Boris Godunov (1872 Version)

UPC · Release

Boris Godunov (1872 Version)

Modest Moussorgsky, Mariinsky Orchestra, Valery Gergiev

028947834472
63 tracksReleased 2012-01-01Decca

Last verified:

028947834472 is the Universal Product Code (UPC barcode) for the release Boris Godunov (1872 Version) by Modest Moussorgsky, Mariinsky Orchestra, Valery Gergiev, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC.

Format

0Number system
28947Manufacturer
83447Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (63)

Prologue, scene 1. “Well, what are you waiting for?“
Prologue, scene 1. “Well, what are you waiting for?“
Prologue, scene 1. “For whom dost thou forsake us?“
Prologue, scene 1. “For whom dost thou forsake us?“
Prologue, scene 1. “People of the Orthodox faith“
Prologue, scene 1. “People of the Orthodox faith“
Prologue, scene 1. “Glory to thee, our Lord“
Prologue, scene 1. “Glory to thee, our Lord“
Prologue, scene 2. “Long live Tsar Boris Feodorovich“
Prologue, scene 2. “Long live Tsar Boris Feodorovich“
Prologue, scene 2. “My soul is sad“
Prologue, scene 2. “My soul is sad“
Prologue, scene 2. “Glory! Glory! Glory!“
Prologue, scene 2. “Glory! Glory! Glory!“
Act I, scene 1. “Just one more final tale“
Act I, scene 1. “Just one more final tale“
Act I, scene 1. “Lord, our Heavenly father“
Act I, scene 1. “Lord, our Heavenly father“
Act I, scene 1. “You have gone on writing“
Act I, scene 1. “You have gone on writing“
Act I, scene 1. “Holy Father, for a long time“
Act I, scene 1. “Holy Father, for a long time“
Act I, scene 1. “It is the bell for matins“
Act I, scene 1. “It is the bell for matins“
Act I, scene 2. “I caught a grey drake“
Act I, scene 2. “I caught a grey drake“
Act I, scene 2. “It all happened in the town of Kazan“
Act I, scene 2. “It all happened in the town of Kazan“
Act I, scene 2. “Why don't you join in the singing?“
Act I, scene 2. “Why don't you join in the singing?“
Act I, scene 2. “There he goes“
Act I, scene 2. “There he goes“
Act I, scene 2. “I can read“
Act I, scene 2. “I can read“
Act II. “Where are you, my dear husband“
Act II. “Where are you, my dear husband“
Act II. “Ah! That's enough now“
Act II. “Ah! That's enough now“
Act II. “So the gnat was chopping some firewood“
Act II. “So the gnat was chopping some firewood“
Act II. “Ah, nurse, nanny“
Act II. “Ah, nurse, nanny“
Act II. “Ah! What? Has a wild beast...“
Act II. “Ah! What? Has a wild beast...“
Act II. “I have achieved supreme power“
Act II. “I have achieved supreme power“
Act II. “How heavily weighs the right hand of the fearful judge“
Act II. “How heavily weighs the right hand of the fearful judge“
Act II. “Ah, shoo!“
Act II. “Ah, shoo!“
Act II. “Our little parrot was sitting“
Act II. “Our little parrot was sitting“
Act II. “My son, my own dear child!“
Act II. “My son, my own dear child!“
Act II. “Ah, the most illustrious orator“
Act II. “Ah, the most illustrious orator“
Act II. “Take measures immediately“
Act II. “Take measures immediately“
Act II. “At the cathedral in Uglich“
Act II. “At the cathedral in Uglich“
Act III, scene 1. “On the azure Vistula“
Act III, scene 1. “On the azure Vistula“
Act III, scene 1. “Enough!“
Act III, scene 1. “Enough!“
Act III, scene 1. “Ruzya, I do not need you today“
Act III, scene 1. “Ruzya, I do not need you today“
Act III, scene 1. “Ah! It's you, my father!“
Act III, scene 1. “Ah! It's you, my father!“
Act III, scene 1. “Captivate the Pretender with your beauty!“
Act III, scene 1. “Captivate the Pretender with your beauty!“
Act III, scene 1. “Your eyes have started to sparkle“
Act III, scene 1. “Your eyes have started to sparkle“
Act III, scene 2. “At midnight...in the garden...“
Act III, scene 2. “At midnight...in the garden...“
Act III, scene 2. “Tsarevich!“
Act III, scene 2. “Tsarevich!“
Act III, scene 2. “A humble, sinful pilgrim“
Act III, scene 2. “A humble, sinful pilgrim“
Act III, scene 2. “Tsarevich, conceal yourself“
Act III, scene 2. “Tsarevich, conceal yourself“
Act III, scene 2. “That crafty Jesuit“
Act III, scene 2. “That crafty Jesuit“
Act III, scene 2. “The wife of that toothless debauchee“
Act III, scene 2. “The wife of that toothless debauchee“
Act III, scene 2. “It is she! Marina!“
Act III, scene 2. “It is she! Marina!“
Act III, scene 2. “But it is not for amorous conversations“
Act III, scene 2. “But it is not for amorous conversations“
Act III, scene 2. “You alone Marina, I worship“
Act III, scene 2. “You alone Marina, I worship“
Act III, scene 2. “Leaders from all corners of Russia“
Act III, scene 2. “Leaders from all corners of Russia“
Act III, scene 2. “O, Tsarevich, I beg you, do nor curse me“
Act III, scene 2. “O, Tsarevich, I beg you, do nor curse me“
Act IV, scene 1. “Boyars of noble rank“
Act IV, scene 1. “Boyars of noble rank“
Act IV, scene 1. “What? Let us vote, boyars“
Act IV, scene 1. “What? Let us vote, boyars“
Act IV, scene 1. “It's a pity that Prince Shuisky isn't here“
Act IV, scene 1. “It's a pity that Prince Shuisky isn't here“
Act IV, scene 1. “Get away... Get away!“
Act IV, scene 1. “Get away... Get away!“
Act IV, scene 1. “A humble monk“
Act IV, scene 1. “A humble monk“
Act IV, scene 1. “Once, in a deep sleep“
Act IV, scene 1. “Once, in a deep sleep“
Act IV, scene 1. “Leave us! All of you, go!“
Act IV, scene 1. “Leave us! All of you, go!“
Act IV, scene 1. “O Lord! Look down“
Act IV, scene 1. “O Lord! Look down“
Act IV, scene 2. “Over here! Sit him down on the stump!“
Act IV, scene 2. “Over here! Sit him down on the stump!“
Act IV, scene 2. “Trrr, trrr, tin hat!“
Act IV, scene 2. “Trrr, trrr, tin hat!“
Act IV, scene 2. “The sun and the moon have faded“
Act IV, scene 2. “The sun and the moon have faded“
Act IV, scene 2. “Hurrah! Daring boldness has broken free“
Act IV, scene 2. “Hurrah! Daring boldness has broken free“
Act IV, scene 2. “Domine, salvum fac regem“
Act IV, scene 2. “Domine, salvum fac regem“
Act IV, scene 2. “Glory to you, Tsarevich!“
Act IV, scene 2. “Glory to you, Tsarevich!“
Act IV, scene 2. “We, Dmitry Ivanovich“
Act IV, scene 2. “We, Dmitry Ivanovich“
Act IV, scene 2. “Flow, flow bitter tears“
Act IV, scene 2. “Flow, flow bitter tears“

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Creative Contributors (ISNI)

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People also ask

What is UPC 028947834472?
UPC 028947834472 is the Universal Product Code (barcode) for "Boris Godunov (1872 Version)" by Modest Moussorgsky, Mariinsky Orchestra, Valery Gergiev, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947834472?
UPC 028947834472 contains 63 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028947834472?

028947834472 is a Universal Product Code (UPC) assigned to Boris Godunov (1872 Version) by Modest Moussorgsky, Mariinsky Orchestra, Valery Gergiev. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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