UPC · Release
Kathleen Ferrier
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The UPC for “Kathleen Ferrier: Centenary Edition: The Complete Decca recordings” by Kathleen Ferrier is 028947835899. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 223 tracks, each with its own ISRC. Tracks include GBF074610040, GBBBA6050920, GBF074940103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part One: Come ye daughters | — | ||
| 2-2 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part One: My Master and my Lord...Grief for sin | — | ||
| 2-3 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part One: Behold, my saviour | — | ||
| 2-4 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Ah! now is my Saviour gone | — | ||
| 2-5 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Have mercy Lord on me...Lamb of God, I fall.... | — | ||
| 2-6 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: O gracious God!...If my tears be unavailing... | — | ||
| 2-7 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: O Sacred head | — | ||
| 2-8 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Ah, Golgotha!...See ye! See the Saviour's... | — | ||
| 2-9 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Be near me, Lord | — | ||
| 2-10 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: And now the Lord...In tears of grief | — | ||
| 3-1 | Orfeo ed Euridice, Wq. 30, Sung in English: "What is life?" | — | ||
| 3-2 | Rodelinda, HWV 19, English version, Act 1: "Art thou troubled?" | — | ||
| 3-3 | St. Matthew Passion, BWV 244, English version, Part Two: no. 39 "Have mercy, Lord on me." | — | ||
| 3-4 | Serse, HWV 40, Act 1: "Ombra mai fu" | — | ||
| 3-5 | Elijah, op. 70, MWV A25, sung in English, Part 1: "Woe, woe unto them who forsake Him!" | — | ||
| 3-6 | Elijah, op. 70, MWV A25, sung in English, Part 2: "Oh rest in the Lord, wait patiently for Him" | Kathleen Ferrier, The Boyd Neel Orchestra, Boyd Neel | — | |
| 3-7 | Stabat Mater, Orch. C. Kennedy Scott: Stabat Mater | — | ||
| 3-8 | Stabat Mater, Orch. C. Kennedy Scott: Cujus animam | — | ||
| 3-9 | Stabat Mater, Orch. C. Kennedy Scott: O quam tristis | — | ||
| 3-10 | Stabat Mater, Orch. C. Kennedy Scott: Quae moerebat | — | ||
| 3-11 | Stabat Mater, Orch. C. Kennedy Scott: Quis est homo | — | ||
| 3-12 | Stabat Mater, Orch. C. Kennedy Scott: Vidit suum dulcem natum | — | ||
| 3-13 | Stabat Mater, Orch. C. Kennedy Scott: Eia mater, fons amoris | — | ||
| 3-14 | Stabat Mater, Orch. C. Kennedy Scott: Fac ut ardeat | — | ||
| 3-15 | Stabat Mater, Orch. C. Kennedy Scott: Sancta mater | — | ||
| 3-16 | Stabat Mater, Orch. C. Kennedy Scott: Fac ut portem | — | ||
| 3-17 | Stabat Mater, Orch. C. Kennedy Scott: Inflammatus | — | ||
| 3-18 | Stabat Mater, Orch. C. Kennedy Scott: Quando corpus | — | ||
| 4-1 | Frauenliebe und -leben op. 42: I. Seit ich ihn gesehen | — | ||
| 4-2 | Frauenliebe und -leben op. 42: II. Er, der Herrlichste von allen | — | ||
| 4-3 | Frauenliebe und -leben op. 42: III. Ich kann's nicht fassen, nicht glauben | — | ||
| 4-4 | Frauenliebe und -leben op. 42: IV. Du Ring an meinem Finger | — | ||
| 4-5 | Frauenliebe und -leben op. 42: V. Helft mir, ihr Schwestern | — | ||
| 4-6 | Frauenliebe und -leben op. 42: VI. Süsser Freund, du blickest mich verwundert an | — | ||
| 4-7 | Frauenliebe und -leben op. 42: VII. An meinem Herzen, an meiner Brust | — | ||
| 4-8 | Frauenliebe und -leben op. 42: VIII. Nun hast du mir den ersten Schmerz getan | — | ||
| 4-9 | Lieder und Gesänge, Vol.II, op. 51: II. Volksliedchen | — | ||
| 4-10 | Widmung, op. 25, no. 1 | — | ||
| 4-11 | Fünf Lieder op. 94: IV. Sapphische Ode | — | ||
| 4-12 | Fünf Lieder, op. 47: I. Botschaft | — | ||
| 4-13 | Gretchen am Spinnrade, op. 2, D.118: Gretchen am Spinnrade, Op.2, D.118 | — | ||
| 4-14 | Die junge Nonne, op. 43/1, D.828 | — | ||
| 4-15 | An die Musik, op. 88 no. 4, D.547 | — | ||
| 4-16 | Der Musensohn, D.764 (op. 92/1) | — | ||
| 4-17 | Ganymed, D. 544 (op. 19/3) | — | ||
| 4-18 | Du liebst mich nicht, op. 59/1, D.756 | — | ||
| 4-19 | Lachen und Weinen, D.777, op. 59/4 | — | ||
| 4-20 | Stille Nacht, heilige Nacht (Arr. Gideon Fagan) | — | ||
| 4-21 | Adeste Fideles (O come, all ye faithful) (Arr. Gideon Fagan) | — | ||
| 5-1 | 4 Ernste Gesänge, op. 121, Arr. Sargent: One thing befalleth the beasts & the sons of men | — | ||
| 5-2 | 4 Ernste Gesänge, op. 121, Arr. Sargent: So I return'd and did consider | — | ||
| 5-3 | 4 Ernste Gesänge, op. 121, Arr. Sargent: O death, how bitter thou art | — | ||
| 5-4 | 4 Ernste Gesänge, op. 121, Arr. Sargent: Though I speak with the tongues of men | — | ||
| 5-5 | Poème de l'amour et de la mer: I. La fleur des eaux | — | ||
| 5-6 | Poème de l'amour et de la mer: II. Interlude | — | ||
| 5-7 | Poème de l'amour et de la mer: III. La mort de l'amour | — | ||
| 5-8 | Discovery, op. 13: I. The Freedom of the City | — | ||
| 5-9 | Discovery, op. 13: II. Babylon | — | ||
| 5-10 | Discovery, op. 13: III. Jane Allen | — | ||
| 5-11 | Discovery, op. 13: IV. Discovery | — | ||
| 5-12 | Discovery, op. 13: V. Dreams Melting | — | ||
| 5-13 | Red Skies | — | ||
| 5-14 | The Wind | — | ||
| 5-15 | Clouds | — | ||
| 5-16 | Three Psalms, op. 61: I. Psalm 6: O Lord, rebuke me not | — | ||
| 5-17 | Three Psalms, op. 61: II. Psalm 23: The Lord is my shepherd | — | ||
| 5-18 | Three Psalms, op. 61: III. Psalm 150: Praise ye the Lord | — | ||
| 6-1 | An Irish Idyll in Six Miniatures. op. 77: II. The Fairy Lough | — | ||
| 6-2 | A soft day, op. 140, no. 3 | — | ||
| 6-3 | Love is a bable, op. 152, no. 3 | — | ||
| 6-4 | Silent noon | — | ||
| 6-5 | Go not, happy day | — | ||
| 6-6 | Sleep | — | ||
| 6-7 | Pretty ring-time | — | ||
| 6-8 | O Waly, Waly (Somerset Folk song): Coll. Cecil-sharp (1913-1976), arr. Benjamin Britten | — | ||
| 6-9 | Come you not from Newcastle? (Arr. Britten) | — | ||
| 6-10 | Kitty my love (Arr. Hughes) | — | ||
| 6-11 | Mad Bess of Bedlam ("From Silent Shades") | — | ||
| 6-12 | The Fairy Queen, Z.629, Act 5: Hark! The Echoing Air | — | ||
| 6-13 | Atalanta, HWV 35, Sung in English, Act 1: "Like as the love-lorn turtle" | — | ||
| 6-14 | Admeto, Act 1: Cangio d'aspetto (How changed the vision) | — | ||
| 6-15 | Mörike-Lieder: 1II. "Verborgenheit" | — | ||
| 6-16 | Mörike-Lieder: 1VII. Der Gärtner | — | ||
| 6-17 | Mörike-Lieder: 2III. Auf ein altes Bild | — | ||
| 6-18 | Mörike-Lieder: 1V. "Auf einer Wanderung" | — | ||
| 6-19 | Altar | — | ||
| 6-20 | Vergiss Mein Nicht Bwv 505 | — | ||
| 6-21 | Ach Dass Nicht Die Letzte Stunde Bwv 439 | — | ||
| 6-22 | Bist du bei mir, BWV 508 | — | ||
| 7-1 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: X. Qui sedes ad dexteram Patris | — | ||
| 7-2 | St. Matthew Passion, BWV 244, English version: Aria, "Grief for Sin" | — | ||
| 7-3 | Johannes-Passion, BWV 245, English Version, Part Two: All is fulfilled | — | ||
| 7-4 | Agnus Dei (Mass in B minor) | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | T-312.642.049-9 | |
| 7-5 | Samson, HWV 57, Act 1: "Return, O God of hosts" | — | ||
| 7-6 | Messiah, HWV 56, Pt. 1: "O thou that tellest good tidings to Zion" | — | ||
| 7-7 | Judas Maccabaeus HWV 63: Father Of Heaven | — | ||
| 7-8 | Messiah, HWV 56, Pt. 2: "He Was Despised" | — | ||
| 8-1 | Ma Bonny Lad (Northumbrian folk song): Arr. Whittaker | — | ||
| 8-2 | The Keel Row (Northumbrian folk song): Arr. William Whittaker | — | ||
| 8-3 | Blow the Wind Southerly: Arr. Whittaker | Kathleen Ferrier | — | |
| 8-4 | I have a bonnet trimmed with blue (Arr. Hughes) | — | ||
| 8-5 | My boy Willie (English folk song): Coll. & arr.-sharp | — | ||
| 8-6 | I Know Where I'm Going | — | ||
| 8-7 | The Fidgety Bairn (Arr. Roberton) | — | ||
| 8-8 | I Will Walk With My Love | — | ||
| 8-9 | Ca' the yowes (Scots folk song): Arr. Jacobson | — | ||
| 8-10 | O Waly, Waly (Somerset Folk song): Coll. Cecil-sharp (1913-1976), arr. Benjamin Britten | — | ||
| 8-11 | Willow, willow (English trad.) (Arr. Peter Warlock) | — | ||
| 8-12 | The stuttering lovers (Arr. Hughes) | — | ||
| 8-13 | Now sleeps the crimson petal, op. 3, no. 2 | — | ||
| 8-14 | The fair house of joy, op. 12, no. 7 | — | ||
| 8-15 | To Julia, op. 8, Words: Robert Herrick: III. To Daisies | — | ||
| 8-16 | Over the mountains (Percy's Reliques) (Arr. Quilter) | — | ||
| 8-17 | Have you seen but a whyte lillie grow? (English trad.) (Arr. Grew/Jonson) | — | ||
| 8-18 | Ye banks and braes (Old Scottish melody) (Arr. Roger Quilter) | — | ||
| 8-19 | Drink to me only with thine eyes (Arr. Quilter) | — | ||
| 8-20 | Down by the Sally Gardens (Arr. Herbert Hughes) | — | ||
| 8-21 | The lover's curse (Irish trad.) (Arr. Herbert Hughes) | — | ||
| 9-1 | What the Edinburgh Festival has meant to me | — | ||
| 9-2 | Die junge Nonne, op. 43/1, D.828 | — | ||
| 9-3 | Rosamunde, D. 797: Romance: "Der Vollmond strahlt auf Bergeshöh'n" | — | ||
| 9-4 | Du liebst mich nicht, op. 59/1, D.756 | — | ||
| 9-5 | Der Tod und das Mädchen, D. 531 (op. 7, no. 3) | — | ||
| 9-6 | Suleika I, D.720 | — | ||
| 9-7 | Du bist die Ruh', op. 59/3, D.776 | — | ||
| 9-8 | Immer leiser wird mein Schlummer, op. 105, no. 2 | — | ||
| 9-9 | "Der Tod, das ist die kühle Nacht" op. 96, no. 1 | — | ||
| 9-10 | Fünf Lieder, op. 47: I. Botschaft | — | ||
| 9-11 | 4 Lieder, op. 43: I. Von ewiger Liebe: Dunkel, wie dunkel | — | ||
| 9-12 | Frauenliebe und -leben op. 42: I. Seit ich ihn gesehen | — | ||
| 9-13 | Frauenliebe und -leben op. 42: II. Er, der Herrlichste von allen | — | ||
| 9-14 | Frauenliebe und -leben op. 42: III. Ich kann's nicht fassen, nicht glauben | — | ||
| 9-15 | Frauenliebe und -leben op. 42: IV. Du Ring an meinem Finger | — | ||
| 9-16 | Frauenliebe und -leben op. 42: V. Helft mir, ihr Schwestern | — | ||
| 9-17 | Frauenliebe und -leben op. 42: VI. Süsser Freund, du blickest mich verwundert an | — | ||
| 9-18 | Frauenliebe und -leben op. 42: VII. An meinem Herzen, an meiner Brust | — | ||
| 9-19 | Frauenliebe und -leben op. 42: VIII. Nun hast du mir den ersten Schmerz getan | — | ||
| 10-1 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 10-2 | Gestillte Sehnsucht, op. 91, no. 1 | — | ||
| 10-3 | Geistliches Wiegenlied, op. 91, no. 2 | — | ||
| 10-4 | 4 Ernste Gesänge, op. 121: I. Denn es gehet dem Menschen | — | ||
| 10-5 | 4 Ernste Gesänge, op. 121: II. Ich wandte mich und sahe | — | ||
| 10-6 | 4 Ernste Gesänge, op. 121: III. O Tod, wie bitter bist du | — | ||
| 10-7 | 4 Ernste Gesänge, op. 121: IV. Wenn ich mit Menschen: und mit Engelszungen redete | — | ||
| 10-8 | Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n | — | ||
| 10-9 | Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 10-10 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 10-11 | Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen | — | ||
| 10-12 | Kindertotenlieder: In diesem Wetter | — | ||
| 11-1 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": I. Rede, Mädchen, allzu liebes | — | ||
| 11-2 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": II. Am Gesteine rauscht die Flut | — | ||
| 11-3 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": III. O die Frauen, o die Frauen | — | ||
| 11-4 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IV. Wie des Abends schöne Röte | — | ||
| 11-5 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": V. Die grüne Hopfenranke | — | ||
| 11-6 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VI. Ein kleiner, hübscher Vogel nahm den Flug | — | ||
| 11-7 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VII. Wohl schön bewandt war es vorehe | — | ||
| 11-8 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VIII. Wenn so lind dein Auge mir | — | ||
| 11-9 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IX. Am Donaustrande, da steht ein Haus | — | ||
| 11-10 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": X. O wie sanft die Quelle sich | — | ||
| 11-11 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1I. Nein, es ist nicht auszukommen | — | ||
| 11-12 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1II. Schlosser auf! und mache Schlösser | — | ||
| 11-13 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1III. Vögelein durchrauscht die Luft | — | ||
| 11-14 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1IV. Sieh, wie ist die Welle klar | — | ||
| 11-15 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1V. Nachtigall, sie singt so schön | — | ||
| 11-16 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VI. Ein dunkler Schacht ist Liebe | — | ||
| 11-17 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VII. Nicht wandle, mein Licht, dort aussen | — | ||
| 11-18 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VIII. Es bebet das Gesträuche | — | ||
| 11-19 | Neue Liebeslieder Waltzer, op. 65: 1V. Zum Schluss | — | ||
| 11-20 | Spring Symphony, op. 44: I. Introduction: Shine out | — | ||
| 11-21 | Spring Symphony, op. 44: II. The merry cuckoo | — | ||
| 11-22 | Spring Symphony, op. 44: III. Spring, the sweet Spring | — | ||
| 11-23 | Spring Symphony, op. 44: IV. The driving boy | — | ||
| 11-24 | Spring Symphony, op. 44: V. The morning star | — | ||
| 11-25 | Spring Symphony, op. 44: VI. Welcome Maids of Honour | — | ||
| 11-26 | Spring Symphony, op. 44: VII. Waters above! | — | ||
| 11-27 | Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed | — | ||
| 11-28 | Spring Symphony, op. 44: IX. When will my May come | — | ||
| 11-29 | Spring Symphony, op. 44: X. Fair and fair | — | ||
| 11-30 | Spring Symphony, op. 44: 1I. Sound the flute! | — | ||
| 11-31 | Spring Symphony, op. 44: 1II. Finale: London, to thee I do present | — | ||
| 12-1 | Symphony no. 2 in C minor “Resurrection”: Ia. Allegro maestoso – | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-2 | Symphony no. 2 in C minor “Resurrection”: Ib. Schnell | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-3 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-4 | Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-5 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich, aber schlicht | Kathleen Ferrier, Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-6 | Symphony no. 2 in C minor “Resurrection”: Va. Im Tempo des Scherzos – | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-7 | Symphony no. 2 in C minor “Resurrection”: Vb. Maestoso – | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-8 | Symphony no. 2 in C minor “Resurrection”: Vc. Sehr langsam und gedehnt – | Amsterdam Toonkunstkoor, Jo Vincent, Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-9 | Symphony no. 2 in C minor “Resurrection”: Vd. Etwas bewegter | Kathleen Ferrier, Amsterdam Toonkunstkoor, Jo Vincent, Concertgebouw Orchestra, Otto Klemperer | — | |
| 13-1 | Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 13-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-3 | Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 13-4 | Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 13-6 | Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-7 | Rückert-Lieder, op. 44: IV. Ich bin der Welt abhanden gekommen | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-8 | Rückert-Lieder, op. 44: I. Ich atmet' einen linden Duft | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-301.280.963-7 | |
| 13-9 | Rückert-Lieder, op. 44: V. Um Mitternacht | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-926.161.456-6 | |
| 14-1 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Chorus: Praise our God | — | ||
| 14-2 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: Then Jesus lifted his hands to heaven | — | ||
| 14-3 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: My Saviour, is the parting hour so near? | — | ||
| 14-4 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Aria: Ah, tarry yet | — | ||
| 14-5 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: And behold he rose from their midst | — | ||
| 14-6 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Chorale: Now at Thy feet | — | ||
| 14-7 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: And while they looked | — | ||
| 14-8 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Duet: Ye honest men of Galilaea | — | ||
| 14-9 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: Ah Lord, now quickly come again | — | ||
| 14-10 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Aria: Jesu, all Thy loving kindness | — | ||
| 14-11 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Chorus: When will the night be over? | — | ||
| 14-12 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Chorus: Hold in affection Jesus Christ | — | ||
| 14-13 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Aria: Lord Jesus now is risen | — | ||
| 14-14 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Recit: Lord Jesus, Thou the sting of death hast drawn | — | ||
| 14-15 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Chorale: Come all, and hail | — | ||
| 14-16 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Recit: And yet, O Lord | — | ||
| 14-17 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Aria with Chorus: Peace be unto you | — | ||
| 14-18 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Chorale: Lord Christ, Thou art the Prince of Peace | — | ||
| 15-1 | Kathleen Ferrier: An Ordinary Diva (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-2 | Mrs. Wilson (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-3 | Carlisle to Covent Garden in Five Years (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-4 | Yours Til Hell Freezes Over (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-5 | Whoopee! (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-6 | Aren't I Lucky! (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-7 | Hell! Hell! Hell! (Kathleen Ferrier: An Ordinary Diva) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947835899 is a Universal Product Code (UPC) assigned to Kathleen Ferrier: Centenary Edition: The Complete Decca recordings by Kathleen Ferrier. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 223 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Kathleen Ferrier: Centenary Edition: The Complete Decca recordings” by Kathleen Ferrier is 028947835899. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 223 tracks, each with its own ISRC. Tracks include GBF074610040, GBBBA6050920, GBF074940103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part One: Come ye daughters | — | ||
| 2-2 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part One: My Master and my Lord...Grief for sin | — | ||
| 2-3 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part One: Behold, my saviour | — | ||
| 2-4 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Ah! now is my Saviour gone | — | ||
| 2-5 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Have mercy Lord on me...Lamb of God, I fall.... | — | ||
| 2-6 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: O gracious God!...If my tears be unavailing... | — | ||
| 2-7 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: O Sacred head | — | ||
| 2-8 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Ah, Golgotha!...See ye! See the Saviour's... | — | ||
| 2-9 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: Be near me, Lord | — | ||
| 2-10 | St. Matthew Passion, BWV 244, Ed. Elgar, Atkins. Trans. Troutbeck., Part Two: And now the Lord...In tears of grief | — | ||
| 3-1 | Orfeo ed Euridice, Wq. 30, Sung in English: "What is life?" | — | ||
| 3-2 | Rodelinda, HWV 19, English version, Act 1: "Art thou troubled?" | — | ||
| 3-3 | St. Matthew Passion, BWV 244, English version, Part Two: no. 39 "Have mercy, Lord on me." | — | ||
| 3-4 | Serse, HWV 40, Act 1: "Ombra mai fu" | — | ||
| 3-5 | Elijah, op. 70, MWV A25, sung in English, Part 1: "Woe, woe unto them who forsake Him!" | — | ||
| 3-6 | Elijah, op. 70, MWV A25, sung in English, Part 2: "Oh rest in the Lord, wait patiently for Him" | Kathleen Ferrier, The Boyd Neel Orchestra, Boyd Neel | — | |
| 3-7 | Stabat Mater, Orch. C. Kennedy Scott: Stabat Mater | — | ||
| 3-8 | Stabat Mater, Orch. C. Kennedy Scott: Cujus animam | — | ||
| 3-9 | Stabat Mater, Orch. C. Kennedy Scott: O quam tristis | — | ||
| 3-10 | Stabat Mater, Orch. C. Kennedy Scott: Quae moerebat | — | ||
| 3-11 | Stabat Mater, Orch. C. Kennedy Scott: Quis est homo | — | ||
| 3-12 | Stabat Mater, Orch. C. Kennedy Scott: Vidit suum dulcem natum | — | ||
| 3-13 | Stabat Mater, Orch. C. Kennedy Scott: Eia mater, fons amoris | — | ||
| 3-14 | Stabat Mater, Orch. C. Kennedy Scott: Fac ut ardeat | — | ||
| 3-15 | Stabat Mater, Orch. C. Kennedy Scott: Sancta mater | — | ||
| 3-16 | Stabat Mater, Orch. C. Kennedy Scott: Fac ut portem | — | ||
| 3-17 | Stabat Mater, Orch. C. Kennedy Scott: Inflammatus | — | ||
| 3-18 | Stabat Mater, Orch. C. Kennedy Scott: Quando corpus | — | ||
| 4-1 | Frauenliebe und -leben op. 42: I. Seit ich ihn gesehen | — | ||
| 4-2 | Frauenliebe und -leben op. 42: II. Er, der Herrlichste von allen | — | ||
| 4-3 | Frauenliebe und -leben op. 42: III. Ich kann's nicht fassen, nicht glauben | — | ||
| 4-4 | Frauenliebe und -leben op. 42: IV. Du Ring an meinem Finger | — | ||
| 4-5 | Frauenliebe und -leben op. 42: V. Helft mir, ihr Schwestern | — | ||
| 4-6 | Frauenliebe und -leben op. 42: VI. Süsser Freund, du blickest mich verwundert an | — | ||
| 4-7 | Frauenliebe und -leben op. 42: VII. An meinem Herzen, an meiner Brust | — | ||
| 4-8 | Frauenliebe und -leben op. 42: VIII. Nun hast du mir den ersten Schmerz getan | — | ||
| 4-9 | Lieder und Gesänge, Vol.II, op. 51: II. Volksliedchen | — | ||
| 4-10 | Widmung, op. 25, no. 1 | — | ||
| 4-11 | Fünf Lieder op. 94: IV. Sapphische Ode | — | ||
| 4-12 | Fünf Lieder, op. 47: I. Botschaft | — | ||
| 4-13 | Gretchen am Spinnrade, op. 2, D.118: Gretchen am Spinnrade, Op.2, D.118 | — | ||
| 4-14 | Die junge Nonne, op. 43/1, D.828 | — | ||
| 4-15 | An die Musik, op. 88 no. 4, D.547 | — | ||
| 4-16 | Der Musensohn, D.764 (op. 92/1) | — | ||
| 4-17 | Ganymed, D. 544 (op. 19/3) | — | ||
| 4-18 | Du liebst mich nicht, op. 59/1, D.756 | — | ||
| 4-19 | Lachen und Weinen, D.777, op. 59/4 | — | ||
| 4-20 | Stille Nacht, heilige Nacht (Arr. Gideon Fagan) | — | ||
| 4-21 | Adeste Fideles (O come, all ye faithful) (Arr. Gideon Fagan) | — | ||
| 5-1 | 4 Ernste Gesänge, op. 121, Arr. Sargent: One thing befalleth the beasts & the sons of men | — | ||
| 5-2 | 4 Ernste Gesänge, op. 121, Arr. Sargent: So I return'd and did consider | — | ||
| 5-3 | 4 Ernste Gesänge, op. 121, Arr. Sargent: O death, how bitter thou art | — | ||
| 5-4 | 4 Ernste Gesänge, op. 121, Arr. Sargent: Though I speak with the tongues of men | — | ||
| 5-5 | Poème de l'amour et de la mer: I. La fleur des eaux | — | ||
| 5-6 | Poème de l'amour et de la mer: II. Interlude | — | ||
| 5-7 | Poème de l'amour et de la mer: III. La mort de l'amour | — | ||
| 5-8 | Discovery, op. 13: I. The Freedom of the City | — | ||
| 5-9 | Discovery, op. 13: II. Babylon | — | ||
| 5-10 | Discovery, op. 13: III. Jane Allen | — | ||
| 5-11 | Discovery, op. 13: IV. Discovery | — | ||
| 5-12 | Discovery, op. 13: V. Dreams Melting | — | ||
| 5-13 | Red Skies | — | ||
| 5-14 | The Wind | — | ||
| 5-15 | Clouds | — | ||
| 5-16 | Three Psalms, op. 61: I. Psalm 6: O Lord, rebuke me not | — | ||
| 5-17 | Three Psalms, op. 61: II. Psalm 23: The Lord is my shepherd | — | ||
| 5-18 | Three Psalms, op. 61: III. Psalm 150: Praise ye the Lord | — | ||
| 6-1 | An Irish Idyll in Six Miniatures. op. 77: II. The Fairy Lough | — | ||
| 6-2 | A soft day, op. 140, no. 3 | — | ||
| 6-3 | Love is a bable, op. 152, no. 3 | — | ||
| 6-4 | Silent noon | — | ||
| 6-5 | Go not, happy day | — | ||
| 6-6 | Sleep | — | ||
| 6-7 | Pretty ring-time | — | ||
| 6-8 | O Waly, Waly (Somerset Folk song): Coll. Cecil-sharp (1913-1976), arr. Benjamin Britten | — | ||
| 6-9 | Come you not from Newcastle? (Arr. Britten) | — | ||
| 6-10 | Kitty my love (Arr. Hughes) | — | ||
| 6-11 | Mad Bess of Bedlam ("From Silent Shades") | — | ||
| 6-12 | The Fairy Queen, Z.629, Act 5: Hark! The Echoing Air | — | ||
| 6-13 | Atalanta, HWV 35, Sung in English, Act 1: "Like as the love-lorn turtle" | — | ||
| 6-14 | Admeto, Act 1: Cangio d'aspetto (How changed the vision) | — | ||
| 6-15 | Mörike-Lieder: 1II. "Verborgenheit" | — | ||
| 6-16 | Mörike-Lieder: 1VII. Der Gärtner | — | ||
| 6-17 | Mörike-Lieder: 2III. Auf ein altes Bild | — | ||
| 6-18 | Mörike-Lieder: 1V. "Auf einer Wanderung" | — | ||
| 6-19 | Altar | — | ||
| 6-20 | Vergiss Mein Nicht Bwv 505 | — | ||
| 6-21 | Ach Dass Nicht Die Letzte Stunde Bwv 439 | — | ||
| 6-22 | Bist du bei mir, BWV 508 | — | ||
| 7-1 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: X. Qui sedes ad dexteram Patris | — | ||
| 7-2 | St. Matthew Passion, BWV 244, English version: Aria, "Grief for Sin" | — | ||
| 7-3 | Johannes-Passion, BWV 245, English Version, Part Two: All is fulfilled | — | ||
| 7-4 | Agnus Dei (Mass in B minor) | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | T-312.642.049-9 | |
| 7-5 | Samson, HWV 57, Act 1: "Return, O God of hosts" | — | ||
| 7-6 | Messiah, HWV 56, Pt. 1: "O thou that tellest good tidings to Zion" | — | ||
| 7-7 | Judas Maccabaeus HWV 63: Father Of Heaven | — | ||
| 7-8 | Messiah, HWV 56, Pt. 2: "He Was Despised" | — | ||
| 8-1 | Ma Bonny Lad (Northumbrian folk song): Arr. Whittaker | — | ||
| 8-2 | The Keel Row (Northumbrian folk song): Arr. William Whittaker | — | ||
| 8-3 | Blow the Wind Southerly: Arr. Whittaker | Kathleen Ferrier | — | |
| 8-4 | I have a bonnet trimmed with blue (Arr. Hughes) | — | ||
| 8-5 | My boy Willie (English folk song): Coll. & arr.-sharp | — | ||
| 8-6 | I Know Where I'm Going | — | ||
| 8-7 | The Fidgety Bairn (Arr. Roberton) | — | ||
| 8-8 | I Will Walk With My Love | — | ||
| 8-9 | Ca' the yowes (Scots folk song): Arr. Jacobson | — | ||
| 8-10 | O Waly, Waly (Somerset Folk song): Coll. Cecil-sharp (1913-1976), arr. Benjamin Britten | — | ||
| 8-11 | Willow, willow (English trad.) (Arr. Peter Warlock) | — | ||
| 8-12 | The stuttering lovers (Arr. Hughes) | — | ||
| 8-13 | Now sleeps the crimson petal, op. 3, no. 2 | — | ||
| 8-14 | The fair house of joy, op. 12, no. 7 | — | ||
| 8-15 | To Julia, op. 8, Words: Robert Herrick: III. To Daisies | — | ||
| 8-16 | Over the mountains (Percy's Reliques) (Arr. Quilter) | — | ||
| 8-17 | Have you seen but a whyte lillie grow? (English trad.) (Arr. Grew/Jonson) | — | ||
| 8-18 | Ye banks and braes (Old Scottish melody) (Arr. Roger Quilter) | — | ||
| 8-19 | Drink to me only with thine eyes (Arr. Quilter) | — | ||
| 8-20 | Down by the Sally Gardens (Arr. Herbert Hughes) | — | ||
| 8-21 | The lover's curse (Irish trad.) (Arr. Herbert Hughes) | — | ||
| 9-1 | What the Edinburgh Festival has meant to me | — | ||
| 9-2 | Die junge Nonne, op. 43/1, D.828 | — | ||
| 9-3 | Rosamunde, D. 797: Romance: "Der Vollmond strahlt auf Bergeshöh'n" | — | ||
| 9-4 | Du liebst mich nicht, op. 59/1, D.756 | — | ||
| 9-5 | Der Tod und das Mädchen, D. 531 (op. 7, no. 3) | — | ||
| 9-6 | Suleika I, D.720 | — | ||
| 9-7 | Du bist die Ruh', op. 59/3, D.776 | — | ||
| 9-8 | Immer leiser wird mein Schlummer, op. 105, no. 2 | — | ||
| 9-9 | "Der Tod, das ist die kühle Nacht" op. 96, no. 1 | — | ||
| 9-10 | Fünf Lieder, op. 47: I. Botschaft | — | ||
| 9-11 | 4 Lieder, op. 43: I. Von ewiger Liebe: Dunkel, wie dunkel | — | ||
| 9-12 | Frauenliebe und -leben op. 42: I. Seit ich ihn gesehen | — | ||
| 9-13 | Frauenliebe und -leben op. 42: II. Er, der Herrlichste von allen | — | ||
| 9-14 | Frauenliebe und -leben op. 42: III. Ich kann's nicht fassen, nicht glauben | — | ||
| 9-15 | Frauenliebe und -leben op. 42: IV. Du Ring an meinem Finger | — | ||
| 9-16 | Frauenliebe und -leben op. 42: V. Helft mir, ihr Schwestern | — | ||
| 9-17 | Frauenliebe und -leben op. 42: VI. Süsser Freund, du blickest mich verwundert an | — | ||
| 9-18 | Frauenliebe und -leben op. 42: VII. An meinem Herzen, an meiner Brust | — | ||
| 9-19 | Frauenliebe und -leben op. 42: VIII. Nun hast du mir den ersten Schmerz getan | — | ||
| 10-1 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 10-2 | Gestillte Sehnsucht, op. 91, no. 1 | — | ||
| 10-3 | Geistliches Wiegenlied, op. 91, no. 2 | — | ||
| 10-4 | 4 Ernste Gesänge, op. 121: I. Denn es gehet dem Menschen | — | ||
| 10-5 | 4 Ernste Gesänge, op. 121: II. Ich wandte mich und sahe | — | ||
| 10-6 | 4 Ernste Gesänge, op. 121: III. O Tod, wie bitter bist du | — | ||
| 10-7 | 4 Ernste Gesänge, op. 121: IV. Wenn ich mit Menschen: und mit Engelszungen redete | — | ||
| 10-8 | Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n | — | ||
| 10-9 | Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 10-10 | Kindertotenlieder: Wenn dein Mütterlein | — | ||
| 10-11 | Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen | — | ||
| 10-12 | Kindertotenlieder: In diesem Wetter | — | ||
| 11-1 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": I. Rede, Mädchen, allzu liebes | — | ||
| 11-2 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": II. Am Gesteine rauscht die Flut | — | ||
| 11-3 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": III. O die Frauen, o die Frauen | — | ||
| 11-4 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IV. Wie des Abends schöne Röte | — | ||
| 11-5 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": V. Die grüne Hopfenranke | — | ||
| 11-6 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VI. Ein kleiner, hübscher Vogel nahm den Flug | — | ||
| 11-7 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VII. Wohl schön bewandt war es vorehe | — | ||
| 11-8 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VIII. Wenn so lind dein Auge mir | — | ||
| 11-9 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IX. Am Donaustrande, da steht ein Haus | — | ||
| 11-10 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": X. O wie sanft die Quelle sich | — | ||
| 11-11 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1I. Nein, es ist nicht auszukommen | — | ||
| 11-12 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1II. Schlosser auf! und mache Schlösser | — | ||
| 11-13 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1III. Vögelein durchrauscht die Luft | — | ||
| 11-14 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1IV. Sieh, wie ist die Welle klar | — | ||
| 11-15 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1V. Nachtigall, sie singt so schön | — | ||
| 11-16 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VI. Ein dunkler Schacht ist Liebe | — | ||
| 11-17 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VII. Nicht wandle, mein Licht, dort aussen | — | ||
| 11-18 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VIII. Es bebet das Gesträuche | — | ||
| 11-19 | Neue Liebeslieder Waltzer, op. 65: 1V. Zum Schluss | — | ||
| 11-20 | Spring Symphony, op. 44: I. Introduction: Shine out | — | ||
| 11-21 | Spring Symphony, op. 44: II. The merry cuckoo | — | ||
| 11-22 | Spring Symphony, op. 44: III. Spring, the sweet Spring | — | ||
| 11-23 | Spring Symphony, op. 44: IV. The driving boy | — | ||
| 11-24 | Spring Symphony, op. 44: V. The morning star | — | ||
| 11-25 | Spring Symphony, op. 44: VI. Welcome Maids of Honour | — | ||
| 11-26 | Spring Symphony, op. 44: VII. Waters above! | — | ||
| 11-27 | Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed | — | ||
| 11-28 | Spring Symphony, op. 44: IX. When will my May come | — | ||
| 11-29 | Spring Symphony, op. 44: X. Fair and fair | — | ||
| 11-30 | Spring Symphony, op. 44: 1I. Sound the flute! | — | ||
| 11-31 | Spring Symphony, op. 44: 1II. Finale: London, to thee I do present | — | ||
| 12-1 | Symphony no. 2 in C minor “Resurrection”: Ia. Allegro maestoso – | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-2 | Symphony no. 2 in C minor “Resurrection”: Ib. Schnell | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-3 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-4 | Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-5 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich, aber schlicht | Kathleen Ferrier, Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-6 | Symphony no. 2 in C minor “Resurrection”: Va. Im Tempo des Scherzos – | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-7 | Symphony no. 2 in C minor “Resurrection”: Vb. Maestoso – | Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-8 | Symphony no. 2 in C minor “Resurrection”: Vc. Sehr langsam und gedehnt – | Amsterdam Toonkunstkoor, Jo Vincent, Concertgebouw Orchestra, Otto Klemperer | — | |
| 12-9 | Symphony no. 2 in C minor “Resurrection”: Vd. Etwas bewegter | Kathleen Ferrier, Amsterdam Toonkunstkoor, Jo Vincent, Concertgebouw Orchestra, Otto Klemperer | — | |
| 13-1 | Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 13-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-3 | Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 13-4 | Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 13-6 | Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-7 | Rückert-Lieder, op. 44: IV. Ich bin der Welt abhanden gekommen | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 13-8 | Rückert-Lieder, op. 44: I. Ich atmet' einen linden Duft | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-301.280.963-7 | |
| 13-9 | Rückert-Lieder, op. 44: V. Um Mitternacht | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-926.161.456-6 | |
| 14-1 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Chorus: Praise our God | — | ||
| 14-2 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: Then Jesus lifted his hands to heaven | — | ||
| 14-3 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: My Saviour, is the parting hour so near? | — | ||
| 14-4 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Aria: Ah, tarry yet | — | ||
| 14-5 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: And behold he rose from their midst | — | ||
| 14-6 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Chorale: Now at Thy feet | — | ||
| 14-7 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: And while they looked | — | ||
| 14-8 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Duet: Ye honest men of Galilaea | — | ||
| 14-9 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Recit: Ah Lord, now quickly come again | — | ||
| 14-10 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Aria: Jesu, all Thy loving kindness | — | ||
| 14-11 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio", English version: Chorus: When will the night be over? | — | ||
| 14-12 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Chorus: Hold in affection Jesus Christ | — | ||
| 14-13 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Aria: Lord Jesus now is risen | — | ||
| 14-14 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Recit: Lord Jesus, Thou the sting of death hast drawn | — | ||
| 14-15 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Chorale: Come all, and hail | — | ||
| 14-16 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Recit: And yet, O Lord | — | ||
| 14-17 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Aria with Chorus: Peace be unto you | — | ||
| 14-18 | Halt im Gedächtnis Jesum Christ, Cantata BWV 67, Sung in English: Chorale: Lord Christ, Thou art the Prince of Peace | — | ||
| 15-1 | Kathleen Ferrier: An Ordinary Diva (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-2 | Mrs. Wilson (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-3 | Carlisle to Covent Garden in Five Years (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-4 | Yours Til Hell Freezes Over (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-5 | Whoopee! (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-6 | Aren't I Lucky! (Kathleen Ferrier: An Ordinary Diva) | — | ||
| 15-7 | Hell! Hell! Hell! (Kathleen Ferrier: An Ordinary Diva) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
