UPC · Release
The Creation
Haydn, Kirkby, Rolfe Johnson, George, New College Choir, Oxford, The Academy of Ancient Music, Christopher Hogwood
028947845942
32 tracksReleased 2012-01-01Decca
Last verified:
028947845942 is the Universal Product Code (UPC barcode) for the release “The Creation” by Haydn, Kirkby, Rolfe Johnson, George, New College Choir, Oxford, The Academy of Ancient Music, Christopher Hogwood, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC.
Format
0Number system
28947Manufacturer
84594Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Creation: Part I. Overture. The Representation of Chaos | — | ||
| 2 | The Creation: Part I, Scene I. Recitative "In the beginning God created the heaven" (Raphael) - Chorus "And the Spirit of God moved upon the face of the waters" | — | ||
| 3 | The Creation: Part I, Scene I. Aria "Now vanish for the holy beams" (Uriel) - Chorus "Despairing, cursing rage" | — | ||
| 4 | The Creation: Part I, Scene II. Recitative "And God made the firmament" (Raphael) | — | ||
| 5 | The Creation: Part I, Scene II. "The marv'lous work beholds amazed" (Gabriel, Chorus) | — | ||
| 6 | The Creation: Part I, Scene III. Recitative "And God said: Let the waters under the heavens be gathered together" (Raphael) | — | ||
| 7 | The Creation: Part I, Scene III. Aria "Rolling in foaming billows" (Raphael) | — | ||
| 8 | The Creation: Part I, Scene III. Recitative "And God said: Let the earth bring forth grass" (Gabriel) | — | ||
| 9 | The Creation: Part I, Scene III. Aria "With verdure clad the fields appear" (Gabriel) | — | ||
| 10 | The Creation: Part I, Scene III. Recitative "And the heavenly hosts proclaimed" (Uriel) | — | ||
| 11 | The Creation: Part I, Scene III. Chorus "Awake the harp" | — | ||
| 12 | The Creation: Part I, Scene IV. Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel) | — | ||
| 13 | The Creation: Part I, Scene IV. Recitative "In splendour bright is rising now the sun" (Uriel) | — | ||
| 14 | The Creation: Part I, Scene IV. "The heavens are telling the Glory of God" (Chorus, Gabriel, Uriel, Raphael) | — | ||
| 2-1 | The Creation: Part II, Scene I. Recitative "And God said: Let the waters bring forth" (Gabriel) | — | ||
| 2-2 | The Creation, Part II, Scene I. Aria "On mighty pens uplifted soars the eagle aloft" (Gabriel) | — | ||
| 2-3 | The Creation, Part II, Scene I. Recitative "And God created great whales" (Raphael) | — | ||
| 2-4 | The Creation, Part II, Scene I. Recitative "And the angels struck their immortal harps" (Raphael) | — | ||
| 2-5 | The Creation: Part II, Scene I. "Most beautiful appear" (Gabriel, Uriel, Raphael, Chorus) | — | ||
| 2-6 | The Creation: Part II, Scene II. Recitative "And God said: Let the earth bring forth" (Raphael) | — | ||
| 2-7 | The Creation: Part II, Scene II. Recitative "Straight opening her fertile womb" (Raphael) | — | ||
| 2-8 | The Creation: Part II, Scene II. Aria "Now heaven in fullest glory shone" (Raphael) | — | ||
| 2-9 | The Creation: Part II, Scene II. Recitative "And God created Man" (Uriel) | — | ||
| 2-10 | The Creation: Part II, Scene II. Aria "In native worth and honour clad" (Uriel) | — | ||
| 2-11 | The Creation: Part II, Scene II. Recitative "And God saw everything" (Raphael) | — | ||
| 2-12 | The Creation: Part II, Scene II. Chorus and trio "Achieved is the glorious work" | — | ||
| 2-13 | The Creation: Part III, Scene I. Recitative "In rosy mantle appears" (Uriel) | — | ||
| 2-14 | The Creation: Part III, Scene II. "By Thee with bliss, o bounteous Lord" (Adam, Eve, Chorus) | — | ||
| 2-15 | The Creation: Part III, Scene III. Recitative "Our duty we performed now" (Adam, Eve) | — | ||
| 2-16 | The Creation: Part III, Scene III. Duet "Graceful consort! At thy side" (Adam, Eve) | — | ||
| 2-17 | The Creation: Part III, Final Scene. Recitative "O happy pair" (Uriel) | — | ||
| 2-18 | The Creation: Part III, Final Scene. Chorus "Sing the Lord ye voices all!" | — |
The Creation: Part I. Overture. The Representation of Chaos
—
The Creation: Part I, Scene I. Recitative "In the beginning God created the heaven" (Raphael) - Chorus "And the Spirit of God moved upon the face of the waters"
—
The Creation: Part I, Scene I. Aria "Now vanish for the holy beams" (Uriel) - Chorus "Despairing, cursing rage"
—
The Creation: Part I, Scene II. Recitative "And God made the firmament" (Raphael)
—
The Creation: Part I, Scene II. "The marv'lous work beholds amazed" (Gabriel, Chorus)
—
The Creation: Part I, Scene III. Recitative "And God said: Let the waters under the heavens be gathered together" (Raphael)
—
The Creation: Part I, Scene III. Aria "Rolling in foaming billows" (Raphael)
—
The Creation: Part I, Scene III. Recitative "And God said: Let the earth bring forth grass" (Gabriel)
—
The Creation: Part I, Scene III. Aria "With verdure clad the fields appear" (Gabriel)
—
The Creation: Part I, Scene III. Recitative "And the heavenly hosts proclaimed" (Uriel)
—
The Creation: Part I, Scene III. Chorus "Awake the harp"
—
The Creation: Part I, Scene IV. Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel)
—
The Creation: Part I, Scene IV. Recitative "In splendour bright is rising now the sun" (Uriel)
—
The Creation: Part I, Scene IV. "The heavens are telling the Glory of God" (Chorus, Gabriel, Uriel, Raphael)
—
The Creation: Part II, Scene I. Recitative "And God said: Let the waters bring forth" (Gabriel)
—
The Creation, Part II, Scene I. Aria "On mighty pens uplifted soars the eagle aloft" (Gabriel)
—
The Creation, Part II, Scene I. Recitative "And God created great whales" (Raphael)
—
The Creation, Part II, Scene I. Recitative "And the angels struck their immortal harps" (Raphael)
—
The Creation: Part II, Scene I. "Most beautiful appear" (Gabriel, Uriel, Raphael, Chorus)
—
The Creation: Part II, Scene II. Recitative "And God said: Let the earth bring forth" (Raphael)
—
The Creation: Part II, Scene II. Recitative "Straight opening her fertile womb" (Raphael)
—
The Creation: Part II, Scene II. Aria "Now heaven in fullest glory shone" (Raphael)
—
The Creation: Part II, Scene II. Recitative "And God created Man" (Uriel)
—
The Creation: Part II, Scene II. Aria "In native worth and honour clad" (Uriel)
—
The Creation: Part II, Scene II. Recitative "And God saw everything" (Raphael)
—
The Creation: Part II, Scene II. Chorus and trio "Achieved is the glorious work"
—
The Creation: Part III, Scene I. Recitative "In rosy mantle appears" (Uriel)
—
The Creation: Part III, Scene II. "By Thee with bliss, o bounteous Lord" (Adam, Eve, Chorus)
—
The Creation: Part III, Scene III. Recitative "Our duty we performed now" (Adam, Eve)
—
The Creation: Part III, Scene III. Duet "Graceful consort! At thy side" (Adam, Eve)
—
The Creation: Part III, Final Scene. Recitative "O happy pair" (Uriel)
—
The Creation: Part III, Final Scene. Chorus "Sing the Lord ye voices all!"
—
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What is UPC 028947845942?
028947845942 is a Universal Product Code (UPC) assigned to The Creation by Haydn, Kirkby, Rolfe Johnson, George, New College Choir, Oxford, The Academy of Ancient Music, Christopher Hogwood. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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