UPC · Release
Béla Bartók, Sir Georg Solti
Last verified:
The UPC for “Solti Conducts Bartok” by Béla Bartók, Sir Georg Solti is 028947837060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 91 tracks, each with its own ISRC. Tracks include GBF078110371, GBF078110372, GBF078110373.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Orchestra: I. Introduzione | — | ||
| 2 | Concerto for Orchestra: II. Giuoco delle coppie | — | ||
| 3 | Concerto for Orchestra: III. Elegia | — | ||
| 4 | Concerto for Orchestra: IV. Intermezzo interrotto | — | ||
| 5 | Concerto for Orchestra: V. Finale | — | ||
| 6 | Dance Suite: I. Moderato | — | ||
| 7 | Dance Suite: II. Allegro molto | — | ||
| 8 | Dance Suite: III. Allegro vivace | — | ||
| 9 | Dance Suite: IV. Molto tranquillo | — | ||
| 10 | Dance Suite: V. Comodo | — | ||
| 11 | Dance Suite: VI. Finale | — | ||
| 12 | Music for Strings, Percussion & Celesta - Andante tranquillo | — | ||
| 13 | Music for Strings, Percussion & Celesta - Allegro | — | ||
| 14 | Music for Strings, Percussion & Celesta - Adagio | — | ||
| 15 | Music for Strings, Percussion & Celesta - Allegro molto | — | ||
| 2-1 | The Miraculous Mandarin, Suite | — | ||
| 2-2 | Divertimento: I. Allegro non troppo | — | ||
| 2-3 | Divertimento: II. Molto adagio | — | ||
| 2-4 | Divertimento: III. Allegro assai | — | ||
| 2-5 | Hungarian sketches: I. Evening in the village | — | ||
| 2-6 | Hungarian sketches: II. Bear Dance | — | ||
| 2-7 | Hungarian sketches: III. Melody | — | ||
| 2-8 | Hungarian sketches: IV. Slightly Tipsy | — | ||
| 2-9 | Hungarian sketches: V. Swineherd's dance | — | ||
| 2-10 | Romanian Folk Dances: I. Stick Dance | — | ||
| 2-11 | Romanian Folk Dances: II. Sash Dance | — | ||
| 2-12 | Romanian Folk Dances: III. In one spot | — | ||
| 2-13 | Romanian Folk Dances: IV. Horn Dance | — | ||
| 2-14 | Romanian Folk Dances: V. Romanian Polka | — | ||
| 2-15 | Romanian Folk Dances: VI. Fast Dance | — | ||
| 2-16 | Romanian Folk Dances: VII. Aprózó | — | ||
| 2-17 | Cantata profana: I. Molto moderato | — | ||
| 2-18 | Cantata profana: II. Andante | — | ||
| 2-19 | Cantata profana: III. Moderato | — | ||
| 3-1 | Piano Concerto no. 1 in E minor, Sz. 83: I. Allegro moderato - Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-2 | Piano Concerto no. 1 in E minor, Sz. 83: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 3-3 | Piano Concerto no. 1 in E minor, Sz. 83: III. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-4 | Piano Concerto no. 2, BB 101, Sz. 95: 1. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-5 | Piano Concerto no. 2, BB 101, Sz. 95: 2. Adagio - Più adagio - Presto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-6 | Piano Concerto no. 2, BB 101, Sz. 95: 3. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-7 | Piano Concerto no. 3 in E major, Sz. 119: I. Allegretto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-8 | Piano Concerto no. 3 in E major, Sz. 119: II. Adagio religioso | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-9 | Piano Concerto no. 3 in E major, Sz. 119: III. Allegro vivace | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 4-1 | Violin Concerto no. 1, Sz. 36: I. Andante sostenuto (8:40) | — | ||
| 4-2 | Violin Concerto no. 1, Sz. 36: II. Allegro giocoso (11:34) | — | ||
| 4-3 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo (16:45) | — | ||
| 4-4 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo - Allegro scherzando - Tempo I (9:35) | — | ||
| 4-5 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto (12:28) | — | ||
| 5-1 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Prologue - Opening | — | ||
| 5-2 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 1 | — | ||
| 5-3 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 2 | — | ||
| 5-4 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 3 | — | ||
| 5-5 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 4 | — | ||
| 5-6 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 5 | — | ||
| 5-7 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 6 | — | ||
| 5-8 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 7 | — | ||
| 6-1 | Dances of Galánta: I. Lento - Maestoso | — | ||
| 6-2 | Dances of Galánta: II. Allegretto moderato | — | ||
| 6-3 | Dances of Galánta: III. Allegro con moto, grazioso | — | ||
| 6-4 | Dances of Galánta: IV. Allegro | — | ||
| 6-5 | Dances of Galánta: V. Allegro vivace | — | ||
| 6-6 | Variations on a Hungarian Folk Song "The Peacock": Theme: Moderato | — | ||
| 6-7 | Variations on a Hungarian Folk Song "The Peacock": Variations I-VI | — | ||
| 6-8 | Variations on a Hungarian Folk Song "The Peacock": Variations VII-X | — | ||
| 6-9 | Variations on a Hungarian Folk Song "The Peacock": Variations XI-XII | — | ||
| 6-10 | Variations on a Hungarian Folk Song "The Peacock": Variations XIII-XVI | — | ||
| 6-11 | Variations on a Hungarian Folk Song "The Peacock": Finale: Vivace | — | ||
| 6-12 | Háry János: Suite: The fairy tale begins | — | ||
| 6-13 | Háry János: Suite: Viennese musical clock | — | ||
| 6-14 | Háry János: Suite: Song | — | ||
| 6-15 | Háry János: Suite: The battle and defeat of Napoleon | — | ||
| 6-16 | Háry János: Suite: Intermezzo | — | ||
| 6-17 | Háry János: Suite: Entrance of the emperor and his court | — | ||
| 6-18 | Serenade for small orchestra: I. Allegretto, quasi andantino | — | ||
| 6-19 | Serenade for small orchestra: II. Lebhaft, sehr rhythmisch | — | ||
| 6-20 | Serenade for small orchestra: III. Andantino | — | ||
| 6-21 | Serenade for small orchestra: IV. Allegro molto | — | ||
| 7-1 | Dance suite: I. Moderato | — | ||
| 7-2 | Dance suite: II. Allegro molto | — | ||
| 7-3 | Dance suite: III. Allegro vivace | — | ||
| 7-4 | Dance suite: IV. Molto tranquilo | — | ||
| 7-5 | Dance suite: V. Comodo | — | ||
| 7-6 | Dance suite: VI. Finale. Allegro | — | ||
| 7-7 | Music for Strings, Percursion and Celesta: I. Andantino tranquilo | — | ||
| 7-8 | Music for Strings, Percursion and Celesta: II. Allegro | — | ||
| 7-9 | Music for Strings, Percursion and Celesta: III. Adagio | — | ||
| 7-10 | Music for Strings, Percursion and Celesta: IV. Allegro molto | — | ||
| 7-11 | Psalmus Hungaricus: Andante molto appasionato | — | ||
| 7-12 | Psalmus Hungaricus: I could have borne so sore an affliction | — | ||
| 7-13 | Psalmus Hungaricus: Adagio | — | ||
| 7-14 | Prince Csongor und die Kobolde: Introduktion und Scherzo | — |
Musical Works (ISWC)
Identifier Graph
028947837060 is a Universal Product Code (UPC) assigned to Solti Conducts Bartok by Béla Bartók, Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 91 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Solti Conducts Bartok” by Béla Bartók, Sir Georg Solti is 028947837060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 91 tracks, each with its own ISRC. Tracks include GBF078110371, GBF078110372, GBF078110373.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Orchestra: I. Introduzione | — | ||
| 2 | Concerto for Orchestra: II. Giuoco delle coppie | — | ||
| 3 | Concerto for Orchestra: III. Elegia | — | ||
| 4 | Concerto for Orchestra: IV. Intermezzo interrotto | — | ||
| 5 | Concerto for Orchestra: V. Finale | — | ||
| 6 | Dance Suite: I. Moderato | — | ||
| 7 | Dance Suite: II. Allegro molto | — | ||
| 8 | Dance Suite: III. Allegro vivace | — | ||
| 9 | Dance Suite: IV. Molto tranquillo | — | ||
| 10 | Dance Suite: V. Comodo | — | ||
| 11 | Dance Suite: VI. Finale | — | ||
| 12 | Music for Strings, Percussion & Celesta - Andante tranquillo | — | ||
| 13 | Music for Strings, Percussion & Celesta - Allegro | — | ||
| 14 | Music for Strings, Percussion & Celesta - Adagio | — | ||
| 15 | Music for Strings, Percussion & Celesta - Allegro molto | — | ||
| 2-1 | The Miraculous Mandarin, Suite | — | ||
| 2-2 | Divertimento: I. Allegro non troppo | — | ||
| 2-3 | Divertimento: II. Molto adagio | — | ||
| 2-4 | Divertimento: III. Allegro assai | — | ||
| 2-5 | Hungarian sketches: I. Evening in the village | — | ||
| 2-6 | Hungarian sketches: II. Bear Dance | — | ||
| 2-7 | Hungarian sketches: III. Melody | — | ||
| 2-8 | Hungarian sketches: IV. Slightly Tipsy | — | ||
| 2-9 | Hungarian sketches: V. Swineherd's dance | — | ||
| 2-10 | Romanian Folk Dances: I. Stick Dance | — | ||
| 2-11 | Romanian Folk Dances: II. Sash Dance | — | ||
| 2-12 | Romanian Folk Dances: III. In one spot | — | ||
| 2-13 | Romanian Folk Dances: IV. Horn Dance | — | ||
| 2-14 | Romanian Folk Dances: V. Romanian Polka | — | ||
| 2-15 | Romanian Folk Dances: VI. Fast Dance | — | ||
| 2-16 | Romanian Folk Dances: VII. Aprózó | — | ||
| 2-17 | Cantata profana: I. Molto moderato | — | ||
| 2-18 | Cantata profana: II. Andante | — | ||
| 2-19 | Cantata profana: III. Moderato | — | ||
| 3-1 | Piano Concerto no. 1 in E minor, Sz. 83: I. Allegro moderato - Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-2 | Piano Concerto no. 1 in E minor, Sz. 83: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 3-3 | Piano Concerto no. 1 in E minor, Sz. 83: III. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-4 | Piano Concerto no. 2, BB 101, Sz. 95: 1. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-5 | Piano Concerto no. 2, BB 101, Sz. 95: 2. Adagio - Più adagio - Presto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-6 | Piano Concerto no. 2, BB 101, Sz. 95: 3. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-7 | Piano Concerto no. 3 in E major, Sz. 119: I. Allegretto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-8 | Piano Concerto no. 3 in E major, Sz. 119: II. Adagio religioso | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 3-9 | Piano Concerto no. 3 in E major, Sz. 119: III. Allegro vivace | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 4-1 | Violin Concerto no. 1, Sz. 36: I. Andante sostenuto (8:40) | — | ||
| 4-2 | Violin Concerto no. 1, Sz. 36: II. Allegro giocoso (11:34) | — | ||
| 4-3 | Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo (16:45) | — | ||
| 4-4 | Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo - Allegro scherzando - Tempo I (9:35) | — | ||
| 4-5 | Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto (12:28) | — | ||
| 5-1 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Prologue - Opening | — | ||
| 5-2 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 1 | — | ||
| 5-3 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 2 | — | ||
| 5-4 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 3 | — | ||
| 5-5 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 4 | — | ||
| 5-6 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 5 | — | ||
| 5-7 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 6 | — | ||
| 5-8 | Bluebeard's Castle, BB 62, op. 11 (Sz. 48): Door 7 | — | ||
| 6-1 | Dances of Galánta: I. Lento - Maestoso | — | ||
| 6-2 | Dances of Galánta: II. Allegretto moderato | — | ||
| 6-3 | Dances of Galánta: III. Allegro con moto, grazioso | — | ||
| 6-4 | Dances of Galánta: IV. Allegro | — | ||
| 6-5 | Dances of Galánta: V. Allegro vivace | — | ||
| 6-6 | Variations on a Hungarian Folk Song "The Peacock": Theme: Moderato | — | ||
| 6-7 | Variations on a Hungarian Folk Song "The Peacock": Variations I-VI | — | ||
| 6-8 | Variations on a Hungarian Folk Song "The Peacock": Variations VII-X | — | ||
| 6-9 | Variations on a Hungarian Folk Song "The Peacock": Variations XI-XII | — | ||
| 6-10 | Variations on a Hungarian Folk Song "The Peacock": Variations XIII-XVI | — | ||
| 6-11 | Variations on a Hungarian Folk Song "The Peacock": Finale: Vivace | — | ||
| 6-12 | Háry János: Suite: The fairy tale begins | — | ||
| 6-13 | Háry János: Suite: Viennese musical clock | — | ||
| 6-14 | Háry János: Suite: Song | — | ||
| 6-15 | Háry János: Suite: The battle and defeat of Napoleon | — | ||
| 6-16 | Háry János: Suite: Intermezzo | — | ||
| 6-17 | Háry János: Suite: Entrance of the emperor and his court | — | ||
| 6-18 | Serenade for small orchestra: I. Allegretto, quasi andantino | — | ||
| 6-19 | Serenade for small orchestra: II. Lebhaft, sehr rhythmisch | — | ||
| 6-20 | Serenade for small orchestra: III. Andantino | — | ||
| 6-21 | Serenade for small orchestra: IV. Allegro molto | — | ||
| 7-1 | Dance suite: I. Moderato | — | ||
| 7-2 | Dance suite: II. Allegro molto | — | ||
| 7-3 | Dance suite: III. Allegro vivace | — | ||
| 7-4 | Dance suite: IV. Molto tranquilo | — | ||
| 7-5 | Dance suite: V. Comodo | — | ||
| 7-6 | Dance suite: VI. Finale. Allegro | — | ||
| 7-7 | Music for Strings, Percursion and Celesta: I. Andantino tranquilo | — | ||
| 7-8 | Music for Strings, Percursion and Celesta: II. Allegro | — | ||
| 7-9 | Music for Strings, Percursion and Celesta: III. Adagio | — | ||
| 7-10 | Music for Strings, Percursion and Celesta: IV. Allegro molto | — | ||
| 7-11 | Psalmus Hungaricus: Andante molto appasionato | — | ||
| 7-12 | Psalmus Hungaricus: I could have borne so sore an affliction | — | ||
| 7-13 | Psalmus Hungaricus: Adagio | — | ||
| 7-14 | Prince Csongor und die Kobolde: Introduktion und Scherzo | — |
