UPC · Release
101 Relaxing Classics
Various Artists
028947850748
101 tracksReleased 2013-03-04
Last verified:
028947850748 is the Universal Product Code (UPC barcode) for the release “101 Relaxing Classics” by Various Artists, released 2013-03-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC. Tracks include GBF078841901, GBF079612470, GBBBB3200005.
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28947Manufacturer
85074Product
8Check digit
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Credit Chain
UPC101 Relaxing Classics
ISRC101 recordings
ISWC30 works
IPI1 songwriter
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings (vocal version) | London Voices, Terry Edwards | T-901.134.571-4 | |
| 2 | Ave verum corpus, K 618 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | — | |
| 3 | Ave Maria | Benjamin Hulett, Helen Tunstall, Choir of New College Oxford, Edward Higginbottom | T-917.877.881-9 | |
| 4 | Pavane, op. 50 | Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | T-010.142.579-9 | |
| 5 | Panis angelicus | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | T-001.089.412-8 | |
| 6 | Air on the G String (Orchestral Suite no. 3) | London Voices, Terry Edwards | T-909.754.593-2 | |
| 7 | The Blue Bird | Choir of New College Oxford, Edward Higginbottom | T-904.050.317-1 | |
| 8 | Concierto de Aranjuez: Adagio | London Voices, Terry Edwards | T-041.489.061-1 | |
| 9 | Cavalleria rusticana: “Regina coeli” (Easter Hymn) | Júlia Várady, London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | — | |
| 10 | Pavane pour une infante défunte | London Voices, Terry Edwards | T-003.013.767-7 | |
| 11 | O salutaris hostia | Choir of New College Oxford, Edward Higginbottom | T-000.609.831-2 | |
| 12 | Simple Gifts | Mormon Tabernacle Choir, Jerold Ottley | — | |
| 13 | Song for Athene | Choir of King’s College, Cambridge, Stephen Cleobury | T-011.014.772-2 | |
| 14 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 15 | Miserere | Alastair Hussain, Choir of King’s College, Cambridge, Edward Gardner, Stephen Cleobury | — | |
| 2-1 | Jesu, Joy of Man's Desiring, BWV 147 | Peter White, The Choir of St John’s College, Cambridge, George Guest | T-905.387.081-8 | |
| 2-2 | Crux fidelis | Choir of New College Oxford, Capricorn, Edward Higginbottom | T-917.157.273-9 | |
| 2-3 | What Sweeter Music | Choir of New College Oxford, Edward Higginbottom | T-900.236.878-7 | |
| 2-4 | String Quintet in C major: Adagio | London Voices, Terry Edwards | T-802.445.410-3 | |
| 2-5 | Shenandoah | Mormon Tabernacle Choir, Jerold Ottley | T-010.436.690-6 | |
| 2-6 | Requiem, op. 48: VII. In paradisum | Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | T-924.489.944-3 | |
| 2-7 | String Quartet no. 2: Notturno | London Voices, Terry Edwards | — | |
| 2-8 | Piano Concerto no. 1: Andantino semplice | London Voices, Peter Aronsky, Terry Edwards | — | |
| 2-9 | Blazhen muzh (Blessed is the man) | Choir of New College Oxford, Edward Higginbottom | — | |
| 2-10 | Symphony no. 7: Allegretto | London Voices, Terry Edwards | T-915.710.750-1 | |
| 2-11 | Piano Concerto no. 21: Andante | Peter Aronsky, London Voices, Terry Edwards | T-010.194.871-3 | |
| 2-12 | Cantique de Jean Racine: for chorus and organ. op. 11 (1865) | Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | — | |
| 2-13 | Te lucis ante terminum | Choir of New College Oxford, Helen Tunstall, Edward Higginbottom | — | |
| 2-14 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Stuttgarter Hymnus-Chorknaben, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-1 | Fantaisie pour flûte, op. 79 | William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-2 | Clair de Lune | Naoko Yoshino | T-011.772.202-7 | |
| 3-3 | Mazurka no. 5 in B-flat, op. 7 no. 1 | Marisa Robles | — | |
| 3-4 | Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a/deest: I. Andante | Grumiaux Trio, William Bennett | T-011.422.353-8 | |
| 3-5 | Danza del corregidor from "The Three-Cornered Hat" | Marisa Robles | — | |
| 3-6 | Wiegenlied (Lullaby), op. 49 no. 4 | Marisa Robles | T-900.087.345-0 | |
| 3-7 | La plus que lente, L.121 (Arr. Hutchins) | Janet Creaser Hutchins, Timothy Hutchins | — | |
| 3-8 | Concerto for Harp and Orchestra in C: Andante | Annie Challan, Orchestre Antiqua Musica, Marcel Couraud | T-802.445.410-3 | |
| 3-9 | Suite no. 2 in B minor, BWV 1067: III. Sarabande | William Bennett, Thurston Dart, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-10 | 24 Préludes, op. 28: No. 15 "Raindrop" | Marisa Robles | — | |
| 3-11 | Pièce en forme de habañera | Irena Grafenauer, Michael Grandt | T-307.747.535-1 | |
| 3-12 | Joueurs de Flute: III. Krishna | Irena Grafenauer, Michael Grant | — | |
| 3-13 | Sonata no. 2 in E-flat major: II. Romance: Adagio non tanto | Naoko Yoshino | — | |
| 3-14 | Flute Concerto in D major: II. Andante alla siciliana | Andrea Griminelli, English Chamber Orchestra, Jean-Pierre Rampal | — | |
| 3-15 | Sonata for flute and continuo in A minor, HWV 374: III. Adagio | Academy of St Martin in the Fields Chamber Ensemble | T-070.930.360-5 | |
| 3-16 | Il Padrino: Un poco liberamente | Naoko Yoshino | T-901.224.250-1 | |
| 3-17 | Sonata no. 1 for Flute and Piano: Lento | Janet Creaser Hutchins, Timothy Hutchins | — | |
| 3-18 | Spiegel im Spiegel | Gidon Kremer, Naoko Yoshino | — | |
| 4-1 | Oboe Concerto in D minor: II. Andante sostenuto (Arr. Guitar and Orchestra) | Alexandre Lagoya, Academy of St Martin in the Fields, Kenneth Sillito | — | |
| 4-2 | Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): II. Andante | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | T-802.445.410-3 | |
| 4-3 | Concerto in A minor for Guitar and Orchestra, op. 3, no. 6, RV. 356 "L'estro armonico": II. Largo | Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-801.397.798-6 | |
| 4-4 | Mandolin Concerto in C, RV 425: 2. Largo (Transcr. for two guitars by A. Lagoya) | Alexandre Lagoya, Ida Presti, Kammerorchester Pro Arte München, Kurt Redel | — | |
| 4-5 | Recuerdos de la Alhambra | Eduardo Fernández | — | |
| 4-6 | Concierto Andaluz: II. Adagio | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 4-7 | Suite española, op. 47: No. 1. Granada (serenata) | Pepe Romero | T-900.226.159-8 | |
| 4-8 | Danzas españolas, Op. 37: No. 2 Oriental (Transcr. for two guitars by A. Lagoya) | Alexandre Lagoya, Ida Presti | — | |
| 4-9 | Concierto Madrigal: II. Madrigal (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 4-10 | Concierto Madrigal: VI. Pastoral (Allegro) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.004.814-4 | |
| 4-11 | Concierto Madrigal: VIII. Arieta (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 4-12 | Fantaisie in E, op. 34 "L'encouragement": I. Cantabile | Alexandre Lagoya, Ida Presti | T-001.397.158-8 | |
| 4-13 | Waltz in A-flat major, op. 39 no. 15 | Pepe Romero | T-306.229.926-3 | |
| 4-14 | Schumann-Album für die Jugend, op. 68: Melodie | Pepe Romero | — | |
| 4-15 | Mazurka in G-sharp minor, op. 33 no. 1 | Pepe Romero | — | |
| 4-16 | Concerto for 2 lire organizzate No. 2 in G, H.VIIh No. 2: 2. Adagio ma non troppo (Transcr. for two guitars and orchestra by A. Lagoya) | Alexandre Lagoya, Ida Presti, Kammerorchester Pro Arte München, Kurt Redel | — | |
| 4-17 | Courante From Cello Suite no. 3 in C major (for guitar, arr. Celedonio Romero) | Pepe Romero | — | |
| 4-18 | Concierto para una fiesta - Andante calmo | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 5-1 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 5-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | Vladimir Ashkenazy | T-001.397.158-8 | |
| 5-3 | Melody in F major, op. 3 no. 1 | Shura Cherkassky | — | |
| 5-4 | Children’s Corner: IV. The Snow Is Dancing | Pascal Rogé | — | |
| 5-5 | Children’s Corner: V. The Little Shepherd | Pascal Rogé | — | |
| 5-6 | Années de pèlerinage, Première année: Suisse, S. 160: No. 4. Au bord d'une source | Jorge Bolet | — | |
| 5-7 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | Vladimir Ashkenazy | — | |
| 5-8 | Berceuse in D-flat major, op. 57 | Vladimir Ashkenazy | — | |
| 5-9 | Piano Sonata no. 13 in A major, D. 664: II. Andante | András Schiff | T-802.445.410-3 | |
| 5-10 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 5-11 | Images, premier livre : I. Reflets dans l’eau | Pascal Rogé | — | |
| 5-12 | Jeux d'eau | Pascal Rogé | T-003.011.149-9 | |
| 5-13 | Miroirs: III. Une barque sur l'océan | Pascal Rogé | T-004.019.673-3 | |
| 5-14 | Préludes, premier livre : X. La Cathédrale engloutie | Pascal Rogé | — | |
| 5-15 | Préludes, premier livre : VIII. La Fille aux cheveux de lin | Pascal Rogé | — | |
| 5-16 | Années de pèlerinage, Deuxième année: Italie, S. 161: No. 5. Sonetto 104 del Patrarca | Jorge Bolet | — | |
| 5-17 | Waltz no. 9 in A-flat major, op. 69 no. 1 "L'adieu" | Vladimir Ashkenazy | T-306.229.926-3 | |
| 6-1 | Dance of the Blessed Spirits | Stuttgarter Kammerorchester, Karl Münchinger | T-912.623.308-7 | |
| 6-2 | Ave Maria | Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | T-302.231.151-5 | |
| 6-3 | Concerto in G minor for Flute and Strings, RV 439, "La notte", op. 10: III. Largo | Philip Pickett, New London Consort | T-921.564.632-5 | |
| 6-4 | Concerto no. 10 in G major, RV 300: II. Largo cantabile | Iona Brown, Academy of St Martin in the Fields | — | |
| 6-5 | Adagio for Violin and Orchestra in E major, K. 261 | Mayumi Fujikawa, Royal Philharmonic Orchestra, Walter Weller | T-318.588.465-1 | |
| 6-6 | Les Sylphides : 2. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-7 | Coppélia : Acte 3, No. 20g. La Paix | Ron Golan, L’Orchestre de la Suisse Romande, Richard Bonynge | T-010.433.701-0 | |
| 6-8 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Michala Petri, Elisabeth Selin, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-070.126.537-3 | |
| 6-9 | Easter Oratorio, Sinfonia, BWV 249: II. Adagio | Heinz Holliger, Gidon Kremer, Academy of St Martin in the Fields | T-001.439.586-8 | |
| 6-10 | Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | Barry Tuckwell, London Symphony Orchestra, Peter Maag | T-802.445.410-3 | |
| 6-11 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto | Konstanty Andrzej Kulka, Igor Kipnis, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 6-12 | Love's Dream After the Ball (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 6-13 | Matinées musicales, op. 24: II. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 6-14 | Faust (Ballet Music): Adagio | Rotterdams Philharmonisch Orkest, David Zinman | — | |
| 6-15 | Violin Concerto in B-flat major, op. 4 no. 1, RV 383a: II. Largo | Carmel Kaine, Academy of St Martin in the Fields, Neville Marriner | — | |
| 6-16 | Violin Concerto in G major, op. 4 no. 12, RV 298: II. Largo | Alan Loveday, Academy of St Martin in the Fields, Neville Marriner | T-911.640.005-6 | |
| 6-17 | Divertimento in B-flat, K. 137: I. Andante | Academy of St Martin in the Fields, Neville Marriner | T-910.958.396-2 | |
| 6-18 | Souvenir d'un lieu cher, op. 42, TH. 116: III. Mélodie in E-flat | John Georgiadis, London Symphony Orchestra, Richard Bonynge | — | |
| 6-19 | Enigma Variations, op. 36: Variation IX. Nimrod | Chicago Symphony Orchestra, Sir Georg Solti | T-010.115.427-1 |
Ave verum corpus, K 618
Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury
—
Benjamin Hulett, Helen Tunstall, Choir of New College Oxford, Edward Higginbottom
Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
Cavalleria rusticana: “Regina coeli” (Easter Hymn)
Júlia Várady, London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni
—
Simple Gifts
Mormon Tabernacle Choir, Jerold Ottley
—
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
Miserere
Alastair Hussain, Choir of King’s College, Cambridge, Edward Gardner, Stephen Cleobury
—
Peter White, The Choir of St John’s College, Cambridge, George Guest
Iwan Edwards, Chœur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
String Quartet no. 2: Notturno
London Voices, Terry Edwards
—
Piano Concerto no. 1: Andantino semplice
London Voices, Peter Aronsky, Terry Edwards
—
Blazhen muzh (Blessed is the man)
Choir of New College Oxford, Edward Higginbottom
—
Cantique de Jean Racine: for chorus and organ. op. 11 (1865)
Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest
—
Te lucis ante terminum
Choir of New College Oxford, Helen Tunstall, Edward Higginbottom
—
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
Stuttgarter Hymnus-Chorknaben, Stuttgarter Kammerorchester, Karl Münchinger
—
Fantaisie pour flûte, op. 79
William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner
—
Mazurka no. 5 in B-flat, op. 7 no. 1
Marisa Robles
—
Grumiaux Trio, William Bennett
Danza del corregidor from "The Three-Cornered Hat"
Marisa Robles
—
La plus que lente, L.121 (Arr. Hutchins)
Janet Creaser Hutchins, Timothy Hutchins
—
Annie Challan, Orchestre Antiqua Musica, Marcel Couraud
Suite no. 2 in B minor, BWV 1067: III. Sarabande
William Bennett, Thurston Dart, Academy of St Martin in the Fields, Sir Neville Marriner
—
24 Préludes, op. 28: No. 15 "Raindrop"
Marisa Robles
—
Joueurs de Flute: III. Krishna
Irena Grafenauer, Michael Grant
—
Sonata no. 2 in E-flat major: II. Romance: Adagio non tanto
Naoko Yoshino
—
Flute Concerto in D major: II. Andante alla siciliana
Andrea Griminelli, English Chamber Orchestra, Jean-Pierre Rampal
—
Academy of St Martin in the Fields Chamber Ensemble
Sonata no. 1 for Flute and Piano: Lento
Janet Creaser Hutchins, Timothy Hutchins
—
Spiegel im Spiegel
Gidon Kremer, Naoko Yoshino
—
Oboe Concerto in D minor: II. Andante sostenuto (Arr. Guitar and Orchestra)
Alexandre Lagoya, Academy of St Martin in the Fields, Kenneth Sillito
—
Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro
Ángel Romero, Academy of St Martin in the Fields, Iona Brown
Mandolin Concerto in C, RV 425: 2. Largo (Transcr. for two guitars by A. Lagoya)
Alexandre Lagoya, Ida Presti, Kammerorchester Pro Arte München, Kurt Redel
—
Recuerdos de la Alhambra
Eduardo Fernández
—
Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
Danzas españolas, Op. 37: No. 2 Oriental (Transcr. for two guitars by A. Lagoya)
Alexandre Lagoya, Ida Presti
—
Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner
Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner
Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner
Schumann-Album für die Jugend, op. 68: Melodie
Pepe Romero
—
Mazurka in G-sharp minor, op. 33 no. 1
Pepe Romero
—
Concerto for 2 lire organizzate No. 2 in G, H.VIIh No. 2: 2. Adagio ma non troppo (Transcr. for two guitars and orchestra by A. Lagoya)
Alexandre Lagoya, Ida Presti, Kammerorchester Pro Arte München, Kurt Redel
—
Courante From Cello Suite no. 3 in C major (for guitar, arr. Celedonio Romero)
Pepe Romero
—
Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner
Vladimir Ashkenazy
Melody in F major, op. 3 no. 1
Shura Cherkassky
—
Children’s Corner: IV. The Snow Is Dancing
Pascal Rogé
—
Children’s Corner: V. The Little Shepherd
Pascal Rogé
—
Années de pèlerinage, Première année: Suisse, S. 160: No. 4. Au bord d'une source
Jorge Bolet
—
Nocturne no. 8 in D-flat major, op. 27 no. 2
Vladimir Ashkenazy
—
Berceuse in D-flat major, op. 57
Vladimir Ashkenazy
—
Images, premier livre : I. Reflets dans l’eau
Pascal Rogé
—
Préludes, premier livre : X. La Cathédrale engloutie
Pascal Rogé
—
Préludes, premier livre : VIII. La Fille aux cheveux de lin
Pascal Rogé
—
Années de pèlerinage, Deuxième année: Italie, S. 161: No. 5. Sonetto 104 del Patrarca
Jorge Bolet
—
Philip Pickett, New London Consort
Concerto no. 10 in G major, RV 300: II. Largo cantabile
Iona Brown, Academy of St Martin in the Fields
—
Mayumi Fujikawa, Royal Philharmonic Orchestra, Walter Weller
Les Sylphides : 2. Nocturne
National Philharmonic Orchestra, Richard Bonynge
—
Ron Golan, L’Orchestre de la Suisse Romande, Richard Bonynge
Michala Petri, Elisabeth Selin, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
Heinz Holliger, Gidon Kremer, Academy of St Martin in the Fields
Barry Tuckwell, London Symphony Orchestra, Peter Maag
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto
Konstanty Andrzej Kulka, Igor Kipnis, Stuttgarter Kammerorchester, Karl Münchinger
—
Love's Dream After the Ball (arr. Gamley)
London Symphony Orchestra, Richard Bonynge
—
Matinées musicales, op. 24: II. Nocturne
National Philharmonic Orchestra, Richard Bonynge
—
Faust (Ballet Music): Adagio
Rotterdams Philharmonisch Orkest, David Zinman
—
Violin Concerto in B-flat major, op. 4 no. 1, RV 383a: II. Largo
Carmel Kaine, Academy of St Martin in the Fields, Neville Marriner
—
Alan Loveday, Academy of St Martin in the Fields, Neville Marriner
Academy of St Martin in the Fields, Neville Marriner
Souvenir d'un lieu cher, op. 42, TH. 116: III. Mélodie in E-flat
John Georgiadis, London Symphony Orchestra, Richard Bonynge
—
Chicago Symphony Orchestra, Sir Georg Solti
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Shenandoah | Mormon Tabernacle Choir, Jerold Ottley | — |
| Simple Gifts | Mormon Tabernacle Choir, Jerold Ottley | — |
| Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): II. Andante | Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro | — |
Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan
—
Shenandoah
Mormon Tabernacle Choir, Jerold Ottley
—
Simple Gifts
Mormon Tabernacle Choir, Jerold Ottley
—
Concerto In G For Two Guitars And Orchestra (Transcribed From The Concerto In G For Two Mandolines And Orchestra): II. Andante
Celin Romero, Pepe Romero, San Antonio Symphony, Victor Alessandro
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.439.586-8T-003.010.023-2T-003.010.023-2T-003.011.149-9T-010.115.427-1T-010.115.427-1T-010.142.579-9T-010.433.701-0T-011.014.772-2T-011.014.772-2
+20 more
T-011.275.282-5T-041.004.814-4T-041.489.061-1T-050.018.340-3T-302.231.151-5T-802.445.410-3T-900.236.878-7T-900.065.378-1T-900.236.878-7T-901.224.250-1T-901.224.250-1T-905.387.081-8T-905.387.081-8T-924.489.944-3T-924.489.944-3T-000.609.831-2T-001.089.412-8T-001.397.158-8T-001.439.586-8T-003.011.149-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055150453000000005518412700000000555000030000000055524558000000005867177200000000588838040000000059549533000000006304027000000000630419430000000063042380
+20 more
0000000063087722000000006309069X0000000063102953000000006324921800000000726602360000000073662241000000007839301X0000000078395365000000008045090900000000808939370000000081611989000000008162448000000000817194980000000083163649000000008359322700000000838359430000000084133759000000009008499X00000000921250890000000092139130
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What is UPC 028947850748?
028947850748 is a Universal Product Code (UPC) assigned to 101 Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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