UPC · Release
Various Artists
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028947835660 is the Universal Product Code (UPC barcode) for the release “Mercury Living Presence: The Collector's Edition” by Various Artists, released 2011-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 752 tracks, each with its own ISRC. Tracks include DEU240812518, DEU240812519, DEU240812520.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pictures at an Exhibition: Promenade | — | ||
| 2 | Pictures at an Exhibition: Gnomus | — | ||
| 3 | Pictures at an Exhibition: Promenade | — | ||
| 4 | Pictures at an Exhibition: Il Vecchio Castello | — | ||
| 5 | Pictures at an Exhibition: Promenade | — | ||
| 6 | Pictures at an Exhibition: Tuileries | — | ||
| 7 | Pictures at an Exhibition: Bydlo | — | ||
| 8 | Pictures at an Exhibition: Promenade | — | ||
| 9 | Pictures at an Exhibition: Ballet des poussins dans leurs coques | — | ||
| 10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 11 | Pictures at an Exhibition: Limoges—Le marché | — | ||
| 12 | Pictures at an Exhibition: Catacombae (Sepulchrum Romanum) | — | ||
| 13 | Pictures at an Exhibition: Cum mortis in lingua mortua | — | ||
| 14 | Pictures at an Exhibition: La cabane sur des pattes de poule | — | ||
| 15 | Pictures at an Exhibition: La grande porte de Kiev | — | ||
| 16 | Music for Strings, Percussion and Celesta: I. Andante tranquillo | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 17 | Music for Strings, Percussion and Celesta: II. Allegro | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 18 | Music for Strings, Percussion and Celesta: III. Adagio | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 19 | Music for Strings, Percussion and Celesta: IV. Allegro molto | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 2-1 | Má vlast: Vyšehrad "The High Castle" | — | ||
| 2-2 | Má vlast: Vltava "The Moldau" | — | ||
| 2-3 | Má vlast: Šárka | — | ||
| 2-4 | Má vlast: Z českých luhů a hájů "From Bohemia's Meadows and Forests" | — | ||
| 2-5 | Má vlast: Tábor | — | ||
| 2-6 | Má vlast: Blaník | — | ||
| 3-1 | Mexican Rhapsody | — | ||
| 3-2 | Savannah River Holiday | — | ||
| 3-3 | Kentucky Mountain Portraits: Cindy | — | ||
| 3-4 | Kentucky Mountain Portraits: Ballad | — | ||
| 3-5 | Kentucky Mountain Portraits: Shivaree | — | ||
| 3-6 | Joe Clark Steps Out | — | ||
| 3-7 | Sahdji (Ballet): Part 1 | — | ||
| 3-8 | Sahdji (Ballet): Part 2 | — | ||
| 3-9 | Overture to the Creole "Faust" | — | ||
| 4-1 | "Háry János" Suite: I. Prelude. The Fairy Tale Begins | — | ||
| 4-2 | "Háry János" Suite: II. Viennese Musical Clock | — | ||
| 4-3 | "Háry János" Suite: III. Song | — | ||
| 4-4 | "Háry János" Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 4-5 | "Háry János" Suite: V. Intermezzo | — | ||
| 4-6 | "Háry János" Suite: VI. Entrance of the Emperor and his Court | — | ||
| 4-7 | Hungarian Sketches | — | ||
| 4-8 | Roumanian Folk Dances | — | ||
| 4-9 | Marosszék Dances | — | ||
| 4-10 | Dances of Galánta | — | ||
| 5-1 | Violin Concerto no. 2: I. Allegro non troppo | — | ||
| 5-2 | Violin Concerto no. 2: II. Andante tranquillo | — | ||
| 5-3 | Violin Concerto no. 2: III. Allegro molto | — | ||
| 6-1 | Brazilian Sleigh Bells | — | ||
| 6-2 | Andalucia | — | ||
| 6-3 | Malagueña | — | ||
| 6-4 | Intermezzo from "Goyescas" | — | ||
| 6-5 | Jamaican Rumba | — | ||
| 6-6 | Batuque | — | ||
| 6-7 | Amparito Roca | — | ||
| 6-8 | Ritual Fire Dance from "El Amor Brujo" | — | ||
| 6-9 | The Bullfighter's Prayer | — | ||
| 6-10 | Brazilian Dance | — | ||
| 6-11 | Hora Staccato | — | ||
| 6-12 | Liebestraum | — | ||
| 6-13 | Love's Dream After the Ball | — | ||
| 6-14 | Finlandia | — | ||
| 6-15 | Suite bergamasque: III. Clair de lune | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-011.772.202-7 | |
| 6-16 | Polka from "The Golden Age" | — | ||
| 7-1 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Scythian Suite, op. 20: III. Night | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise | London Symphony Orchestra, Antal Doráti | — | |
| 7-5 | Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules | London Symphony Orchestra, Antal Doráti | — | |
| 7-6 | Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale | London Symphony Orchestra, Antal Doráti | — | |
| 7-7 | Suite from "The Love for Three Oranges", op. 33a: III. Marche | London Symphony Orchestra, Antal Doráti | — | |
| 7-8 | Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo | London Symphony Orchestra, Antal Doráti | — | |
| 7-9 | Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse | London Symphony Orchestra, Antal Doráti | — | |
| 7-10 | Suite from "The Love for Three Oranges", op. 33a: VI. La fuite | London Symphony Orchestra, Antal Doráti | — | |
| 7-11 | Symphony no. 5, op. 100: I. Andante | Minnesota Orchestra, Antal Doráti | T-070.160.313-5 | |
| 7-12 | Symphony no. 5, op. 100: II. Allegro marcato | Minnesota Orchestra, Antal Doráti | — | |
| 7-13 | Symphony no. 5, op. 100: III. Adagio | Minnesota Orchestra, Antal Doráti | — | |
| 7-14 | Symphony no. 5, op. 100: IV. Allegro giocoso | Minnesota Orchestra, Antal Doráti | — | |
| 8-1 | Merry Mount Suite: Overture | — | ||
| 8-2 | Merry Mount Suite: Children's Dance | — | ||
| 8-3 | Merry Mount Suite: Love Duet | — | ||
| 8-4 | Merry Mount Suite: Prelude to Act II and Maypole Dances | — | ||
| 8-5 | Mosaics | — | ||
| 8-6 | For the First Time: I. Bells | — | ||
| 8-7 | For the First Time: II. Tamara and Peter Bolshoi | — | ||
| 8-8 | For the First Time: III. Deserted House | — | ||
| 8-9 | For the First Time: IV. Eccentric Clock | — | ||
| 8-10 | For the First Time: V. Deep Forest | — | ||
| 8-11 | For the First Time: VI. Clowns | — | ||
| 8-12 | For the First Time: VII. Dance | — | ||
| 8-13 | For the First Time: VIII. Serious Conversations | — | ||
| 8-14 | For the First Time: IX. Kikimora | — | ||
| 8-15 | For the First Time: X. Mist | — | ||
| 8-16 | For the First Time: XI. Fireworks | — | ||
| 8-17 | For the First Time: XII. Dreams | — | ||
| 8-18 | Concerto for Piano and Orchestra, op. 36: I. Lento molto and molto tranquillo | — | ||
| 8-19 | Concerto for Piano and Orchestra, op. 36: II. Allegro molto ritmico | — | ||
| 8-20 | Concerto for Piano and Orchestra, op. 36: III. Andante molto espressivo | — | ||
| 8-21 | Concerto for Piano and Orchestra, op. 36: IV. Allegro giocoso | — | ||
| 9-1 | 1812 Festival Overture, op. 49 | Minneapolis Symphony Orchestra, University of Minnesota Brass Band, Antal Doráti | — | |
| 9-2 | Commentary to the "1812 Overture" | Deems Taylor | T-070.026.688-1 | |
| 9-3 | Capriccio Italien, op. 45 | Minneapolis Symphony Orchestra, Antal Doráti | T-304.396.368-0 | |
| 9-4 | Wellington's Victory, op. 91: I. Battle | London Symphony Orchestra, Antal Doráti | — | |
| 9-5 | Wellington's Victory, op. 91: II. Symphony of Triumph | London Symphony Orchestra, Antal Doráti | — | |
| 9-6 | Commentary to "Wellington's Victory" | Deems Taylor | — | |
| 10-1 | Slavonic Dances, op. 46: No. 1 in C major: Presto | Minneapolis Symphony Orchestra, Antal Doráti | T-312.527.003-9 | |
| 10-2 | Slavonic Dances, op. 46: No. 2 in E minor: Allegretto scherzando | Minneapolis Symphony Orchestra, Antal Doráti | T-042.146.341-3 | |
| 10-3 | Slavonic Dances, op. 46: No. 3 in A-flat major: Poco allegro | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Slavonic Dances, op. 46: No. 4 in F major: Tempo di Minuetto | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Slavonic Dances, op. 46: No. 5 in A major: Allegro vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-6 | Slavonic Dances, op. 46: No. 6 in D major: Allegretto scherzando | Minneapolis Symphony Orchestra, Antal Doráti | T-042.146.341-3 | |
| 10-7 | Slavonic Dances, op. 46: No. 7 in C minor: Allegro assai | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-8 | Slavonic Dances, op. 46: No. 8 in G minor: Presto | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-9 | Slavonic Dances, op. 72: No. 1 in B major: Molto vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-10 | Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-11 | Slavonic Dances, op. 72: No. 3 in F major: Allegro | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-12 | Slavonic Dances, op. 72: No. 4 in D-flat major: Allegretto grazioso | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-13 | Slavonic Dances, op. 72: No. 5 in B-flat minor: Poco adagio | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-14 | Slavonic Dances, op. 72: No. 6 in B-flat major: Moderato, quasi Minuetto | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-15 | Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-16 | Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Grand Canyon Suite: 1. Sunrise | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-2 | Grand Canyon Suite: 2. The Painted Desert | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-3 | Grand Canyon Suite: 3. On the Trail | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-4 | Grand Canyon Suite: 4. Sunset | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-5 | Grand Canyon Suite: 5. Cloudburst | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-6 | Mississippi Suite: 1. Father of Waters | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-7 | Mississippi Suite: 2. Huckleberry Finn | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-8 | Mississippi Suite: 3. Old Creole Days | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-9 | Mississippi Suite: 4. Mardi Gras | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-10 | Concerto no. 2 in E minor for Cello and Orchestra: 1. Allegro impetuoso | Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson | — | |
| 11-11 | Concerto no. 2 in E minor for Cello and Orchestra: 2. Lento - Andante tranquillo | Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson | — | |
| 11-12 | Concerto no. 2 in E minor for Cello and Orchestra: 3. Allegro | Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson | — | |
| 12-1 | William Byrd Suite: I. The Earle of Oxford's Marche | — | ||
| 12-2 | William Byrd Suite: II. Pavana | — | ||
| 12-3 | William Byrd Suite: III. Jhon Come Kisse Me Now | — | ||
| 12-4 | William Byrd Suite: IV. The Mayden's Song | — | ||
| 12-5 | William Byrd Suite: V. Wolsey's Wilde | — | ||
| 12-6 | William Byrd Suite: VI. The Bells | Eastman Wind Ensemble, Frederick Fennell | — | |
| 12-7 | Crown Imperial: A Coronation March | — | ||
| 12-8 | Hammersmith, op. 52: Prelude and Scherzo | — | ||
| 12-9 | Symphonic Songs for Band: I. Serenade | — | ||
| 12-10 | Symphonic Songs for Band: II. Spiritual | — | ||
| 12-11 | Symphonic Songs for Band: III. Celebration | — | ||
| 12-12 | Fanfare and Allegro | — | ||
| 13-1 | Petrouchka, Burlesque in Four Scenes: Scene I. The Shrovetide Fair | — | ||
| 13-2 | Petrouchka, Burlesque in Four Scenes: Scene II. Petrouchka's Room | — | ||
| 13-3 | Petrouchka, Burlesque in Four Scenes: Scene III. The Moor's Room | — | ||
| 13-4 | Petrouchka, Burlesque in Four Scenes: Scene IV. The Shrovetide Fair (Toward Evening) | — | ||
| 13-5 | Le sacre du printemps, Pictures of Pagan Russia: Part I. The Adoration of the Earth | — | ||
| 13-6 | Le sacre du printemps, Pictures of Pagan Russia: Part II. The Sacrifice | — | ||
| 13-7 | Four Études for Orchestra: I. Danse | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 13-8 | Four Études for Orchestra: II. Excentrique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 13-9 | Four Études for Orchestra: III. Cantique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 13-10 | Four Études for Orchestra: IV. Madrid | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 14-1 | The Beautiful Galatea | — | ||
| 14-2 | Pique Dame | — | ||
| 14-3 | Light Cavalry | — | ||
| 14-4 | Poet and Peasant | — | ||
| 14-5 | Morning, Noon and Night in Vienna | — | ||
| 14-6 | Boccaccio | — | ||
| 14-7 | The Bronze Horse | — | ||
| 14-8 | Fra Diavolo | — | ||
| 14-9 | Masaniello | — | ||
| 15-1 | Symphonie fantastique, op. 14: I. Reveries and Passions. Largo. Allegro agitato e appassionato assai | — | ||
| 15-2 | Symphonie fantastique, op. 14: II. A Ball. Valse. Allegro non troppo | — | ||
| 15-3 | Symphonie fantastique, op. 14: III. Scene in the Country. Adagio | — | ||
| 15-4 | Symphonie fantastique, op. 14: IV. March to the Scaffold. Allegretto non troppo | — | ||
| 15-5 | Symphonie fantastique, op. 14: V. Dream of a Witches' Sabbath. Larghetto. Allegro | — | ||
| 15-6 | Hungarian March | — | ||
| 15-7 | Trojan March | — | ||
| 15-8 | The Corsair, Overture | — | ||
| 15-9 | The Roman Carnival, Overture | — | ||
| 16-1 | Sound Off | — | ||
| 16-2 | Nobles of the Mystic Shrine | — | ||
| 16-3 | Sabre and Spurs | — | ||
| 16-4 | The Picadore | — | ||
| 16-5 | Our Flirtation | — | ||
| 16-6 | The High School Cadets | — | ||
| 16-7 | The Invincible Eagle | — | ||
| 16-8 | Bullets and Bayonets | — | ||
| 16-9 | The Liberty Bell | — | ||
| 16-10 | Riders for the Flag | — | ||
| 16-11 | Solid Men to the Front! | — | ||
| 16-12 | The Gallant Seventh | — | ||
| 16-13 | The Rifle Regiment | — | ||
| 16-14 | The Pride of the Wolverines | — | ||
| 16-15 | Golden Jubilee | — | ||
| 16-16 | The Gridiron Club | — | ||
| 16-17 | New Mexico | — | ||
| 16-18 | Sesqui-Centennial Exposition | — | ||
| 16-19 | The Black Horse Troop | — | ||
| 16-20 | The Kansas Wildcats | — | ||
| 16-21 | Manhattan Beach | — | ||
| 16-22 | Ancient and Honorable Artillery Company | — | ||
| 16-23 | The National Game | — | ||
| 16-24 | The Glory of the Yankee Navy | — | ||
| 17-1 | Two Roumanian Rhapsodies, op. 11: No. 1 in A major | London Symphony Orchestra, Antal Doráti | — | |
| 17-2 | Hungarian Rhapsody no. 1 in F minor | London Symphony Orchestra, Antal Doráti | — | |
| 17-3 | Hungarian Rhapsody no. 2 | London Symphony Orchestra, Antal Doráti | — | |
| 17-4 | Hungarian Rhapsody no. 3 | London Symphony Orchestra, Antal Doráti | — | |
| 17-5 | Hungarian Rhapsody no. 4 in D minor | London Symphony Orchestra, Antal Doráti | T-304.255.693-0 | |
| 17-6 | Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque" | London Symphony Orchestra, Antal Doráti | T-306.229.955-8 | |
| 17-7 | Hungarian Rhapsody no. 6 in D major "Carnival in Pesth" | London Symphony Orchestra, Antal Doráti | — | |
| 18-1 | Gayne Ballet Music: Sabre Dance | London Symphony Orchestra, Antal Doráti | T-801.025.525-2 | |
| 18-2 | Gayne Ballet Music: Ayesha’s Dance | London Symphony Orchestra, Antal Doráti | — | |
| 18-3 | Gayne Ballet Music: Dance of the Rose Maidens | London Symphony Orchestra, Antal Doráti | — | |
| 18-4 | Gayne Ballet Music: Dance of the Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 18-5 | Gayne Ballet Music: Lullaby | London Symphony Orchestra, Antal Doráti | — | |
| 18-6 | Gayne Ballet Music: Dance of the Young Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 18-7 | Gayne Ballet Music: Armen’s Variation | London Symphony Orchestra, Antal Doráti | — | |
| 18-8 | Gayne Ballet Music: Lezghinka | London Symphony Orchestra, Antal Doráti | — | |
| 18-9 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 18-10 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 18-11 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 18-12 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 19-1 | Two Roumanian Rhapsodies, op. 11: No. 2 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 19-2 | Hungarian Dance no. 5 in G minor | London Symphony Orchestra, Antal Doráti | T-909.573.827-5 | |
| 19-3 | Hungarian Dance no. 6 in D major | London Symphony Orchestra, Antal Doráti | T-917.141.515-9 | |
| 19-4 | Hungarian Dance no. 7 in A major | London Symphony Orchestra, Antal Doráti | T-312.524.872-4 | |
| 19-5 | Hungarian Dance no. 21 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.160-7 | |
| 19-6 | Hungarian Dance no. 11 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-7 | Hungarian Dance no. 2 in D minor | London Symphony Orchestra, Antal Doráti | T-915.711.186-9 | |
| 19-8 | Hungarian Dance no. 1 in G minor | London Symphony Orchestra, Antal Doráti | T-329.391.159-4 | |
| 19-9 | Hungarian Dance no. 10 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 19-10 | Hungarian Dance no. 3 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 19-11 | Hungarian Dance no. 18 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 19-12 | Hungarian Dance no. 17 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-13 | Hungarian Dance no. 19 in B minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-14 | Hungarian Dance no. 20 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.163-0 | |
| 19-15 | Hungarian Dance no. 12 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-16 | Hungarian Dance no. 15 in B flat major | London Symphony Orchestra, Antal Doráti | — | |
| 19-17 | Hungarian Dance no. 4 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-18 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Theme: Chorale: St. Antoni | London Symphony Orchestra, Antal Doráti | — | |
| 19-19 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation I: Poco più animato | London Symphony Orchestra, Antal Doráti | — | |
| 19-20 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation II: Più vivace | London Symphony Orchestra, Antal Doráti | — | |
| 19-21 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation III: Con moto | London Symphony Orchestra, Antal Doráti | — | |
| 19-22 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation IV: Andante con moto | London Symphony Orchestra, Antal Doráti | T-902.781.946-1 | |
| 19-23 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 19-24 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VI: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 19-25 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VII: Grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 19-26 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VIII: Presto non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 19-27 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Finale: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 20-1 | Hail to the Chief | — | ||
| 20-2 | Listen to the Mockingbird | — | ||
| 20-3 | Palmyra Schottische | — | ||
| 20-4 | Hail Columbia | — | ||
| 20-5 | Freischütz Quickstep | — | ||
| 20-6 | Parade | — | ||
| 20-7 | Port Royal Galop | — | ||
| 20-8 | Nightingale Waltz | — | ||
| 20-9 | La Marseillaise | — | ||
| 20-10 | Dixie & Bonnie Blue Flag | — | ||
| 20-11 | Cheer Boys Cheer | — | ||
| 20-12 | Luto Quickstep | — | ||
| 20-13 | Old North State | — | ||
| 20-14 | Easter Galop | — | ||
| 20-15 | Come, Dearest, the Daylight is Gone | — | ||
| 20-16 | Maryland, My Maryland | — | ||
| 20-17 | Waltz no. 19 | — | ||
| 20-18 | Old Hundreth | — | ||
| 20-19 | The Girl I Left Behind Me | — | ||
| 20-20 | The Recruiting Sergeant | — | ||
| 20-21 | Jefferson and Liberty | — | ||
| 20-22 | Old 1812 | — | ||
| 20-23 | Carry Me Back | — | ||
| 20-24 | Liverpool Hornpipe | — | ||
| 20-25 | Newport | — | ||
| 20-26 | Garry Owen | — | ||
| 20-27 | Cavalry Bugle Signals | — | ||
| 20-28 | The Sounds of Conflict: Fort Sumter to Gettysburg | — | ||
| 21-1 | Narration | — | ||
| 21-2 | Twinkling Stars Quickstep | — | ||
| 21-3 | O Kentucky, Kentucky | — | ||
| 21-4 | Come Where My Love Lies Dreaming | — | ||
| 21-5 | Un Ballo in Maschera Quickstep | — | ||
| 21-6 | St. Patrick's Day in the Morning | — | ||
| 21-7 | Grafulla's Quickstep | — | ||
| 21-8 | Gary Owen | — | ||
| 21-9 | Cavalry Quickstep | — | ||
| 21-10 | Storm Galop | — | ||
| 21-11 | 26th Regiment Quickstep | — | ||
| 21-12 | Lulu's Gone | — | ||
| 21-13 | Tramp, Tramp | — | ||
| 21-14 | Juanita | — | ||
| 21-15 | Carry Me Back (To Old Virginny's Shore) | — | ||
| 21-16 | Bugle Signals for the Service of Skirmishers | — | ||
| 21-17 | Drum Calls | — | ||
| 21-18 | Camp and Field Duty Calls for Fifes and Drums | — | ||
| 21-19 | The Appomattox Bugle | — | ||
| 21-20 | We Are Coming, Father Abra'am | — | ||
| 21-21 | Tenting Tonight on the Old Camp Ground | — | ||
| 21-22 | Goober Peas | — | ||
| 21-23 | Tramp, Tramp, Tramp | — | ||
| 21-24 | When Johnny Comes Marching Home | — | ||
| 21-25 | The Battle Hymn of the Republic | — | ||
| 21-26 | Firearms of the Civil War | — | ||
| 21-27 | The Sounds of Conflict: Gettysburg to Appomattox | — | ||
| 22-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | — | ||
| 22-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio | — | ||
| 22-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | — | ||
| 22-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 22-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 22-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 22-7 | Prelude no. 6 in E-flat major, op. 23 | — | ||
| 22-8 | Prelude no. 2 in C-sharp minor, op. 3 | — | ||
| 23-1 | Appalachian Spring: I. Very Slowly | London Symphony Orchestra, Antal Doráti | — | |
| 23-2 | Appalachian Spring: II. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-3 | Appalachian Spring: III. Moderato: The Bride and Her Intended | London Symphony Orchestra, Antal Doráti | — | |
| 23-4 | Appalachian Spring: IV. Fast: The Revivalist and His Flock | London Symphony Orchestra, Antal Doráti | — | |
| 23-5 | Appalachian Spring: V. Allegro: Solo Dance of the Bride | London Symphony Orchestra, Antal Doráti | — | |
| 23-6 | Appalachian Spring: VI. Meno mosso | London Symphony Orchestra, Antal Doráti | — | |
| 23-7 | Appalachian Spring: VII. Doppio movimento: Variations on a Shaker Hymn | London Symphony Orchestra, Antal Doráti | — | |
| 23-8 | Appalachian Spring: VIII. Moderato: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 23-9 | Billy the Kid: Introduction: The Open Prairie | London Symphony Orchestra, Antal Doráti | — | |
| 23-10 | Billy the Kid: Street in a Frontier Town | London Symphony Orchestra, Antal Doráti | T-070.138.025-7 | |
| 23-11 | Billy the Kid: Mexican Dance and Finale | London Symphony Orchestra, Antal Doráti | — | |
| 23-12 | Billy the Kid: Prairie Night (Card Game at Night) | London Symphony Orchestra, Antal Doráti | — | |
| 23-13 | Billy the Kid: Gun Battle | London Symphony Orchestra, Antal Doráti | — | |
| 23-14 | Billy the Kid: Celebration (After Billy's Capture) | London Symphony Orchestra, Antal Doráti | — | |
| 23-15 | Billy the Kid: Waltz | London Symphony Orchestra, Antal Doráti | — | |
| 23-16 | Billy the Kid: Billy's Death | London Symphony Orchestra, Antal Doráti | — | |
| 23-17 | Billy the Kid: The Open Prairie Again | London Symphony Orchestra, Antal Doráti | — | |
| 23-18 | Danzón Cubano | — | ||
| 23-19 | El Salon México | — | ||
| 24-1 | Pictures at an Exhibition: Promenade | — | ||
| 24-2 | Pictures at an Exhibition: Gnomus | — | ||
| 24-3 | Pictures at an Exhibition: Promenade | — | ||
| 24-4 | Pictures at an Exhibition: Il Vecchio Castello | — | ||
| 24-5 | Pictures at an Exhibition: Promenade | — | ||
| 24-6 | Pictures at an Exhibition: Tuileries | — | ||
| 24-7 | Pictures at an Exhibition: Bydlo | — | ||
| 24-8 | Pictures at an Exhibition: Promenade | — | ||
| 24-9 | Pictures at an Exhibition: Ballet of the Chicks in Their Shells | — | ||
| 24-10 | Pictures at an Exhibition: Two Polish Jews, One Rich, the Other Poor | — | ||
| 24-11 | Pictures at an Exhibition: Limoges, the Market Place | — | ||
| 24-12 | Pictures at an Exhibition: Catacombae (Sepulcrum Romanum) | — | ||
| 24-13 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua | — | ||
| 24-14 | Pictures at an Exhibition: The Hut on Fowl’s Legs (Baba-Yaga) | — | ||
| 24-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 24-16 | Etude in F major | — | ||
| 24-17 | Waltz in A minor | — | ||
| 24-18 | Pictures at an Exhibition: Promenade | — | ||
| 24-19 | Pictures at an Exhibition: Gnomus | — | ||
| 24-20 | Pictures at an Exhibition: Promenade | — | ||
| 24-21 | Pictures at an Exhibition: Il Vecchio Castello | — | ||
| 24-22 | Pictures at an Exhibition: Promenade | — | ||
| 24-23 | Pictures at an Exhibition: Tuileries | — | ||
| 24-24 | Pictures at an Exhibition: Bydlo | — | ||
| 24-25 | Pictures at an Exhibition: Promenade | — | ||
| 24-26 | Pictures at an Exhibition: Ballet des Poussins dans Leurs Coques | — | ||
| 24-27 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 24-28 | Pictures at an Exhibition: Limoges—Le Marché | — | ||
| 24-29 | Pictures at an Exhibition: Catacombe (Sepulcrum Romanum) | — | ||
| 24-30 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua | — | ||
| 24-31 | Pictures at an Exhibition: La Cabane sur des Pattes de Poule | — | ||
| 24-32 | Pictures at an Exhibition: La Grande Porte de Kiev | — | ||
| 25-1 | Romeo and Juliet Suite no. 1, op. 64bis: I. Folk Dance | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-901.179.534-9 | |
| 25-2 | Romeo and Juliet Suite no. 1, op. 64bis: II. Scene | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-905.851.368-1 | |
| 25-3 | Romeo and Juliet Suite no. 1, op. 64bis: III. Madrigal | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-4 | Romeo and Juliet Suite no. 1, op. 64bis: IV. Minuet | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-5 | Romeo and Juliet Suite no. 1, op. 64bis: V. Masks | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-6 | Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-003.506.743-6 | |
| 25-7 | Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-8 | Romeo and Juliet Suite no. 2, op. 64ter: I. The Montagues and the Capulets | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-915.573.231-3 | |
| 25-9 | Romeo and Juliet Suite no. 2, op. 64ter: II. Juliet the Young Girl | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-10 | Romeo and Juliet Suite no. 2, op. 64ter: IV. Dance | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-11 | Romeo and Juliet Suite no. 2, op. 64ter: V. Romeo and Juliet Before Parting | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-12 | Romeo and Juliet Suite no. 2, op. 64ter: VI. Dance of the Antilles Maidens | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-13 | Romeo and Juliet Suite no. 2, op. 64ter: VII. Romeo at Juliet’s Tomb | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-14 | A Night on Bald Mountain | London Symphony Orchestra, Antal Doráti | — | |
| 26-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 26-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 26-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 26-4 | Arabeske, op. 18 | — | ||
| 26-5 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 26-6 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo I | — | ||
| 26-7 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 27-1 | Fiesta en Jerez | Pepe Romero | T-322.201.623-7 | |
| 27-2 | Fandangos por Verdiales | Pepe Romero | T-322.271.349-3 | |
| 27-3 | Garrotin | Pepe Romero | T-322.273.447-2 | |
| 27-4 | Tanguillos | Pepe Romero | T-322.273.446-1 | |
| 27-5 | Peteneras | Pepe Romero | T-322.273.505-5 | |
| 27-6 | Jota | Pepe Romero | — | |
| 27-7 | Carabana Gitana | Pepe Romero | T-322.270.677-2 | |
| 27-8 | Farruca y Rumba | Pepe Romero | — | |
| 27-9 | Lamento Andaluz | Pepe Romero | T-322.266.264-4 | |
| 27-10 | Zorongo | Pepe Romero | T-322.273.453-0 | |
| 27-11 | Spanish Dance no. 6 | Enrique Granados | — | |
| 27-12 | Recuerdos de la Alhambra | Pepe Romero | — | |
| 27-13 | Vidalita | Antonio Sinópoli | — | |
| 28-1 | Sevillanas | — | ||
| 28-2 | Intermezzo from Goyescas | — | ||
| 28-3 | Llamada | — | ||
| 28-4 | Sevilla from Suite Española | — | ||
| 28-5 | Obbligato on Etude in B minor | — | ||
| 28-6 | Noche en Málaga | — | ||
| 28-7 | Lágrima (Preludio) | — | ||
| 28-8 | Romantic Prelude | — | ||
| 28-9 | Allegretto from Sonatina in A major | — | ||
| 28-10 | Prelude no. 3 in A minor | — | ||
| 28-11 | Suite in D minor | — | ||
| 28-12 | Cuatro diferencias sobre “Guárdame las vacas” | — | ||
| 28-13 | Suite of Six Dances | — | ||
| 28-14 | Three Pavanas: nos. 6, 4, 3 | — | ||
| 28-15 | Minuet | — | ||
| 28-16 | Bourrée | — | ||
| 28-17 | Gavottes I and II | — | ||
| 28-18 | King of Denmark’s Galliard | — | ||
| 28-19 | Gavotte en Rondeau | — | ||
| 28-20 | Españoleta | — | ||
| 29-1 | In Storm and Sunshine | — | ||
| 29-2 | Whip and Spur | — | ||
| 29-3 | Invictus | — | ||
| 29-4 | The Big Cage | — | ||
| 29-5 | Bones Trombone | — | ||
| 29-6 | Them Basses | — | ||
| 29-7 | The Circus Bee | — | ||
| 29-8 | The Screamer | — | ||
| 29-9 | Thunder and Blazes | — | ||
| 29-10 | Robinson’s Grand Entree | — | ||
| 29-11 | Circus Days | — | ||
| 29-12 | Bombasto | — | ||
| 29-13 | The Squealer | — | ||
| 29-14 | Rolling Thunder | — | ||
| 29-15 | Bennett’s Triumphal | — | ||
| 29-16 | Bravura | — | ||
| 29-17 | Bugles and Drum | — | ||
| 29-18 | Illinois March | — | ||
| 29-19 | Children’s March | — | ||
| 29-20 | The Interlochen Bowl | — | ||
| 29-21 | Onward-Upward | — | ||
| 29-22 | Boy Scouts of America | — | ||
| 29-23 | Americans We | — | ||
| 29-24 | Officer of the Day | — | ||
| 29-25 | March “Grandioso” | — | ||
| 29-26 | Second Regiment, Connecticut National Guard March | — | ||
| 29-27 | The Mad Major | — | ||
| 29-28 | Guadalcanal March From “Victory At Sea” | — | ||
| 30-1 | Fantasy on Two Folk Songs | — | ||
| 30-2 | At Sunrise | — | ||
| 30-3 | The Linden Tree | — | ||
| 30-4 | Kamarinskaya | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | — | |
| 30-5 | Fantasy on Volga Melodies | — | ||
| 30-6 | In the Moonlight | — | ||
| 30-7 | Midnight in Moscow | — | ||
| 30-8 | Under the Apple Tree | — | ||
| 30-9 | Dance of the Comedians | — | ||
| 30-10 | The Living Room | — | ||
| 30-11 | Evening Bells | — | ||
| 30-12 | My Dear Old Friend, Please Visit Me | — | ||
| 30-13 | Waltz of the Faun | — | ||
| 30-14 | Flight of the Bumble-Bee | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | — | |
| 31-1 | Piano Concerto no. 1 in E flat: I. Allegro maestoso | — | ||
| 31-2 | Piano Concerto no. 1 in E flat: II. Quasi adagio; Allegretto vivace; Allegro animato | — | ||
| 31-3 | Piano Concerto no. 1 in E flat: III. Allegro marziale animato | — | ||
| 31-4 | Piano Concerto no. 2 in A: Adagio sostenuto Assai | — | ||
| 31-5 | Piano Concerto no. 2 in A: Allegro agitato assai | — | ||
| 31-6 | Piano Concerto no. 2 in A: Allegro moderato | — | ||
| 31-7 | Piano Concerto no. 2 in A: Allegro deciso | — | ||
| 31-8 | Piano Concerto no. 2 in A: Marziale un poco meno allegro | — | ||
| 31-9 | Piano Concerto no. 2 in A: Allegro animato | — | ||
| 31-10 | Hungarian Rhapsody no. 6 | — | ||
| 31-11 | Valse oubliée | — | ||
| 31-12 | Romance in F-sharp | — | ||
| 31-13 | Novellette in F | — | ||
| 31-14 | The Miller's Dance | — | ||
| 31-15 | Sonetto del Petrarca CIV | — | ||
| 31-16 | The Harmonica Player | — | ||
| 32-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 32-2 | Piano Concerto no. 3 in C major, op. 26: III. Tema con variazione | — | ||
| 32-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 32-4 | Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace | — | ||
| 32-5 | Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante | — | ||
| 32-6 | Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace | — | ||
| 32-7 | Toccata in D minor, op. 11 | — | ||
| 32-8 | Variations on a Theme by Clara Wieck ("Quasi Variazioni") | — | ||
| 32-9 | Song Without Words, op. 62, no. 1 | — | ||
| 32-10 | Three Scenes From Childhood: I. Run, Run | — | ||
| 32-11 | Three Scenes From Childhood: II. March | — | ||
| 32-12 | Three Scenes From Childhood: III. Hobby-Horse | — | ||
| 33-1 | Concerto in B minor for Violoncello and Orchestra, op. 104: 1. Allegro | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 33-2 | Concerto in B minor for Violoncello and Orchestra, op. 104: 2. Adagio ma non troppo | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 33-3 | Concerto in B minor for Violoncello and Orchestra, op. 104: 3. Finale. Allegro moderato | János Starker, London Symphony Orchestra, Antal Doráti | T-323.984.111-9 | |
| 33-4 | Kol Nidrei, op. 47 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 33-5 | Variations on a Rococo Theme, op. 33 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 34-1 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | T-312.439.202-1 | |
| 34-2 | Cello Concerto in A minor, op. 129: II. Langsam | János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 34-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 34-4 | Cello Concerto in D minor: I. Prelude: Lento - Allegro maestoso | — | ||
| 34-5 | Cello Concerto in D minor: II. Intermezzo: Andantino con moto - Allegro presto | — | ||
| 34-6 | Cello Concerto in D minor: III. Introduction: Andante - Allegro vivace | — | ||
| 34-7 | Cello Concerto in A minor, op. 33: I. Allegro non troppo | — | ||
| 34-8 | Cello Concerto in A minor, op. 33: II. Allegretto con moto | — | ||
| 34-9 | Cello Concerto in A minor, op. 33: III. Un peu moins vite | — | ||
| 35-1 | The Nutcracker: Overture (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 35-2 | The Nutcracker, op. 71, Act I, Tableau I: I. Decorating and Lighting the Christmas Tree | London Symphony Orchestra, Antal Doráti | — | |
| 35-3 | The Nutcracker, op. 71, Act I, Tableau I: II. March | London Symphony Orchestra, Antal Doráti | — | |
| 35-4 | The Nutcracker, op. 71, Act I, Tableau I: III. Dance Scene: Galop and Dance of the Parents | London Symphony Orchestra, Antal Doráti | — | |
| 35-5 | The Nutcracker, op. 71, Act I, Tableau I: IV. Scene: Presents for the Children | London Symphony Orchestra, Antal Doráti | — | |
| 35-6 | The Nutcracker, op. 71, Act I, Tableau I: V. Scene and The Grandfather Dance | London Symphony Orchestra, Antal Doráti | — | |
| 35-7 | The Nutcracker, op. 71, Act I, Tableau I: VI. Scene: The Guests Depart – The Children Go to Bed – The Magic Spell Begins | London Symphony Orchestra, Antal Doráti | — | |
| 35-8 | The Nutcracker, op. 71, Act I, Tableau I: VII. The Nutcracker Battles the Army of the Mouse King – He Wins and Is Transformed into Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 35-9 | The Nutcracker: [No.8] Journey Through the Snow (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 35-10 | The Nutcracker, op. 71, Act I, Tableau II: IX. Waltz of the Snowflakes | London Symphony Orchestra, Antal Doráti | — | |
| 36-1 | The Nutcracker, op. 71, Act II, Tableau III: X. Scene. Arrival in Fairyland | London Symphony Orchestra, Antal Doráti | — | |
| 36-2 | The Nutcracker, op. 71, Act II, Tableau III: XI. Scene. Festival in Honor of the Children and Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 36-3 | The Nutcracker, op. 71, Act II, Tableau III: XIIa. Character Dances (Divertissement): Chocolate (Spanish Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 36-4 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 36-5 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 36-6 | The Nutcracker, op. 71, Act II, Tableau III: XIId. Character Dances (Divertissement): Russian Dance (Trepak) | London Symphony Orchestra, Antal Doráti | — | |
| 36-7 | The Nutcracker, op. 71, Act II, Tableau III: XIIe. Character Dances (Divertissement): Dance of the Toy Flutes | London Symphony Orchestra, Antal Doráti | — | |
| 36-8 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 36-9 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 36-10 | The Nutcracker, op. 71, Act II, Tableau III: XIV. Dances of the Sugar Plum Fairy and Prince Charming: Pas de Deux | London Symphony Orchestra, Antal Doráti | — | |
| 36-11 | The Nutcracker, op. 71, Act II, Tableau III: XIVa. Dances of the Sugar Plum Fairy and Prince Charming: Dance of Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 36-12 | The Nutcracker, op. 71, Act II, Tableau III: XIVb. Dances of the Sugar Plum Fairy and Prince Charming: Dance of the Sugar Plum Fairy | London Symphony Orchestra, Antal Doráti | — | |
| 36-13 | The Nutcracker, op. 71, Act II, Tableau III: XIVc. Dances of the Sugar Plum Fairy and Prince Charming: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 36-14 | The Nutcracker, op. 71, Act II, Tableau III: XV. Waltz Finale | London Symphony Orchestra, Antal Doráti | T-306.229.926-3 | |
| 36-15 | The Nutcracker, op. 71, Act II, Tableau III: XV. Apotheosis | London Symphony Orchestra, Antal Doráti | — | |
| 36-16 | Serenade for Strings in C major, op. 48: I. Andante non troppo – Allegro moderato | Philharmonia Hungarica, Antal Doráti | — | |
| 36-17 | Serenade for Strings in C major, op. 48: II. Walzer. Moderato. Tempo di Valse | Philharmonia Hungarica, Antal Doráti | — | |
| 36-18 | Serenade for Strings in C major, op. 48: III. Elegie. Larghetto elegiaco | Philharmonia Hungarica, Antal Doráti | — | |
| 36-19 | Serenade for Strings in C major, op. 48: IV. Finale (Tema Russo). Andante – Allegro con spirito | Philharmonia Hungarica, Antal Doráti | — | |
| 37-1 | Violin Concerto in D major, op. 77: 1. Allegro non troppo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-2 | Violin Concerto in D major, op. 77: 2. Adagio | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-3 | Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-4 | Violin Concerto: I. Allegro con fermezza | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-5 | Violin Concerto: II. Andante sostenuto | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-6 | Violin Concerto: III. Allegro vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 38-1 | Bluebeard's Castle, op. 11: Opening | — | ||
| 38-2 | Bluebeard's Castle, op. 11: Door 1 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-3 | Bluebeard's Castle, op. 11: Door 2 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-4 | Bluebeard's Castle, op. 11: Door 3 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-5 | Bluebeard's Castle, op. 11: Door 4 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-6 | Bluebeard's Castle, op. 11: Door 5 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-7 | Bluebeard's Castle, op. 11: Door 6 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-8 | Bluebeard's Castle, op. 11: Door 7 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-9 | Wozzeck, Three Excerpts: Act I: Scenes 2 and 3 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 38-10 | Wozzeck, Three Excerpts: Act III: Scene 1 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 38-11 | Wozzeck, Three Excerpts: Act III: Scenes 4 and 5 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 39-1 | Piano Concerto no. 2 in B-flat, op. 83: I. Allegro non troppo | — | ||
| 39-2 | Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionato | — | ||
| 39-3 | Piano Concerto no. 2 in B-flat, op. 83: III. Andante | — | ||
| 39-4 | Piano Concerto no. 2 in B-flat, op. 83: IV. Allegretto grazioso | — | ||
| 39-5 | Variations on a Theme by Paganini, op. 35 (Book II) | — | ||
| 39-6 | Hungarian Rhapsody no. 12 in C-sharp minor | — | ||
| 39-7 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 39-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 39-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro comodo | — | ||
| 40-1 | Caprice viennois | — | ||
| 40-2 | Schön Rosmarin | — | ||
| 40-3 | Liebesleid | — | ||
| 40-4 | Liebesfreud | — | ||
| 40-5 | Recitativo and Scherzo-Caprice | — | ||
| 40-6 | Tempo di minuetto | — | ||
| 40-7 | Praeludium and Allegro | — | ||
| 40-8 | Chanson Louis XIII and Pavane | — | ||
| 40-9 | Tambourin Chinois | — | ||
| 40-10 | Menuet | — | ||
| 40-11 | The Old Refrain | — | ||
| 40-12 | Rondino on a Theme by Beethoven | — | ||
| 40-13 | Allegretto in the Style of Boccherini | — | ||
| 40-14 | Sonata no. 3 in D major: I. Un poco andante | — | ||
| 40-15 | Sonata no. 3 in D major: II. Allegro | — | ||
| 40-16 | Sonata no. 3 in D major: III. Sarabande (Largo) | — | ||
| 40-17 | Sonata no. 3 in D major: IV. Tambourin (Presto) | — | ||
| 40-18 | Melodie | — | ||
| 40-19 | The Labyrinth | — | ||
| 41-1 | Suite no. 1 in G major, BWV 1007: I. Prelude | János Starker | T-070.161.055-0 | |
| 41-2 | Suite no. 1 in G major: II. Allemande | — | ||
| 41-3 | Suite no. 1 in G major: III. Courante | — | ||
| 41-4 | Suite no. 1 in G major: IV. Sarabande | — | ||
| 41-5 | Suite no. 1 in G major: V. Menuets | — | ||
| 41-6 | Suite no. 1 in G major: VI. Gigue | — | ||
| 41-7 | Suite no. 2 in D minor: I. Prelude | — | ||
| 41-8 | Suite no. 2 in D minor: II. Allemande | — | ||
| 41-9 | Suite no. 2 in D minor, BWV 1008: III. Courante | János Starker | — | |
| 41-10 | Suite no. 2 in D minor: IV. Sarabande | — | ||
| 41-11 | Suite no. 2 in D minor: V. Menuets | — | ||
| 41-12 | Suite no. 2 in D minor: VI. Gigue | — | ||
| 41-13 | Suite no. 3 in C major: I. Prelude | — | ||
| 41-14 | Suite no. 3 in C major: II. Allemande | — | ||
| 41-15 | Suite no. 3 in C major: III. Courante | — | ||
| 41-16 | Suite no. 3 in C major: IV. Sarabande | — | ||
| 41-17 | Suite no. 3 in C major: V. Bourrées | — | ||
| 41-18 | Suite no. 3 in C major: VI. Gigue | — | ||
| 41-19 | Suite no. 4 in E-flat major, BWV 1010: I. Prelude | János Starker | — | |
| 41-20 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | János Starker | — | |
| 41-21 | Suite no. 4 in E-flat major: III. Courante | — | ||
| 41-22 | Suite no. 4 in E-flat major: IV. Sarabande | — | ||
| 41-23 | Suite no. 4 in E-flat major: V. Bourrées | — | ||
| 41-24 | Suite no. 4 in E-flat major: VI. Gigue | — | ||
| 42-1 | Suite no. 5 in C minor: I. Prelude | — | ||
| 42-2 | Suite no. 5 in C minor: II. Allemande | — | ||
| 42-3 | Suite no. 5 in C minor: III. Courante | — | ||
| 42-4 | Suite no. 5 in C minor: IV. Sarabande | — | ||
| 42-5 | Suite no. 5 in C minor: V. Gavottes | — | ||
| 42-6 | Suite no. 5 in C minor: VI. Gigue | — | ||
| 42-7 | Suite no. 6 in D major: I. Prelude | — | ||
| 42-8 | Suite no. 6 in D major: II. Allemande | — | ||
| 42-9 | Suite no. 6 in D major: III. Courante | — | ||
| 42-10 | Suite no. 6 in D major: IV. Sarabande | — | ||
| 42-11 | Suite no. 6 in D major: V. Gavottes | — | ||
| 42-12 | Suite no. 6 in D major: VI. Gigue | — | ||
| 42-13 | Sonata for Cello and Piano in G major, BWV 1027: I. Adagio | — | ||
| 42-14 | Sonata for Cello and Piano in G major, BWV 1027: II. Allegro ma non tanto | — | ||
| 42-15 | Sonata in G major, BWV 1027: III. Andante | János Starker, György Sebök | T-070.126.537-3 | |
| 42-16 | Sonata for Cello and Piano in G major, BWV 1027: IV. Allegro moderato | — | ||
| 42-17 | Sonata for Cello and Piano in D major, BWV 1028: I. Adagio | — | ||
| 42-18 | Sonata for Cello and Piano in D major, BWV 1028: II. Allegro | — | ||
| 42-19 | Sonata for Cello and Piano in D major, BWV 1028: III. Andante | — | ||
| 42-20 | Sonata for Cello and Piano in D major, BWV 1028: IV. Allegro | — | ||
| 43-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 43-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 43-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 43-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 43-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 43-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | — | ||
| 44-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 44-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 44-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 44-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 44-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 44-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 45-1 | Gaspard de la nuit: Ondine | — | ||
| 45-2 | Gaspard de la nuit: I. Ondine | — | ||
| 45-3 | Gaspard de la nuit: Le Gibet | — | ||
| 45-4 | Gaspard de la nuit: II. Le Gibet | — | ||
| 45-5 | Gaspard de la nuit: Scarbo | — | ||
| 45-6 | Gaspard de la nuit: III. Scarbo | — | ||
| 45-7 | Pour le piano: I. Prélude | — | ||
| 45-8 | Pour le piano: II. Sarabande | — | ||
| 45-9 | Pour le piano: III. Toccata | — | ||
| 45-10 | La Cathédrale engloutie (Préludes, Book I, no. 10) | — | ||
| 45-11 | Bruyères (Préludes, Book II, no. 5) | — | ||
| 45-12 | Les Danseuses de Delphe (Préludes, Book I, no. 1) | — | ||
| 45-13 | Three Movements from "Petrouchka": Russian Dance | — | ||
| 45-14 | Three Movements from "Petrouchka": In Petrouchka's Room | — | ||
| 45-15 | Three Movements from "Petrouchka": Shrovetide Fair | — | ||
| 46-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 46-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 46-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro | — | ||
| 46-4 | Sonata for Cello and Piano no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 46-5 | Sonata for Cello and Piano no. 2 in F major, op. 99: II. Adagio affetuoso | — | ||
| 46-6 | Sonata for Cello and Piano no. 2 in F major, op. 99: III. Allegro passionato | — | ||
| 46-7 | Sonata for Cello and Piano no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 46-8 | Sonata no. 2 in D major, op. 58: I. Allegro assai vivace | — | ||
| 46-9 | Sonata no. 2 in D major, op. 58: II. Allegretto scherzando | — | ||
| 46-10 | Sonata no. 2 in D major, op. 58: III. Adagio | — | ||
| 46-11 | Sonata no. 2 in D major, op. 58: IV. Molto allegro e vivace | — | ||
| 47-1 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-2 | Violin Concerto in D minor: II. Langsam | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-3 | Violin Concerto in D minor: III. Lebhaft, doch nicht schnell | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-5 | Violin Concerto in E minor, op. 64: II. Andante | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-7 | Roumanian Folk Dances | — | ||
| 47-8 | La plus que lente, L. 121 (Arr. Roques) | Charles Reiner, Henryk Szeryng | — | |
| 47-9 | Moto Perpetuo | — | ||
| 47-10 | Hungarian Dance | — | ||
| 47-11 | Mexican Lullaby | — | ||
| 47-12 | The Flight of the Bumblebee | — | ||
| 48-1 | Fireworks, Fantasy for Orchestra | London Symphony Orchestra, Antal Doráti | — | |
| 48-2 | The Firebird: I. Introduction | London Symphony Orchestra, Antal Doráti | T-927.059.490-6 | |
| 48-3 | The Firebird: Tableau I, The Enchanted Garden of Kastchei | London Symphony Orchestra, Antal Doráti | — | |
| 48-4 | The Firebird: Tableau I, Appearance of the Firebird, Pursued by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-5 | The Firebird: Tableau I, Dance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-6 | The Firebird: Tableau I, Capture of the Firebird by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-7 | The Firebird: Tableau I, Supplication of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-8 | The Firebird: Tableau I, Appearance of the Enchanted Princess | London Symphony Orchestra, Antal Doráti | — | |
| 48-9 | The Firebird: Tableau I, The Princesses' Game with the Golden Apples (Scherzo) | London Symphony Orchestra, Antal Doráti | — | |
| 48-10 | The Firebird: Tableau I, Sudden Appearance of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-11 | The Firebird: Tableau I, Khorovod (Round Dance) of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 48-12 | The Firebird: Tableau I, Daybreak | London Symphony Orchestra, Antal Doráti | — | |
| 48-13 | The Firebird: Tableau I, Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-14 | The Firebird: Tableau I, Arrival of Kastchei the Immortal | London Symphony Orchestra, Antal Doráti | T-905.292.018-0 | |
| 48-15 | The Firebird: Tableau I, Dialogue of Kastchei and Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-16 | The Firebird: Tableau I, Intercession of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 48-17 | The Firebird: Tableau I, Appearance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-18 | The Firebird: Tableau I, Dance of Kastchei's Retinue, Enchanted by the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-19 | The Firebird: Tableau I, Infernal Dance of All Kastchei's Subjects | London Symphony Orchestra, Antal Doráti | — | |
| 48-20 | The Firebird: Tableau I, Lullaby (Firebird) | London Symphony Orchestra, Antal Doráti | — | |
| 48-21 | The Firebird: Tableau I, Kastchei's Awakening | London Symphony Orchestra, Antal Doráti | — | |
| 48-22 | The Firebird: Tableau I, Kastchei's Death; Profound Darkness | London Symphony Orchestra, Antal Doráti | — | |
| 48-23 | The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing | London Symphony Orchestra, Antal Doráti | — | |
| 48-24 | Tango | London Symphony Orchestra, Antal Doráti | T-070.178.048-4 | |
| 48-25 | Scherzo a la Russe | London Symphony Orchestra, Antal Doráti | — | |
| 48-26 | The Song of the Nightingale (Symphonic Poem): I. Introduction | London Symphony Orchestra, Antal Doráti | — | |
| 48-27 | The Song of the Nightingale (Symphonic Poem): II. Chinese March | London Symphony Orchestra, Antal Doráti | — | |
| 48-28 | The Song of the Nightingale (Symphonic Poem): III. Song of the Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 48-29 | The Song of the Nightingale (Symphonic Poem): IV. The Mechanical Nightingale's Game | London Symphony Orchestra, Antal Doráti | — | |
| 49-1 | Sonata in A major: I. Adagio | — | ||
| 49-2 | Sonata in A major: II. Allegro | — | ||
| 49-3 | Sonata in E minor: I. Largo | — | ||
| 49-4 | Sonata in E minor: II. Allegro | — | ||
| 49-5 | Sonata in E minor: III. Largo | — | ||
| 49-6 | Sonata in E minor: IV. Allegro | — | ||
| 49-7 | Sonata in D minor: I. Preludio | — | ||
| 49-8 | Sonata in D minor: II. Allemanda | — | ||
| 49-9 | Sonata in D minor: III. Sarabanda | — | ||
| 49-10 | Sonata in D minor: IV. Giga | — | ||
| 49-11 | Sonata in D major: I. Allegro | — | ||
| 49-12 | Sonata in D major: II. Adagio | — | ||
| 49-13 | Sonata in D major: III. Minuetto | — | ||
| 49-14 | Sonata in E major: I. Grave | — | ||
| 49-15 | Sonata in E major: II. Allegro | — | ||
| 49-16 | Sonata in E major: III. Allegro (tempo di gavotta) | — | ||
| 49-17 | Sonata in E major: IV. Largo | — | ||
| 49-18 | Sonata in E major: V. Allegro | — | ||
| 49-19 | Sonata in G minor, BWV 1029: I. Vivace | — | ||
| 49-20 | Sonata in G minor, BWV 1029: II. Adagio | — | ||
| 49-21 | Sonata in G minor, BWV 1029: III. Allegro | — | ||
| 50-1 | Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-2 | Concierto de Aranjuez for Guitar and Orchestra: II. Adagio | Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-3 | Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile | Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-4 | Concierto andaluz for Four Guitars and Orchestra: I. Tiempo de bolero | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-5 | Concierto andaluz for Four Guitars and Orchestra: II. Adagio | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-6 | Concierto andaluz for Four Guitars and Orchestra: III. Allegretto | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-7 | Concerto In B Minor For Four Guitars And Orchestra (Transcribed From The Concerto For Four Violins And Orchestra, Op. 3, No 10 "L'Estro Armonico"): I. Allegro | San Antonio Symphony, Victor Alessandro, Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero | T-071.000.879-9 | |
| 50-8 | Concerto In B Minor For Four Guitars And Orchestra (Transcribed From The Concerto For Four Violins And Orchestra, Op. 3, No 10 "L'Estro Armonico"): II. Largo - Larghetto | San Antonio Symphony, Victor Alessandro, Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero | — | |
| 50-9 | Concerto In B Minor For Four Guitars And Orchestra (Transcribed From The Concerto For Four Violins And Orchestra, Op. 3, No 10 "L'Estro Armonico"): III. Allegro | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | T-071.000.879-9 | |
| 50-10 | Concerto In C For Guitars And Orchestra (Transcribed From The Concerto In C For Mandolin And Orchestra): I. Allegro | Celedonio Romero, San Antonio Symphony, Victor Alessandro | T-911.640.004-5 | |
| 50-11 | Concerto In C For Guitars And Orchestra (Transcribed From The Concerto In C For Mandolin And Orchestra): II. Largo | Celedonio Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-12 | Concerto In C For Guitars And Orchestra (Transcribed From The Concerto In C For Mandolin And Orchestra): III. Allegro | Celedonio Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-13 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): I. Allegro | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | T-911.640.004-5 | |
| 50-14 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): II. Andante | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | T-802.445.410-3 | |
| 50-15 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): III. Allegro | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | — | |
| 51-1 | [Pictures at an Exhibition, excerpt] | — | ||
| 51-2 | [An Interview With Wilma Cozart Fine, Producer of Mercury Living Presence] | — | ||
| 51-3 | [Ma Vlast, excerpt] | — | ||
| 52-1 | Piano Concerto in C major: I. Toccata (Allegro moderato) | — | ||
| 52-2 | Piano Concerto in C major: II. Romanza (Lento) | — | ||
| 52-3 | Piano Concerto in C major: III. Fuga chromatica (Allegro) con finale alla Tedesca | — | ||
| 52-4 | Concerto for Piano and Orchestra: I. Allegro non troppo | — | ||
| 52-5 | Concerto for Piano and Orchestra: II. Largo | — | ||
| 52-6 | Concerto for Piano and Orchestra: III. Tempo primo | — | ||
| 52-7 | Eclogue Op.10 | — | ||
| 53-1 | Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-2 | Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-3 | Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-4 | Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-5 | Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-6 | Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-7 | Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-8 | Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-9 | Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-10 | Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-11 | Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-12 | Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-13 | Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-14 | Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-15 | Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters | London Symphony Orchestra, Antal Doráti | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947835660 is a Universal Product Code (UPC) assigned to Mercury Living Presence: The Collector's Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 752 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947835660 is the Universal Product Code (UPC barcode) for the release “Mercury Living Presence: The Collector's Edition” by Various Artists, released 2011-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 752 tracks, each with its own ISRC. Tracks include DEU240812518, DEU240812519, DEU240812520.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pictures at an Exhibition: Promenade | — | ||
| 2 | Pictures at an Exhibition: Gnomus | — | ||
| 3 | Pictures at an Exhibition: Promenade | — | ||
| 4 | Pictures at an Exhibition: Il Vecchio Castello | — | ||
| 5 | Pictures at an Exhibition: Promenade | — | ||
| 6 | Pictures at an Exhibition: Tuileries | — | ||
| 7 | Pictures at an Exhibition: Bydlo | — | ||
| 8 | Pictures at an Exhibition: Promenade | — | ||
| 9 | Pictures at an Exhibition: Ballet des poussins dans leurs coques | — | ||
| 10 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 11 | Pictures at an Exhibition: Limoges—Le marché | — | ||
| 12 | Pictures at an Exhibition: Catacombae (Sepulchrum Romanum) | — | ||
| 13 | Pictures at an Exhibition: Cum mortis in lingua mortua | — | ||
| 14 | Pictures at an Exhibition: La cabane sur des pattes de poule | — | ||
| 15 | Pictures at an Exhibition: La grande porte de Kiev | — | ||
| 16 | Music for Strings, Percussion and Celesta: I. Andante tranquillo | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 17 | Music for Strings, Percussion and Celesta: II. Allegro | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 18 | Music for Strings, Percussion and Celesta: III. Adagio | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 19 | Music for Strings, Percussion and Celesta: IV. Allegro molto | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 2-1 | Má vlast: Vyšehrad "The High Castle" | — | ||
| 2-2 | Má vlast: Vltava "The Moldau" | — | ||
| 2-3 | Má vlast: Šárka | — | ||
| 2-4 | Má vlast: Z českých luhů a hájů "From Bohemia's Meadows and Forests" | — | ||
| 2-5 | Má vlast: Tábor | — | ||
| 2-6 | Má vlast: Blaník | — | ||
| 3-1 | Mexican Rhapsody | — | ||
| 3-2 | Savannah River Holiday | — | ||
| 3-3 | Kentucky Mountain Portraits: Cindy | — | ||
| 3-4 | Kentucky Mountain Portraits: Ballad | — | ||
| 3-5 | Kentucky Mountain Portraits: Shivaree | — | ||
| 3-6 | Joe Clark Steps Out | — | ||
| 3-7 | Sahdji (Ballet): Part 1 | — | ||
| 3-8 | Sahdji (Ballet): Part 2 | — | ||
| 3-9 | Overture to the Creole "Faust" | — | ||
| 4-1 | "Háry János" Suite: I. Prelude. The Fairy Tale Begins | — | ||
| 4-2 | "Háry János" Suite: II. Viennese Musical Clock | — | ||
| 4-3 | "Háry János" Suite: III. Song | — | ||
| 4-4 | "Háry János" Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 4-5 | "Háry János" Suite: V. Intermezzo | — | ||
| 4-6 | "Háry János" Suite: VI. Entrance of the Emperor and his Court | — | ||
| 4-7 | Hungarian Sketches | — | ||
| 4-8 | Roumanian Folk Dances | — | ||
| 4-9 | Marosszék Dances | — | ||
| 4-10 | Dances of Galánta | — | ||
| 5-1 | Violin Concerto no. 2: I. Allegro non troppo | — | ||
| 5-2 | Violin Concerto no. 2: II. Andante tranquillo | — | ||
| 5-3 | Violin Concerto no. 2: III. Allegro molto | — | ||
| 6-1 | Brazilian Sleigh Bells | — | ||
| 6-2 | Andalucia | — | ||
| 6-3 | Malagueña | — | ||
| 6-4 | Intermezzo from "Goyescas" | — | ||
| 6-5 | Jamaican Rumba | — | ||
| 6-6 | Batuque | — | ||
| 6-7 | Amparito Roca | — | ||
| 6-8 | Ritual Fire Dance from "El Amor Brujo" | — | ||
| 6-9 | The Bullfighter's Prayer | — | ||
| 6-10 | Brazilian Dance | — | ||
| 6-11 | Hora Staccato | — | ||
| 6-12 | Liebestraum | — | ||
| 6-13 | Love's Dream After the Ball | — | ||
| 6-14 | Finlandia | — | ||
| 6-15 | Suite bergamasque: III. Clair de lune | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-011.772.202-7 | |
| 6-16 | Polka from "The Golden Age" | — | ||
| 7-1 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Scythian Suite, op. 20: III. Night | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise | London Symphony Orchestra, Antal Doráti | — | |
| 7-5 | Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules | London Symphony Orchestra, Antal Doráti | — | |
| 7-6 | Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale | London Symphony Orchestra, Antal Doráti | — | |
| 7-7 | Suite from "The Love for Three Oranges", op. 33a: III. Marche | London Symphony Orchestra, Antal Doráti | — | |
| 7-8 | Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo | London Symphony Orchestra, Antal Doráti | — | |
| 7-9 | Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse | London Symphony Orchestra, Antal Doráti | — | |
| 7-10 | Suite from "The Love for Three Oranges", op. 33a: VI. La fuite | London Symphony Orchestra, Antal Doráti | — | |
| 7-11 | Symphony no. 5, op. 100: I. Andante | Minnesota Orchestra, Antal Doráti | T-070.160.313-5 | |
| 7-12 | Symphony no. 5, op. 100: II. Allegro marcato | Minnesota Orchestra, Antal Doráti | — | |
| 7-13 | Symphony no. 5, op. 100: III. Adagio | Minnesota Orchestra, Antal Doráti | — | |
| 7-14 | Symphony no. 5, op. 100: IV. Allegro giocoso | Minnesota Orchestra, Antal Doráti | — | |
| 8-1 | Merry Mount Suite: Overture | — | ||
| 8-2 | Merry Mount Suite: Children's Dance | — | ||
| 8-3 | Merry Mount Suite: Love Duet | — | ||
| 8-4 | Merry Mount Suite: Prelude to Act II and Maypole Dances | — | ||
| 8-5 | Mosaics | — | ||
| 8-6 | For the First Time: I. Bells | — | ||
| 8-7 | For the First Time: II. Tamara and Peter Bolshoi | — | ||
| 8-8 | For the First Time: III. Deserted House | — | ||
| 8-9 | For the First Time: IV. Eccentric Clock | — | ||
| 8-10 | For the First Time: V. Deep Forest | — | ||
| 8-11 | For the First Time: VI. Clowns | — | ||
| 8-12 | For the First Time: VII. Dance | — | ||
| 8-13 | For the First Time: VIII. Serious Conversations | — | ||
| 8-14 | For the First Time: IX. Kikimora | — | ||
| 8-15 | For the First Time: X. Mist | — | ||
| 8-16 | For the First Time: XI. Fireworks | — | ||
| 8-17 | For the First Time: XII. Dreams | — | ||
| 8-18 | Concerto for Piano and Orchestra, op. 36: I. Lento molto and molto tranquillo | — | ||
| 8-19 | Concerto for Piano and Orchestra, op. 36: II. Allegro molto ritmico | — | ||
| 8-20 | Concerto for Piano and Orchestra, op. 36: III. Andante molto espressivo | — | ||
| 8-21 | Concerto for Piano and Orchestra, op. 36: IV. Allegro giocoso | — | ||
| 9-1 | 1812 Festival Overture, op. 49 | Minneapolis Symphony Orchestra, University of Minnesota Brass Band, Antal Doráti | — | |
| 9-2 | Commentary to the "1812 Overture" | Deems Taylor | T-070.026.688-1 | |
| 9-3 | Capriccio Italien, op. 45 | Minneapolis Symphony Orchestra, Antal Doráti | T-304.396.368-0 | |
| 9-4 | Wellington's Victory, op. 91: I. Battle | London Symphony Orchestra, Antal Doráti | — | |
| 9-5 | Wellington's Victory, op. 91: II. Symphony of Triumph | London Symphony Orchestra, Antal Doráti | — | |
| 9-6 | Commentary to "Wellington's Victory" | Deems Taylor | — | |
| 10-1 | Slavonic Dances, op. 46: No. 1 in C major: Presto | Minneapolis Symphony Orchestra, Antal Doráti | T-312.527.003-9 | |
| 10-2 | Slavonic Dances, op. 46: No. 2 in E minor: Allegretto scherzando | Minneapolis Symphony Orchestra, Antal Doráti | T-042.146.341-3 | |
| 10-3 | Slavonic Dances, op. 46: No. 3 in A-flat major: Poco allegro | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Slavonic Dances, op. 46: No. 4 in F major: Tempo di Minuetto | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Slavonic Dances, op. 46: No. 5 in A major: Allegro vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-6 | Slavonic Dances, op. 46: No. 6 in D major: Allegretto scherzando | Minneapolis Symphony Orchestra, Antal Doráti | T-042.146.341-3 | |
| 10-7 | Slavonic Dances, op. 46: No. 7 in C minor: Allegro assai | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-8 | Slavonic Dances, op. 46: No. 8 in G minor: Presto | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-9 | Slavonic Dances, op. 72: No. 1 in B major: Molto vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-10 | Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-11 | Slavonic Dances, op. 72: No. 3 in F major: Allegro | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-12 | Slavonic Dances, op. 72: No. 4 in D-flat major: Allegretto grazioso | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-13 | Slavonic Dances, op. 72: No. 5 in B-flat minor: Poco adagio | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-14 | Slavonic Dances, op. 72: No. 6 in B-flat major: Moderato, quasi Minuetto | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-15 | Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 10-16 | Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Grand Canyon Suite: 1. Sunrise | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-2 | Grand Canyon Suite: 2. The Painted Desert | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-3 | Grand Canyon Suite: 3. On the Trail | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-4 | Grand Canyon Suite: 4. Sunset | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-5 | Grand Canyon Suite: 5. Cloudburst | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-6 | Mississippi Suite: 1. Father of Waters | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-7 | Mississippi Suite: 2. Huckleberry Finn | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-8 | Mississippi Suite: 3. Old Creole Days | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-9 | Mississippi Suite: 4. Mardi Gras | Eastman-Rochester Orchestra, Howard Hanson | — | |
| 11-10 | Concerto no. 2 in E minor for Cello and Orchestra: 1. Allegro impetuoso | Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson | — | |
| 11-11 | Concerto no. 2 in E minor for Cello and Orchestra: 2. Lento - Andante tranquillo | Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson | — | |
| 11-12 | Concerto no. 2 in E minor for Cello and Orchestra: 3. Allegro | Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson | — | |
| 12-1 | William Byrd Suite: I. The Earle of Oxford's Marche | — | ||
| 12-2 | William Byrd Suite: II. Pavana | — | ||
| 12-3 | William Byrd Suite: III. Jhon Come Kisse Me Now | — | ||
| 12-4 | William Byrd Suite: IV. The Mayden's Song | — | ||
| 12-5 | William Byrd Suite: V. Wolsey's Wilde | — | ||
| 12-6 | William Byrd Suite: VI. The Bells | Eastman Wind Ensemble, Frederick Fennell | — | |
| 12-7 | Crown Imperial: A Coronation March | — | ||
| 12-8 | Hammersmith, op. 52: Prelude and Scherzo | — | ||
| 12-9 | Symphonic Songs for Band: I. Serenade | — | ||
| 12-10 | Symphonic Songs for Band: II. Spiritual | — | ||
| 12-11 | Symphonic Songs for Band: III. Celebration | — | ||
| 12-12 | Fanfare and Allegro | — | ||
| 13-1 | Petrouchka, Burlesque in Four Scenes: Scene I. The Shrovetide Fair | — | ||
| 13-2 | Petrouchka, Burlesque in Four Scenes: Scene II. Petrouchka's Room | — | ||
| 13-3 | Petrouchka, Burlesque in Four Scenes: Scene III. The Moor's Room | — | ||
| 13-4 | Petrouchka, Burlesque in Four Scenes: Scene IV. The Shrovetide Fair (Toward Evening) | — | ||
| 13-5 | Le sacre du printemps, Pictures of Pagan Russia: Part I. The Adoration of the Earth | — | ||
| 13-6 | Le sacre du printemps, Pictures of Pagan Russia: Part II. The Sacrifice | — | ||
| 13-7 | Four Études for Orchestra: I. Danse | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 13-8 | Four Études for Orchestra: II. Excentrique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 13-9 | Four Études for Orchestra: III. Cantique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 13-10 | Four Études for Orchestra: IV. Madrid | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 14-1 | The Beautiful Galatea | — | ||
| 14-2 | Pique Dame | — | ||
| 14-3 | Light Cavalry | — | ||
| 14-4 | Poet and Peasant | — | ||
| 14-5 | Morning, Noon and Night in Vienna | — | ||
| 14-6 | Boccaccio | — | ||
| 14-7 | The Bronze Horse | — | ||
| 14-8 | Fra Diavolo | — | ||
| 14-9 | Masaniello | — | ||
| 15-1 | Symphonie fantastique, op. 14: I. Reveries and Passions. Largo. Allegro agitato e appassionato assai | — | ||
| 15-2 | Symphonie fantastique, op. 14: II. A Ball. Valse. Allegro non troppo | — | ||
| 15-3 | Symphonie fantastique, op. 14: III. Scene in the Country. Adagio | — | ||
| 15-4 | Symphonie fantastique, op. 14: IV. March to the Scaffold. Allegretto non troppo | — | ||
| 15-5 | Symphonie fantastique, op. 14: V. Dream of a Witches' Sabbath. Larghetto. Allegro | — | ||
| 15-6 | Hungarian March | — | ||
| 15-7 | Trojan March | — | ||
| 15-8 | The Corsair, Overture | — | ||
| 15-9 | The Roman Carnival, Overture | — | ||
| 16-1 | Sound Off | — | ||
| 16-2 | Nobles of the Mystic Shrine | — | ||
| 16-3 | Sabre and Spurs | — | ||
| 16-4 | The Picadore | — | ||
| 16-5 | Our Flirtation | — | ||
| 16-6 | The High School Cadets | — | ||
| 16-7 | The Invincible Eagle | — | ||
| 16-8 | Bullets and Bayonets | — | ||
| 16-9 | The Liberty Bell | — | ||
| 16-10 | Riders for the Flag | — | ||
| 16-11 | Solid Men to the Front! | — | ||
| 16-12 | The Gallant Seventh | — | ||
| 16-13 | The Rifle Regiment | — | ||
| 16-14 | The Pride of the Wolverines | — | ||
| 16-15 | Golden Jubilee | — | ||
| 16-16 | The Gridiron Club | — | ||
| 16-17 | New Mexico | — | ||
| 16-18 | Sesqui-Centennial Exposition | — | ||
| 16-19 | The Black Horse Troop | — | ||
| 16-20 | The Kansas Wildcats | — | ||
| 16-21 | Manhattan Beach | — | ||
| 16-22 | Ancient and Honorable Artillery Company | — | ||
| 16-23 | The National Game | — | ||
| 16-24 | The Glory of the Yankee Navy | — | ||
| 17-1 | Two Roumanian Rhapsodies, op. 11: No. 1 in A major | London Symphony Orchestra, Antal Doráti | — | |
| 17-2 | Hungarian Rhapsody no. 1 in F minor | London Symphony Orchestra, Antal Doráti | — | |
| 17-3 | Hungarian Rhapsody no. 2 | London Symphony Orchestra, Antal Doráti | — | |
| 17-4 | Hungarian Rhapsody no. 3 | London Symphony Orchestra, Antal Doráti | — | |
| 17-5 | Hungarian Rhapsody no. 4 in D minor | London Symphony Orchestra, Antal Doráti | T-304.255.693-0 | |
| 17-6 | Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque" | London Symphony Orchestra, Antal Doráti | T-306.229.955-8 | |
| 17-7 | Hungarian Rhapsody no. 6 in D major "Carnival in Pesth" | London Symphony Orchestra, Antal Doráti | — | |
| 18-1 | Gayne Ballet Music: Sabre Dance | London Symphony Orchestra, Antal Doráti | T-801.025.525-2 | |
| 18-2 | Gayne Ballet Music: Ayesha’s Dance | London Symphony Orchestra, Antal Doráti | — | |
| 18-3 | Gayne Ballet Music: Dance of the Rose Maidens | London Symphony Orchestra, Antal Doráti | — | |
| 18-4 | Gayne Ballet Music: Dance of the Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 18-5 | Gayne Ballet Music: Lullaby | London Symphony Orchestra, Antal Doráti | — | |
| 18-6 | Gayne Ballet Music: Dance of the Young Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 18-7 | Gayne Ballet Music: Armen’s Variation | London Symphony Orchestra, Antal Doráti | — | |
| 18-8 | Gayne Ballet Music: Lezghinka | London Symphony Orchestra, Antal Doráti | — | |
| 18-9 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 18-10 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 18-11 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 18-12 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 19-1 | Two Roumanian Rhapsodies, op. 11: No. 2 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 19-2 | Hungarian Dance no. 5 in G minor | London Symphony Orchestra, Antal Doráti | T-909.573.827-5 | |
| 19-3 | Hungarian Dance no. 6 in D major | London Symphony Orchestra, Antal Doráti | T-917.141.515-9 | |
| 19-4 | Hungarian Dance no. 7 in A major | London Symphony Orchestra, Antal Doráti | T-312.524.872-4 | |
| 19-5 | Hungarian Dance no. 21 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.160-7 | |
| 19-6 | Hungarian Dance no. 11 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-7 | Hungarian Dance no. 2 in D minor | London Symphony Orchestra, Antal Doráti | T-915.711.186-9 | |
| 19-8 | Hungarian Dance no. 1 in G minor | London Symphony Orchestra, Antal Doráti | T-329.391.159-4 | |
| 19-9 | Hungarian Dance no. 10 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 19-10 | Hungarian Dance no. 3 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 19-11 | Hungarian Dance no. 18 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 19-12 | Hungarian Dance no. 17 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-13 | Hungarian Dance no. 19 in B minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-14 | Hungarian Dance no. 20 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.163-0 | |
| 19-15 | Hungarian Dance no. 12 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-16 | Hungarian Dance no. 15 in B flat major | London Symphony Orchestra, Antal Doráti | — | |
| 19-17 | Hungarian Dance no. 4 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 19-18 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Theme: Chorale: St. Antoni | London Symphony Orchestra, Antal Doráti | — | |
| 19-19 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation I: Poco più animato | London Symphony Orchestra, Antal Doráti | — | |
| 19-20 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation II: Più vivace | London Symphony Orchestra, Antal Doráti | — | |
| 19-21 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation III: Con moto | London Symphony Orchestra, Antal Doráti | — | |
| 19-22 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation IV: Andante con moto | London Symphony Orchestra, Antal Doráti | T-902.781.946-1 | |
| 19-23 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 19-24 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VI: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 19-25 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VII: Grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 19-26 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VIII: Presto non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 19-27 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Finale: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 20-1 | Hail to the Chief | — | ||
| 20-2 | Listen to the Mockingbird | — | ||
| 20-3 | Palmyra Schottische | — | ||
| 20-4 | Hail Columbia | — | ||
| 20-5 | Freischütz Quickstep | — | ||
| 20-6 | Parade | — | ||
| 20-7 | Port Royal Galop | — | ||
| 20-8 | Nightingale Waltz | — | ||
| 20-9 | La Marseillaise | — | ||
| 20-10 | Dixie & Bonnie Blue Flag | — | ||
| 20-11 | Cheer Boys Cheer | — | ||
| 20-12 | Luto Quickstep | — | ||
| 20-13 | Old North State | — | ||
| 20-14 | Easter Galop | — | ||
| 20-15 | Come, Dearest, the Daylight is Gone | — | ||
| 20-16 | Maryland, My Maryland | — | ||
| 20-17 | Waltz no. 19 | — | ||
| 20-18 | Old Hundreth | — | ||
| 20-19 | The Girl I Left Behind Me | — | ||
| 20-20 | The Recruiting Sergeant | — | ||
| 20-21 | Jefferson and Liberty | — | ||
| 20-22 | Old 1812 | — | ||
| 20-23 | Carry Me Back | — | ||
| 20-24 | Liverpool Hornpipe | — | ||
| 20-25 | Newport | — | ||
| 20-26 | Garry Owen | — | ||
| 20-27 | Cavalry Bugle Signals | — | ||
| 20-28 | The Sounds of Conflict: Fort Sumter to Gettysburg | — | ||
| 21-1 | Narration | — | ||
| 21-2 | Twinkling Stars Quickstep | — | ||
| 21-3 | O Kentucky, Kentucky | — | ||
| 21-4 | Come Where My Love Lies Dreaming | — | ||
| 21-5 | Un Ballo in Maschera Quickstep | — | ||
| 21-6 | St. Patrick's Day in the Morning | — | ||
| 21-7 | Grafulla's Quickstep | — | ||
| 21-8 | Gary Owen | — | ||
| 21-9 | Cavalry Quickstep | — | ||
| 21-10 | Storm Galop | — | ||
| 21-11 | 26th Regiment Quickstep | — | ||
| 21-12 | Lulu's Gone | — | ||
| 21-13 | Tramp, Tramp | — | ||
| 21-14 | Juanita | — | ||
| 21-15 | Carry Me Back (To Old Virginny's Shore) | — | ||
| 21-16 | Bugle Signals for the Service of Skirmishers | — | ||
| 21-17 | Drum Calls | — | ||
| 21-18 | Camp and Field Duty Calls for Fifes and Drums | — | ||
| 21-19 | The Appomattox Bugle | — | ||
| 21-20 | We Are Coming, Father Abra'am | — | ||
| 21-21 | Tenting Tonight on the Old Camp Ground | — | ||
| 21-22 | Goober Peas | — | ||
| 21-23 | Tramp, Tramp, Tramp | — | ||
| 21-24 | When Johnny Comes Marching Home | — | ||
| 21-25 | The Battle Hymn of the Republic | — | ||
| 21-26 | Firearms of the Civil War | — | ||
| 21-27 | The Sounds of Conflict: Gettysburg to Appomattox | — | ||
| 22-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | — | ||
| 22-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio | — | ||
| 22-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | — | ||
| 22-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 22-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 22-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 22-7 | Prelude no. 6 in E-flat major, op. 23 | — | ||
| 22-8 | Prelude no. 2 in C-sharp minor, op. 3 | — | ||
| 23-1 | Appalachian Spring: I. Very Slowly | London Symphony Orchestra, Antal Doráti | — | |
| 23-2 | Appalachian Spring: II. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-3 | Appalachian Spring: III. Moderato: The Bride and Her Intended | London Symphony Orchestra, Antal Doráti | — | |
| 23-4 | Appalachian Spring: IV. Fast: The Revivalist and His Flock | London Symphony Orchestra, Antal Doráti | — | |
| 23-5 | Appalachian Spring: V. Allegro: Solo Dance of the Bride | London Symphony Orchestra, Antal Doráti | — | |
| 23-6 | Appalachian Spring: VI. Meno mosso | London Symphony Orchestra, Antal Doráti | — | |
| 23-7 | Appalachian Spring: VII. Doppio movimento: Variations on a Shaker Hymn | London Symphony Orchestra, Antal Doráti | — | |
| 23-8 | Appalachian Spring: VIII. Moderato: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 23-9 | Billy the Kid: Introduction: The Open Prairie | London Symphony Orchestra, Antal Doráti | — | |
| 23-10 | Billy the Kid: Street in a Frontier Town | London Symphony Orchestra, Antal Doráti | T-070.138.025-7 | |
| 23-11 | Billy the Kid: Mexican Dance and Finale | London Symphony Orchestra, Antal Doráti | — | |
| 23-12 | Billy the Kid: Prairie Night (Card Game at Night) | London Symphony Orchestra, Antal Doráti | — | |
| 23-13 | Billy the Kid: Gun Battle | London Symphony Orchestra, Antal Doráti | — | |
| 23-14 | Billy the Kid: Celebration (After Billy's Capture) | London Symphony Orchestra, Antal Doráti | — | |
| 23-15 | Billy the Kid: Waltz | London Symphony Orchestra, Antal Doráti | — | |
| 23-16 | Billy the Kid: Billy's Death | London Symphony Orchestra, Antal Doráti | — | |
| 23-17 | Billy the Kid: The Open Prairie Again | London Symphony Orchestra, Antal Doráti | — | |
| 23-18 | Danzón Cubano | — | ||
| 23-19 | El Salon México | — | ||
| 24-1 | Pictures at an Exhibition: Promenade | — | ||
| 24-2 | Pictures at an Exhibition: Gnomus | — | ||
| 24-3 | Pictures at an Exhibition: Promenade | — | ||
| 24-4 | Pictures at an Exhibition: Il Vecchio Castello | — | ||
| 24-5 | Pictures at an Exhibition: Promenade | — | ||
| 24-6 | Pictures at an Exhibition: Tuileries | — | ||
| 24-7 | Pictures at an Exhibition: Bydlo | — | ||
| 24-8 | Pictures at an Exhibition: Promenade | — | ||
| 24-9 | Pictures at an Exhibition: Ballet of the Chicks in Their Shells | — | ||
| 24-10 | Pictures at an Exhibition: Two Polish Jews, One Rich, the Other Poor | — | ||
| 24-11 | Pictures at an Exhibition: Limoges, the Market Place | — | ||
| 24-12 | Pictures at an Exhibition: Catacombae (Sepulcrum Romanum) | — | ||
| 24-13 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua | — | ||
| 24-14 | Pictures at an Exhibition: The Hut on Fowl’s Legs (Baba-Yaga) | — | ||
| 24-15 | Pictures at an Exhibition: The Great Gate of Kiev | — | ||
| 24-16 | Etude in F major | — | ||
| 24-17 | Waltz in A minor | — | ||
| 24-18 | Pictures at an Exhibition: Promenade | — | ||
| 24-19 | Pictures at an Exhibition: Gnomus | — | ||
| 24-20 | Pictures at an Exhibition: Promenade | — | ||
| 24-21 | Pictures at an Exhibition: Il Vecchio Castello | — | ||
| 24-22 | Pictures at an Exhibition: Promenade | — | ||
| 24-23 | Pictures at an Exhibition: Tuileries | — | ||
| 24-24 | Pictures at an Exhibition: Bydlo | — | ||
| 24-25 | Pictures at an Exhibition: Promenade | — | ||
| 24-26 | Pictures at an Exhibition: Ballet des Poussins dans Leurs Coques | — | ||
| 24-27 | Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | — | ||
| 24-28 | Pictures at an Exhibition: Limoges—Le Marché | — | ||
| 24-29 | Pictures at an Exhibition: Catacombe (Sepulcrum Romanum) | — | ||
| 24-30 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua | — | ||
| 24-31 | Pictures at an Exhibition: La Cabane sur des Pattes de Poule | — | ||
| 24-32 | Pictures at an Exhibition: La Grande Porte de Kiev | — | ||
| 25-1 | Romeo and Juliet Suite no. 1, op. 64bis: I. Folk Dance | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-901.179.534-9 | |
| 25-2 | Romeo and Juliet Suite no. 1, op. 64bis: II. Scene | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-905.851.368-1 | |
| 25-3 | Romeo and Juliet Suite no. 1, op. 64bis: III. Madrigal | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-4 | Romeo and Juliet Suite no. 1, op. 64bis: IV. Minuet | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-5 | Romeo and Juliet Suite no. 1, op. 64bis: V. Masks | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-6 | Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-003.506.743-6 | |
| 25-7 | Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-8 | Romeo and Juliet Suite no. 2, op. 64ter: I. The Montagues and the Capulets | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | T-915.573.231-3 | |
| 25-9 | Romeo and Juliet Suite no. 2, op. 64ter: II. Juliet the Young Girl | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-10 | Romeo and Juliet Suite no. 2, op. 64ter: IV. Dance | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-11 | Romeo and Juliet Suite no. 2, op. 64ter: V. Romeo and Juliet Before Parting | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-12 | Romeo and Juliet Suite no. 2, op. 64ter: VI. Dance of the Antilles Maidens | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-13 | Romeo and Juliet Suite no. 2, op. 64ter: VII. Romeo at Juliet’s Tomb | Minneapolis Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 25-14 | A Night on Bald Mountain | London Symphony Orchestra, Antal Doráti | — | |
| 26-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 26-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 26-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 26-4 | Arabeske, op. 18 | — | ||
| 26-5 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 26-6 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo I | — | ||
| 26-7 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 27-1 | Fiesta en Jerez | Pepe Romero | T-322.201.623-7 | |
| 27-2 | Fandangos por Verdiales | Pepe Romero | T-322.271.349-3 | |
| 27-3 | Garrotin | Pepe Romero | T-322.273.447-2 | |
| 27-4 | Tanguillos | Pepe Romero | T-322.273.446-1 | |
| 27-5 | Peteneras | Pepe Romero | T-322.273.505-5 | |
| 27-6 | Jota | Pepe Romero | — | |
| 27-7 | Carabana Gitana | Pepe Romero | T-322.270.677-2 | |
| 27-8 | Farruca y Rumba | Pepe Romero | — | |
| 27-9 | Lamento Andaluz | Pepe Romero | T-322.266.264-4 | |
| 27-10 | Zorongo | Pepe Romero | T-322.273.453-0 | |
| 27-11 | Spanish Dance no. 6 | Enrique Granados | — | |
| 27-12 | Recuerdos de la Alhambra | Pepe Romero | — | |
| 27-13 | Vidalita | Antonio Sinópoli | — | |
| 28-1 | Sevillanas | — | ||
| 28-2 | Intermezzo from Goyescas | — | ||
| 28-3 | Llamada | — | ||
| 28-4 | Sevilla from Suite Española | — | ||
| 28-5 | Obbligato on Etude in B minor | — | ||
| 28-6 | Noche en Málaga | — | ||
| 28-7 | Lágrima (Preludio) | — | ||
| 28-8 | Romantic Prelude | — | ||
| 28-9 | Allegretto from Sonatina in A major | — | ||
| 28-10 | Prelude no. 3 in A minor | — | ||
| 28-11 | Suite in D minor | — | ||
| 28-12 | Cuatro diferencias sobre “Guárdame las vacas” | — | ||
| 28-13 | Suite of Six Dances | — | ||
| 28-14 | Three Pavanas: nos. 6, 4, 3 | — | ||
| 28-15 | Minuet | — | ||
| 28-16 | Bourrée | — | ||
| 28-17 | Gavottes I and II | — | ||
| 28-18 | King of Denmark’s Galliard | — | ||
| 28-19 | Gavotte en Rondeau | — | ||
| 28-20 | Españoleta | — | ||
| 29-1 | In Storm and Sunshine | — | ||
| 29-2 | Whip and Spur | — | ||
| 29-3 | Invictus | — | ||
| 29-4 | The Big Cage | — | ||
| 29-5 | Bones Trombone | — | ||
| 29-6 | Them Basses | — | ||
| 29-7 | The Circus Bee | — | ||
| 29-8 | The Screamer | — | ||
| 29-9 | Thunder and Blazes | — | ||
| 29-10 | Robinson’s Grand Entree | — | ||
| 29-11 | Circus Days | — | ||
| 29-12 | Bombasto | — | ||
| 29-13 | The Squealer | — | ||
| 29-14 | Rolling Thunder | — | ||
| 29-15 | Bennett’s Triumphal | — | ||
| 29-16 | Bravura | — | ||
| 29-17 | Bugles and Drum | — | ||
| 29-18 | Illinois March | — | ||
| 29-19 | Children’s March | — | ||
| 29-20 | The Interlochen Bowl | — | ||
| 29-21 | Onward-Upward | — | ||
| 29-22 | Boy Scouts of America | — | ||
| 29-23 | Americans We | — | ||
| 29-24 | Officer of the Day | — | ||
| 29-25 | March “Grandioso” | — | ||
| 29-26 | Second Regiment, Connecticut National Guard March | — | ||
| 29-27 | The Mad Major | — | ||
| 29-28 | Guadalcanal March From “Victory At Sea” | — | ||
| 30-1 | Fantasy on Two Folk Songs | — | ||
| 30-2 | At Sunrise | — | ||
| 30-3 | The Linden Tree | — | ||
| 30-4 | Kamarinskaya | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | — | |
| 30-5 | Fantasy on Volga Melodies | — | ||
| 30-6 | In the Moonlight | — | ||
| 30-7 | Midnight in Moscow | — | ||
| 30-8 | Under the Apple Tree | — | ||
| 30-9 | Dance of the Comedians | — | ||
| 30-10 | The Living Room | — | ||
| 30-11 | Evening Bells | — | ||
| 30-12 | My Dear Old Friend, Please Visit Me | — | ||
| 30-13 | Waltz of the Faun | — | ||
| 30-14 | Flight of the Bumble-Bee | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | — | |
| 31-1 | Piano Concerto no. 1 in E flat: I. Allegro maestoso | — | ||
| 31-2 | Piano Concerto no. 1 in E flat: II. Quasi adagio; Allegretto vivace; Allegro animato | — | ||
| 31-3 | Piano Concerto no. 1 in E flat: III. Allegro marziale animato | — | ||
| 31-4 | Piano Concerto no. 2 in A: Adagio sostenuto Assai | — | ||
| 31-5 | Piano Concerto no. 2 in A: Allegro agitato assai | — | ||
| 31-6 | Piano Concerto no. 2 in A: Allegro moderato | — | ||
| 31-7 | Piano Concerto no. 2 in A: Allegro deciso | — | ||
| 31-8 | Piano Concerto no. 2 in A: Marziale un poco meno allegro | — | ||
| 31-9 | Piano Concerto no. 2 in A: Allegro animato | — | ||
| 31-10 | Hungarian Rhapsody no. 6 | — | ||
| 31-11 | Valse oubliée | — | ||
| 31-12 | Romance in F-sharp | — | ||
| 31-13 | Novellette in F | — | ||
| 31-14 | The Miller's Dance | — | ||
| 31-15 | Sonetto del Petrarca CIV | — | ||
| 31-16 | The Harmonica Player | — | ||
| 32-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 32-2 | Piano Concerto no. 3 in C major, op. 26: III. Tema con variazione | — | ||
| 32-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — | ||
| 32-4 | Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace | — | ||
| 32-5 | Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante | — | ||
| 32-6 | Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace | — | ||
| 32-7 | Toccata in D minor, op. 11 | — | ||
| 32-8 | Variations on a Theme by Clara Wieck ("Quasi Variazioni") | — | ||
| 32-9 | Song Without Words, op. 62, no. 1 | — | ||
| 32-10 | Three Scenes From Childhood: I. Run, Run | — | ||
| 32-11 | Three Scenes From Childhood: II. March | — | ||
| 32-12 | Three Scenes From Childhood: III. Hobby-Horse | — | ||
| 33-1 | Concerto in B minor for Violoncello and Orchestra, op. 104: 1. Allegro | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 33-2 | Concerto in B minor for Violoncello and Orchestra, op. 104: 2. Adagio ma non troppo | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 33-3 | Concerto in B minor for Violoncello and Orchestra, op. 104: 3. Finale. Allegro moderato | János Starker, London Symphony Orchestra, Antal Doráti | T-323.984.111-9 | |
| 33-4 | Kol Nidrei, op. 47 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 33-5 | Variations on a Rococo Theme, op. 33 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 34-1 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | T-312.439.202-1 | |
| 34-2 | Cello Concerto in A minor, op. 129: II. Langsam | János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 34-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | János Starker, London Symphony Orchestra, Stanisław Skrowaczewski | — | |
| 34-4 | Cello Concerto in D minor: I. Prelude: Lento - Allegro maestoso | — | ||
| 34-5 | Cello Concerto in D minor: II. Intermezzo: Andantino con moto - Allegro presto | — | ||
| 34-6 | Cello Concerto in D minor: III. Introduction: Andante - Allegro vivace | — | ||
| 34-7 | Cello Concerto in A minor, op. 33: I. Allegro non troppo | — | ||
| 34-8 | Cello Concerto in A minor, op. 33: II. Allegretto con moto | — | ||
| 34-9 | Cello Concerto in A minor, op. 33: III. Un peu moins vite | — | ||
| 35-1 | The Nutcracker: Overture (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 35-2 | The Nutcracker, op. 71, Act I, Tableau I: I. Decorating and Lighting the Christmas Tree | London Symphony Orchestra, Antal Doráti | — | |
| 35-3 | The Nutcracker, op. 71, Act I, Tableau I: II. March | London Symphony Orchestra, Antal Doráti | — | |
| 35-4 | The Nutcracker, op. 71, Act I, Tableau I: III. Dance Scene: Galop and Dance of the Parents | London Symphony Orchestra, Antal Doráti | — | |
| 35-5 | The Nutcracker, op. 71, Act I, Tableau I: IV. Scene: Presents for the Children | London Symphony Orchestra, Antal Doráti | — | |
| 35-6 | The Nutcracker, op. 71, Act I, Tableau I: V. Scene and The Grandfather Dance | London Symphony Orchestra, Antal Doráti | — | |
| 35-7 | The Nutcracker, op. 71, Act I, Tableau I: VI. Scene: The Guests Depart – The Children Go to Bed – The Magic Spell Begins | London Symphony Orchestra, Antal Doráti | — | |
| 35-8 | The Nutcracker, op. 71, Act I, Tableau I: VII. The Nutcracker Battles the Army of the Mouse King – He Wins and Is Transformed into Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 35-9 | The Nutcracker: [No.8] Journey Through the Snow (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 35-10 | The Nutcracker, op. 71, Act I, Tableau II: IX. Waltz of the Snowflakes | London Symphony Orchestra, Antal Doráti | — | |
| 36-1 | The Nutcracker, op. 71, Act II, Tableau III: X. Scene. Arrival in Fairyland | London Symphony Orchestra, Antal Doráti | — | |
| 36-2 | The Nutcracker, op. 71, Act II, Tableau III: XI. Scene. Festival in Honor of the Children and Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 36-3 | The Nutcracker, op. 71, Act II, Tableau III: XIIa. Character Dances (Divertissement): Chocolate (Spanish Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 36-4 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 36-5 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 36-6 | The Nutcracker, op. 71, Act II, Tableau III: XIId. Character Dances (Divertissement): Russian Dance (Trepak) | London Symphony Orchestra, Antal Doráti | — | |
| 36-7 | The Nutcracker, op. 71, Act II, Tableau III: XIIe. Character Dances (Divertissement): Dance of the Toy Flutes | London Symphony Orchestra, Antal Doráti | — | |
| 36-8 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 36-9 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 36-10 | The Nutcracker, op. 71, Act II, Tableau III: XIV. Dances of the Sugar Plum Fairy and Prince Charming: Pas de Deux | London Symphony Orchestra, Antal Doráti | — | |
| 36-11 | The Nutcracker, op. 71, Act II, Tableau III: XIVa. Dances of the Sugar Plum Fairy and Prince Charming: Dance of Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 36-12 | The Nutcracker, op. 71, Act II, Tableau III: XIVb. Dances of the Sugar Plum Fairy and Prince Charming: Dance of the Sugar Plum Fairy | London Symphony Orchestra, Antal Doráti | — | |
| 36-13 | The Nutcracker, op. 71, Act II, Tableau III: XIVc. Dances of the Sugar Plum Fairy and Prince Charming: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 36-14 | The Nutcracker, op. 71, Act II, Tableau III: XV. Waltz Finale | London Symphony Orchestra, Antal Doráti | T-306.229.926-3 | |
| 36-15 | The Nutcracker, op. 71, Act II, Tableau III: XV. Apotheosis | London Symphony Orchestra, Antal Doráti | — | |
| 36-16 | Serenade for Strings in C major, op. 48: I. Andante non troppo – Allegro moderato | Philharmonia Hungarica, Antal Doráti | — | |
| 36-17 | Serenade for Strings in C major, op. 48: II. Walzer. Moderato. Tempo di Valse | Philharmonia Hungarica, Antal Doráti | — | |
| 36-18 | Serenade for Strings in C major, op. 48: III. Elegie. Larghetto elegiaco | Philharmonia Hungarica, Antal Doráti | — | |
| 36-19 | Serenade for Strings in C major, op. 48: IV. Finale (Tema Russo). Andante – Allegro con spirito | Philharmonia Hungarica, Antal Doráti | — | |
| 37-1 | Violin Concerto in D major, op. 77: 1. Allegro non troppo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-2 | Violin Concerto in D major, op. 77: 2. Adagio | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-3 | Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-4 | Violin Concerto: I. Allegro con fermezza | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-5 | Violin Concerto: II. Andante sostenuto | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 37-6 | Violin Concerto: III. Allegro vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 38-1 | Bluebeard's Castle, op. 11: Opening | — | ||
| 38-2 | Bluebeard's Castle, op. 11: Door 1 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-3 | Bluebeard's Castle, op. 11: Door 2 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-4 | Bluebeard's Castle, op. 11: Door 3 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-5 | Bluebeard's Castle, op. 11: Door 4 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-6 | Bluebeard's Castle, op. 11: Door 5 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-7 | Bluebeard's Castle, op. 11: Door 6 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-8 | Bluebeard's Castle, op. 11: Door 7 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 38-9 | Wozzeck, Three Excerpts: Act I: Scenes 2 and 3 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 38-10 | Wozzeck, Three Excerpts: Act III: Scene 1 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 38-11 | Wozzeck, Three Excerpts: Act III: Scenes 4 and 5 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 39-1 | Piano Concerto no. 2 in B-flat, op. 83: I. Allegro non troppo | — | ||
| 39-2 | Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionato | — | ||
| 39-3 | Piano Concerto no. 2 in B-flat, op. 83: III. Andante | — | ||
| 39-4 | Piano Concerto no. 2 in B-flat, op. 83: IV. Allegretto grazioso | — | ||
| 39-5 | Variations on a Theme by Paganini, op. 35 (Book II) | — | ||
| 39-6 | Hungarian Rhapsody no. 12 in C-sharp minor | — | ||
| 39-7 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 39-8 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 39-9 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro comodo | — | ||
| 40-1 | Caprice viennois | — | ||
| 40-2 | Schön Rosmarin | — | ||
| 40-3 | Liebesleid | — | ||
| 40-4 | Liebesfreud | — | ||
| 40-5 | Recitativo and Scherzo-Caprice | — | ||
| 40-6 | Tempo di minuetto | — | ||
| 40-7 | Praeludium and Allegro | — | ||
| 40-8 | Chanson Louis XIII and Pavane | — | ||
| 40-9 | Tambourin Chinois | — | ||
| 40-10 | Menuet | — | ||
| 40-11 | The Old Refrain | — | ||
| 40-12 | Rondino on a Theme by Beethoven | — | ||
| 40-13 | Allegretto in the Style of Boccherini | — | ||
| 40-14 | Sonata no. 3 in D major: I. Un poco andante | — | ||
| 40-15 | Sonata no. 3 in D major: II. Allegro | — | ||
| 40-16 | Sonata no. 3 in D major: III. Sarabande (Largo) | — | ||
| 40-17 | Sonata no. 3 in D major: IV. Tambourin (Presto) | — | ||
| 40-18 | Melodie | — | ||
| 40-19 | The Labyrinth | — | ||
| 41-1 | Suite no. 1 in G major, BWV 1007: I. Prelude | János Starker | T-070.161.055-0 | |
| 41-2 | Suite no. 1 in G major: II. Allemande | — | ||
| 41-3 | Suite no. 1 in G major: III. Courante | — | ||
| 41-4 | Suite no. 1 in G major: IV. Sarabande | — | ||
| 41-5 | Suite no. 1 in G major: V. Menuets | — | ||
| 41-6 | Suite no. 1 in G major: VI. Gigue | — | ||
| 41-7 | Suite no. 2 in D minor: I. Prelude | — | ||
| 41-8 | Suite no. 2 in D minor: II. Allemande | — | ||
| 41-9 | Suite no. 2 in D minor, BWV 1008: III. Courante | János Starker | — | |
| 41-10 | Suite no. 2 in D minor: IV. Sarabande | — | ||
| 41-11 | Suite no. 2 in D minor: V. Menuets | — | ||
| 41-12 | Suite no. 2 in D minor: VI. Gigue | — | ||
| 41-13 | Suite no. 3 in C major: I. Prelude | — | ||
| 41-14 | Suite no. 3 in C major: II. Allemande | — | ||
| 41-15 | Suite no. 3 in C major: III. Courante | — | ||
| 41-16 | Suite no. 3 in C major: IV. Sarabande | — | ||
| 41-17 | Suite no. 3 in C major: V. Bourrées | — | ||
| 41-18 | Suite no. 3 in C major: VI. Gigue | — | ||
| 41-19 | Suite no. 4 in E-flat major, BWV 1010: I. Prelude | János Starker | — | |
| 41-20 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | János Starker | — | |
| 41-21 | Suite no. 4 in E-flat major: III. Courante | — | ||
| 41-22 | Suite no. 4 in E-flat major: IV. Sarabande | — | ||
| 41-23 | Suite no. 4 in E-flat major: V. Bourrées | — | ||
| 41-24 | Suite no. 4 in E-flat major: VI. Gigue | — | ||
| 42-1 | Suite no. 5 in C minor: I. Prelude | — | ||
| 42-2 | Suite no. 5 in C minor: II. Allemande | — | ||
| 42-3 | Suite no. 5 in C minor: III. Courante | — | ||
| 42-4 | Suite no. 5 in C minor: IV. Sarabande | — | ||
| 42-5 | Suite no. 5 in C minor: V. Gavottes | — | ||
| 42-6 | Suite no. 5 in C minor: VI. Gigue | — | ||
| 42-7 | Suite no. 6 in D major: I. Prelude | — | ||
| 42-8 | Suite no. 6 in D major: II. Allemande | — | ||
| 42-9 | Suite no. 6 in D major: III. Courante | — | ||
| 42-10 | Suite no. 6 in D major: IV. Sarabande | — | ||
| 42-11 | Suite no. 6 in D major: V. Gavottes | — | ||
| 42-12 | Suite no. 6 in D major: VI. Gigue | — | ||
| 42-13 | Sonata for Cello and Piano in G major, BWV 1027: I. Adagio | — | ||
| 42-14 | Sonata for Cello and Piano in G major, BWV 1027: II. Allegro ma non tanto | — | ||
| 42-15 | Sonata in G major, BWV 1027: III. Andante | János Starker, György Sebök | T-070.126.537-3 | |
| 42-16 | Sonata for Cello and Piano in G major, BWV 1027: IV. Allegro moderato | — | ||
| 42-17 | Sonata for Cello and Piano in D major, BWV 1028: I. Adagio | — | ||
| 42-18 | Sonata for Cello and Piano in D major, BWV 1028: II. Allegro | — | ||
| 42-19 | Sonata for Cello and Piano in D major, BWV 1028: III. Andante | — | ||
| 42-20 | Sonata for Cello and Piano in D major, BWV 1028: IV. Allegro | — | ||
| 43-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 43-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 43-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 43-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 43-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 43-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | — | ||
| 44-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 44-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 44-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 44-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 44-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 44-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 45-1 | Gaspard de la nuit: Ondine | — | ||
| 45-2 | Gaspard de la nuit: I. Ondine | — | ||
| 45-3 | Gaspard de la nuit: Le Gibet | — | ||
| 45-4 | Gaspard de la nuit: II. Le Gibet | — | ||
| 45-5 | Gaspard de la nuit: Scarbo | — | ||
| 45-6 | Gaspard de la nuit: III. Scarbo | — | ||
| 45-7 | Pour le piano: I. Prélude | — | ||
| 45-8 | Pour le piano: II. Sarabande | — | ||
| 45-9 | Pour le piano: III. Toccata | — | ||
| 45-10 | La Cathédrale engloutie (Préludes, Book I, no. 10) | — | ||
| 45-11 | Bruyères (Préludes, Book II, no. 5) | — | ||
| 45-12 | Les Danseuses de Delphe (Préludes, Book I, no. 1) | — | ||
| 45-13 | Three Movements from "Petrouchka": Russian Dance | — | ||
| 45-14 | Three Movements from "Petrouchka": In Petrouchka's Room | — | ||
| 45-15 | Three Movements from "Petrouchka": Shrovetide Fair | — | ||
| 46-1 | Sonata for Cello and Piano no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 46-2 | Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 46-3 | Sonata for Cello and Piano no. 1 in E minor, op. 38: III. Allegro | — | ||
| 46-4 | Sonata for Cello and Piano no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 46-5 | Sonata for Cello and Piano no. 2 in F major, op. 99: II. Adagio affetuoso | — | ||
| 46-6 | Sonata for Cello and Piano no. 2 in F major, op. 99: III. Allegro passionato | — | ||
| 46-7 | Sonata for Cello and Piano no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 46-8 | Sonata no. 2 in D major, op. 58: I. Allegro assai vivace | — | ||
| 46-9 | Sonata no. 2 in D major, op. 58: II. Allegretto scherzando | — | ||
| 46-10 | Sonata no. 2 in D major, op. 58: III. Adagio | — | ||
| 46-11 | Sonata no. 2 in D major, op. 58: IV. Molto allegro e vivace | — | ||
| 47-1 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-2 | Violin Concerto in D minor: II. Langsam | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-3 | Violin Concerto in D minor: III. Lebhaft, doch nicht schnell | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-5 | Violin Concerto in E minor, op. 64: II. Andante | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 47-7 | Roumanian Folk Dances | — | ||
| 47-8 | La plus que lente, L. 121 (Arr. Roques) | Charles Reiner, Henryk Szeryng | — | |
| 47-9 | Moto Perpetuo | — | ||
| 47-10 | Hungarian Dance | — | ||
| 47-11 | Mexican Lullaby | — | ||
| 47-12 | The Flight of the Bumblebee | — | ||
| 48-1 | Fireworks, Fantasy for Orchestra | London Symphony Orchestra, Antal Doráti | — | |
| 48-2 | The Firebird: I. Introduction | London Symphony Orchestra, Antal Doráti | T-927.059.490-6 | |
| 48-3 | The Firebird: Tableau I, The Enchanted Garden of Kastchei | London Symphony Orchestra, Antal Doráti | — | |
| 48-4 | The Firebird: Tableau I, Appearance of the Firebird, Pursued by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-5 | The Firebird: Tableau I, Dance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-6 | The Firebird: Tableau I, Capture of the Firebird by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-7 | The Firebird: Tableau I, Supplication of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-8 | The Firebird: Tableau I, Appearance of the Enchanted Princess | London Symphony Orchestra, Antal Doráti | — | |
| 48-9 | The Firebird: Tableau I, The Princesses' Game with the Golden Apples (Scherzo) | London Symphony Orchestra, Antal Doráti | — | |
| 48-10 | The Firebird: Tableau I, Sudden Appearance of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-11 | The Firebird: Tableau I, Khorovod (Round Dance) of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 48-12 | The Firebird: Tableau I, Daybreak | London Symphony Orchestra, Antal Doráti | — | |
| 48-13 | The Firebird: Tableau I, Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-14 | The Firebird: Tableau I, Arrival of Kastchei the Immortal | London Symphony Orchestra, Antal Doráti | T-905.292.018-0 | |
| 48-15 | The Firebird: Tableau I, Dialogue of Kastchei and Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 48-16 | The Firebird: Tableau I, Intercession of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 48-17 | The Firebird: Tableau I, Appearance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-18 | The Firebird: Tableau I, Dance of Kastchei's Retinue, Enchanted by the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 48-19 | The Firebird: Tableau I, Infernal Dance of All Kastchei's Subjects | London Symphony Orchestra, Antal Doráti | — | |
| 48-20 | The Firebird: Tableau I, Lullaby (Firebird) | London Symphony Orchestra, Antal Doráti | — | |
| 48-21 | The Firebird: Tableau I, Kastchei's Awakening | London Symphony Orchestra, Antal Doráti | — | |
| 48-22 | The Firebird: Tableau I, Kastchei's Death; Profound Darkness | London Symphony Orchestra, Antal Doráti | — | |
| 48-23 | The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing | London Symphony Orchestra, Antal Doráti | — | |
| 48-24 | Tango | London Symphony Orchestra, Antal Doráti | T-070.178.048-4 | |
| 48-25 | Scherzo a la Russe | London Symphony Orchestra, Antal Doráti | — | |
| 48-26 | The Song of the Nightingale (Symphonic Poem): I. Introduction | London Symphony Orchestra, Antal Doráti | — | |
| 48-27 | The Song of the Nightingale (Symphonic Poem): II. Chinese March | London Symphony Orchestra, Antal Doráti | — | |
| 48-28 | The Song of the Nightingale (Symphonic Poem): III. Song of the Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 48-29 | The Song of the Nightingale (Symphonic Poem): IV. The Mechanical Nightingale's Game | London Symphony Orchestra, Antal Doráti | — | |
| 49-1 | Sonata in A major: I. Adagio | — | ||
| 49-2 | Sonata in A major: II. Allegro | — | ||
| 49-3 | Sonata in E minor: I. Largo | — | ||
| 49-4 | Sonata in E minor: II. Allegro | — | ||
| 49-5 | Sonata in E minor: III. Largo | — | ||
| 49-6 | Sonata in E minor: IV. Allegro | — | ||
| 49-7 | Sonata in D minor: I. Preludio | — | ||
| 49-8 | Sonata in D minor: II. Allemanda | — | ||
| 49-9 | Sonata in D minor: III. Sarabanda | — | ||
| 49-10 | Sonata in D minor: IV. Giga | — | ||
| 49-11 | Sonata in D major: I. Allegro | — | ||
| 49-12 | Sonata in D major: II. Adagio | — | ||
| 49-13 | Sonata in D major: III. Minuetto | — | ||
| 49-14 | Sonata in E major: I. Grave | — | ||
| 49-15 | Sonata in E major: II. Allegro | — | ||
| 49-16 | Sonata in E major: III. Allegro (tempo di gavotta) | — | ||
| 49-17 | Sonata in E major: IV. Largo | — | ||
| 49-18 | Sonata in E major: V. Allegro | — | ||
| 49-19 | Sonata in G minor, BWV 1029: I. Vivace | — | ||
| 49-20 | Sonata in G minor, BWV 1029: II. Adagio | — | ||
| 49-21 | Sonata in G minor, BWV 1029: III. Allegro | — | ||
| 50-1 | Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-2 | Concierto de Aranjuez for Guitar and Orchestra: II. Adagio | Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-3 | Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile | Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-4 | Concierto andaluz for Four Guitars and Orchestra: I. Tiempo de bolero | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-5 | Concierto andaluz for Four Guitars and Orchestra: II. Adagio | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-6 | Concierto andaluz for Four Guitars and Orchestra: III. Allegretto | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-7 | Concerto In B Minor For Four Guitars And Orchestra (Transcribed From The Concerto For Four Violins And Orchestra, Op. 3, No 10 "L'Estro Armonico"): I. Allegro | San Antonio Symphony, Victor Alessandro, Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero | T-071.000.879-9 | |
| 50-8 | Concerto In B Minor For Four Guitars And Orchestra (Transcribed From The Concerto For Four Violins And Orchestra, Op. 3, No 10 "L'Estro Armonico"): II. Largo - Larghetto | San Antonio Symphony, Victor Alessandro, Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero | — | |
| 50-9 | Concerto In B Minor For Four Guitars And Orchestra (Transcribed From The Concerto For Four Violins And Orchestra, Op. 3, No 10 "L'Estro Armonico"): III. Allegro | Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro | T-071.000.879-9 | |
| 50-10 | Concerto In C For Guitars And Orchestra (Transcribed From The Concerto In C For Mandolin And Orchestra): I. Allegro | Celedonio Romero, San Antonio Symphony, Victor Alessandro | T-911.640.004-5 | |
| 50-11 | Concerto In C For Guitars And Orchestra (Transcribed From The Concerto In C For Mandolin And Orchestra): II. Largo | Celedonio Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-12 | Concerto In C For Guitars And Orchestra (Transcribed From The Concerto In C For Mandolin And Orchestra): III. Allegro | Celedonio Romero, San Antonio Symphony, Victor Alessandro | — | |
| 50-13 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): I. Allegro | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | T-911.640.004-5 | |
| 50-14 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): II. Andante | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | T-802.445.410-3 | |
| 50-15 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): III. Allegro | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | — | |
| 51-1 | [Pictures at an Exhibition, excerpt] | — | ||
| 51-2 | [An Interview With Wilma Cozart Fine, Producer of Mercury Living Presence] | — | ||
| 51-3 | [Ma Vlast, excerpt] | — | ||
| 52-1 | Piano Concerto in C major: I. Toccata (Allegro moderato) | — | ||
| 52-2 | Piano Concerto in C major: II. Romanza (Lento) | — | ||
| 52-3 | Piano Concerto in C major: III. Fuga chromatica (Allegro) con finale alla Tedesca | — | ||
| 52-4 | Concerto for Piano and Orchestra: I. Allegro non troppo | — | ||
| 52-5 | Concerto for Piano and Orchestra: II. Largo | — | ||
| 52-6 | Concerto for Piano and Orchestra: III. Tempo primo | — | ||
| 52-7 | Eclogue Op.10 | — | ||
| 53-1 | Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-2 | Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-3 | Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-4 | Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-5 | Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-6 | Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-7 | Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-8 | Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-9 | Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-10 | Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-11 | Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-12 | Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-13 | Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-14 | Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 53-15 | Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters | London Symphony Orchestra, Antal Doráti | — |
