. No. 19. Cinderella’s Departure for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-20 | Cinderella: Act II. No. 20. Dance of the Courtiers | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-21 | Cinderella: Act II. No. 21. Court Dance (Passepied) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-22 | Cinderella: Act II. No. 22. Cavaliers’ Dance (Bourrée) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-23 | Cinderella: Act II. No. 23. Skinny’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-24 | Cinderella: Act II. No. 24. Dumpy’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-25 | Cinderella: Act II. No. 25. Dance of the Courtiers (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-26 | Cinderella: Act II. No. 26. Mazurka and Entrance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-27 | Cinderella: Act II. No. 27. Dance of the Prince's Four Companions | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-28 | Cinderella: Act II. No. 28. Mazurka (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-29 | Cinderella: Act II. No. 29. Cinderella’s Arrival at the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-30 | Cinderella: Act II. No. 30. Granz Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-31 | Cinderella: Act II. No. 31. Promenade | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-32 | Cinderella: Act II. No. 32. Cinderella’s Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-33 | Cinderella: Act II. No. 33. Dance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-34 | Cinderella: Act II. No. 34. Refreshments for the Guests | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-35 | Cinderella: Act II. No. 35. Duet of the Sisters with the Oranges | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-36 | Cinderella: Act II. No. 36. Duet of the Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-37 | Cinderella: Act II. No. 37. Waltz-Coda | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 17-38 | Cinderella: Act II. No. 38. Midnight | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-1 | Cinderella: Act III. No. 39. The Prince and the Cobblers | The Cleveland Orchestra, Vladimir Ashkenazy | T-921.977.698-4 | |
| 18-2 | Cinderella: Act III. No. 40. First Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-3 | Cinderella: Act III. No. 41. Temptation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-4 | Cinderella: Act III. No. 42. Second Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-5 | Cinderella: Act III. No. 43. Oriental Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-6 | Cinderella: Act III. No. 44. Third Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-7 | Cinderella: Act III. No. 45. Cinderella’s Awakening | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-8 | Cinderella: Act III. No. 46. The Morning After the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-9 | Cinderella: Act III. No. 47. The Prince’s Visit | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-10 | Cinderella: Act III. No. 48. The Prince Recognises Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-11 | Cinderella: Act III. No. 49. Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-12 | Cinderella: Act III. No. 50. Amoroso: The Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 18-13 | The Seasons, op. 67: 1. Winter | — | ||
| 18-14 | The Seasons, op. 67: 2. Spring | — | ||
| 18-15 | The Seasons, op. 67: 3. Summer | — | ||
| 18-16 | The Seasons, op. 67: 4. Autumn | — | ||
| 19-1 | Romeo and Juliet, Op.64, Act I, 1. Introduction | — | ||
| 19-2 | Romeo and Juliet, Op.64, Act I, 2. Romeo | — | ||
| 19-3 | Romeo and Juliet, Op.64, Act I, The street wakens - The quarrel | — | ||
| 19-4 | Romeo and Juliet, Op.64, Act I, 5. The quarrel | — | ||
| 19-5 | Romeo and Juliet, Op.64, Act I, 6. The fight | — | ||
| 19-6 | Romeo and Juliet, Op.64, Act I, The Duke's command - Interlude | — | ||
| 19-7 | Romeo and Juliet, Op.64, Act I, 9. At the Capulets' (Preparations for the ball) | — | ||
| 19-8 | Romeo and Juliet, Op.64, Act I, 10. The young Juliet | — | ||
| 19-9 | Romeo and Juliet, Op.64, Act I, 11. Arrival of the guests | — | ||
| 19-10 | Romeo and Juliet, Op.64, Act I, 12. Masks | — | ||
| 19-11 | Romeo and Juliet, Op.64, Act I, 13. Dance of the knights | — | ||
| 19-12 | Romeo and Juliet, Op.64, Act I, 14. Juliet's variation | — | ||
| 19-13 | Romeo and Juliet, Op.64, Act I, 15. Mercutio | — | ||
| 19-14 | Romeo and Juliet, Op.64, Act I, 16. Madrigal | — | ||
| 19-15 | Romeo and Juliet, Op.64, Act I, 17. Tybalt recognizes Romeo | — | ||
| 19-16 | Romeo and Juliet, Op.64, Act II, 18. Gavotte | — | ||
| 19-17 | Romeo and Juliet, Op.64, Act II, Balcony scene - Romeo's variation - Love Dance | — | ||
| 19-18 | Romeo and Juliet, Op.64, Act II, 22. Folk dance | — | ||
| 19-19 | Romeo and Juliet, Op.64, Act II, 23. Romeo and Mercutio | — | ||
| 19-20 | Romeo and Juliet, Op.64, Act II, 24. Dance of the five couples | — | ||
| 19-21 | Romeo and Juliet, Op.64, Act II, 25. Dance with mandolins | — | ||
| 19-22 | Romeo and Juliet, Op.64, Act II, The nurse - The nurse and Romeo | — | ||
| 20-1 | Romeo and Juliet, Op.64, Act II, 28. Romeo at friar Laurence's | — | ||
| 20-2 | Romeo and Juliet, Op.64, Act II, 29. Juliet at friar Laurence's | — | ||
| 20-3 | Romeo and Juliet, Op.64, Act II, Public merrymaking - Further public festivities | — | ||
| 20-4 | Romeo and Juliet, Op.64, Act II, Meeting of Tybalt and Mercutio - Duel - Death of Mercut | — | ||
| 20-5 | Romeo and Juliet, Op.64, Act II, 35/36. Romeo decides to avenge Mercutio - Finale | — | ||
| 20-6 | Romeo and Juliet, Op.64, Act III, 37/38. Introduction - Romeo and Juliet | — | ||
| 20-7 | Romeo and Juliet, Op.64, Act III, 39. Romeo bids Juliet farewell | — | ||
| 20-8 | Romeo and Juliet, Op.64, Act III, 40. Nurse | — | ||
| 20-9 | Romeo and Juliet, Op.64, Act III, 41. Juliet refuses to marry Paris | — | ||
| 20-10 | Romeo and Juliet, Op.64, Act III, 42/43. Juliet alone - Interlude | — | ||
| 20-11 | Romeo and Juliet, Op.64, Act III, 44/45. At friar Laurence's cell - Interlude | — | ||
| 20-12 | Romeo and Juliet, Op.64, Act III, 46. Juliet's room | — | ||
| 20-13 | Romeo and Juliet, Op.64, Act III, 47. Juliet alone | — | ||
| 20-14 | Romeo and Juliet, Op.64, Act III, 48. Aubade | — | ||
| 20-15 | Romeo and Juliet, Op.64, Act III, 49. Dance of the girls with lilies | — | ||
| 20-16 | Romeo and Juliet, Op.64, Act III, 50. At Juliet's bedside | — | ||
| 20-17 | Romeo and Juliet, Op.64, Act IV, Juliet's funeral - Juliet's death | — | ||
| 21-1 | Daphnis et Chloé, 1re Partie: Introduction et danse religieuse | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-004.014.574-1 | |
| 21-2 | Daphnis et Chloé, 1re Partie: Scène - Danse générale | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 21-3 | Daphnis et Chloé, 1re Partie: Danse grotesque de Dorcon - Scène | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 21-4 | Daphnis et Chloé, 1re Partie: Danse légère et gracieuse de Daphnis | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-5 | Daphnis et Chloé, 1re Partie: Scène - Danse de Lyceion - Scène (les pirates) | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-6 | Daphnis et Chloé, 1re Partie: Nocturne - Danse lente et mystérieuse | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-7 | Daphnis et Chloé, 2e Partie: Introduction | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-8 | Daphnis et Chloé, 2e Partie: Danse guerrière | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-9 | Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 21-10 | Daphnis et Chloé, 3e Partie: Lever du jour - Scène | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-11 | Daphnis et Chloé, 3e Partie: Daphnis et Chloé miment l'aventure de Pan et Syrinx | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-12 | Daphnis et Chloé, 3e Partie: Danse générale | Chœur de la Suisse Romande, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.008.231-5 | |
| 21-13 | Alborada del gracioso, M. 43c | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-304.229.137-8 | |
| 21-14 | La Valse, M. 72 | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-305.194.234-4 | |
| 22-1 | Cinderella, Vorspiel | — | ||
| 22-2 | Cinderella, Act I, Allegro | — | ||
| 22-3 | Cinderella, Act I, Franz' Selbstporträt | — | ||
| 22-4 | Cinderella, Act I, Promenade-Abenteuer | — | ||
| 22-5 | Cinderella, Act I, Entrée des Piccolo. Liebesbotschaft | — | ||
| 22-6 | Cinderella, Act I, An der schönen blauen Danube | — | ||
| 22-7 | Cinderella, Act I, Tauben-Walzer | — | ||
| 22-8 | Cinderella, Act I, Zwischenspiel | — | ||
| 22-9 | Cinderella, Act II, Allegretto | — | ||
| 22-10 | Cinderella, Act II, Agyptischer Sklavinnentanz | — | ||
| 22-11 | Cinderella, Act II, Einzug Floras | — | ||
| 22-12 | Cinderella, Act II, Aschenbrödel-Walzer | — | ||
| 22-13 | Cinderella, Act II, Zwischenspiel | — | ||
| 22-14 | Cinderella, Act III, Allegretto | — | ||
| 22-15 | Cinderella, Act III, 1. Traumbild | — | ||
| 22-16 | Cinderella, Act III, 2. Traumbild | — | ||
| 22-17 | Cinderella, Act III, 3. Traumbild. Amorettenreigen | — | ||
| 22-18 | Cinderella, Act III, Moderato | — | ||
| 23-1 | Cinderella, Act III, Zwischenspiel | — | ||
| 23-2 | Cinderella, Act III, Allegretto. Trousseau-Divertissement | — | ||
| 23-3 | Cinderella, Act III, Monogramm-Tanz | — | ||
| 23-4 | Cinderella, Act III, Tarantella | — | ||
| 23-5 | Cinderella, Act III, Walzer-Tempo | — | ||
| 23-6 | Cinderella, Act III, Mazurka | — | ||
| 23-7 | Cinderella, Act III, Csárdás | — | ||
| 23-8 | Cinderella, Act III, Brautschatz-Walzer | — | ||
| 23-9 | Ritter Pásmán - Ballet Music, Allegretto - Tempo di Polka | — | ||
| 23-10 | Ritter Pásmán - Ballet Music, Andantino grazioso - Tempo di Valse | — | ||
| 23-11 | Ritter Pásmán - Ballet Music, Csárdás | — | ||
| 23-12 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-13 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro marcato: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-14 | Le Beau Danube, Orchestrated: Roger Desormière: Andantino: Tempo di Valse... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 23-15 | Le Beau Danube, Orchestrated: Roger Desormière: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 24-1 | The Firebird (L'oiseau de feu) - Ballet (1910), Introduction | — | ||
| 24-2 | The Firebird (L'oiseau de feu) - Ballet (1910), Kashchei's enchanted garden | — | ||
| 24-3 | The Firebird (L'oiseau de feu) - Ballet (1910), Appearance of the Firebird pursued by Ivan Tsarevich | — | ||
| 24-4 | The Firebird (L'oiseau de feu) - Ballet (1910), Dance of the Firebird | — | ||
| 24-5 | The Firebird (L'oiseau de feu) - Ballet (1910), Ivan Tsarevich captures the Firebird | — | ||
| 24-6 | The Firebird (L'oiseau de feu) - Ballet (1910), Supplication of the Firebird | — | ||
| 24-7 | The Firebird (L'oiseau de feu) - Ballet (1910), Game of the Princesses with the golden apples | — | ||
| 24-8 | The Firebird (L'oiseau de feu) - Ballet (1910), Sudden appearance of Ivan Tsarevich | — | ||
| 24-9 | The Firebird (L'oiseau de feu) - Ballet (1910), Round dance of the Princesses | — | ||
| 24-10 | The Firebird (L'oiseau de feu) - Ballet (1910), Daybreak | — | ||
| 24-11 | The Firebird (L'oiseau de feu) - Ballet (1910), Magic carillon, appearance of Kashchei's guardian monsters and capture of Ivan Tsarevich | — | ||
| 24-12 | The Firebird (L'oiseau de feu) - Ballet (1910), Dance of Kashchei's retinue under the spell of the Firebird | — | ||
| 24-13 | The Firebird (L'oiseau de feu) - Ballet (1910), Infernal dance of all Kashchei's subject's | — | ||
| 24-14 | The Firebird (L'oiseau de feu) - Ballet (1910), Lullaby of the Firebird | — | ||
| 24-15 | The Firebird (L'oiseau de feu) - Ballet (1910), Collapse of Kashchei's palace and dissolution of all enchantments - Reanimation of the petrified prisoners - General rejoicing | — | ||
| 25-1 | Petrouchka - Version 1947, Scene 1 | — | ||
| 25-2 | Petrouchka - Version 1947, Scene 2 | — | ||
| 25-3 | Petrouchka - Version 1947, Scene 3 | — | ||
| 25-4 | Petrouchka - Version 1947, Scene 4 | — | ||
| 25-5 | Le Sacre du Printemps: Part I: L'Adoration de la terre | Detroit Symphony Orchestra, Antal Doráti | T-070.257.887-7 | |
| 25-6 | Le Sacre du Printemps: Part II: Le Sacrifice | Detroit Symphony Orchestra, Antal Doráti | T-070.257.887-7 | |
| 26-1 | The Sleeping Beauty: Prologue: no. Introduction | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-2 | The Sleeping Beauty: Prologue: no. 1: Marche (Entrance of King and Court) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-3 | The Sleeping Beauty: Prologue: no. 2. Scène dansante (Entrance of Fairies) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-4 | The Sleeping Beauty: Prologue: no. 3: Pas de six: Intrada - Adagio (Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-5 | The Sleeping Beauty: Prologue: no. 3c: Pas de six: Variation I (Candite) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-6 | The Sleeping Beauty: Prologue: no. 3d: Pas de six: Variation II (Coulante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-7 | The Sleeping Beauty: Prologue: no. 3e: Pas de six: Variation III (Falling crumbs) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-8 | The Sleeping Beauty: Prologue: no. 3f: Pas de six: Variation IV (Song-bird Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-9 | The Sleeping Beauty: Prologue: no. 3g: Pas de six: Variation V (Violente) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-10 | The Sleeping Beauty: Prologue: no. 3h: Pas de six: Variation VI (Lilac Fairy)(Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-11 | The Sleeping Beauty: Prologue: no. 3i: Pas de six: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-12 | The Sleeping Beauty: Prologue: no. 4: Final (La Fée des lilas sort) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-13 | The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-14 | The Sleeping Beauty: Act I: no. 6: Valse | National Philharmonic Orchestra, Richard Bonynge | T-913.706.049-2 | |
| 26-15 | The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-16 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 26-17 | The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-18 | The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-19 | The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 26-20 | The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-1 | The Sleeping Beauty: Act II: no. 10: Entr'acte et scène | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-2 | The Sleeping Beauty: Act II: no. 11: Colin-maillard (Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-3 | The Sleeping Beauty: Act II: no. 12: Scène - Danse des duchesses - Danse des baronnes - Danse des comtesses - Danse des marquises | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-4 | The Sleeping Beauty: Act II: no. 13: Farandole: Scène - Danse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-5 | The Sleeping Beauty: Act II: no. 14: Scène (Arrival of Huntsmen) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-6 | The Sleeping Beauty: Act II: no. 15a: Pas d'action (Vision of Aurora) | Francisco Gabarro, National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-7 | The Sleeping Beauty: Act II: no. 15b: Variation d'Aurore (Allegro comodo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-8 | The Sleeping Beauty: Act II: no. 15c: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-9 | The Sleeping Beauty: Act II: no. 16: Scène (Allegro agitato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-10 | The Sleeping Beauty: Act II: no. 17: Panorama (Andantino) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-11 | The Sleeping Beauty: Act II: no. 18: Entr'acte (Andante sostenuto) | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-12 | The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-13 | The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-14 | The Sleeping Beauty: Act III: no. 21: Marche | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-15 | The Sleeping Beauty: Act III: no. 22: Polacca (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-16 | The Sleeping Beauty: Act III: no. 23a: Pas de quatre: Intrada (Allegro non tanto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-17 | The Sleeping Beauty: Act III: no. 23b: Pas de quatre: Variation I (Valse) (Golden Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-18 | The Sleeping Beauty: Act III: no. 23c: Pas de quatre: Variation II (Polka) (Silver Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-19 | The Sleeping Beauty: Act III: no. 23d: Pas de quatre: Variation III (Saphir Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-20 | The Sleeping Beauty: Act III: no. 23e: Pas de quatre: Variation IV (Diamond Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-21 | The Sleeping Beauty: Act III: no. 23f: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-22 | The Sleeping Beauty: Act III: no. 24: Pas de caractère (Puss in Boots) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-23 | The Sleeping Beauty: Act III: no. 25a: Pas de quatre: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-24 | The Sleeping Beauty: Act III: no. 25b: Pas de quatre: Variation I (Cinderella and Prince) (Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-25 | The Sleeping Beauty: Act III: no. 25c: Pas de quatre: Variation II (Bluebird and Florisse) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 27-26 | The Sleeping Beauty: Act III: no. 25d: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-1 | The Sleeping Beauty: Act III: no. 26: Pas de caractère (Red Riding Hood) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-2 | The Sleeping Beauty: Act III: Cendrillon et le prince Fortune (Allegro - Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-3 | The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-4 | The Sleeping Beauty: Act III: no. 28a: Pas de deux: Intrada | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-5 | The Sleeping Beauty: Act III: no. 28b: Pas de deux: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-6 | The Sleeping Beauty: Act III: no. 28c: Pas de deux: Variation I (Prince) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-7 | The Sleeping Beauty: Act III: no. 28d: Pas de deux: Variation II (Aurora) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-8 | The Sleeping Beauty: Act III: no. 28e: Pas de deux: Coda (Allegro vivace) (The Three Ivans) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-9 | The Sleeping Beauty: Act III: no. 29: Sarabande | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-10 | The Sleeping Beauty: Act III: no. 30a: Finale: Allegro brillante (Mazurka) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-11 | The Sleeping Beauty: Act III: no. 30b: Finale: Apothéose (Andante molto maestoso) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-12 | Les Patineurs, arr. Lambert: Entrée | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-13 | Les Patineurs, arr. Lambert: Pas seul. Pas de deux | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-14 | Les Patineurs, arr. Lambert: Ensemble | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-15 | Les Patineurs, arr. Lambert: Pas de trois | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-16 | Les Patineurs, arr. Lambert: Duet | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-17 | Les Patineurs, arr. Lambert: Pas des patineurs | National Philharmonic Orchestra, Richard Bonynge | — | |
| 28-18 | Les Patineurs, arr. Lambert: Finale | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-1 | Swan Lake, Op.20, Act I, No.1 Scène (Allegro giusto) | — | ||
| 29-2 | Swan Lake, Op.20, Act I, No.2 Valse (Corps de Ballet) | — | ||
| 29-3 | Swan Lake, Op.20, Act I, No.3 Scène (Allegro moderato) | — | ||
| 29-4 | Swan Lake, Op.20, Act I, No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace) | — | ||
| 29-5 | Swan Lake, Op.20, Act I, No.5 Pas de deux: a) Intrada-Valse - b) Andante - c) Valse - d) Coda (Allegro molto vivace) | — | ||
| 29-6 | Swan Lake, Op.20, Act I, No.6 Pas d'action (Andantino quasi moderato - Allegro) | — | ||
| 29-7 | Swan Lake, Op.20, Act I, No.7 Sujet | — | ||
| 29-8 | Swan Lake, Op.20, Act I, No.8 Danse des coupes (Tempo di polacca) | — | ||
| 29-9 | Swan Lake, Op.20, Act I, No.9 Finale (Andante) | — | ||
| 29-10 | Swan Lake: Act 2, No.10 Scène (Moderato) | Orchestre symphonique de Montréal, Charles Dutoit | T-320.177.456-9 | |
| 29-11 | Swan Lake, Op.20, Act II, No.11 Scène (Allegro moderato) | — | ||
| 29-12 | Swan Lake, Op.20, Act II, No.12 Scène (Allegro) | — | ||
| 29-13 | Swan Lake, Op.20, Act II, No.13 Danses des cygnes: a) Valse - b) Moderato assai - c) Valse - d) Allegro moderato - e) Pas d'action (Andante) - f) Valse - g) Coda (Allegro vivace) | — | ||
| 30-1 | Swan Lake, Op.20, Act III, No.15 Danse de fançailles (Allegro giusto) | — | ||
| 30-2 | Swan Lake, Op.20, Act III, No.16 Danses du corps de ballet et des nains (Moderato assai) | — | ||
| 30-3 | Swan Lake, Op.20, Act III, No.17 Scène: Entrée des invités (Fanfares) et la valse (Allegro) | — | ||
| 30-4 | Swan Lake, Op.20, Act III, No.18 Scène (Allegro) | — | ||
| 30-5 | Swan Lake, Op.20, Act III, No.19 Pas de six: Intrada (Moderato assai) - Variations I/V - Coda | — | ||
| 30-6 | Swan Lake, Op.20, Act III, Pas de deux: Introduction (Moderato) - Variations I & II - Coda | — | ||
| 30-7 | Swan Lake, Op.20, Act III, No.20 Danse hongroise (Czárdás) | — | ||
| 30-8 | Swan Lake, Op.20, Act III, Danse russe (Moderato) | — | ||
| 30-9 | Swan Lake, Op.20, Act III, No.21 Danse espagnole (Allegro non troppo. Tempo di bolero) | — | ||
| 30-10 | Swan Lake, Op.20, Act III, No.22 Danse napolitaine | — | ||
| 30-11 | Swan Lake, Op.20, Act III, No.23 Mazurka | — | ||
| 30-12 | Swan Lake, Op.20, Act III, No.24 Scène (Allegro - Valse - Allegro vivo) | — | ||
| 30-13 | Swan Lake, Op.20, Act IV, No.25 Entr'acte (Moderato) | — | ||
| 30-14 | Swan Lake, Op.20, Act IV, No.26 Scène (Allegro non troppo) | — | ||
| 30-15 | Swan Lake, Op.20, Act IV, No.27 Danses des petits cygnes (Moderato) | — | ||
| 30-16 | Swan Lake, Op.20, Act IV, No.28 Scène (Allegro agitato) | — | ||
| 30-17 | Swan Lake, Op.20, Act IV, No.29 Scène finale (Andante) | — | ||
| 31-1 | The Nutcracker, Op.71, Overture | — | ||
| 31-2 | The Nutcracker, Op.71, Act I, No. 1 The Christmas Tree | — | ||
| 31-3 | The Nutcracker, Op.71, Act I, No. 2 March | — | ||
| 31-4 | The Nutcracker, Op.71, Act I, No. 3 Galop and Dance of the Parents | — | ||
| 31-5 | The Nutcracker, Op.71, Act I, No. 4 Dance Scene - The Presents of Drosselmeyer | — | ||
| 31-6 | The Nutcracker, Op.71, Act I, No. 5a Scene | — | ||
| 31-7 | The Nutcracker, Op.71, Act I, No. 5b Grandfather Dance | — | ||
| 31-8 | The Nutcracker, Op.71, Act I, No. 6 Clara and the Nutcracker | — | ||
| 31-9 | The Nutcracker, Op.71, Act I, No. 7 The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming | — | ||
| 31-10 | The Nutcracker, Op.71, Act I, No. 8 In the Christmas Tree | — | ||
| 31-11 | The Nutcracker, Op.71, Act I, No. 9 Scene and Waltz of the Snowflakes | — | ||
| 32-1 | The Nutcracker, Op.71, Act II, No. 10 The Magic Castle on the Mountain of Sweets | — | ||
| 32-2 | The Nutcracker, Op.71, Act II, No. 11 Clara and Prince Charming | — | ||
| 32-3 | The Nutcracker, Op.71, Act II, No. 12a Character Dances: Chocolate (Spanish Dance) | — | ||
| 32-4 | The Nutcracker, Op.71, Act II, No. 12b Character Dances: Coffee (Arabian Dance) | — | ||
| 32-5 | The Nutcracker, Op.71, Act II, No. 12c Character Dances: Tea (Chinese Dance) | — | ||
| 32-6 | The Nutcracker, Op.71, Act II, No. 12d Character Dances: Trépak (Russian Dance) | — | ||
| 32-7 | The Nutcracker, Op.71, Act II, No. 12e Character Dances: Dance of the Reed Pipes | — | ||
| 32-8 | The Nutcracker, Op.71, Act II, No. 12f Character Dances: Polchinelle (The Clown) | — | ||
| 32-9 | The Nutcracker, Op.71, Act II, No. 13 Waltz of the Flowers | — | ||
| 32-10 | The Nutcracker, Op.71, Act II, No. 14a Pas de deux: Intrada | — | ||
| 32-11 | The Nutcracker, Op.71, Act II, No. 14b Pas de deux: Variation I (Tarantella) | — | ||
| 32-12 | The Nutcracker, Op.71, Act II, No. 14c Pas de deux: Variation II (Dance of the Sugar-Plum Fairy) | — | ||
| 32-13 | The Nutcracker, Op.71, Act II, No. 14d Pas de deux: Coda | — | ||
| 32-14 | The Nutcracker, Op.71, Act II, No. 15a Final Waltz | — | ||
| 32-15 | The Nutcracker, Op.71, Act II, No. 15b Apotheosis | — | ||
| 32-16 | Eugene Onegin, Op.24, Entracte | — | ||
| 32-17 | Eugene Onegin, Op.24, Act 2, Valse | — | ||
| 32-18 | Eugene Onegin, Op.24, Polonaise | — | ||
| 33-1 | Otello, Act III, Ballet Music | — | ||
| 33-2 | Don Carlo, Act III, Ballo della Regina | — | ||
| 33-3 | Aida, Acti II, Grand March - Ballet Music | — | ||
| 33-4 | Macbeth, Act III, Ballet Music | — | ||
| 33-5 | I vespri siciliani, Act III, Le quattro stagioni: 1. L'inverno | — | ||
| 33-6 | I vespri siciliani, Act III, Le quattro stagioni: 2. La primavera | — | ||
| 33-7 | I vespri siciliani, Act III, Le quattro stagioni: 3. L'estate | — | ||
| 33-8 | I vespri siciliani, Act III, Le quattro stagioni: 4. L'autunno | — | ||
| 34-1 | Paquita, Grand pas | — | ||
| 34-2 | Paquita, Pas de quatre - Arr. Peter March | — | ||
| 34-3 | Paquita, Le Papillon | — | ||
| 34-4 | Don Quixote, Act IV, Pas de deux | — | ||
| 34-5 | Le Corsaire, Pas de deux | — | ||
| 35-1 | Pas classique | — | ||
| 35-2 | Les Rendez-vous (arr. Constant Lambert) | — | ||
| 35-3 | Diana and Actaeon: Pas de deux | — | ||
| 35-4 | The Good-Humoured Ladies (arr. Vincenzo Tommasini) | — | ||
| 35-5 | Françoise de Rimini | — |
