UPC · Release
Various Artists
Last verified:
The UPC for “Classical 2012” by Various Artists is 028947830368. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 40 tracks, each with its own ISRC. Tracks include DEF059804600, DEN960431519, ITZ040700123.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vesperae solennes, K. 339: Laudate Dominum | Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — | |
| 2 | Prelude in G minor, Op.23, No.5: Alla marcia | Lang Lang | T-000.768.497-0 | |
| 3 | Carmen, opera: La fleur que tu m'avais jetée | Andrea Bocelli, Orchestre philharmonique de Radio France, 정명훈 | — | |
| 4 | Orfeo ("Nel chiuso centro"), chamber cantata for soprano, strings & continuo, Op. 2/4: Nel chiuso centro | Giovanni Battista Pergolesi | — | |
| 5 | Suite española, op. 47: No. 1. Granada | Miloš Karadaglić | T-906.907.048-0 | |
| 6 | Adriana Lecouvreur, opera: La dolcissima effigie | Francesco Cilea | — | |
| 7 | Symphony No. 5 in E minor, Op. 64: 3. Valse. Allegro moderato | Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel | — | |
| 8 | Suor Angelica, opera: Senza mamma, o bimbo, tu sei morto | Renée Fleming, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | — | |
| 9 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 10 | Rigoletto: La donna è mobile | Rolando Villazón, Prague Philharmonia, Daniele Callegari | T-912.866.624-0 | |
| 11 | Nocturne in C-sharp minor | Benjamin Grosvenor | T-702.884.109-2 | |
| 12 | Carmen: Sequidilla | Elīna Garanča, Roberto Alagna | — | |
| 13 | Orfeo Ed Euridice: Act II. Dance Of The Blessed Spirits | Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Les Pêcheurs de Perles : Acte I. « Je crois entendre encore » | Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi | T-702.424.573-8 | |
| 15 | Missa "Ecco Si Beata Giorno" - Agnus Dei II | Alessandro Striggio | — | |
| 16 | Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 17 | Core ’ngrato (arr. Chiaramello) | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | T-910.760.781-8 | |
| 18 | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | Itamar Golan, Janine Jansen | T-011.772.202-7 | |
| 19 | Wiegenlied ("Guten Abend, gut Nacht"), op. 49/4 | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-900.087.345-0 | |
| 20 | Radetzky-Marsch, for orchestra, Op. 228 | Wiener Philharmoniker, Franz Welser-Möst | — | |
| 2-1 | Dein ist mein ganzes Herz | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-802.402.359-5 | |
| 2-2 | Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: Aria (Cantilena) | Patricia Petibon, Orquesta Nacional de España, Josep Pons | T-905.380.384-2 | |
| 2-3 | Berceuse for piano in D flat major, Op. 57, CT. 7 | Daniel Barenboim | — | |
| 2-4 | Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143): 2. Arioso | Andreas Scholl, Kammerorchester Basel, Julia Schröder | — | |
| 2-5 | Rondo a Capriccio for piano in G major ("Rage Over a Lost Penny"), Op. 129 | Alice Sara Ott | — | |
| 2-6 | Misa Criolla, for tenor, piano, chorus & orchestra: Kyrie | Coro del Teatro Comunale di Bologna, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Michele Mariotti | T-902.722.652-4 | |
| 2-7 | Serenade (Leise flehen meine Lieder, D957) | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | T-308.943.359-6 | |
| 2-8 | Die Fledermaus (The Bat), operetta (RV 503): Mein Herr Marquis | Aleksandra Kurzak, Orquestra de la Comunitat Valenciana, Omer Meir Wellber | T-315.691.887-1 | |
| 2-9 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. Allegro moderato | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-902.685.630-4 | |
| 2-10 | Tito Manlio, RV 738: "Sonno, se pur sei sonno" (Manlio) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 2-11 | Consolations, S. 172: No. 3. Lento placido | Jorge Bolet | T-306.229.968-3 | |
| 2-12 | Rusalka, opera, B. 203 (Op. 114): Mesícku na nebi hlubokém (Song to the Moon) | Anna Prohaska, Eric Schneider | — | |
| 2-13 | La Traviata: Act I. Prelude | Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | T-001.455.798-2 | |
| 2-14 | I vespri siciliani: Atto V. “Mercè, dilette amiche” | Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | T-913.732.492-6 | |
| 2-15 | The Sleeping Beauty, ballet, Op. 66: Valse. La Belle au bois dormant | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | — | |
| 2-16 | Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè | — | |
| 2-17 | Sicilienne and Rigaudon in the Style of Francoeur, for violin & piano | Joshua Bell, Paul Coker | — | |
| 2-18 | Lucrezia | Danielle de Niese, London Philharmonic Orchestra, James Morgan | T-318.616.941-1 | |
| 2-19 | Coppelia: Valse lente | [unknown] | T-306.310.844-7 | |
| 2-20 | Martha, opera: The last rose of summer | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — |
Identifier Graph
028947830368 is a Universal Product Code (UPC) assigned to Classical 2012 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Classical 2012” by Various Artists is 028947830368. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 40 tracks, each with its own ISRC. Tracks include DEF059804600, DEN960431519, ITZ040700123.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vesperae solennes, K. 339: Laudate Dominum | Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — | |
| 2 | Prelude in G minor, Op.23, No.5: Alla marcia | Lang Lang | T-000.768.497-0 | |
| 3 | Carmen, opera: La fleur que tu m'avais jetée | Andrea Bocelli, Orchestre philharmonique de Radio France, 정명훈 | — | |
| 4 | Orfeo ("Nel chiuso centro"), chamber cantata for soprano, strings & continuo, Op. 2/4: Nel chiuso centro | Giovanni Battista Pergolesi | — | |
| 5 | Suite española, op. 47: No. 1. Granada | Miloš Karadaglić | T-906.907.048-0 | |
| 6 | Adriana Lecouvreur, opera: La dolcissima effigie | Francesco Cilea | — | |
| 7 | Symphony No. 5 in E minor, Op. 64: 3. Valse. Allegro moderato | Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel | — | |
| 8 | Suor Angelica, opera: Senza mamma, o bimbo, tu sei morto | Renée Fleming, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | — | |
| 9 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Gewandhausorchester Leipzig, Riccardo Chailly | T-909.821.799-3 | |
| 10 | Rigoletto: La donna è mobile | Rolando Villazón, Prague Philharmonia, Daniele Callegari | T-912.866.624-0 | |
| 11 | Nocturne in C-sharp minor | Benjamin Grosvenor | T-702.884.109-2 | |
| 12 | Carmen: Sequidilla | Elīna Garanča, Roberto Alagna | — | |
| 13 | Orfeo Ed Euridice: Act II. Dance Of The Blessed Spirits | Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan | — | |
| 14 | Les Pêcheurs de Perles : Acte I. « Je crois entendre encore » | Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi | T-702.424.573-8 | |
| 15 | Missa "Ecco Si Beata Giorno" - Agnus Dei II | Alessandro Striggio | — | |
| 16 | Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 17 | Core ’ngrato (arr. Chiaramello) | Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | T-910.760.781-8 | |
| 18 | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | Itamar Golan, Janine Jansen | T-011.772.202-7 | |
| 19 | Wiegenlied ("Guten Abend, gut Nacht"), op. 49/4 | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-900.087.345-0 | |
| 20 | Radetzky-Marsch, for orchestra, Op. 228 | Wiener Philharmoniker, Franz Welser-Möst | — | |
| 2-1 | Dein ist mein ganzes Herz | Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-802.402.359-5 | |
| 2-2 | Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: Aria (Cantilena) | Patricia Petibon, Orquesta Nacional de España, Josep Pons | T-905.380.384-2 | |
| 2-3 | Berceuse for piano in D flat major, Op. 57, CT. 7 | Daniel Barenboim | — | |
| 2-4 | Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143): 2. Arioso | Andreas Scholl, Kammerorchester Basel, Julia Schröder | — | |
| 2-5 | Rondo a Capriccio for piano in G major ("Rage Over a Lost Penny"), Op. 129 | Alice Sara Ott | — | |
| 2-6 | Misa Criolla, for tenor, piano, chorus & orchestra: Kyrie | Coro del Teatro Comunale di Bologna, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Michele Mariotti | T-902.722.652-4 | |
| 2-7 | Serenade (Leise flehen meine Lieder, D957) | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | T-308.943.359-6 | |
| 2-8 | Die Fledermaus (The Bat), operetta (RV 503): Mein Herr Marquis | Aleksandra Kurzak, Orquestra de la Comunitat Valenciana, Omer Meir Wellber | T-315.691.887-1 | |
| 2-9 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. Allegro moderato | Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | T-902.685.630-4 | |
| 2-10 | Tito Manlio, RV 738: "Sonno, se pur sei sonno" (Manlio) | Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon | — | |
| 2-11 | Consolations, S. 172: No. 3. Lento placido | Jorge Bolet | T-306.229.968-3 | |
| 2-12 | Rusalka, opera, B. 203 (Op. 114): Mesícku na nebi hlubokém (Song to the Moon) | Anna Prohaska, Eric Schneider | — | |
| 2-13 | La Traviata: Act I. Prelude | Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | T-001.455.798-2 | |
| 2-14 | I vespri siciliani: Atto V. “Mercè, dilette amiche” | Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | T-913.732.492-6 | |
| 2-15 | The Sleeping Beauty, ballet, Op. 66: Valse. La Belle au bois dormant | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | — | |
| 2-16 | Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè | — | |
| 2-17 | Sicilienne and Rigaudon in the Style of Francoeur, for violin & piano | Joshua Bell, Paul Coker | — | |
| 2-18 | Lucrezia | Danielle de Niese, London Philharmonic Orchestra, James Morgan | T-318.616.941-1 | |
| 2-19 | Coppelia: Valse lente | [unknown] | T-306.310.844-7 | |
| 2-20 | Martha, opera: The last rose of summer | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
