UPC · Release
Sir Clifford Curzon
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028947843894 is the Universal Product Code (UPC barcode) for the release “The Complete Recordings” by Sir Clifford Curzon, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 281 tracks, each with its own ISRC. Tracks include GBF075910650, GBF075911040, GBBBA3650021.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 4 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: I. Allegro non troppo e molto maestoso: Allegro con spirito | — | ||
| 5 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: II. Andantino semplice: Prestissimo - Tempo I | — | ||
| 6 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: III. Allegro con fuoco | — | ||
| 2-1 | 4 Impromptus, op. 142, D. 935: no. 1 in F minor: Allegro moderato | — | ||
| 2-2 | 4 Impromptus, op. 142, D. 935: no. 2 in A-Flat major: Allegretto | — | ||
| 2-3 | 4 Impromptus, op. 142, D. 935: no. 3 in B-Flat major: Theme (Andante) with Variations | — | ||
| 2-4 | 4 Impromptus, op. 142, D. 935: no. 4 in F minor: Allegro scherzando | — | ||
| 2-5 | Piano Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 2-6 | Piano Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 2-7 | Piano Sonata no. 17 in D major, D. 850: III. Scherzo (Allegro vivace) | — | ||
| 2-8 | Piano Sonata no. 17 in D major, D. 850: IV. Rondo (Allegro moderato) | — | ||
| 3-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | — | ||
| 3-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | — | ||
| 3-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 3-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 3-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 4-1 | Symphonic Variations for Piano & Orchestra | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | T-911.781.420-7 | |
| 4-2 | Concerto symphonique no. 4, op. 102: Scherzo | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | T-900.113.227-0 | |
| 4-3 | Noches en los jardines de España: I. En el generalife | — | ||
| 4-4 | Noches en los jardines de España: II. Danza lejana | — | ||
| 4-5 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 4-6 | Piano Concerto no. 2: I. Allegro piacevole | — | ||
| 4-7 | Piano Concerto no. 2: II. Allegro molto | — | ||
| 4-8 | Piano Concerto no. 2: III. Intermezzo | — | ||
| 4-9 | Piano Concerto no. 2: IV. Allegro | — | ||
| 5-1 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: I. Allegro con fuoco | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-2 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: II. Adagio | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-3 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: III. Presto | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-4 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: IV. Allegro | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-5 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 5-6 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 5-7 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 5-8 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 5-9 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | Sir Clifford Curzon, Members of the Amadeus Quartet | T-913.918.862-8 | |
| 5-10 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 6-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Sir Clifford Curzon, Boyd Neel | T-001.312.909-3 | |
| 6-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, Boyd Neel | — | |
| 6-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Sir Clifford Curzon, Boyd Neel | — | |
| 6-4 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | Sir Clifford Curzon, National Symphony Orchestra, Enrique Jordá | — | |
| 6-5 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Sir Clifford Curzon, National Symphony Orchestra, Enrique Jordá | — | |
| 6-6 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | Sir Clifford Curzon, National Symphony Orchestra, Enrique Jordá | — | |
| 7-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 7-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 7-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 7-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 7-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 7-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | T-071.926.821-9 | |
| 8-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | T-902.781.050-0 | |
| 8-2 | Piano Concerto in A minor, op. 16: Adagio | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | T-901.134.571-4 | |
| 8-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | — | |
| 8-4 | Piano Concerto no. 2 in B-Flat major, op. 83: I. Allegro non troppo | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-322.446.876-8 | |
| 8-5 | Piano Concerto no. 2 in B-Flat major, op. 83: II. Allegro appassionato | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-322.446.817-7 | |
| 8-6 | Piano Concerto no. 2 in B-Flat major, op. 83: III. Andante: Più adagio | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-322.449.900-3 | |
| 8-7 | Piano Concerto no. 2 in B-Flat major, op. 83: IV. Allegretto grazioso: Un poco più presto | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 9-1 | Piano Concerto no. 4 in G major: I. Allegro moderato | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-902.781.050-0 | |
| 9-2 | Piano Concerto no. 4 in G major: II. Andante con moto | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 9-3 | Piano Concerto no. 4 in G major: III. Rondo: Vivace | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 9-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-011.619.733-1 | |
| 9-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso - | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-928.635.608-9 | |
| 9-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 10-1 | Impromptu in C minor, D.899 No 1 | — | ||
| 10-2 | Impromptu in E-flat, D.899 no. 2 | — | ||
| 10-3 | Impromptu in G-flat, D.899 no. 3 | — | ||
| 10-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 10-5 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | — | ||
| 10-6 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | — | ||
| 10-7 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 10-8 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | — | ||
| 10-9 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | — | ||
| 10-10 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | — | ||
| 11-1 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 11-2 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 11-3 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 11-4 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 11-5 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 11-6 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 11-7 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 11-8 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 11-9 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 11-10 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 11-11 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 11-12 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 11-13 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 11-14 | Kinderszenen, op. 15: 1I. Fürchtenmachen | — | ||
| 11-15 | Kinderszenen, op. 15: 1II. Kind im Einschlummern | — | ||
| 11-16 | Kinderszenen, op. 15: 1III. Der Dichter spricht | — | ||
| 11-17 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Allegro con fuoco ma non troppo | — | ||
| 11-18 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Adagio | — | ||
| 11-19 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Presto | — | ||
| 11-20 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Allegro | — | ||
| 12-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | — | ||
| 12-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 12-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 12-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 12-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 12-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato: Quasi presto - Andante maestoso | — | ||
| 13-1 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | Sir Clifford Curzon | — | |
| 13-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | Sir Clifford Curzon | T-011.189.063-1 | |
| 13-3 | Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai | Sir Clifford Curzon | — | |
| 13-4 | Liebestraum no. 3 in A-Flat, S. 541 | Sir Clifford Curzon | — | |
| 13-5 | Valse oubliée no. 1 in F-sharp, S. 215 | Sir Clifford Curzon | — | |
| 13-6 | Gnomenreigen | Sir Clifford Curzon | — | |
| 13-7 | Berceuse, S. 174 | Sir Clifford Curzon | — | |
| 14-1 | Piano Quintet in A major, op. 81: I. Allegro, ma non tanto | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-2 | Piano Quintet in A major, op. 81: II. Dumka: Andante con moto | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-3 | Piano Quintet in A major, op. 81: III. Scherzo (Furiant): Molto vivace | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-4 | Piano Quintet in A major, op. 81: IV. Finale: Allegro | Clifford Curzon, Vienna Philharmonic Quartet | T-003.055.867-8 | |
| 14-5 | Piano Quintet in F minor: I. Molto moderato quasi lento ─ Allegro | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-6 | Piano Quintet in F minor: II. Lento, con molto sentimento | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-7 | Piano Quintet in F minor: III. Allegro non troppo, ma con fuoco | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 15-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-011.619.733-1 | |
| 15-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, István Kertész | T-802.445.410-3 | |
| 15-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Clifford Curzon, London Symphony Orchestra, István Kertész | T-306.395.786-4 | |
| 15-4 | Piano Concerto no. 24 in C minor, K. 491: I .Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-001.312.909-3 | |
| 15-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Clifford Curzon, London Symphony Orchestra, István Kertész | T-926.819.124-8 | |
| 15-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Clifford Curzon, London Symphony Orchestra, István Kertész | — | |
| 16-1 | Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro | — | ||
| 16-2 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. (Larghetto) | — | ||
| 16-3 | Piano Concerto no. 26 in D major, K. 537 "Coronation": III. (Allegretto) | — | ||
| 16-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 16-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 16-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 17-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 17-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 17-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 17-4 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": I. Rede, Mädchen, allzu liebes | — | ||
| 17-5 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": II. Am Gesteine rauscht die Flut | — | ||
| 17-6 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": III. O die Frauen, o die Frauen | — | ||
| 17-7 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IV. Wie des Abends schöne Röte | — | ||
| 17-8 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": V. Die grüne Hopfenranke | — | ||
| 17-9 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VI. Ein kleiner, hübscher Vogel nahm den Flug | — | ||
| 17-10 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VII. Wohl schön bewandt war es vorehe | — | ||
| 17-11 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VIII. Wenn so lind dein Auge mir | — | ||
| 17-12 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IX. Am Donaustrande, da steht ein Haus | — | ||
| 17-13 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": X. O wie sanft die Quelle sich | — | ||
| 17-14 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1I. Nein, es ist nicht auszukommen | — | ||
| 17-15 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1II. Schlosser auf! und mache Schlösser | — | ||
| 17-16 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1III. Vögelein durchrauscht die Luft | — | ||
| 17-17 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1IV. Sieh, wie ist die Welle klar | — | ||
| 17-18 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1V. Nachtigall, sie singt so schön | — | ||
| 17-19 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VI. Ein dunkler Schacht ist Liebe | — | ||
| 17-20 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VII. Nicht wandle, mein Licht, dort aussen | — | ||
| 17-21 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VIII. Es bebet das Gesträuche | — | ||
| 17-22 | Neue Liebeslieder Waltzer, op. 65: 1V. Zum Schluss | — | ||
| 18-1 | Piano Quintet in A major, D. 667 "Trout": I. Allegro vivace | — | ||
| 18-2 | Piano Quintet in A major, D. 667 "Trout": II. Andante | — | ||
| 18-3 | Piano Quintet in A major, D. 667 "Trout": III. Scherzo (Presto) | — | ||
| 18-4 | Piano Quintet in A major, D. 667 "Trout": IV. Thema: Andantino - Variazioni I-V - Allegretto | — | ||
| 18-5 | Piano Quintet in A major, D. 667 "Trout": V. Finale (Allegro giusto) | — | ||
| 18-6 | Introduction and Rondo alla burlesca, op. 23, no. 1 | — | ||
| 18-7 | Mazurka elegiaca, op. 23, no. 2 | — | ||
| 18-8 | Symphony no. 3 | — | ||
| 19-1 | 4 Impromptus, op. 90, D. 899: no. 3 in G-Flat major (Andante) | Sir Clifford Curzon | — | |
| 19-2 | 4 Impromptus, op. 90, D. 899: no. 4 in A-Flat major (Allegretto) | Sir Clifford Curzon | T-001.444.317-4 | |
| 19-3 | Impromptu in A-flat, D.935 no. 2 | Sir Clifford Curzon | — | |
| 19-4 | 6 Moments musicaux, op. 94, D. 780: I. Moderato | Sir Clifford Curzon | T-010.437.719-6 | |
| 19-5 | 6 Moments musicaux, op. 94, D. 780: II. Andantino | Sir Clifford Curzon | — | |
| 19-6 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | Sir Clifford Curzon | — | |
| 19-7 | 6 Moments musicaux, op. 94, D. 780: IV. Moderato | Sir Clifford Curzon | — | |
| 19-8 | 6 Moments musicaux, op. 94, D. 780: V. Allegro vivace | Sir Clifford Curzon | — | |
| 19-9 | 6 Moments musicaux, op. 94, D. 780: VI. Allegretto | Sir Clifford Curzon | — | |
| 19-10 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": I. Introduzione col Basso del Tema: Allegretto vivace | Sir Clifford Curzon | — | |
| 19-11 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": III. Variation 1 | Sir Clifford Curzon | — | |
| 19-12 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IV. Variation 2 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-13 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": V. Variation 3 | Sir Clifford Curzon | T-900.021.950-1 | |
| 19-14 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VI. Variation 4 | Sir Clifford Curzon | — | |
| 19-15 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VII. Variation 5 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-16 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VIII. Variation 6 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-17 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IX. Variation 7 Canone all'Ottava | Sir Clifford Curzon | — | |
| 19-18 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": X. Variation 8 | Sir Clifford Curzon | T-921.242.859-6 | |
| 19-19 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1I. Variation 9 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-20 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1II. Variation 10 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-21 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1III. Variation 11 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-22 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1IV. Variation 12 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-23 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1V. Variation 13 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-24 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VI. Variation 14 minore | Sir Clifford Curzon | — | |
| 19-25 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VII. Variation 15 Maggiore. Largo | Sir Clifford Curzon | — | |
| 19-26 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VIII. Finale. Alla Fuga. Allegro con brio | Sir Clifford Curzon | — | |
| 20-1 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 20-2 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo | — | ||
| 20-3 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo | — | ||
| 20-4 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo (Andante molto) | — | ||
| 20-5 | Piano Sonata no. 3 in F minor, op. 5: V. Finale (Allegro moderato ma rubato) | — | ||
| 20-6 | Intermezzi, op. 117: I. in E-flat major | — | ||
| 20-7 | 4 Piano Pieces, op. 119: III. Intermezzo in C | — | ||
| 20-8 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 20-9 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 20-10 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 20-11 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 21-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-001.312.909-3 | |
| 21-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | — | |
| 21-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 21-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 21-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-926.819.124-8 | |
| 21-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 22-1 | Rondo a Capriccio in G major, op. 129 "Die Wut über den verlornen Groschen" | — | ||
| 22-2 | Four Fairy Tales (Skazki), op. 26, Four Fairy Tales, Op. 26: no. 3 in F minor | — | ||
| 22-3 | Années de pèlerinage: Deuxième année: Italie, S. 161: V. Sonetto 104 del Petrarca | — | ||
| 22-4 | 8 Piano Pieces, op. 76: II. Capriccio in B minor | — | ||
| 22-5 | 4 Piano Pieces, op. 119: III. Intermezzo in C | — | ||
| 22-6 | Six Pieces for Piano, op. 118: VI. Intermezzo in E-flat minor | — | ||
| 22-7 | 2 Rhapsodies, op. 79: no. 2 in G minor | — | ||
| 22-8 | Intermezzi, op. 117: I. in E-flat major | — | ||
| 22-9 | Mephisto Waltz no. 1 S514 | — | ||
| 22-10 | Liebestraum no. 3 in A-Flat, S. 541 | — | ||
| 22-11 | Nocturne in C-sharp minor, op. Posth. | — | ||
| 22-12 | Noches en los jardines de España: I. En el generalife | — | ||
| 22-13 | Noches en los jardines de España: II. Danza lejana | — | ||
| 22-14 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 23-1 | This Week Our Castaway Is the Concert Pianist Sir Clifford Curzon | — | ||
| 23-2 | For Number Two, I Think... | — | ||
| 23-3 | You're A Londoner, Aren't You, Sir Clifford? | — | ||
| 23-4 | You Were Only Sixteen, I Believe..." | — | ||
| 23-5 | Record Number Five... | — | ||
| 23-6 | You Love Playing Chamber Music, Don't You? | — | ||
| 23-7 | What I Like To Do Is To Get Rid Of My Records... | — | ||
| 23-8 | For My Last Record I'd Like... | — | ||
| 23-9 | Clifford Curzon on Schnabel: "Clifford Curzon, your teachers..." | — | ||
| 23-10 | Clifford Curzon on Schnabel: "Just now you mentioned Schnabel's teacher..." | — | ||
| 23-11 | Clifford Curzon on Schnabel: "You've only touched on Schnabel's qualities..." | — | ||
| 23-12 | Clifford Curzon on Schnabel: "One of his lesser known qualities..." | — | ||
| 23-13 | Clifford Curzon on Schnabel: "Wouldn't this be a good moment..." | — | ||
| 23-14 | Clifford Curzon on Schnabel: "Wasn't that wonderful?" | — | ||
| 23-15 | Clifford Curzon on Schnabel: "As he had the pick of the world's talent" | — | ||
| 23-16 | Clifford Curzon on Schnabel: "Clifford, it's just over twenty years now..." | — | ||
| 23-17 | Clifford Curzon on Schnabel: "What made him, in many ways, the ideal..." | — | ||
| 23-18 | Clifford Curzon on Schnabel: "Finally, Clifford, what are your memories..." | — | ||
| 24-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 24-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 24-3 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 24-4 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 24-5 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 24-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 24-7 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 24-8 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 24-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 24-10 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 24-11 | Kinderszenen, op. 15: 1I. Fürchtenmachen | — | ||
| 24-12 | Kinderszenen, op. 15: 1II. Kind im Einschlummern | — | ||
| 24-13 | Kinderszenen, op. 15: 1III. Der Dichter spricht | — | ||
| 24-14 | 7 Piano Pieces, op. 116: I. Capriccio in D minor | — | ||
| 24-15 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | — | ||
| 24-16 | 4 Impromptus, op. 90, D. 899: no. 4 in A-Flat major (Allegretto) | — | ||
| 24-17 | Introduction to Schubert Piano Sonata no. 21 | — | ||
| 24-18 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 24-19 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 24-20 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 24-21 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 24-22 | Arthur Schnabel as a Teacher: You won't ever be a pianist... | — | ||
| 24-23 | Arthur Schnabel as a Teacher: On the subject of editions... | — | ||
| 24-24 | Arthur Schnabel as a Teacher: Schnabel's peculiar excellence as a teacher... | — | ||
| 24-25 | Arthur Schnabel as a Teacher: His physical gifts were no less unusual than his mental... | — | ||
| 24-26 | Arthur Schnabel as a Teacher: Technique: in the usual sense of pianistic facility... | — | ||
| 24-27 | Personalities in British Music: Clifford Curzon: The main musical influence in my life... | — | ||
| 24-28 | Personalities in British Music: Clifford Curzon: I think the people who criticise Schnabel... | — | ||
| 24-29 | Personalities in British Music: Clifford Curzon: Sir Henry Wood helped me a great deal... | — | ||
| 24-30 | Personalities in British Music: Clifford Curzon: What do you think of the influence of... | — | ||
| 24-31 | Personalities in British Music: Clifford Curzon: I certainly have a favourite composer... | — | ||
| 24-32 | Clifford Curzon talking about Sir Henry Wood: Sir Henry Wood has had a strong influence on my life... | — | ||
| 24-33 | Clifford Curzon talking about Sir Henry Wood: As a human being... | — | ||
| 24-34 | Clifford Curzon talking about Sir Henry Wood: As a great conductor... | — | ||
| 24-35 | Royal Philharmonic Society Gold Medal Ceremony 1980: It's my pleasant duty... | — | ||
| 24-36 | Royal Philharmonic Society Gold Medal Ceremony 1980: The Gold Medal... | — | ||
| 24-37 | Royal Philharmonic Society Gold Medal Ceremony 1980: Sir Michael, friends and colleagues... | — | ||
| 24-38 | Clifford Curzon extemporises: In 1981, just the year before Clifford died... | — | ||
| 24-39 | Clifford Curzon extemporises: I've known people who, at about the age of three... | — | ||
| 24-40 | Clifford Curzon extemporises: Teaching is a tricky subject indeed... | — | ||
| 24-41 | Clifford Curzon extemporises: Another thing that a lot of people don't realise... | — | ||
| 24-42 | Clifford Curzon extemporises: Back to performing though... | — | ||
| 24-43 | Piano Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 24-44 | Piano Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 24-45 | Piano Sonata no. 17 in D major, D. 850: III. Scherzo (Allegro vivace) | — | ||
| 24-46 | Piano Sonata no. 17 in D major, D. 850: IV. Rondo (Allegro moderato) | — | ||
| 24-47 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 24-48 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 24-49 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 24-50 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
028947843894 is a Universal Product Code (UPC) assigned to The Complete Recordings by Sir Clifford Curzon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 281 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947843894 is the Universal Product Code (UPC barcode) for the release “The Complete Recordings” by Sir Clifford Curzon, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 281 tracks, each with its own ISRC. Tracks include GBF075910650, GBF075911040, GBBBA3650021.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro | — | ||
| 2 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 3 | Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 4 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: I. Allegro non troppo e molto maestoso: Allegro con spirito | — | ||
| 5 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: II. Andantino semplice: Prestissimo - Tempo I | — | ||
| 6 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: III. Allegro con fuoco | — | ||
| 2-1 | 4 Impromptus, op. 142, D. 935: no. 1 in F minor: Allegro moderato | — | ||
| 2-2 | 4 Impromptus, op. 142, D. 935: no. 2 in A-Flat major: Allegretto | — | ||
| 2-3 | 4 Impromptus, op. 142, D. 935: no. 3 in B-Flat major: Theme (Andante) with Variations | — | ||
| 2-4 | 4 Impromptus, op. 142, D. 935: no. 4 in F minor: Allegro scherzando | — | ||
| 2-5 | Piano Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 2-6 | Piano Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 2-7 | Piano Sonata no. 17 in D major, D. 850: III. Scherzo (Allegro vivace) | — | ||
| 2-8 | Piano Sonata no. 17 in D major, D. 850: IV. Rondo (Allegro moderato) | — | ||
| 3-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | — | ||
| 3-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | — | ||
| 3-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 3-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 3-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 3-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 4-1 | Symphonic Variations for Piano & Orchestra | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | T-911.781.420-7 | |
| 4-2 | Concerto symphonique no. 4, op. 102: Scherzo | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | T-900.113.227-0 | |
| 4-3 | Noches en los jardines de España: I. En el generalife | — | ||
| 4-4 | Noches en los jardines de España: II. Danza lejana | — | ||
| 4-5 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 4-6 | Piano Concerto no. 2: I. Allegro piacevole | — | ||
| 4-7 | Piano Concerto no. 2: II. Allegro molto | — | ||
| 4-8 | Piano Concerto no. 2: III. Intermezzo | — | ||
| 4-9 | Piano Concerto no. 2: IV. Allegro | — | ||
| 5-1 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: I. Allegro con fuoco | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-2 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: II. Adagio | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-3 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: III. Presto | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-4 | Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: IV. Allegro | Sir Clifford Curzon, Queens Hall Orchestra, Sir Henry Wood | — | |
| 5-5 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 5-6 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 5-7 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo (Allegro moderato) | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 5-8 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | Sir Clifford Curzon, Members of the Amadeus Quartet | T-011.619.733-1 | |
| 5-9 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | Sir Clifford Curzon, Members of the Amadeus Quartet | T-913.918.862-8 | |
| 5-10 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | Sir Clifford Curzon, Members of the Amadeus Quartet | — | |
| 6-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Sir Clifford Curzon, Boyd Neel | T-001.312.909-3 | |
| 6-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, Boyd Neel | — | |
| 6-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Sir Clifford Curzon, Boyd Neel | — | |
| 6-4 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | Sir Clifford Curzon, National Symphony Orchestra, Enrique Jordá | — | |
| 6-5 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Sir Clifford Curzon, National Symphony Orchestra, Enrique Jordá | — | |
| 6-6 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | Sir Clifford Curzon, National Symphony Orchestra, Enrique Jordá | — | |
| 7-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 7-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 7-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 7-4 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 7-5 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 7-6 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Sir Clifford Curzon, London Philharmonic Orchestra, Sir Adrian Boult | T-071.926.821-9 | |
| 8-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | T-902.781.050-0 | |
| 8-2 | Piano Concerto in A minor, op. 16: Adagio | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | T-901.134.571-4 | |
| 8-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | Sir Clifford Curzon, London Symphony Orchestra, Øivin Fjeldstad | — | |
| 8-4 | Piano Concerto no. 2 in B-Flat major, op. 83: I. Allegro non troppo | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-322.446.876-8 | |
| 8-5 | Piano Concerto no. 2 in B-Flat major, op. 83: II. Allegro appassionato | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-322.446.817-7 | |
| 8-6 | Piano Concerto no. 2 in B-Flat major, op. 83: III. Andante: Più adagio | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-322.449.900-3 | |
| 8-7 | Piano Concerto no. 2 in B-Flat major, op. 83: IV. Allegretto grazioso: Un poco più presto | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 9-1 | Piano Concerto no. 4 in G major: I. Allegro moderato | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-902.781.050-0 | |
| 9-2 | Piano Concerto no. 4 in G major: II. Andante con moto | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 9-3 | Piano Concerto no. 4 in G major: III. Rondo: Vivace | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 9-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-011.619.733-1 | |
| 9-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso - | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-928.635.608-9 | |
| 9-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 10-1 | Impromptu in C minor, D.899 No 1 | — | ||
| 10-2 | Impromptu in E-flat, D.899 no. 2 | — | ||
| 10-3 | Impromptu in G-flat, D.899 no. 3 | — | ||
| 10-4 | Impromptu in A-flat, D.899 no. 4 | — | ||
| 10-5 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | — | ||
| 10-6 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | — | ||
| 10-7 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 10-8 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | — | ||
| 10-9 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | — | ||
| 10-10 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | — | ||
| 11-1 | Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo | — | ||
| 11-2 | Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter | — | ||
| 11-3 | Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter | — | ||
| 11-4 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 11-5 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 11-6 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 11-7 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 11-8 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 11-9 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 11-10 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 11-11 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 11-12 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 11-13 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 11-14 | Kinderszenen, op. 15: 1I. Fürchtenmachen | — | ||
| 11-15 | Kinderszenen, op. 15: 1II. Kind im Einschlummern | — | ||
| 11-16 | Kinderszenen, op. 15: 1III. Der Dichter spricht | — | ||
| 11-17 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Allegro con fuoco ma non troppo | — | ||
| 11-18 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Adagio | — | ||
| 11-19 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Presto | — | ||
| 11-20 | Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Allegro | — | ||
| 12-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | — | ||
| 12-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 12-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 12-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 12-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 12-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato: Quasi presto - Andante maestoso | — | ||
| 13-1 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | Sir Clifford Curzon | — | |
| 13-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | Sir Clifford Curzon | T-011.189.063-1 | |
| 13-3 | Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai | Sir Clifford Curzon | — | |
| 13-4 | Liebestraum no. 3 in A-Flat, S. 541 | Sir Clifford Curzon | — | |
| 13-5 | Valse oubliée no. 1 in F-sharp, S. 215 | Sir Clifford Curzon | — | |
| 13-6 | Gnomenreigen | Sir Clifford Curzon | — | |
| 13-7 | Berceuse, S. 174 | Sir Clifford Curzon | — | |
| 14-1 | Piano Quintet in A major, op. 81: I. Allegro, ma non tanto | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-2 | Piano Quintet in A major, op. 81: II. Dumka: Andante con moto | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-3 | Piano Quintet in A major, op. 81: III. Scherzo (Furiant): Molto vivace | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-4 | Piano Quintet in A major, op. 81: IV. Finale: Allegro | Clifford Curzon, Vienna Philharmonic Quartet | T-003.055.867-8 | |
| 14-5 | Piano Quintet in F minor: I. Molto moderato quasi lento ─ Allegro | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-6 | Piano Quintet in F minor: II. Lento, con molto sentimento | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 14-7 | Piano Quintet in F minor: III. Allegro non troppo, ma con fuoco | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 15-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-011.619.733-1 | |
| 15-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, István Kertész | T-802.445.410-3 | |
| 15-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Clifford Curzon, London Symphony Orchestra, István Kertész | T-306.395.786-4 | |
| 15-4 | Piano Concerto no. 24 in C minor, K. 491: I .Allegro | Clifford Curzon, London Symphony Orchestra, István Kertész | T-001.312.909-3 | |
| 15-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | Clifford Curzon, London Symphony Orchestra, István Kertész | T-926.819.124-8 | |
| 15-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | Clifford Curzon, London Symphony Orchestra, István Kertész | — | |
| 16-1 | Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro | — | ||
| 16-2 | Piano Concerto no. 26 in D major, K. 537 "Coronation": II. (Larghetto) | — | ||
| 16-3 | Piano Concerto no. 26 in D major, K. 537 "Coronation": III. (Allegretto) | — | ||
| 16-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | — | ||
| 16-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | — | ||
| 16-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | — | ||
| 17-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 17-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 17-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo | Sir Clifford Curzon, London Symphony Orchestra, George Szell | — | |
| 17-4 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": I. Rede, Mädchen, allzu liebes | — | ||
| 17-5 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": II. Am Gesteine rauscht die Flut | — | ||
| 17-6 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": III. O die Frauen, o die Frauen | — | ||
| 17-7 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IV. Wie des Abends schöne Röte | — | ||
| 17-8 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": V. Die grüne Hopfenranke | — | ||
| 17-9 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VI. Ein kleiner, hübscher Vogel nahm den Flug | — | ||
| 17-10 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VII. Wohl schön bewandt war es vorehe | — | ||
| 17-11 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": VIII. Wenn so lind dein Auge mir | — | ||
| 17-12 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": IX. Am Donaustrande, da steht ein Haus | — | ||
| 17-13 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": X. O wie sanft die Quelle sich | — | ||
| 17-14 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1I. Nein, es ist nicht auszukommen | — | ||
| 17-15 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1II. Schlosser auf! und mache Schlösser | — | ||
| 17-16 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1III. Vögelein durchrauscht die Luft | — | ||
| 17-17 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1IV. Sieh, wie ist die Welle klar | — | ||
| 17-18 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1V. Nachtigall, sie singt so schön | — | ||
| 17-19 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VI. Ein dunkler Schacht ist Liebe | — | ||
| 17-20 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VII. Nicht wandle, mein Licht, dort aussen | — | ||
| 17-21 | Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VIII. Es bebet das Gesträuche | — | ||
| 17-22 | Neue Liebeslieder Waltzer, op. 65: 1V. Zum Schluss | — | ||
| 18-1 | Piano Quintet in A major, D. 667 "Trout": I. Allegro vivace | — | ||
| 18-2 | Piano Quintet in A major, D. 667 "Trout": II. Andante | — | ||
| 18-3 | Piano Quintet in A major, D. 667 "Trout": III. Scherzo (Presto) | — | ||
| 18-4 | Piano Quintet in A major, D. 667 "Trout": IV. Thema: Andantino - Variazioni I-V - Allegretto | — | ||
| 18-5 | Piano Quintet in A major, D. 667 "Trout": V. Finale (Allegro giusto) | — | ||
| 18-6 | Introduction and Rondo alla burlesca, op. 23, no. 1 | — | ||
| 18-7 | Mazurka elegiaca, op. 23, no. 2 | — | ||
| 18-8 | Symphony no. 3 | — | ||
| 19-1 | 4 Impromptus, op. 90, D. 899: no. 3 in G-Flat major (Andante) | Sir Clifford Curzon | — | |
| 19-2 | 4 Impromptus, op. 90, D. 899: no. 4 in A-Flat major (Allegretto) | Sir Clifford Curzon | T-001.444.317-4 | |
| 19-3 | Impromptu in A-flat, D.935 no. 2 | Sir Clifford Curzon | — | |
| 19-4 | 6 Moments musicaux, op. 94, D. 780: I. Moderato | Sir Clifford Curzon | T-010.437.719-6 | |
| 19-5 | 6 Moments musicaux, op. 94, D. 780: II. Andantino | Sir Clifford Curzon | — | |
| 19-6 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | Sir Clifford Curzon | — | |
| 19-7 | 6 Moments musicaux, op. 94, D. 780: IV. Moderato | Sir Clifford Curzon | — | |
| 19-8 | 6 Moments musicaux, op. 94, D. 780: V. Allegro vivace | Sir Clifford Curzon | — | |
| 19-9 | 6 Moments musicaux, op. 94, D. 780: VI. Allegretto | Sir Clifford Curzon | — | |
| 19-10 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": I. Introduzione col Basso del Tema: Allegretto vivace | Sir Clifford Curzon | — | |
| 19-11 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": III. Variation 1 | Sir Clifford Curzon | — | |
| 19-12 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IV. Variation 2 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-13 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": V. Variation 3 | Sir Clifford Curzon | T-900.021.950-1 | |
| 19-14 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VI. Variation 4 | Sir Clifford Curzon | — | |
| 19-15 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VII. Variation 5 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-16 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VIII. Variation 6 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-17 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IX. Variation 7 Canone all'Ottava | Sir Clifford Curzon | — | |
| 19-18 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": X. Variation 8 | Sir Clifford Curzon | T-921.242.859-6 | |
| 19-19 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1I. Variation 9 | Sir Clifford Curzon | T-912.658.196-2 | |
| 19-20 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1II. Variation 10 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-21 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1III. Variation 11 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-22 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1IV. Variation 12 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-23 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1V. Variation 13 | Sir Clifford Curzon | T-010.512.679-1 | |
| 19-24 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VI. Variation 14 minore | Sir Clifford Curzon | — | |
| 19-25 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VII. Variation 15 Maggiore. Largo | Sir Clifford Curzon | — | |
| 19-26 | 15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VIII. Finale. Alla Fuga. Allegro con brio | Sir Clifford Curzon | — | |
| 20-1 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 20-2 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo | — | ||
| 20-3 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo | — | ||
| 20-4 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo (Andante molto) | — | ||
| 20-5 | Piano Sonata no. 3 in F minor, op. 5: V. Finale (Allegro moderato ma rubato) | — | ||
| 20-6 | Intermezzi, op. 117: I. in E-flat major | — | ||
| 20-7 | 4 Piano Pieces, op. 119: III. Intermezzo in C | — | ||
| 20-8 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 20-9 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 20-10 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 20-11 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 21-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-001.312.909-3 | |
| 21-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | — | |
| 21-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 21-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-011.619.733-1 | |
| 21-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-926.819.124-8 | |
| 21-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | T-306.395.786-4 | |
| 22-1 | Rondo a Capriccio in G major, op. 129 "Die Wut über den verlornen Groschen" | — | ||
| 22-2 | Four Fairy Tales (Skazki), op. 26, Four Fairy Tales, Op. 26: no. 3 in F minor | — | ||
| 22-3 | Années de pèlerinage: Deuxième année: Italie, S. 161: V. Sonetto 104 del Petrarca | — | ||
| 22-4 | 8 Piano Pieces, op. 76: II. Capriccio in B minor | — | ||
| 22-5 | 4 Piano Pieces, op. 119: III. Intermezzo in C | — | ||
| 22-6 | Six Pieces for Piano, op. 118: VI. Intermezzo in E-flat minor | — | ||
| 22-7 | 2 Rhapsodies, op. 79: no. 2 in G minor | — | ||
| 22-8 | Intermezzi, op. 117: I. in E-flat major | — | ||
| 22-9 | Mephisto Waltz no. 1 S514 | — | ||
| 22-10 | Liebestraum no. 3 in A-Flat, S. 541 | — | ||
| 22-11 | Nocturne in C-sharp minor, op. Posth. | — | ||
| 22-12 | Noches en los jardines de España: I. En el generalife | — | ||
| 22-13 | Noches en los jardines de España: II. Danza lejana | — | ||
| 22-14 | Noches en los jardines de España: III. En los jardines de la Sierra de Cordoba | — | ||
| 23-1 | This Week Our Castaway Is the Concert Pianist Sir Clifford Curzon | — | ||
| 23-2 | For Number Two, I Think... | — | ||
| 23-3 | You're A Londoner, Aren't You, Sir Clifford? | — | ||
| 23-4 | You Were Only Sixteen, I Believe..." | — | ||
| 23-5 | Record Number Five... | — | ||
| 23-6 | You Love Playing Chamber Music, Don't You? | — | ||
| 23-7 | What I Like To Do Is To Get Rid Of My Records... | — | ||
| 23-8 | For My Last Record I'd Like... | — | ||
| 23-9 | Clifford Curzon on Schnabel: "Clifford Curzon, your teachers..." | — | ||
| 23-10 | Clifford Curzon on Schnabel: "Just now you mentioned Schnabel's teacher..." | — | ||
| 23-11 | Clifford Curzon on Schnabel: "You've only touched on Schnabel's qualities..." | — | ||
| 23-12 | Clifford Curzon on Schnabel: "One of his lesser known qualities..." | — | ||
| 23-13 | Clifford Curzon on Schnabel: "Wouldn't this be a good moment..." | — | ||
| 23-14 | Clifford Curzon on Schnabel: "Wasn't that wonderful?" | — | ||
| 23-15 | Clifford Curzon on Schnabel: "As he had the pick of the world's talent" | — | ||
| 23-16 | Clifford Curzon on Schnabel: "Clifford, it's just over twenty years now..." | — | ||
| 23-17 | Clifford Curzon on Schnabel: "What made him, in many ways, the ideal..." | — | ||
| 23-18 | Clifford Curzon on Schnabel: "Finally, Clifford, what are your memories..." | — | ||
| 24-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 24-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 24-3 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 24-4 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 24-5 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 24-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 24-7 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 24-8 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 24-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 24-10 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 24-11 | Kinderszenen, op. 15: 1I. Fürchtenmachen | — | ||
| 24-12 | Kinderszenen, op. 15: 1II. Kind im Einschlummern | — | ||
| 24-13 | Kinderszenen, op. 15: 1III. Der Dichter spricht | — | ||
| 24-14 | 7 Piano Pieces, op. 116: I. Capriccio in D minor | — | ||
| 24-15 | 6 Moments musicaux, op. 94, D. 780: III. Allegro moderato | — | ||
| 24-16 | 4 Impromptus, op. 90, D. 899: no. 4 in A-Flat major (Allegretto) | — | ||
| 24-17 | Introduction to Schubert Piano Sonata no. 21 | — | ||
| 24-18 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 24-19 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 24-20 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 24-21 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — | ||
| 24-22 | Arthur Schnabel as a Teacher: You won't ever be a pianist... | — | ||
| 24-23 | Arthur Schnabel as a Teacher: On the subject of editions... | — | ||
| 24-24 | Arthur Schnabel as a Teacher: Schnabel's peculiar excellence as a teacher... | — | ||
| 24-25 | Arthur Schnabel as a Teacher: His physical gifts were no less unusual than his mental... | — | ||
| 24-26 | Arthur Schnabel as a Teacher: Technique: in the usual sense of pianistic facility... | — | ||
| 24-27 | Personalities in British Music: Clifford Curzon: The main musical influence in my life... | — | ||
| 24-28 | Personalities in British Music: Clifford Curzon: I think the people who criticise Schnabel... | — | ||
| 24-29 | Personalities in British Music: Clifford Curzon: Sir Henry Wood helped me a great deal... | — | ||
| 24-30 | Personalities in British Music: Clifford Curzon: What do you think of the influence of... | — | ||
| 24-31 | Personalities in British Music: Clifford Curzon: I certainly have a favourite composer... | — | ||
| 24-32 | Clifford Curzon talking about Sir Henry Wood: Sir Henry Wood has had a strong influence on my life... | — | ||
| 24-33 | Clifford Curzon talking about Sir Henry Wood: As a human being... | — | ||
| 24-34 | Clifford Curzon talking about Sir Henry Wood: As a great conductor... | — | ||
| 24-35 | Royal Philharmonic Society Gold Medal Ceremony 1980: It's my pleasant duty... | — | ||
| 24-36 | Royal Philharmonic Society Gold Medal Ceremony 1980: The Gold Medal... | — | ||
| 24-37 | Royal Philharmonic Society Gold Medal Ceremony 1980: Sir Michael, friends and colleagues... | — | ||
| 24-38 | Clifford Curzon extemporises: In 1981, just the year before Clifford died... | — | ||
| 24-39 | Clifford Curzon extemporises: I've known people who, at about the age of three... | — | ||
| 24-40 | Clifford Curzon extemporises: Teaching is a tricky subject indeed... | — | ||
| 24-41 | Clifford Curzon extemporises: Another thing that a lot of people don't realise... | — | ||
| 24-42 | Clifford Curzon extemporises: Back to performing though... | — | ||
| 24-43 | Piano Sonata no. 17 in D major, D. 850: I. Allegro vivace | — | ||
| 24-44 | Piano Sonata no. 17 in D major, D. 850: II. Con moto | — | ||
| 24-45 | Piano Sonata no. 17 in D major, D. 850: III. Scherzo (Allegro vivace) | — | ||
| 24-46 | Piano Sonata no. 17 in D major, D. 850: IV. Rondo (Allegro moderato) | — | ||
| 24-47 | Piano Sonata no. 21 in B-Flat major, D. 960: I. Molto moderato | — | ||
| 24-48 | Piano Sonata no. 21 in B-Flat major, D. 960: II. Andante sostenuto | — | ||
| 24-49 | Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza) | — | ||
| 24-50 | Piano Sonata no. 21 in B-Flat major, D. 960: IV. Allegro ma non troppo | — |
