UPC · Album
Gilbert and Sullivan Edition
D'Oyly Carte Opera Company
Last verified:
028947827481 is the Universal Product Code (UPC barcode) for the release “Gilbert and Sullivan Edition” by D'Oyly Carte Opera Company, released 2011-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 456 tracks, each with its own ISRC. Tracks include GBF076140101, GBF076140102, GBF076140103.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (159)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Gondoliers: Overture | New Symphony Orchestra of London, Isidore Godfrey | GBF076140101 |
| The Gondoliers: Act I. “List and learn” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140102 |
| The Gondoliers: Act I. “Good morrow, pretty maids” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140103 |
| The Gondoliers: Act I. “For the merriest fellows are we” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140104 |
| The Gondoliers: Act I. “See, see at last they come to make their choice” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140105 |
| The Gondoliers: Act I. “Buon’ giorno, signorine!” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140106 |
| The Gondoliers: Act I. “We’re called gondolieri, but that’s a vagary” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140107 |
| The Gondoliers: Act I. “And now to choose our brides!” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140108 |
| The Gondoliers: Act I. “Are you peeping?” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140109 |
| The Gondoliers: Act I. “Thank you gallant gondolieri” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140110 |
| The Gondoliers: Act I. “From the sunny Spanish shore” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140111 |
| The Gondoliers: Act I. “In enterprise of martial kind” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140112 |
| The Gondoliers: Act I. “O rapture, when alone together” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140113 |
| The Gondoliers: Act I. “There was a time, a time for ever gone” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140114 |
| The Gondoliers: Act I. “I stole the Prince” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140115 |
| The Gondoliers: Act I. “But, bless my heart, consider my position!” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140116 |
| The Gondoliers: Act I. “Try we life-long we can never” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140117 |
| The Gondoliers: Act I. “Bride-groom and bride!” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140118 |
| The Gondoliers: Act I. “When a merry maiden marries” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140119 |
| The Gondoliers: Act I. “Kind sir, you cannot have the heart, our lives to part” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140120 |
| The Gondoliers: Act I. “Do not give way to this uncalled-for grief” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140121 |
| The Gondoliers: Act I. “Then one of us will be a queen” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140122 |
| The Gondoliers: Act I. “Now pray, what is the cause of this remarkable hilarity” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140123 |
| The Gondoliers: Act I. “Replying, we sing as one individual” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140124 |
| The Gondoliers: Act I. “For ev’ryone who feels inclined” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140125 |
| The Gondoliers: Act I. “Come let’s away – our island crown awaits me” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140126 |
| The Gondoliers: Act I. “Now, Marco dear, my wishes hear” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140127 |
| The Gondoliers: Act I. “Then away they go to an island fair” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140128 |
| The Gondoliers: Act II. “Of happiness the very pith” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140129 |
| The Gondoliers: Act II. “Rising early in the morning” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140130 |
| The Gondoliers: Act II. “Take a pair of sparkling eyes” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140131 |
| The Gondoliers: Act II. “Here we are, at the risk of our lives” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140132 |
| The Gondoliers: Act II. “After sailing to this land” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140133 |
| The Gondoliers: Act II. “Dance a cachucha, fandango, bolero” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140134 |
| The Gondoliers: Act II. “There lived a king, as I’ve been told” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140135 |
| The Gondoliers: Act II. “In a contemplative fashion and a tranquil frame of mind” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140136 |
| The Gondoliers: Act II. “With ducal pomp and ducal pride” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140137 |
| The Gondoliers: Act II. “This polite attention” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140138 |
| The Gondoliers: Act II. “On the day when I was wedded” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140139 |
| The Gondoliers: Act II. “To help unhappy commonors” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140140 |
| The Gondoliers: Act II. “Small titles and orders for mayors and recorders” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140141 |
| The Gondoliers: Act II. “I am a courtier grave and serious” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140142 |
| The Gondoliers: Act II. “Here is a case unprecedented!” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140143 |
| The Gondoliers: Act II. “Now let the loyal lieges gather round” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140144 |
| The Gondoliers: Act II. “Speak woman speak, we’re all attention!” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140145 |
| The Gondoliers: Act II. “The royal prince was by the king entrusted” | New Symphony Orchestra of London, Isidore Godfrey | GBF076140146 |
| The Gondoliers: Act II. “Luiz! Casilda!” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140147 |
| The Gondoliers: Act II. “One more, gondolieri” | D’Oyly Carte Opera Chorus, New Symphony Orchestra of London, Isidore Godfrey | GBF076140148 |
| Princess Ida: Overture | The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542001 |
| Princess Ida: Act I. “Search throughout the panorama” (Chorus, Florian) | D’Oyly Carte Opera Chorus, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542002 |
| Princess Ida: Act I. “Now hearken to my strict command” (Hildebrand, Chorus) | D’Oyly Carte Opera Chorus, Kenneth Sandford, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542003 |
| Princess Ida: Act I. “Today we meet… Ida was a twelve-month old” (Hilarion) | Philip Potter, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542004 |
| Princess Ida: Act I. “From the distant panorama… we are warriors three” (Chorus, Arac, Guron, Scynthius) | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Anthony Raffell, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542005 |
| Princess Ida: Act I. “If you give me your attention” (Gama, Chorus) | D’Oyly Carte Opera Chorus, John Reed, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542006 |
| Princess Ida: Act I. Finale “P’raps if you address the lady most politely” | D’Oyly Carte Opera Chorus, David Palmer, Philip Potter, John Reed, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542007 |
| Princess Ida: Act II. “Towards the empyrean heights” (Chorus, Lady Psyche, Melissa, Sacharissa) | D’Oyly Carte Opera Chorus, Ann Hood, Valerie Masterson, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542008 |
| Princess Ida: Act II. “Mighty maiden with a mission” (Chorus) | D’Oyly Carte Opera Chorus, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542009 |
| Princess Ida: Act II. “Minerva… Oh goddess wise” (Princess, Chorus) | D’Oyly Carte Opera Chorus, Elizabeth Harwood, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542010 |
| Princess Ida: Act II. “Gently, gently, evidently” (Cyril, Hilarion, Florian) | David Palmer, Philip Potter, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542011 |
| Princess Ida: Act II. “I am a maiden, cold and stately” (Cyril, Hilarion, Florian) | David Palmer, Philip Potter, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542012 |
| Princess Ida: Act II. “The world is but a broken toy” (Princess, Cyril, Hilarion, Florian) | Elizabeth Harwood, David Palmer, Philip Potter, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542013 |
| Princess Ida: Act II. “A lady fair, of lineage high” (Lady Psyche, Cyril, Hilarion, Florian) | Ann Hood, David Palmer, Philip Potter, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542014 |
| Princess Ida: Act II. “The woman of the wisest wit” (Lady Psyche, Melissa, Cyril, Hilarion, Florian) | Ann Hood, Valerie Masterson, David Palmer, Philip Potter, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542015 |
| Princess Ida: Act II. “Now wouldn’t you like to rule the roost” (Melissa, Lady Blanche) | Valerie Masterson, Christene Palmer, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542016 |
| Princess Ida: Act II. “Merrily ring the luncheon bell” (Chorus, Lady Blanche, Cyril) | D’Oyly Carte Opera Chorus, Christene Palmer, David Palmer, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542017 |
| Princess Ida: Act II. “Would you know the kind of maid” (Cyril) | David Palmer, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542018 |
| Princess Ida: Act II. Finale “Oh, joy! Our chief is sav’d” | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Elizabeth Harwood, Ann Hood, Valerie Masterson, Christene Palmer, David Palmer, Philip Potter, Anthony Raffell, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542019 |
| Princess Ida: Act II. Finale “We may remark, tho’ nothing can dismay us” | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Elizabeth Harwood, Adam Hood, Valerie Masterson, Christene Palmer, David Palmer, Philip Potter, Anthony Raffell, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542020 |
| Princess Ida: Act III. “Death to the invader” (Chorus, Melissa) | D’Oyly Carte Opera Chorus, Valerie Masterson, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542021 |
| Princess Ida: Act III. “I built upon a rock” (Princess) | Elizabeth Harwood, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542022 |
| Princess Ida: Act III. “Whene’er I spoke sarcastic joke” (Gama, Chorus) | D’Oyly Carte Opera Chorus, John Reed, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542023 |
| Princess Ida: Act III. “When anger spreads his wing” (Chorus) | D’Oyly Carte Opera Chorus, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542024 |
| Princess Ida: Act III. “This helmet I support” (Arac, Guron, Synthius, Chorus) | Donald Adams, George Cook, D’Oyly Carte Opera Chorus, Anthony Raffell, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542025 |
| Princess Ida: Act III. “This is our duty plain” (Chorus) | D’Oyly Carte Opera Chorus, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542026 |
| Princess Ida: Act III. Finale “With joy abiding” | Donald Adams, George Cook, Elizabeth Harwood, Ann Hood, Valerie Masterson, Christene Palmer, David Palmer, Philip Potter, Anthony Raffell, John Reed, Kenneth Sandford, Jeffrey Skitch, The Royal Philharmonic Orchestra, Sir Malcolm Sargent | GBF076542027 |
| The Mikado: Overture | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340101 |
| The Mikado: Act I. “If you want to know who we are” | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340102 |
| The Mikado: Act I. “Gentlemen, I pray you tell me” | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340103 |
| The Mikado: A Wand'ring Minstrel I | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340104 |
| The Mikado: Act I. “Our great Mikado, virtuous man” | Michael Rayner, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340105 |
| The Mikado: Act I. “Young man, despair” | Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340106 |
| The Mikado: Act I. “And have I journey’d for a month” | Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340107 |
| The Mikado: Act I. “Behold the Lord High Executioner!” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340108 |
| The Mikado: Act I. “As someday it may happen that a victim must be found” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340109 |
| The Mikado: Act I. “Comes a train of little ladies” | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340110 |
| The Mikado: Act I. “Three little maids from school are we” | Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340111 |
| The Mikado: So Please You, Sir, We Much Regret | D’Oyly Carte Opera Chorus, Peggy Ann Jones, Valerie Masterson, Kenneth Sandford, Pauline Wales, Royal Philharmonic Orchestra, Royston Nash | GBF077340112 |
| The Mikado: Act I. “Were you not to Ko-Ko plighted” | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340113 |
| The Mikado: Act I. “I am so proud, If I allowed” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340114 |
| The Mikado: Act I. “With aspect stern and gloomy stride” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340115 |
| The Mikado: Act I. “The threatn’d cloud has pass’d away” | Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340116 |
| The Mikado: Act I. “Your revels cease! Assist me, all of you!” | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340117 |
| The Mikado: Act I. “Oh fool, that flee-est My hallow’d joys!” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340118 |
| The Mikado: Act I. “For he’s going to marry Yum-Yum” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340119 |
| The Mikado: Act I. “The hour of gladness is dead and gone” | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340120 |
| The Mikado: Act I. “Ye torrents roar! Ye tempests howl!” | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340121 |
| The Mikado: Act II. “Braid the raven hair, Weave the supple tresses” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340122 |
| The Mikado: Act II. “The sun whose rays are all ablaze” | Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340123 |
| The Mikado: Act II. “Brightly dawns our wedding day” | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340124 |
| Here's a How-De-Do! | Valerie Masterson, John Reed, Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340125 |
| The Mikado: Act II. “Miya sama, miya sama, o n'mma no maye ni” | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340126 |
| The Mikado: Act II. “From ev’ry kind of man Obedience I expect” | John Ayldon, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340127 |
| The Mikado: Act II. “A more humane Mikado never did in Japan exist” | John Ayldon, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340128 |
| The Criminal Cried as He Dropp'd Him Down | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340129 |
| The Mikado: Act II. “See how the fates their gifts allot” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340130 |
| The Mikado: The Flowers That Bloom in the Spring, Tra La | D’Oyly Carte Opera Chorus, Peggy Ann Jones, Valerie Masterson, John Reed, Kenneth Sandford, Colin Wright, Royal Philharmonic Orchestra, Royston Nash | GBF077340131 |
| The Mikado: Act II. “Alone and yet alive” | Lyndsie Holland, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340132 |
| The Mikado: On a Tree By a River a Little Tom Tit | John Reed, Royal Philharmonic Orchestra, Royston Nash | GBF077340134 |
| The Mikado: Act II. “There is beauty in the bellow of the blast” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340135 |
| The Mikado: Act II. Fanfare | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340136 |
| The Mikado: Act II. “For he’s gone and married Yum-Yum” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | GBF077340137 |
| Overture to Macbeth | Sir Arthur Sullivan | GBF077411550 |
| Utopia Limited: Imperial March | Royal Philharmonic Orchestra, Royston Nash | GBF077541801 |
| Utopia Limited: Act I. Introduction | Royal Philharmonic Orchestra, Royston Nash | GBF077541802 |
| Utopia Limited: Act I. “In lazy languor” (Phylla, Chorus) | D’Oyly Carte Opera Chorus, Rosalind Griffiths, Royal Philharmonic Orchestra, Royston Nash | GBF077541803 |
| Utopia Limited: Act I. “O make way for the wise men!” (Chorus) | D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | GBF077541804 |
| Utopia Limited: Act I. “In every mental lore” (Scaphio, Phantis, Chorus) | John Ayldon, D’Oyly Carte Opera Chorus, John Reed, Royal Philharmonic Orchestra, Royston Nash | GBF077541805 |
| Utopia Limited: Act I. “Let all your doubts take wing” (Scaphio, Phantis) | John Ayldon, John Reed, Royal Philharmonic Orchestra, Royston Nash | GBF077541806 |
| Utopia Limited: Act I. “Quaff the nectar” (Chorus) | D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | GBF077541807 |
| Utopia Limited: Act I. “A king of autocratic power we” (King, Chorus) | D’Oyly Carte Opera Chorus, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541808 |
| Utopia Limited: Act I. “Altho’ of native maids the cream” (Nekaya, Kalyba) | Julia Goss, Judi Merri, Royal Philharmonic Orchestra, Royston Nash | GBF077541809 |
| Utopia Limited: Act I. “Bold-fac’d ranger” (Lady Sophy, Chorus) | D’Oyly Carte Opera Chorus, Lyndsie Holland, Royal Philharmonic Orchestra, Royston Nash | GBF077541810 |
| Utopia Limited: Act I. “First you’re born” (King, Scaphio, Phantis) | John Ayldon, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541811 |
| Utopia Limited: Act I. “Subjected to your heavenly gaze” (Lady Sophy, King) | Lyndsie Holland, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541812 |
| Utopia Limited: Act I. “O maiden rich in Girton lore” (Chorus, Zara, Captain FitzBattleaxe) | D’Oyly Carte Opera Chorus, Pamela Field, Meston Reid, Royal Philharmonic Orchestra, Royston Nash | GBF077541813 |
| Utopia Limited: Act I. “Ah! gallant soldier, brave and true” (Chorus, Zara, Captain FitzBattleaxe) | D’Oyly Carte Opera Chorus, Pamela Field, Meston Reid, Royal Philharmonic Orchestra, Royston Nash | GBF077541814 |
| Utopia Limited: Act I. “It’s understood, I think” (Zara, Captain FitzBattleaxe, Scaphio, Phantis) | John Ayldon, Pamela Field, John Reed, Meston Reid, Royal Philharmonic Orchestra, Royston Nash | GBF077541815 |
| Utopia Limited: Act I. “O admirable art!” (Zara, Captain FitzBattleaxe) | Pamela Field, Meston Reid, Royal Philharmonic Orchestra, Royston Nash | GBF077541816 |
| Utopia Limited: Act I. Finale “Altho’ your royal summons to appear” | Royal Philharmonic Orchestra, Royston Nash | GBF077541817 |
| Utopia Limited: Act I. Finale “A company promoter this, with special education” | Royal Philharmonic Orchestra, Royston Nash | GBF077541818 |
| Utopia Limited: Act II. “Oh, Zara… A tenor, all singers above” (Captain FitzBattleaxe) | Meston Reid, Royal Philharmonic Orchestra, Royston Nash | GBF077541819 |
| Utopia Limited: Act II. “Words of love too loudly spoken” (Zara, Captain FitzBattleaxe) | Pamela Field, Meston Reid, Royal Philharmonic Orchestra, Royston Nash | GBF077541820 |
| Utopia Limited: Act II. “Society has quite forsaken all” (King, Chorus of Flowers of Progress) | D’Oyly Carte Opera Chorus, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541821 |
| Utopia Limited: Act II. Entrance of Court | Royal Philharmonic Orchestra, Royston Nash | GBF077541822 |
| Utopia Limited: Act II. Drawing-Room Music | Royal Philharmonic Orchestra, Royston Nash | GBF077541823 |
| Utopia Limited: Act II. “This ceremonial our wish displays… Eagle high on cloudland soaring” (King, Chorus) | D’Oyly Carte Opera Chorus, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541824 |
| Utopia Limited: Act II. “With fury deep we burn” (Scaphio, Phantis) | John Ayldon, John Reed, Royal Philharmonic Orchestra, Royston Nash | GBF077541825 |
| Utopia Limited: Act II. “If you think that when banded in unity” (King, Scaphio, Phantis) | John Ayldon, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541826 |
| Utopia Limited: Act II. “With wily brain upon the spot” (Tarara, Phantis, Scaphio) | John Ayldon, Jon Ellison, John Reed, Royal Philharmonic Orchestra, Royston Nash | GBF077541827 |
| Utopia Limited: Act II. “A wonderful joy our eyes to bless” (Mr. Goldbury) | Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | GBF077541828 |
| Utopia Limited: Act II. “Then I may sing and play?” (Nekaya, Kalyba, Lord Dramaleigh, mr. Goldbury) | James Conroy-Ward, Julia Goss, Judi Merri, Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | GBF077541829 |
| Utopia Limited: Act II. “Oh, would some demon power… When but a maid of fifteen year” (Lady Sophy) | Lyndsie Holland, Royal Philharmonic Orchestra, Royston Nash | GBF077541830 |
| Utopia Limited: Act II. “Ah, Lady Sophy” (King, Lady Sophy) | Lyndsie Holland, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541831 |
| Utopia Limited: Act II. “O rapture unrestrained” (King, Lady Sophy) | Lyndsie Holland, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | GBF077541832 |
| Utopia Limited: Act II. Tarantella “Upon our sea-girt land” (Chorus) | D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | GBF077541833 |
| Utopia Limited: Act II. Finale “There’s a little group of isles beyond the wave” | Royal Philharmonic Orchestra, Royston Nash | GBF077541834 |
| Overture to Marmion | Sir Arthur Sullivan | GBF077611370 |
| Victoria and Merrie England | Sir Arthur Sullivan | GBF077811460 |
| Pineapple Poll: Scene I. Opening Dance | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241301 |
| Pineapple Poll: Scene I. Poll’s Solo and Pas de deux | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241302 |
| Pineapple Poll: Scene I. Belaye’s Solo | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241303 |
| Pineapple Poll: Scene I. Pas de Trois | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241304 |
| Pineapple Poll: Scene I. Finale | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241305 |
| Pineapple Poll: Scene II. Poll’s Solo, Jasper’s Solo | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241306 |
| Pineapple Poll: Scene III. Belaye’s Solo and Sailors’ Drill | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241307 |
| Pineapple Poll: Scene III. Poll’s Solo | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241308 |
| Pineapple Poll: Scene III. Entry of Belaye with Blanche as Bride | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241309 |
| Pineapple Poll: Scene III. Reconciliation | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241310 |
| Pineapple Poll: Scene III. Grande Finale | The Philharmonia Orchestra, Sir Charles Mackerras | GBF078241311 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
What is UPC 028947827481?
028947827481 is a Universal Product Code (UPC) assigned to Gilbert and Sullivan Edition by D'Oyly Carte Opera Company. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 456 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm