UPC · Release
Vladimir Ashkenazy
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The UPC for “50 Years on Decca: Original Jacket Collection” by Vladimir Ashkenazy is 028947850939. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 622 tracks, each with its own ISRC. Tracks include GBF076310121, GBF076310122, GBF076310123.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | RACHMANINOV: 1. MODERATO - 1. MODERATO | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — | |
| 2 | PIANO CONCERTO NO.2 IN C MINOR, OP.18: 2. ADAGIO SOSTENUTO | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — | |
| 3 | PIANO CONCERTO NO. 2 IN C MINOR, OP. 18: 3. ALLEGRO SCHERZANDO | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | T-071.926.821-9 | |
| 4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | — | |
| 5 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | — | |
| 6 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | — | |
| 2-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | T-010.194.845-1 | |
| 2-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | — | |
| 2-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | — | |
| 2-4 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Vladimir Ashkenazy, London Symphony Orchestra, Uri Segal | T-909.264.262-1 | |
| 2-5 | Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso | Vladimir Ashkenazy, London Symphony Orchestra, Uri Segal | — | |
| 2-6 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Vladimir Ashkenazy, London Symphony Orchestra, Uri Segal | — | |
| 3-1 | Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito | Vladimir Ashkenazy, Malcolm Frager | — | |
| 3-2 | Sonata in D major for 2 Pianos, K. 448: 2. Andante | Vladimir Ashkenazy, Malcolm Frager | T-802.445.410-3 | |
| 3-3 | Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto | Vladimir Ashkenazy, Malcolm Frager | T-312.439.088-7 | |
| 3-4 | Andante & Variations for 2 Pianos, 2 Cellos & Horn, WoO 10 | — | ||
| 3-5 | Study in Canon Form in A-flat, op. 56 no. 4 | — | ||
| 3-6 | Quintet for Piano and Wind Quartet in E-flat, op. 16: 1. Grave - Allegro ma non troppo | — | ||
| 3-7 | Quintet for piano and wind instruments in E-flat major, op. 16: Andante cantabile | Vladimir Ashkenazy, London Wind Soloists | — | |
| 3-8 | Quintet for Piano and Wind Quartet in E-flat, op. 16: 3. Rondo (Allegro ma non troppo) | — | ||
| 4-1 | Ballade no. 1 in G minor, op. 23 | Vladimir Ashkenazy | T-917.141.447-4 | |
| 4-2 | Ballade no. 2 in F, op. 38 | Vladimir Ashkenazy | — | |
| 4-3 | Ballade no. 3 in A-flat major, op. 47 | Vladimir Ashkenazy | T-913.821.070-5 | |
| 4-4 | Ballade no. 4 in F minor, op. 52 | Vladimir Ashkenazy | — | |
| 4-5 | Trois nouvelles études no. 1 in F minor | — | ||
| 4-6 | Trois nouvelles études no. 2 in A-flat major | — | ||
| 4-7 | Trois nouvelles études no. 3 in D-flat major | — | ||
| 4-8 | Piano Concerto no. 2 in F minor, op. 21: 1. Maestoso | — | ||
| 4-9 | Piano Concerto no. 2 in F minor, op. 21: 2. Larghetto | Vladimir Ashkenazy, London Symphony Orchestra, David Zinman | — | |
| 4-10 | Piano Concerto no. 2 in F minor, op. 21: 3. Allegro vivace | — | ||
| 5-1 | Piano Concerto no. 8 In C, K. 246 "Lützow": 1. Allegro aperto | — | ||
| 5-2 | Piano Concerto no. 8 In C, K. 246 "Lützow": 2. Andante | — | ||
| 5-3 | Piano Concerto no. 8 In C, K. 246 "Lützow": 3. Rondeau (Tempo di menuetto) | — | ||
| 5-4 | Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 1. Allegro | — | ||
| 5-5 | Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 2. Andantino | — | ||
| 5-6 | Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 3. Rondeau (Presto) | — | ||
| 5-7 | Rondo for Piano and Orchestra in A, K. 386 | Vladimir Ashkenazy, London Symphony Orchestra, István Kertész | — | |
| 5-8 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | Vladimir Ashkenazy | T-011.422.353-8 | |
| 5-9 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | Vladimir Ashkenazy | — | |
| 5-10 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | Vladimir Ashkenazy | — | |
| 6-1 | Prélude no. 25 in C-sharp minor, op. 45 | Vladimir Ashkenazy | — | |
| 6-2 | Scherzo no. 1 in B minor, op. 20 | Vladimir Ashkenazy | T-308.384.655-9 | |
| 6-3 | Scherzo no. 2 in B-flat minor, op. 31 | Vladimir Ashkenazy | — | |
| 6-4 | Scherzo no. 3 in C-sharp minor, op. 39 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-5 | Scherzo no. 4 in E, op. 54 | — | ||
| 6-6 | Barcarolle in F-sharp, op. 60 | Vladimir Ashkenazy | T-905.382.146-8 | |
| 6-7 | Fantasie in C, op. 17: 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo | — | ||
| 6-8 | Fantasie in C, op. 17: 2. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 6-9 | Fantasie in C, op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 7-1 | Piano Sonata no. 7 in B-flat, op. 83: 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | Vladimir Ashkenazy | — | |
| 7-2 | Piano Sonata no. 7 in B-flat, op. 83: 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I | Vladimir Ashkenazy | — | |
| 7-3 | Piano Sonata no. 7 in B-flat, op. 83: 3. Precipitato | Vladimir Ashkenazy | — | |
| 7-4 | Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing | Vladimir Ashkenazy | — | |
| 7-5 | Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks | Vladimir Ashkenazy | — | |
| 7-6 | Piano Sonata no. 8 in B-flat, op. 84: 1. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | Vladimir Ashkenazy | — | |
| 7-7 | Piano Sonata no. 8 in B-flat, op. 84: 2. Andante sognando | Vladimir Ashkenazy | — | |
| 7-8 | Piano Sonata no. 8 in B-flat, op. 84: 3. Vivace - Allegro ben marcato - Andantino - Vivace | Vladimir Ashkenazy | T-911.517.582-1 | |
| 7-9 | Impromptu ("Nocturne"), 1872 | Vladimir Ashkenazy | — | |
| 7-10 | Mephisto Waltz no. 1, S. 514 | Vladimir Ashkenazy | — | |
| 8-1 | Sonata for Violin and Piano in A: 1. Allegretto ben moderato | Vladimir Ashkenazy, Itzhak Perlman | T-312.207.822-8 | |
| 8-2 | Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-3 | Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-4 | Sonata for Violin and Piano in A: 4. Allegretto poco mosso | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-5 | Horn Trio in E-flat, op. 40: 1. Andante - Poco più animato | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-6 | Horn Trio in E-flat, op. 40: 2. Scherzo (Allegro) | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-7 | Horn Trio in E-flat, op. 40: 3. Adagio mesto | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-8 | Trio for Violin, Horn and Piano in E-flat major, op. 40: IV. Finale. Allegro con brio | Barry Tuckwell, Vladimir Ashkenazy, Itzhak Perlman | T-003.055.867-8 | |
| 8-9 | Horn Sonata in F major, op. 17: I. Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 8-10 | Horn Sonata in F major, op. 17: II. Poco adagio, quasi andante | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 8-11 | Horn Sonata in F major, op. 17: III. Rondo: Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 8-12 | Adagio and Allegro in A-flat, op. 70 | — | ||
| 9-1 | Piano Concerto no. 1 in F‐sharp minor, op. 1: I. Vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-2 | Piano Concerto no. 1 in F‐sharp minor, op. 1: II. Andante | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-3 | Piano Concerto no. 1 in F‐sharp minor, op. 1: III. Allegro vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-4 | Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace (Alla breve) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-5 | Piano Concerto no. 4 in G minor, op. 40: II. Largo | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-6 | Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-7 | Rhapsody on a Theme of Paganini, op. 43: Introduction and Variation 1 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-8 | Rhapsody on a Theme of Paganini, op. 43: Theme | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-926.368.096-2 | |
| 9-9 | Rhapsody on a Theme of Paganini, op. 43: Variation 2 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-10 | Rhapsody on a Theme of Paganini, op. 43: Variation 3 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-11 | Rhapsody on a Theme of Paganini, op. 43: Variation 4 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-12 | Rhapsody on a Theme of Paganini, op. 43: Variation 5 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-13 | Rhapsody on a Theme of Paganini, op. 43: Variation 6 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-14 | Rhapsody on a Theme of Paganini, op. 43: Variation 7 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-15 | Rhapsody on a Theme of Paganini, op. 43: Variation 8 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-16 | Rhapsody on a Theme of Paganini, op. 43: Variation 9 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-17 | Rhapsody on a Theme of Paganini, op. 43: Variation 10 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-18 | Rhapsody on a Theme of Paganini, op. 43: Variation 11 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-19 | Rhapsody on a Theme of Paganini, op. 43: Variation 12 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-20 | Rhapsody on a Theme of Paganini, op. 43: Variation 13 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-21 | Rhapsody on a Theme of Paganini, op. 43: Variation 14 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-22 | Rhapsody on a Theme of Paganini, op. 43: Variation 15 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-23 | Rhapsody on a Theme of Paganini, op. 43: Variation 16 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-011.768.712-3 | |
| 9-24 | Rhapsody on a Theme of Paganini, op. 43: Variation 17 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-010.909.095-0 | |
| 9-25 | Rhapsody on a Theme of Paganini, op. 43: Variation 18 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-902.858.745-3 | |
| 9-26 | Rhapsody on a Theme of Paganini, op. 43: Variation 19 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-27 | Rhapsody on a Theme of Paganini, op. 43: Variation 20 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-28 | Rhapsody on a Theme of Paganini, op. 43: Variation 21 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-29 | Rhapsody on a Theme of Paganini, op. 43: Variation 22 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-30 | Rhapsody on a Theme of Paganini, op. 43: Variation 23 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-31 | Rhapsody on a Theme of Paganini, op. 43: Variation 24 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 10-1 | Piano Concerto in F-sharp minor, op. 20: I. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | T-070.160.313-5 | |
| 10-2 | Piano Concerto in F-sharp minor, op. 20: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | T-802.445.410-3 | |
| 10-3 | Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | — | |
| 10-4 | Prometheus, op. 60 | Vladimir Ashkenazy, Lorin Maazel, London Philharmonic Orchestra, The Ambrosian Singers | — | |
| 10-5 | Rêverie, op. 24 | Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 10-6 | Le Poème de l'Extase, op. 54 | — | ||
| 11-1 | 12 Etudes, op. 10: No. 1 in C major | Vladimir Ashkenazy | T-329.456.966-3 | |
| 11-2 | 12 Etudes, op. 10: No. 2 in A minor "chromatique" | Vladimir Ashkenazy | T-329.458.384-5 | |
| 11-3 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 11-4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 11-5 | Etude in G‐flat major, op. 10 no. 5 “Black Key” | Vladimir Ashkenazy | T-329.453.534-1 | |
| 11-6 | Etude, Op. 10 No. 6 in E-flat minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 11-7 | Etude, Op. 10 No. 7 in C major | Vladimir Ashkenazy | T-329.457.242-8 | |
| 11-8 | 12 Etudes, op. 10: No. 8 in F major | Vladimir Ashkenazy | T-329.458.487-1 | |
| 11-9 | Etude, Op. 10 No. 9 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-10 | Etude, Op. 10 No. 10 in A-flat major | Vladimir Ashkenazy | T-329.454.326-9 | |
| 11-11 | Etude, Op. 10 No. 11 in E-flat major | Vladimir Ashkenazy | T-329.456.687-9 | |
| 11-12 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 11-13 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 11-14 | Etude, Op. 25 No. 2 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-15 | Etude, Op. 25 No. 3 in F major | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-16 | 12 Etudes, op. 25: No. 4 in A minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 11-17 | 12 Etudes, op. 25: No. 5 in E minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 11-18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | Vladimir Ashkenazy | — | |
| 11-19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | Vladimir Ashkenazy | — | |
| 11-20 | 12 Etudes, op. 25: No. 8 in D-flat major | Vladimir Ashkenazy | — | |
| 11-21 | Etude in G-flat major, Op. 25 No. 9 "Butterfly" | Vladimir Ashkenazy | — | |
| 11-22 | 12 Etudes, op. 25: No. 10 in B minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-23 | Etude in A minor, op. 25 no. 11 “Winter Wind” | Vladimir Ashkenazy | T-308.381.369-4 | |
| 11-24 | Etude, Op. 25 No. 12 in C minor | Vladimir Ashkenazy | T-310.766.142-3 | |
| 12-1 | Concerto for 2 pianos and orchestra (No. 10) in E-flat, K. 365: I. Allegro | Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra | T-011.422.353-8 | |
| 12-2 | Concerto for 2 pianos and orchestra (No. 10) in E-flat, K. 365: II. Andante | Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra | T-802.445.410-3 | |
| 12-3 | Concerto for 2 pianos and orchestra (No. 10) in E-flat, K. 365: III. Rondeau (Allegro) | Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra | — | |
| 12-4 | Concerto for 3 pianos and orchestra (No. 7) in F major, KV 242 "Lodron": I. Allegro | Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra | T-011.422.353-8 | |
| 12-5 | Concerto for 3 pianos and orchestra (No. 7) in F major, KV 242 "Lodron": II. Adagio | Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra | T-312.542.566-9 | |
| 12-6 | Concerto for 3 pianos and orchestra (No. 7) in F major, KV 242 "Lodron": III. Rondeau (Tempo di menuetto) | Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra | — | |
| 12-7 | Piano Concerto no. 20 In D minor, K. 466: 1. Allegro | — | ||
| 12-8 | Piano Concerto no. 20 In D minor, K. 466: 2. Romance | — | ||
| 12-9 | Piano Concerto no. 20 In D minor, K. 466: 3. Rondo (Allegro assai) | — | ||
| 13-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | T-800.132.125-2 | |
| 13-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace) | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | T-911.517.582-1 | |
| 14-1 | Piano Concerto No. 2, op. 16: I. Andantino | Vladimir Ashkenazy, London Symphony Orchestra | — | |
| 14-2 | Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-3 | Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-4 | Piano Concerto no. 2 in G minor, op. 16: IV. Allegro tempestoso | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-5 | Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-6 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-7 | Piano Concerto no. 3 in C major, op. 26: III. Allegro, ma non troppo | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 15-1 | Violin Sonata no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto — Presto — Adagio | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-2 | Violin Sonata no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-3 | Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-4 | Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro | Vladimir Ashkenazy, Itzhak Perlman | T-070.161.055-0 | |
| 15-5 | Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-6 | Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo & Trio: Allegro molto | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-7 | Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo | Itzhak Perlman, Vladimir Ashkenazy | T-031.682.208-8 | |
| 16-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 16-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 16-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 16-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 16-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 16-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 16-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 16-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 16-9 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 16-10 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 16-11 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 17-1 | Prelude in C-sharp minor, op. 3 no. 2 | Vladimir Ashkenazy | T-072.857.925-6 | |
| 17-2 | 10 Preludes, op. 23: No. 1 in F-sharp minor | Vladimir Ashkenazy | — | |
| 17-3 | 10 Preludes, op. 23: No. 2 in B-flat major | Vladimir Ashkenazy | — | |
| 17-4 | 10 Preludes, op. 23: No. 3 in D minor | Vladimir Ashkenazy | — | |
| 17-5 | 10 Preludes, op. 23: No. 4 in D major | Vladimir Ashkenazy | — | |
| 17-6 | 10 Preludes, op. 23: No. 5 in G minor | Vladimir Ashkenazy | T-919.160.891-0 | |
| 17-7 | 10 Preludes, op. 23: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 17-8 | 10 Preludes, op. 23: No. 7 in C minor | Vladimir Ashkenazy | — | |
| 17-9 | 10 Preludes, op. 23: No. 8 in A-flat major | Vladimir Ashkenazy | — | |
| 17-10 | 10 Preludes, op. 23: No. 9 in E-flat minor | Vladimir Ashkenazy | — | |
| 17-11 | 10 Preludes, op. 23: No. 10 in G-flat major | Vladimir Ashkenazy | — | |
| 17-12 | 13 Preludes, op. 32: No. 1 in C major | Vladimir Ashkenazy | — | |
| 17-13 | 13 Preludes, op. 32: No. 2 in B-flat minor | Vladimir Ashkenazy | — | |
| 17-14 | 13 Preludes, op. 32: No. 3 in E major | Vladimir Ashkenazy | — | |
| 17-15 | 13 Preludes, op. 32: No. 4 in E minor | Vladimir Ashkenazy | — | |
| 17-16 | 13 Preludes, op. 32: No. 5 in G major | Vladimir Ashkenazy | — | |
| 17-17 | 13 Preludes, op. 32: No. 6 in F minor | Vladimir Ashkenazy | — | |
| 17-18 | 13 Preludes, op. 32: No. 7 in F major | Vladimir Ashkenazy | — | |
| 17-19 | 13 Preludes, op. 32: No. 8 in A minor | Vladimir Ashkenazy | — | |
| 17-20 | 13 Preludes, op. 32: No. 9 in A major | Vladimir Ashkenazy | — | |
| 17-21 | 13 Preludes, op. 32: No. 10 in B minor | Vladimir Ashkenazy | — | |
| 17-22 | 13 Preludes, op. 32: No. 11 in B major | Vladimir Ashkenazy | — | |
| 17-23 | 13 Preludes, op. 32: No. 12 in G-sharp minor | Vladimir Ashkenazy | — | |
| 17-24 | 13 Preludes, Op. 32: No. 13 in D-flat major | Vladimir Ashkenazy | — | |
| 18-1 | Suite on Poems of Michelangelo, op. 145: 1. Truth (Sonnet 3) | — | ||
| 18-2 | Suite on Poems of Michelangelo, op. 145: 2. Morning (Sonnet 20) | — | ||
| 18-3 | Suite on Poems of Michelangelo, op. 145: 3. Love (Sonnet 25) | — | ||
| 18-4 | Suite on Poems of Michelangelo, op. 145: 4. Separation (madrigal) | — | ||
| 18-5 | Suite on Poems of Michelangelo, op. 145: 5. Anger (Sonnet 4) | — | ||
| 18-6 | Suite on Poems of Michelangelo, op. 145: 6. Dante (Sonnet 1) | — | ||
| 18-7 | Suite on Poems of Michelangelo, op. 145: 7. To the Exile (Sonnet 2) | — | ||
| 18-8 | Suite on Poems of Michelangelo, op. 145: 8. Creativity (Sonnet 61) | — | ||
| 18-9 | Suite on Poems of Michelangelo, op. 145: 9. Night (dialogue) | — | ||
| 18-10 | Suite on Poems of Michelangelo, op. 145: 10. Death (Sonnet 69) | — | ||
| 18-11 | Suite on Poems of Michelangelo, op. 145: 11. Immortality | — | ||
| 18-12 | Piano Quintet in G minor, op. 57: Prelude. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | T-011.422.353-8 | |
| 18-13 | Piano Quintet in G minor, op. 57: Fugue. Adagio | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 18-14 | Piano Quintet in G minor, op. 57: Scherzo. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 18-15 | Piano Quintet in G minor, op. 57: Intermezzo. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 18-16 | Piano Quintet in G minor, op. 57: Finale. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 19-1 | Piano Sonata no. 2 In G-sharp minor, op. 19 "Sonata Fantasy": 1. Andante | — | ||
| 19-2 | Piano Sonata no. 2 In G-sharp minor, op. 19 "Sonata Fantasy": 2. Presto | — | ||
| 19-3 | 4 Pièces, op. 56: I. Prélude (Violent, très accentué) | Vladimir Ashkenazy | — | |
| 19-4 | 4 Pièces, op. 56: II. Ironies (Vivo, scherzoso) | Vladimir Ashkenazy | — | |
| 19-5 | 4 Pièces, op. 56: III. Nuances (Fondu, velouté) | Vladimir Ashkenazy | — | |
| 19-6 | 4 Pièces, op. 56: IV. Ètude (Presto) | Vladimir Ashkenazy | — | |
| 19-7 | Piano Sonata no.7, op. 64 "White Mass" | — | ||
| 19-8 | 2 Danses, op. 73: 1. Guirlandes | — | ||
| 19-9 | 2 Danses, op. 73: 2. Flammes sombres | — | ||
| 19-10 | 2 Poèmes, op. 32: I. Andante cantabile (F-sharp minor) | Vladimir Ashkenazy | — | |
| 19-11 | 2 Poèmes, op. 32: II. Allegro. Con eleganza. Con fiducia (D major) | Vladimir Ashkenazy | — | |
| 19-12 | Piano Sonata no. 10, op. 70 | Vladimir Ashkenazy | T-312.605.968-1 | |
| 19-13 | Piano Sonata no. 4 in F‐sharp minor, op. 30: I. Andante | Vladimir Ashkenazy | — | |
| 19-14 | Piano Sonata no. 4 in F‐sharp minor, op. 30: II. Prestissimo volando | Vladimir Ashkenazy | — | |
| 19-15 | Piano Sonata no. 6, op. 62 | Vladimir Ashkenazy | — | |
| 19-16 | Piano Sonata no. 9, op. 68 "Black Mass" | — | ||
| 20-1 | The Nursery: 1. With Nanny | — | ||
| 20-2 | The Nursery: 2. In The Corner | — | ||
| 20-3 | The Nursery: 3. The Beetle | — | ||
| 20-4 | The Nursery: 4. With the Doll | — | ||
| 20-5 | The Nursery: 5. At Bedtime | — | ||
| 20-6 | The Nursery: 6. Riding On a Hobby-Horse | — | ||
| 20-7 | The Nursery: 7. Matros the Cat | — | ||
| 20-8 | Ugly Duckling, op. 18 | — | ||
| 20-9 | The Lane - Five Children's Songs, op. 89: 1. Doctor Beetle | — | ||
| 20-10 | The Lane - Five Children's Songs, op. 89: 2. The first Snow | — | ||
| 20-11 | The Lane - Five Children's Songs, op. 89: 3. The Lane | — | ||
| 20-12 | The Lane - Five Children's Songs, op. 89: 4. The Cat | — | ||
| 20-13 | The Lane - Five Children's Songs, op. 89: 5. The Wind's Lullaby | — | ||
| 20-14 | The Waterlily, op. 8 no. 1 | — | ||
| 20-15 | Child, You Are Beautiful Like a Flower, op. 8 no. 2 | — | ||
| 20-16 | Brooding, op. 8 no. 3 | — | ||
| 20-17 | My Love Has Brought Me Sorrow, op. 8 no. 4 | — | ||
| 20-18 | A Dream (Son), op. 8 no. 5 | — | ||
| 20-19 | Prayer, op. 8 no. 6 | — | ||
| 20-20 | In My Garden At Night , op. 38 no. 1 | — | ||
| 20-21 | To Her, op. 38 no. 2 | — | ||
| 20-22 | Daisies, op. 38 no. 3 | — | ||
| 20-23 | The Pied Piper, op. 38 no. 4 | — | ||
| 20-24 | Dreams (Son), op. 38 no. 5 | — | ||
| 20-25 | "A-oo" (The Quest), op. 38 no. 6 | — | ||
| 21-1 | Manfred Symphony, op. 58: 1. Lento lugubre - Moderato con moto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-2 | Manfred Symphony, op. 58: 2. Vivace con spirito | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-3 | Manfred Symphony, op. 58: 3. Andante con moto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-4 | Manfred Symphony, op. 58: 4. Allegro con fuoco | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-5 | Francesca da Rimini, op. 32 | Royal Philharmonic Orchestra, Vladimir Ashkenazy | T-010.194.429-9 | |
| 22-1 | Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato | Vladimir Ashkenazy | — | |
| 22-2 | Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento | Vladimir Ashkenazy | — | |
| 22-3 | Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo; Allegro molto | Vladimir Ashkenazy | T-911.517.582-1 | |
| 22-4 | Études-tableaux, op. 33: No. 1 in F minor | Vladimir Ashkenazy | — | |
| 22-5 | Études-tableaux, op. 33: No. 2 in C major | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-6 | Études-tableaux, op. 33: No. 3 in C minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-7 | Études-tableaux, op. 33: No. 4 in D minor | Vladimir Ashkenazy | — | |
| 22-8 | Études-tableaux, op. 33: No. 5 in E-flat minor | Vladimir Ashkenazy | T-902.876.200-7 | |
| 22-9 | Études-tableaux, op. 33: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 22-10 | Études-tableaux, op. 33: No. 7 in G minor | Vladimir Ashkenazy | — | |
| 22-11 | Études-tableaux, op. 33: No. 8 in C-sharp minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-12 | Variations on a Theme of Corelli, op. 42 | Vladimir Ashkenazy | — | |
| 23-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-4 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-5 | Violin Concerto in D, op. 35: 1. Allegro moderato | — | ||
| 23-6 | Violin Concerto in D, op. 35: 2. Canzonetta (Andante) | — | ||
| 23-7 | Violin Concerto in D, op. 35: 3. Finale (Allegro vivacissimo) | — | ||
| 24-1 | Piano concerto no. 21 in C, K. 467: I. Allegro | Vladimir Ashkenazy, Philharmonia Orchestra | — | |
| 24-2 | Piano concerto no. 21 in C, K. 467: II. Andante | Vladimir Ashkenazy, Philharmonia Orchestra | T-010.194.871-3 | |
| 24-3 | Piano concerto no. 21 in C, K. 467: III. Allegro vivace assai | Vladimir Ashkenazy, Philharmonia Orchestra | — | |
| 24-4 | Piano Concerto no. 17 In G, K. 453: 1. Allegro | — | ||
| 24-5 | Piano Concerto no. 17 In G, K. 453: 2. Andante | — | ||
| 24-6 | Piano Concerto no. 17 In G, K. 453: 3. Allegretto - Finale: Presto | — | ||
| 25-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 1. Allegro | — | ||
| 25-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 2. Adagio | — | ||
| 25-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 3. Menuetto (Allegretto) | — | ||
| 25-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 4. Prestissimo | — | ||
| 25-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: 1. Allegro molto e con brio | — | ||
| 25-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: 2. Adagio molto | — | ||
| 25-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: 3. Finale (Prestissimo) | — | ||
| 25-8 | Piano Sonata no. 6 in F, op. 10 no. 2: 1. Allegro | — | ||
| 25-9 | Piano Sonata no. 6 in F, op. 10 no. 2: 2. Allegretto | — | ||
| 25-10 | Piano Sonata no. 6 in F, op. 10 no. 2: 3. Presto | — | ||
| 25-11 | Piano Sonata no. 7 in D, op. 10 no. 3: 1. Presto | — | ||
| 25-12 | Piano Sonata no. 7 in D, op. 10 no. 3: 2. Largo e mesto | — | ||
| 25-13 | Piano Sonata no. 7 in D, op. 10 no. 3: 3. Menuetto (Allegro) | — | ||
| 25-14 | Piano Sonata no. 7 in D, op. 10 no. 3: 4. Rondo (Allegro) | — | ||
| 25-15 | Piano Sonata no. 20 in G, op. 49 no. 2: 1. Allegro ma non troppo | — | ||
| 25-16 | Piano Sonata no. 20 in G, op. 49 no. 2: 2. Tempo di Menuetto | — | ||
| 26-1 | Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-5 | Finlandia | Philharmonia Orchestra, Vladimir Ashkenazy | T-910.256.702-2 | |
| 26-6 | Tapiola, op. 112 | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-7 | Luonnotar, op. 70 | Elisabeth Söderström, Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 27-1 | Don't Give Me Your Sympathy | John Miles | T-010.109.968-6 | |
| 27-5 | Elégie for strings | Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 27-6 | Fantasy Overture: Romeo and Juliet | Royal Philharmonic Orchestra, Vladimir Ashkenazy | T-905.031.800-8 | |
| 28-1 | Andante favori in F, WoO 57 | — | ||
| 28-2 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 1. Allegro | — | ||
| 28-3 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 28-4 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 3. Adagio sostenuto | — | ||
| 28-5 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 4. Largo - Allegro risoluto | — | ||
| 28-6 | Piano Sonata no. 21 in C, op. 53 "Waldstein": 1. Allegro con brio | Vladimir Ashkenazy | — | |
| 28-7 | Piano Sonata no. 21 in C, op. 53 "Waldstein": 2. Introduzione (Adagio molto) | Vladimir Ashkenazy | — | |
| 28-8 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Vladimir Ashkenazy | T-312.439.094-5 | |
| 29-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | — | ||
| 29-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | — | ||
| 29-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | — | ||
| 29-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | — | ||
| 29-5 | Symphony no. 7 in A, op. 92: 1. Poco sostenuto - Vivace | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 29-6 | Symphony no. 7 in A, op. 92: 2. Allegretto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 29-7 | Symphony no. 7 in A, op. 92: 3. Presto - Assai meno presto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 29-8 | Symphony no. 7 in A, op. 92: 4. Allegro con brio | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 30-1 | Sonata for 2 Pianos and Percussion, Sz. 110: 1. Assai lento | — | ||
| 30-2 | Sonata for 2 Pianos and Percussion, Sz. 110: 2. Lento, ma non troppo | — | ||
| 30-3 | Sonata for 2 Pianos and Percussion, Sz. 110: 3. Allegro non troppo | — | ||
| 30-4 | Piano Concerto no. 1 in E minor, Sz. 83: I. Allegro moderato - Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-5 | Piano Concerto no. 1 in E minor, Sz. 83: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 30-6 | Piano Concerto no. 1 in E minor, Sz. 83: III. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-7 | Piano Concerto no. 2, BB 101, Sz. 95: 1. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-8 | Piano Concerto no. 2, BB 101, Sz. 95: 2. Adagio - Più adagio - Presto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-9 | Piano Concerto no. 2, BB 101, Sz. 95: 3. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 31-1 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 31-2 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 31-3 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 31-4 | Sonata for Cello and Piano no. 1 in E minor, op. 38: 1. Allegro non troppo | — | ||
| 31-5 | Sonata for Cello and Piano no. 1 in E minor, op. 38: 2. Allegretto quasi minuetto | — | ||
| 31-6 | Sonata for Cello and Piano no. 1 in E minor, op. 38: 3. Allegro - Più presto | — | ||
| 32-1 | Gaspard de la nuit, M. 55: Ondine | — | ||
| 32-2 | Gaspard de la nuit, M. 55: Le gibet | — | ||
| 32-3 | Gaspard de la nuit, M. 55: Scarbo | — | ||
| 32-4 | Pavane pour une infante défunte, M. 19 | — | ||
| 32-5 | Valses nobles et sentimentales: 1. Modéré - très franc | — | ||
| 32-6 | Valses nobles et sentimentales: 2. Assez lent - avec une expression intense | — | ||
| 32-7 | Valses nobles et sentimentales: 3. Modéré | — | ||
| 32-8 | Valses nobles et sentimentales: 4. Assez animé | — | ||
| 32-9 | Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime | — | ||
| 32-10 | Valses nobles et sentimentales: 6. Assez vif | — | ||
| 32-11 | Valses nobles et sentimentales: 7. Moins vif | — | ||
| 32-12 | Valses nobles et sentimentales: 8. Epilogue (Lent) | — | ||
| 32-13 | L'Isle Joyeuse, L. 106 | — | ||
| 32-14 | Piano Trio in A minor, M. 67: 1. Modéré | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 32-15 | Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 32-16 | Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 32-17 | Piano Trio in A minor, M. 67: 4. Final (Animé) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 33-1 | Pictures at an Exhibition (piano): Promenade - Gnomus | — | ||
| 33-2 | Pictures at an Exhibition (piano): Promenade - The Old Castle | — | ||
| 33-3 | Pictures at an Exhibition (piano): Promenade - The Tuileries - Bydlo | — | ||
| 33-4 | Pictures at an Exhibition (piano): Promenade - Ballet of Unhatched Chicks - 2 Polish Jews | — | ||
| 33-5 | Pictures at an Exhibition (piano): The Market Place at Limoges - The Catacombs | — | ||
| 33-6 | Pictures at an Exhibition (piano): The Hut on Fowls Legs - The Great Gate of Kiev | — | ||
| 33-7 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - Gnomus | — | ||
| 33-8 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Old Castle | — | ||
| 33-9 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - Tuileries - Bydlo | — | ||
| 33-10 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - Ballet of the Unhatched Chicks - 2 Polish Jews | — | ||
| 33-11 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Market Place at Limoges | — | ||
| 33-12 | Pictures at an Exhibition (orch. Ashkenazy): The Hut on Fowls Legs - The Great Gate of Kiev | — | ||
| 34-1 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-2 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-3 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-4 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-5 | Sonata for Cello and Piano no. 2 in F, op. 99: 1. Allegro vivace | — | ||
| 34-6 | Sonata for Cello and Piano no. 2 in F, op. 99: 2. Adagio affettuoso | — | ||
| 34-7 | Sonata for Cello and Piano no. 2 in F, op. 99: 3. Allegro appassionata | — | ||
| 34-8 | Sonata for Cello and Piano no. 2 in F, op. 99: 4. Allegro molto | — | ||
| 35-1 | Symphony no. 1, op. 13: IV. Allegro con fuoco | Vladimir Ashkenazy, Concertgebouw Orchestra | T-902.755.223-4 | |
| 35-5 | Symphonic Dances, op. 45: I. Non allegro | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 35-6 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Concertgebouw Orchestra, Vladimir Ashkenazy | — | |
| 35-7 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace | Concertgebouw Orchestra, Vladimir Ashkenazy | — | |
| 36-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace - Allegro (Tempo primo) - Allegretto - Allegro vivace | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-4 | The Bells, op. 35: I. Allegro ma non tanto (Silver Bells) | Ryszard Karczykowski, Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-5 | The Bells, op. 35: II. Lento (Golden Bells) | Natalia Troitskaya, Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-6 | The Bells, op. 35: III. Presto (Alarm Bells) | Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-7 | The Bells, op. 35: IV. Lento lugubre (Iron Bell) | Tom Krause, Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 37-1 | Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 37-2 | Piano Concerto no. 1 in C major, op. 15: 2. Largo | — | ||
| 37-3 | Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando) | — | ||
| 37-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 37-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 37-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 37-7 | Piano Sonata no. 27 in E minor, op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 37-8 | Piano Sonata no. 27 in E minor, op. 90: 2. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 38-1 | Cinderella: Act I. No. 1. Introduction | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-2 | Cinderella: Act I. No. 2. Shawl Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-3 | Cinderella: Act I. No. 3. Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-4 | Cinderella: Act I. No. 4. The Father | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-5 | Cinderella: Act I. No. 5. The Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-6 | Cinderella: Act I. No. 6. The Sisters’ New Clothes | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-7 | Cinderella: Act I. No. 7. The Dancing Lesson | The Cleveland Orchestra, Vladimir Ashkenazy | T-070.089.012-5 | |
| 38-8 | Cinderella: Act I. No. 8. Departure of the Stepmother and Sisters for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-9 | Cinderella: Act I. No. 9. Cinderella Dreams of the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-10 | Cinderella: Act I. No. 10. Gavotte | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-11 | Cinderella: Act I. No. 11. Second Appearance of the Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-12 | Cinderella: Act I. No. 12. Spring Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-13 | Cinderella: Act I. No. 13. Summer Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-14 | Cinderella: Act I. No. 14. Grasshoppers and Dragonflies | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-15 | Cinderella: Act I. No. 15. Autumn Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-16 | Cinderella: Act I. No. 16. Winter Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-17 | Cinderella: Act I. No. 17. The Interrupted Departure | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-18 | Cinderella: Act I. No. 18. The Clock | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-19 | Cinderella: Act I. No. 19. Cinderella’s Departure for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-20 | Cinderella: Act II. No. 20. Dance of the Courtiers | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-21 | Cinderella: Act II. No. 21. Court Dance (Passepied) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-22 | Cinderella: Act II. No. 22. Cavaliers’ Dance (Bourrée) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-23 | Cinderella: Act II. No. 23. Skinny’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-24 | Cinderella: Act II. No. 24. Dumpy’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-25 | Cinderella: Act II. No. 25. Dance of the Courtiers (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-26 | Cinderella: Act II. No. 26. Mazurka and Entrance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-27 | Cinderella: Act II. No. 27. Dance of the Prince's Four Companions | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-28 | Cinderella: Act II. No. 28. Mazurka (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-1 | Cinderella: Act II. No. 29. Cinderella’s Arrival at the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-2 | Cinderella: Act II. No. 30. Granz Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-3 | Cinderella: Act II. No. 31. Promenade | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-4 | Cinderella: Act II. No. 32. Cinderella’s Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-5 | Cinderella: Act II. No. 33. Dance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-6 | Cinderella: Act II. No. 34. Refreshments for the Guests | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-7 | Cinderella: Act II. No. 35. Duet of the Sisters with the Oranges | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-8 | Cinderella: Act II. No. 36. Duet of the Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-9 | Cinderella: Act II. No. 37. Waltz-Coda | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-10 | Cinderella: Act II. No. 38. Midnight | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-11 | Cinderella: Act III. No. 39. The Prince and the Cobblers | The Cleveland Orchestra, Vladimir Ashkenazy | T-921.977.698-4 | |
| 39-12 | Cinderella: Act III. No. 40. First Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-13 | Cinderella: Act III. No. 41. Temptation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-14 | Cinderella: Act III. No. 42. Second Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-15 | Cinderella: Act III. No. 43. Oriental Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-16 | Cinderella: Act III. No. 44. Third Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-17 | Cinderella: Act III. No. 45. Cinderella’s Awakening | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-18 | Cinderella: Act III. No. 46. The Morning After the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-19 | Cinderella: Act III. No. 47. The Prince’s Visit | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-20 | Cinderella: Act III. No. 48. The Prince Recognises Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-21 | Cinderella: Act III. No. 49. Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-22 | Cinderella: Act III. No. 50. Amoroso: The Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 40-1 | Arabeske in C, op. 18 | — | ||
| 40-2 | Papillons, op. 2 | — | ||
| 40-3 | Symphonic Studies, op. 13: Theme | — | ||
| 40-4 | Symphonic Studies, op. 13: Etude I | — | ||
| 40-5 | Symphonic Studies, op. 13: Etude II | — | ||
| 40-6 | Symphonic Studies, op. 13: Etude III | — | ||
| 40-7 | Symphonic Studies, op. 13: Variation I | — | ||
| 40-8 | Symphonic Studies, op. 13: Variation II | — | ||
| 40-9 | Symphonic Studies, op. 13: Variation III | — | ||
| 40-10 | Symphonic Studies, op. 13: Etude IV | — | ||
| 40-11 | Symphonic Studies, op. 13: Etude V | — | ||
| 40-12 | Symphonic Studies, op. 13: Etude VI | — | ||
| 40-13 | Symphonic Studies, op. 13: Etude VII | — | ||
| 40-14 | Symphonic Studies, op. 13: Etude VIII | — | ||
| 40-15 | Symphonic Studies, op. 13: Variation IV | — | ||
| 40-16 | Symphonic Studies, op. 13: Variation V | — | ||
| 40-17 | Symphonic Studies, op. 13: Etude IX | — | ||
| 40-18 | Symphonic Studies, op. 13: Etude X | — | ||
| 40-19 | Symphonic Studies, op. 13: Etude XI | — | ||
| 40-20 | Symphonic Studies, op. 13: Etude XII (Finale) | — | ||
| 40-21 | Piano Sonata no. 2 in G minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | — | ||
| 40-22 | Piano Sonata no. 2 in G minor, op. 22: 2. Andantino | — | ||
| 40-23 | Piano Sonata no. 2 in G minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | — | ||
| 40-24 | Piano Sonata no. 2 in G minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | — | ||
| 41-1 | Don Quixote, op. 35: 1. Introduktion (Mäßiges Zeitmaß) | — | ||
| 41-2 | Don Quixote, op. 35: 4. Variation 1 (Gemächlich) | — | ||
| 41-3 | Don Quixote, op. 35: 5. Variation 2 (Kriegerisch) | — | ||
| 41-4 | Don Quixote, op. 35: 6. Variation 3 (Mäßiges Zeitmaß) | — | ||
| 41-5 | Don Quixote, op. 35: 7. Variation 4 (Etwas breiter) | — | ||
| 41-6 | Don Quixote, op. 35: 8. Variation 5 (Sehr langsam) | — | ||
| 41-7 | Don Quixote, op. 35: 9. Variation 6 (Schnell) | — | ||
| 41-8 | Don Quixote, op. 35: 10. Variation 7 (Ein wenig ruhiger als vorher) | — | ||
| 41-9 | Don Quixote, op. 35: 11. Variation 8 | — | ||
| 41-10 | Don Quixote, op. 35: 12. Variation 9 (Schnell und stürmisch) | — | ||
| 41-11 | Don Quixote, op. 35: 13. Variation 10 (Viel breiter) | — | ||
| 41-12 | Don Quixote, op. 35: 14. Finale (Sehr ruhig) | — | ||
| 41-13 | Salome, op. 54: Scene 4. Salome's Dance of the Seven Veils | — | ||
| 41-14 | Also sprach Zarathustra, op. 30: Prelude (Sonnenaufgang) | — | ||
| 41-15 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern | — | ||
| 41-16 | Also sprach Zarathustra, op. 30: Von der großen Sehnsucht | — | ||
| 41-17 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften | — | ||
| 41-18 | Also sprach Zarathustra, op. 30: Das Grablied | — | ||
| 41-19 | Also sprach Zarathustra, op. 30: Von der Wissenschaft | — | ||
| 41-20 | Also sprach Zarathustra, op. 30: Der Genesende | — | ||
| 41-21 | Also sprach Zarathustra, op. 30: Das Tanzlied - Das Nachtlied | — | ||
| 41-22 | Also sprach Zarathustra, op. 30: Das Nachtwandlerlied | — | ||
| 42-1 | Symphony no. 5 in B-flat, op. 100: 1. Andante | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-2 | Symphony no. 5 in B-flat, op. 100: 2. Allegro marcato | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-3 | Symphony no. 5 in B-flat, op. 100: 3. Adagio | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-4 | Symphony no. 5 in B-flat, op. 100: 4. Allegro giocoso | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-5 | Sni (Dreams), op. 6 | — | ||
| 42-6 | Symphony no. 1 in D, op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev | T-011.619.733-1 | |
| 42-7 | Symphony no. 1 in D, op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev | — | |
| 42-8 | Symphony no. 1 in D, op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev | — | |
| 42-9 | Symphony no. 1 in D, op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev | — | |
| 42-10 | Autumnal, op. 8 | Sergei Prokofiev | — | |
| 43-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 1. Allegro | — | ||
| 43-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 2. Adagio un poco mosso | — | ||
| 43-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 3. Rondo (Allegro) | — | ||
| 43-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 | — | ||
| 44-1 | Piano Concerto no. 2 in F major, op. 102: I. Allegro | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-2 | Piano Concerto no. 2 in F major, op. 102: II. Andante | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-3 | Piano Concerto no. 2 in F, op. 102: 3. Allegro | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-4 | Violin Concerto no. 1 in A minor, op. 99: 1. Nocturne (Moderato) | — | ||
| 44-5 | Violin Concerto no. 1 in A minor, op. 99: 2. Scherzo (Allegro) | — | ||
| 44-6 | Violin Concerto no. 1 in A minor, op. 99: 3. Passacaglia (Andante) | — | ||
| 44-7 | Violin Concerto no. 1 in A minor, op. 99: 4. Burlesque (Allegro con brio - Presto) | — | ||
| 44-8 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegretto | Peter Jablonski, Raymond Simmons, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-9 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento | Peter Jablonski, Raymond Simmons, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-10 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Allegro con brio — IV. Allegro con brio | Peter Jablonski, Raymond Simmons, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 45-1 | Clarinet Trio in A minor, op. 114: 1. Allegro | — | ||
| 45-2 | Clarinet Trio in A minor, op. 114: 2. Adagio | — | ||
| 45-3 | Clarinet Trio in A minor, op. 114: 3. Andante grazioso | — | ||
| 45-4 | Clarinet Trio in A minor, op. 114: 4. Allegro | — | ||
| 45-5 | Piano Quintet in F minor, op. 34: 1. Allegro non troppo | — | ||
| 45-6 | Piano Quintet in F minor, op. 34: 2. Andante, un poco adagio | — | ||
| 45-7 | Piano Quintet in F minor, op. 34: 3. Scherzo (Allegro) | — | ||
| 45-8 | Piano Quintet in F minor, op. 34: 4. Finale (poco sostenuto - Allegro non troppo) | — | ||
| 46-1 | Symphony no. 1 in C minor, op. 11: I. Allegro molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-2 | Symphony no. 1 in C minor, op. 11: II. Andante | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-3 | Symphony no. 1 in C minor, op. 11: III. Menuetto: Allegro molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.645-7 | |
| 46-4 | Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.651-5 | |
| 46-5 | Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante – Allegro con fuoco | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.651-5 | |
| 46-6 | Symphony no. 5 in D minor, op. 107 “Reformation”: II. Allegro vivace | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-7 | Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-8 | Symphony no. 5 in D minor, op. 107 “Reformation”: IV. Choral: Ein’ feste Burg: Andante con moto – Allegro maestoso | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 47-1 | Shostakovich Broadcasts From Besieged Leningrad in 1941 | — | ||
| 47-2 | Symphony no. 7, op. 60 "Leningrad": 1. Allegretto | — | ||
| 47-3 | Symphony no. 7, op. 60 "Leningrad": 2. Moderato (poco allegretto) | — | ||
| 47-4 | Symphony no. 7, op. 60 "Leningrad": 3. Adagio | — | ||
| 47-5 | Symphony no. 7, op. 60 "Leningrad": 4. Allegro non troppo | — | ||
| 48-1 | Prelude & Fugue no. 1 in C major: Prelude | — | ||
| 48-2 | Prelude & Fugue no. 1 in C major: Fugue | — | ||
| 48-3 | Prelude & Fugue no. 2 in A minor: Prelude | — | ||
| 48-4 | Prelude & Fugue no. 2 in A minor: Fugue | — | ||
| 48-5 | Prelude & Fugue no. 3 in G major: Prelude | — | ||
| 48-6 | Prelude & Fugue no. 3 in G major: Fugue | — | ||
| 48-7 | Prelude & Fugue no. 4 in E minor: Prelude | — | ||
| 48-8 | Prelude & Fugue no. 4 in E minor: Fugue | — | ||
| 48-9 | Prelude & Fugue no. 5 in D major: Prelude | — | ||
| 48-10 | Prelude & Fugue no. 5 in D major: Fugue | — | ||
| 48-11 | Prelude & Fugue no. 6 in B minor: Prelude | — | ||
| 48-12 | Prelude & Fugue no. 6 in B minor: Fugue | — | ||
| 48-13 | Prelude & Fugue no. 7 in A major: Prelude | — | ||
| 48-14 | Prelude & Fugue no. 7 in A major: Fugue | — | ||
| 48-15 | Prelude & Fugue no. 8 in F sharp minor: Prelude | — | ||
| 48-16 | Prelude & Fugue no. 8 in F sharp minor: Fugue | — | ||
| 48-17 | Prelude & Fugue no. 9 in E major: Prelude | — | ||
| 48-18 | Prelude & Fugue no. 9 in E major: Fugue | — | ||
| 48-19 | Prelude & Fugue no. 10 in C-sharp minor: Prelude | — | ||
| 48-20 | Prelude & Fugue no. 10 in C-sharp minor: Fugue | — | ||
| 48-21 | Prelude & Fugue no. 11 in B major: Prelude | — | ||
| 48-22 | Prelude & Fugue no. 11 in B major: Fugue | — | ||
| 48-23 | Prelude & Fugue no. 12 in G-sharp minor: Prelude | — | ||
| 48-24 | Prelude & Fugue no. 12 in G-sharp minor: Fugue | — | ||
| 49-1 | Prelude & Fugue no. 13 in F-sharp major: Prelude | — | ||
| 49-2 | Prelude & Fugue no. 13 in F-sharp major: Fugue | — | ||
| 49-3 | Prelude & Fugue no. 14 in E-flat minor: Prelude | — | ||
| 49-4 | Prelude & Fugue no. 14 in E-flat minor: Fugue | — | ||
| 49-5 | Prelude & Fugue no. 15 in D-flat major: Prelude | — | ||
| 49-6 | Prelude & Fugue no. 15 in D-flat major: Fugue | — | ||
| 49-7 | Prelude & Fugue no. 16 in B-flat minor: Prelude | — | ||
| 49-8 | Prelude & Fugue no. 16 in B-flat minor: Fugue | — | ||
| 49-9 | Prelude & Fugue no. 17 in A-flat major: Prelude | — | ||
| 49-10 | Prelude & Fugue no. 17 in A-flat major: Fugue | — | ||
| 49-11 | Prelude & Fugue no. 18 in F minor: Prelude | — | ||
| 49-12 | Prelude & Fugue no. 18 in F minor: Fugue | — | ||
| 49-13 | Prelude & Fugue no. 19 in E-flat major: Prelude | — | ||
| 49-14 | Prelude & Fugue no. 19 in E-flat major: Fugue | — | ||
| 49-15 | Prelude & Fugue no. 20 in C minor: Prelude | — | ||
| 49-16 | Prelude & Fugue no. 20 in C minor: Fugue | — | ||
| 49-17 | Prelude & Fugue no. 21 in B-flat major: Prelude | — | ||
| 49-18 | Prelude & Fugue no. 21 in B-flat major: Fugue | — | ||
| 49-19 | Prelude & Fugue no. 22 in G minor: Prelude | — | ||
| 49-20 | Prelude & Fugue no. 22 in G minor: Fugue | — | ||
| 49-21 | Prelude & Fugue no. 23 in F major: Prelude | — | ||
| 49-22 | Prelude & Fugue no. 23 in F major: Fugue | — | ||
| 49-23 | Prelude & Fugue no. 24 in D minor: Prelude | — | ||
| 49-24 | Prelude & Fugue no. 24 in D minor: Fugue | — | ||
| 50-1 | 33 Piano Variations, op. 120: Tema (Vivace) - Variation I (Alla marcia maestoso) | Vladimir Ashkenazy | — | |
| 50-2 | 33 Piano Variations, op. 120: Variation 2 (Poco allegro) | Vladimir Ashkenazy | — | |
| 50-3 | 33 Piano Variations, op. 120: Variation 3 (L'istesso tempo) | Vladimir Ashkenazy | — | |
| 50-4 | 33 Piano Variations, op. 120: Variation 4 (Un poco più vivace) | Vladimir Ashkenazy | — | |
| 50-5 | 33 Piano Variations, op. 120: Variation 5 (Allegro vivace) | Vladimir Ashkenazy | — | |
| 50-6 | 33 Piano Variations, op. 120: Variation 6 (Allegro ma non troppo e serioso) | Vladimir Ashkenazy | — | |
| 50-7 | 33 Piano Variations, op. 120: Variation 7 (Un poco più allegro) | Vladimir Ashkenazy | — | |
| 50-8 | 33 Piano Variations, op. 120: Variation 8 (Poco vivace) | Vladimir Ashkenazy | — | |
| 50-9 | 33 Piano Variations, op. 120: Variation 9 (Allegro pesante e risoluto) | Vladimir Ashkenazy | — | |
| 50-10 | 33 Piano Variations, op. 120: Variation 10 (Presto) | Vladimir Ashkenazy | — | |
| 50-11 | 33 Piano Variations, op. 120: Variation 11 (Allegretto) | Vladimir Ashkenazy | — | |
| 50-12 | 33 Piano Variations, op. 120: Variation 12 (Un poco più moto) | Vladimir Ashkenazy | — | |
| 50-13 | 33 Piano Variations, op. 120: Variation 13 (Vivace) | Vladimir Ashkenazy | — | |
| 50-14 | 33 Piano Variations, op. 120: Variation 14 (Grave e maestoso) | Vladimir Ashkenazy | — | |
| 50-15 | 33 Piano Variations, op. 120: Variation 15 (Presto scherzando) | Vladimir Ashkenazy | — | |
| 50-16 | 33 Piano Variations, op. 120: Variation 16 (Allegro) | Vladimir Ashkenazy | — | |
| 50-17 | 33 Piano Variations, op. 120: Variation 17 | Vladimir Ashkenazy | — | |
| 50-18 | 33 Piano Variations, op. 120: Variation 18 (Poco moderato) | Vladimir Ashkenazy | — | |
| 50-19 | 33 Piano Variations, op. 120: Variation 19 (Presto) | Vladimir Ashkenazy | — | |
| 50-20 | 33 Piano Variations, op. 120: Variation 20 (Andante) | Vladimir Ashkenazy | — | |
| 50-21 | 33 Piano Variations, op. 120: Variation 21 (Allegro con brio - Meno allegro - Tempo I) | Vladimir Ashkenazy | — | |
| 50-22 | 33 Piano Variations, op. 120: Variation 22 (Allegro molto): Alla "Notte e giorno faticar" di Mozart | Vladimir Ashkenazy | — | |
| 50-23 | 33 Piano Variations, op. 120: Variation 23 (Allegro assai) | Vladimir Ashkenazy | — | |
| 50-24 | 33 Piano Variations, op. 120: Variation 24 Fughetta (Andante) | Vladimir Ashkenazy | — | |
| 50-25 | 33 Piano Variations, op. 120: Variation 25 (Allegro) | Vladimir Ashkenazy | — | |
| 50-26 | 33 Piano Variations, op. 120: Variation 26 | Vladimir Ashkenazy | — | |
| 50-27 | 33 Piano Variations, op. 120: Variation 27 (Vivace) | Vladimir Ashkenazy | — | |
| 50-28 | 33 Piano Variations, op. 120: Variation 28 (Allegro) | Vladimir Ashkenazy | — | |
| 50-29 | 33 Piano Variations, op. 120: Variation 29 (Adagio ma non troppo) | Vladimir Ashkenazy | — | |
| 50-30 | 33 Piano Variations, op. 120: Variation 30 (Andante, sempre cantabile) | Vladimir Ashkenazy | — | |
| 50-31 | 33 Piano Variations, op. 120: Variation 31 (Largo, molto espressivo) | Vladimir Ashkenazy | — | |
| 50-32 | 33 Piano Variations, op. 120: Variation 32 Fuga (Allegro - Poco adagio) | Vladimir Ashkenazy | — | |
| 50-33 | 33 Piano Variations, op. 120: Variation 33 (Tempo di minuetto moderato, ma non tirarsi dietro) | Vladimir Ashkenazy | — | |
| 50-34 | 12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71 | Vladimir Ashkenazy | — | |
| 50-35 | Piano Sonata no. 28 in A, op. 101: 1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 50-36 | Piano Sonata no. 28 in A, op. 101: 2. Lebhaft, marschmäßig (Vivace alla marcia) | — | ||
| 50-37 | Piano Sonata no. 28 in A, op. 101: 3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | — |
Identifier Graph
028947850939 is a Universal Product Code (UPC) assigned to 50 Years on Decca: Original Jacket Collection by Vladimir Ashkenazy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 622 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — |
| Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | T-071.926.821-9 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “50 Years on Decca: Original Jacket Collection” by Vladimir Ashkenazy is 028947850939. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 622 tracks, each with its own ISRC. Tracks include GBF076310121, GBF076310122, GBF076310123.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | RACHMANINOV: 1. MODERATO - 1. MODERATO | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — | |
| 2 | PIANO CONCERTO NO.2 IN C MINOR, OP.18: 2. ADAGIO SOSTENUTO | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — | |
| 3 | PIANO CONCERTO NO. 2 IN C MINOR, OP. 18: 3. ALLEGRO SCHERZANDO | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | T-071.926.821-9 | |
| 4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | — | |
| 5 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | — | |
| 6 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | Vladimir Ashkenazy, London Symphony Orchestra, Anatole Fistoulari | — | |
| 2-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | T-010.194.845-1 | |
| 2-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | — | |
| 2-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | — | |
| 2-4 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Vladimir Ashkenazy, London Symphony Orchestra, Uri Segal | T-909.264.262-1 | |
| 2-5 | Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso | Vladimir Ashkenazy, London Symphony Orchestra, Uri Segal | — | |
| 2-6 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Vladimir Ashkenazy, London Symphony Orchestra, Uri Segal | — | |
| 3-1 | Sonata in D major for 2 Pianos, K. 448: 1. Allegro con spirito | Vladimir Ashkenazy, Malcolm Frager | — | |
| 3-2 | Sonata in D major for 2 Pianos, K. 448: 2. Andante | Vladimir Ashkenazy, Malcolm Frager | T-802.445.410-3 | |
| 3-3 | Sonata in D major for 2 Pianos, K. 448: 3. Allegro molto | Vladimir Ashkenazy, Malcolm Frager | T-312.439.088-7 | |
| 3-4 | Andante & Variations for 2 Pianos, 2 Cellos & Horn, WoO 10 | — | ||
| 3-5 | Study in Canon Form in A-flat, op. 56 no. 4 | — | ||
| 3-6 | Quintet for Piano and Wind Quartet in E-flat, op. 16: 1. Grave - Allegro ma non troppo | — | ||
| 3-7 | Quintet for piano and wind instruments in E-flat major, op. 16: Andante cantabile | Vladimir Ashkenazy, London Wind Soloists | — | |
| 3-8 | Quintet for Piano and Wind Quartet in E-flat, op. 16: 3. Rondo (Allegro ma non troppo) | — | ||
| 4-1 | Ballade no. 1 in G minor, op. 23 | Vladimir Ashkenazy | T-917.141.447-4 | |
| 4-2 | Ballade no. 2 in F, op. 38 | Vladimir Ashkenazy | — | |
| 4-3 | Ballade no. 3 in A-flat major, op. 47 | Vladimir Ashkenazy | T-913.821.070-5 | |
| 4-4 | Ballade no. 4 in F minor, op. 52 | Vladimir Ashkenazy | — | |
| 4-5 | Trois nouvelles études no. 1 in F minor | — | ||
| 4-6 | Trois nouvelles études no. 2 in A-flat major | — | ||
| 4-7 | Trois nouvelles études no. 3 in D-flat major | — | ||
| 4-8 | Piano Concerto no. 2 in F minor, op. 21: 1. Maestoso | — | ||
| 4-9 | Piano Concerto no. 2 in F minor, op. 21: 2. Larghetto | Vladimir Ashkenazy, London Symphony Orchestra, David Zinman | — | |
| 4-10 | Piano Concerto no. 2 in F minor, op. 21: 3. Allegro vivace | — | ||
| 5-1 | Piano Concerto no. 8 In C, K. 246 "Lützow": 1. Allegro aperto | — | ||
| 5-2 | Piano Concerto no. 8 In C, K. 246 "Lützow": 2. Andante | — | ||
| 5-3 | Piano Concerto no. 8 In C, K. 246 "Lützow": 3. Rondeau (Tempo di menuetto) | — | ||
| 5-4 | Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 1. Allegro | — | ||
| 5-5 | Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 2. Andantino | — | ||
| 5-6 | Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 3. Rondeau (Presto) | — | ||
| 5-7 | Rondo for Piano and Orchestra in A, K. 386 | Vladimir Ashkenazy, London Symphony Orchestra, István Kertész | — | |
| 5-8 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro | Vladimir Ashkenazy | T-011.422.353-8 | |
| 5-9 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio | Vladimir Ashkenazy | — | |
| 5-10 | Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto | Vladimir Ashkenazy | — | |
| 6-1 | Prélude no. 25 in C-sharp minor, op. 45 | Vladimir Ashkenazy | — | |
| 6-2 | Scherzo no. 1 in B minor, op. 20 | Vladimir Ashkenazy | T-308.384.655-9 | |
| 6-3 | Scherzo no. 2 in B-flat minor, op. 31 | Vladimir Ashkenazy | — | |
| 6-4 | Scherzo no. 3 in C-sharp minor, op. 39 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-5 | Scherzo no. 4 in E, op. 54 | — | ||
| 6-6 | Barcarolle in F-sharp, op. 60 | Vladimir Ashkenazy | T-905.382.146-8 | |
| 6-7 | Fantasie in C, op. 17: 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo | — | ||
| 6-8 | Fantasie in C, op. 17: 2. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 6-9 | Fantasie in C, op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 7-1 | Piano Sonata no. 7 in B-flat, op. 83: 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | Vladimir Ashkenazy | — | |
| 7-2 | Piano Sonata no. 7 in B-flat, op. 83: 2. Andante caloroso - Poco più animato - Più largamente - un poco agitato - Tempo I | Vladimir Ashkenazy | — | |
| 7-3 | Piano Sonata no. 7 in B-flat, op. 83: 3. Precipitato | Vladimir Ashkenazy | — | |
| 7-4 | Romeo and Juliet, Ten Pieces for Piano, op. 75: X. Romeo and Juliet Before Departing | Vladimir Ashkenazy | — | |
| 7-5 | Romeo and Juliet, Ten Pieces for Piano, op. 75: V. Masks | Vladimir Ashkenazy | — | |
| 7-6 | Piano Sonata no. 8 in B-flat, op. 84: 1. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro | Vladimir Ashkenazy | — | |
| 7-7 | Piano Sonata no. 8 in B-flat, op. 84: 2. Andante sognando | Vladimir Ashkenazy | — | |
| 7-8 | Piano Sonata no. 8 in B-flat, op. 84: 3. Vivace - Allegro ben marcato - Andantino - Vivace | Vladimir Ashkenazy | T-911.517.582-1 | |
| 7-9 | Impromptu ("Nocturne"), 1872 | Vladimir Ashkenazy | — | |
| 7-10 | Mephisto Waltz no. 1, S. 514 | Vladimir Ashkenazy | — | |
| 8-1 | Sonata for Violin and Piano in A: 1. Allegretto ben moderato | Vladimir Ashkenazy, Itzhak Perlman | T-312.207.822-8 | |
| 8-2 | Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-3 | Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-4 | Sonata for Violin and Piano in A: 4. Allegretto poco mosso | Vladimir Ashkenazy, Itzhak Perlman | — | |
| 8-5 | Horn Trio in E-flat, op. 40: 1. Andante - Poco più animato | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-6 | Horn Trio in E-flat, op. 40: 2. Scherzo (Allegro) | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-7 | Horn Trio in E-flat, op. 40: 3. Adagio mesto | Vladimir Ashkenazy, Itzhak Perlman, Barry Tuckwell | — | |
| 8-8 | Trio for Violin, Horn and Piano in E-flat major, op. 40: IV. Finale. Allegro con brio | Barry Tuckwell, Vladimir Ashkenazy, Itzhak Perlman | T-003.055.867-8 | |
| 8-9 | Horn Sonata in F major, op. 17: I. Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 8-10 | Horn Sonata in F major, op. 17: II. Poco adagio, quasi andante | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 8-11 | Horn Sonata in F major, op. 17: III. Rondo: Allegro moderato | Vladimir Ashkenazy, Barry Tuckwell | — | |
| 8-12 | Adagio and Allegro in A-flat, op. 70 | — | ||
| 9-1 | Piano Concerto no. 1 in F‐sharp minor, op. 1: I. Vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-2 | Piano Concerto no. 1 in F‐sharp minor, op. 1: II. Andante | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-3 | Piano Concerto no. 1 in F‐sharp minor, op. 1: III. Allegro vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-4 | Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace (Alla breve) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-5 | Piano Concerto no. 4 in G minor, op. 40: II. Largo | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-6 | Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-7 | Rhapsody on a Theme of Paganini, op. 43: Introduction and Variation 1 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-8 | Rhapsody on a Theme of Paganini, op. 43: Theme | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-926.368.096-2 | |
| 9-9 | Rhapsody on a Theme of Paganini, op. 43: Variation 2 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-10 | Rhapsody on a Theme of Paganini, op. 43: Variation 3 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-11 | Rhapsody on a Theme of Paganini, op. 43: Variation 4 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-12 | Rhapsody on a Theme of Paganini, op. 43: Variation 5 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-13 | Rhapsody on a Theme of Paganini, op. 43: Variation 6 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-14 | Rhapsody on a Theme of Paganini, op. 43: Variation 7 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-15 | Rhapsody on a Theme of Paganini, op. 43: Variation 8 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-16 | Rhapsody on a Theme of Paganini, op. 43: Variation 9 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-17 | Rhapsody on a Theme of Paganini, op. 43: Variation 10 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-18 | Rhapsody on a Theme of Paganini, op. 43: Variation 11 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-19 | Rhapsody on a Theme of Paganini, op. 43: Variation 12 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-20 | Rhapsody on a Theme of Paganini, op. 43: Variation 13 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-21 | Rhapsody on a Theme of Paganini, op. 43: Variation 14 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-22 | Rhapsody on a Theme of Paganini, op. 43: Variation 15 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-23 | Rhapsody on a Theme of Paganini, op. 43: Variation 16 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-011.768.712-3 | |
| 9-24 | Rhapsody on a Theme of Paganini, op. 43: Variation 17 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-010.909.095-0 | |
| 9-25 | Rhapsody on a Theme of Paganini, op. 43: Variation 18 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | T-902.858.745-3 | |
| 9-26 | Rhapsody on a Theme of Paganini, op. 43: Variation 19 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-27 | Rhapsody on a Theme of Paganini, op. 43: Variation 20 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-28 | Rhapsody on a Theme of Paganini, op. 43: Variation 21 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-29 | Rhapsody on a Theme of Paganini, op. 43: Variation 22 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-30 | Rhapsody on a Theme of Paganini, op. 43: Variation 23 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 9-31 | Rhapsody on a Theme of Paganini, op. 43: Variation 24 | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 10-1 | Piano Concerto in F-sharp minor, op. 20: I. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | T-070.160.313-5 | |
| 10-2 | Piano Concerto in F-sharp minor, op. 20: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | T-802.445.410-3 | |
| 10-3 | Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato | Vladimir Ashkenazy, London Philharmonic Orchestra, Lorin Maazel | — | |
| 10-4 | Prometheus, op. 60 | Vladimir Ashkenazy, Lorin Maazel, London Philharmonic Orchestra, The Ambrosian Singers | — | |
| 10-5 | Rêverie, op. 24 | Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 10-6 | Le Poème de l'Extase, op. 54 | — | ||
| 11-1 | 12 Etudes, op. 10: No. 1 in C major | Vladimir Ashkenazy | T-329.456.966-3 | |
| 11-2 | 12 Etudes, op. 10: No. 2 in A minor "chromatique" | Vladimir Ashkenazy | T-329.458.384-5 | |
| 11-3 | Etude in E major, op. 10 no. 3 “Tristesse” | Vladimir Ashkenazy | T-039.190.232-1 | |
| 11-4 | 12 Etudes, op. 10: No. 4 in C-sharp minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 11-5 | Etude in G‐flat major, op. 10 no. 5 “Black Key” | Vladimir Ashkenazy | T-329.453.534-1 | |
| 11-6 | Etude, Op. 10 No. 6 in E-flat minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 11-7 | Etude, Op. 10 No. 7 in C major | Vladimir Ashkenazy | T-329.457.242-8 | |
| 11-8 | 12 Etudes, op. 10: No. 8 in F major | Vladimir Ashkenazy | T-329.458.487-1 | |
| 11-9 | Etude, Op. 10 No. 9 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-10 | Etude, Op. 10 No. 10 in A-flat major | Vladimir Ashkenazy | T-329.454.326-9 | |
| 11-11 | Etude, Op. 10 No. 11 in E-flat major | Vladimir Ashkenazy | T-329.456.687-9 | |
| 11-12 | Etude in C minor, op. 10 no. 12 “Revolutionary” | Vladimir Ashkenazy | T-000.794.797-8 | |
| 11-13 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 11-14 | Etude, Op. 25 No. 2 in F minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-15 | Etude, Op. 25 No. 3 in F major | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-16 | 12 Etudes, op. 25: No. 4 in A minor | Vladimir Ashkenazy | T-329.457.500-7 | |
| 11-17 | 12 Etudes, op. 25: No. 5 in E minor | Vladimir Ashkenazy | T-329.458.108-7 | |
| 11-18 | 12 Etudes, op. 25: No. 6 in G-sharp minor | Vladimir Ashkenazy | — | |
| 11-19 | 12 Etudes, op. 25: No. 7 in C-sharp minor | Vladimir Ashkenazy | — | |
| 11-20 | 12 Etudes, op. 25: No. 8 in D-flat major | Vladimir Ashkenazy | — | |
| 11-21 | Etude in G-flat major, Op. 25 No. 9 "Butterfly" | Vladimir Ashkenazy | — | |
| 11-22 | 12 Etudes, op. 25: No. 10 in B minor | Vladimir Ashkenazy | T-329.456.945-8 | |
| 11-23 | Etude in A minor, op. 25 no. 11 “Winter Wind” | Vladimir Ashkenazy | T-308.381.369-4 | |
| 11-24 | Etude, Op. 25 No. 12 in C minor | Vladimir Ashkenazy | T-310.766.142-3 | |
| 12-1 | Concerto for 2 pianos and orchestra (No. 10) in E-flat, K. 365: I. Allegro | Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra | T-011.422.353-8 | |
| 12-2 | Concerto for 2 pianos and orchestra (No. 10) in E-flat, K. 365: II. Andante | Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra | T-802.445.410-3 | |
| 12-3 | Concerto for 2 pianos and orchestra (No. 10) in E-flat, K. 365: III. Rondeau (Allegro) | Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra | — | |
| 12-4 | Concerto for 3 pianos and orchestra (No. 7) in F major, KV 242 "Lodron": I. Allegro | Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra | T-011.422.353-8 | |
| 12-5 | Concerto for 3 pianos and orchestra (No. 7) in F major, KV 242 "Lodron": II. Adagio | Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra | T-312.542.566-9 | |
| 12-6 | Concerto for 3 pianos and orchestra (No. 7) in F major, KV 242 "Lodron": III. Rondeau (Tempo di menuetto) | Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra | — | |
| 12-7 | Piano Concerto no. 20 In D minor, K. 466: 1. Allegro | — | ||
| 12-8 | Piano Concerto no. 20 In D minor, K. 466: 2. Romance | — | ||
| 12-9 | Piano Concerto no. 20 In D minor, K. 466: 3. Rondo (Allegro assai) | — | ||
| 13-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | T-800.132.125-2 | |
| 13-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 13-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace) | Vladimir Ashkenazy, Chicago Symphony Orchestra, Sir Georg Solti | T-911.517.582-1 | |
| 14-1 | Piano Concerto No. 2, op. 16: I. Andantino | Vladimir Ashkenazy, London Symphony Orchestra | — | |
| 14-2 | Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-3 | Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-4 | Piano Concerto no. 2 in G minor, op. 16: IV. Allegro tempestoso | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-5 | Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-6 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 14-7 | Piano Concerto no. 3 in C major, op. 26: III. Allegro, ma non troppo | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 15-1 | Violin Sonata no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto — Presto — Adagio | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-2 | Violin Sonata no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-3 | Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-4 | Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro | Vladimir Ashkenazy, Itzhak Perlman | T-070.161.055-0 | |
| 15-5 | Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-6 | Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo & Trio: Allegro molto | Itzhak Perlman, Vladimir Ashkenazy | — | |
| 15-7 | Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo | Itzhak Perlman, Vladimir Ashkenazy | T-031.682.208-8 | |
| 16-1 | Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle | Vladimir Ashkenazy, André Previn | — | |
| 16-2 | Suite no. 1 for 2 Pianos, op. 5: 2. A night for love | Vladimir Ashkenazy, André Previn | — | |
| 16-3 | Suite no. 1 for 2 Pianos, op. 5: 3. Tears | Vladimir Ashkenazy, André Previn | — | |
| 16-4 | Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso | Vladimir Ashkenazy, André Previn | — | |
| 16-5 | Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia | Vladimir Ashkenazy, André Previn | T-000.768.497-0 | |
| 16-6 | Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto | Vladimir Ashkenazy, André Previn | — | |
| 16-7 | Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino | Vladimir Ashkenazy, André Previn | — | |
| 16-8 | Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle | Vladimir Ashkenazy, André Previn | — | |
| 16-9 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Vladimir Ashkenazy, André Previn | — | |
| 16-10 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Vladimir Ashkenazy, André Previn | — | |
| 16-11 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace | Vladimir Ashkenazy, André Previn | — | |
| 17-1 | Prelude in C-sharp minor, op. 3 no. 2 | Vladimir Ashkenazy | T-072.857.925-6 | |
| 17-2 | 10 Preludes, op. 23: No. 1 in F-sharp minor | Vladimir Ashkenazy | — | |
| 17-3 | 10 Preludes, op. 23: No. 2 in B-flat major | Vladimir Ashkenazy | — | |
| 17-4 | 10 Preludes, op. 23: No. 3 in D minor | Vladimir Ashkenazy | — | |
| 17-5 | 10 Preludes, op. 23: No. 4 in D major | Vladimir Ashkenazy | — | |
| 17-6 | 10 Preludes, op. 23: No. 5 in G minor | Vladimir Ashkenazy | T-919.160.891-0 | |
| 17-7 | 10 Preludes, op. 23: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 17-8 | 10 Preludes, op. 23: No. 7 in C minor | Vladimir Ashkenazy | — | |
| 17-9 | 10 Preludes, op. 23: No. 8 in A-flat major | Vladimir Ashkenazy | — | |
| 17-10 | 10 Preludes, op. 23: No. 9 in E-flat minor | Vladimir Ashkenazy | — | |
| 17-11 | 10 Preludes, op. 23: No. 10 in G-flat major | Vladimir Ashkenazy | — | |
| 17-12 | 13 Preludes, op. 32: No. 1 in C major | Vladimir Ashkenazy | — | |
| 17-13 | 13 Preludes, op. 32: No. 2 in B-flat minor | Vladimir Ashkenazy | — | |
| 17-14 | 13 Preludes, op. 32: No. 3 in E major | Vladimir Ashkenazy | — | |
| 17-15 | 13 Preludes, op. 32: No. 4 in E minor | Vladimir Ashkenazy | — | |
| 17-16 | 13 Preludes, op. 32: No. 5 in G major | Vladimir Ashkenazy | — | |
| 17-17 | 13 Preludes, op. 32: No. 6 in F minor | Vladimir Ashkenazy | — | |
| 17-18 | 13 Preludes, op. 32: No. 7 in F major | Vladimir Ashkenazy | — | |
| 17-19 | 13 Preludes, op. 32: No. 8 in A minor | Vladimir Ashkenazy | — | |
| 17-20 | 13 Preludes, op. 32: No. 9 in A major | Vladimir Ashkenazy | — | |
| 17-21 | 13 Preludes, op. 32: No. 10 in B minor | Vladimir Ashkenazy | — | |
| 17-22 | 13 Preludes, op. 32: No. 11 in B major | Vladimir Ashkenazy | — | |
| 17-23 | 13 Preludes, op. 32: No. 12 in G-sharp minor | Vladimir Ashkenazy | — | |
| 17-24 | 13 Preludes, Op. 32: No. 13 in D-flat major | Vladimir Ashkenazy | — | |
| 18-1 | Suite on Poems of Michelangelo, op. 145: 1. Truth (Sonnet 3) | — | ||
| 18-2 | Suite on Poems of Michelangelo, op. 145: 2. Morning (Sonnet 20) | — | ||
| 18-3 | Suite on Poems of Michelangelo, op. 145: 3. Love (Sonnet 25) | — | ||
| 18-4 | Suite on Poems of Michelangelo, op. 145: 4. Separation (madrigal) | — | ||
| 18-5 | Suite on Poems of Michelangelo, op. 145: 5. Anger (Sonnet 4) | — | ||
| 18-6 | Suite on Poems of Michelangelo, op. 145: 6. Dante (Sonnet 1) | — | ||
| 18-7 | Suite on Poems of Michelangelo, op. 145: 7. To the Exile (Sonnet 2) | — | ||
| 18-8 | Suite on Poems of Michelangelo, op. 145: 8. Creativity (Sonnet 61) | — | ||
| 18-9 | Suite on Poems of Michelangelo, op. 145: 9. Night (dialogue) | — | ||
| 18-10 | Suite on Poems of Michelangelo, op. 145: 10. Death (Sonnet 69) | — | ||
| 18-11 | Suite on Poems of Michelangelo, op. 145: 11. Immortality | — | ||
| 18-12 | Piano Quintet in G minor, op. 57: Prelude. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | T-011.422.353-8 | |
| 18-13 | Piano Quintet in G minor, op. 57: Fugue. Adagio | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 18-14 | Piano Quintet in G minor, op. 57: Scherzo. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 18-15 | Piano Quintet in G minor, op. 57: Intermezzo. Lento | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 18-16 | Piano Quintet in G minor, op. 57: Finale. Allegretto | Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey | — | |
| 19-1 | Piano Sonata no. 2 In G-sharp minor, op. 19 "Sonata Fantasy": 1. Andante | — | ||
| 19-2 | Piano Sonata no. 2 In G-sharp minor, op. 19 "Sonata Fantasy": 2. Presto | — | ||
| 19-3 | 4 Pièces, op. 56: I. Prélude (Violent, très accentué) | Vladimir Ashkenazy | — | |
| 19-4 | 4 Pièces, op. 56: II. Ironies (Vivo, scherzoso) | Vladimir Ashkenazy | — | |
| 19-5 | 4 Pièces, op. 56: III. Nuances (Fondu, velouté) | Vladimir Ashkenazy | — | |
| 19-6 | 4 Pièces, op. 56: IV. Ètude (Presto) | Vladimir Ashkenazy | — | |
| 19-7 | Piano Sonata no.7, op. 64 "White Mass" | — | ||
| 19-8 | 2 Danses, op. 73: 1. Guirlandes | — | ||
| 19-9 | 2 Danses, op. 73: 2. Flammes sombres | — | ||
| 19-10 | 2 Poèmes, op. 32: I. Andante cantabile (F-sharp minor) | Vladimir Ashkenazy | — | |
| 19-11 | 2 Poèmes, op. 32: II. Allegro. Con eleganza. Con fiducia (D major) | Vladimir Ashkenazy | — | |
| 19-12 | Piano Sonata no. 10, op. 70 | Vladimir Ashkenazy | T-312.605.968-1 | |
| 19-13 | Piano Sonata no. 4 in F‐sharp minor, op. 30: I. Andante | Vladimir Ashkenazy | — | |
| 19-14 | Piano Sonata no. 4 in F‐sharp minor, op. 30: II. Prestissimo volando | Vladimir Ashkenazy | — | |
| 19-15 | Piano Sonata no. 6, op. 62 | Vladimir Ashkenazy | — | |
| 19-16 | Piano Sonata no. 9, op. 68 "Black Mass" | — | ||
| 20-1 | The Nursery: 1. With Nanny | — | ||
| 20-2 | The Nursery: 2. In The Corner | — | ||
| 20-3 | The Nursery: 3. The Beetle | — | ||
| 20-4 | The Nursery: 4. With the Doll | — | ||
| 20-5 | The Nursery: 5. At Bedtime | — | ||
| 20-6 | The Nursery: 6. Riding On a Hobby-Horse | — | ||
| 20-7 | The Nursery: 7. Matros the Cat | — | ||
| 20-8 | Ugly Duckling, op. 18 | — | ||
| 20-9 | The Lane - Five Children's Songs, op. 89: 1. Doctor Beetle | — | ||
| 20-10 | The Lane - Five Children's Songs, op. 89: 2. The first Snow | — | ||
| 20-11 | The Lane - Five Children's Songs, op. 89: 3. The Lane | — | ||
| 20-12 | The Lane - Five Children's Songs, op. 89: 4. The Cat | — | ||
| 20-13 | The Lane - Five Children's Songs, op. 89: 5. The Wind's Lullaby | — | ||
| 20-14 | The Waterlily, op. 8 no. 1 | — | ||
| 20-15 | Child, You Are Beautiful Like a Flower, op. 8 no. 2 | — | ||
| 20-16 | Brooding, op. 8 no. 3 | — | ||
| 20-17 | My Love Has Brought Me Sorrow, op. 8 no. 4 | — | ||
| 20-18 | A Dream (Son), op. 8 no. 5 | — | ||
| 20-19 | Prayer, op. 8 no. 6 | — | ||
| 20-20 | In My Garden At Night , op. 38 no. 1 | — | ||
| 20-21 | To Her, op. 38 no. 2 | — | ||
| 20-22 | Daisies, op. 38 no. 3 | — | ||
| 20-23 | The Pied Piper, op. 38 no. 4 | — | ||
| 20-24 | Dreams (Son), op. 38 no. 5 | — | ||
| 20-25 | "A-oo" (The Quest), op. 38 no. 6 | — | ||
| 21-1 | Manfred Symphony, op. 58: 1. Lento lugubre - Moderato con moto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-2 | Manfred Symphony, op. 58: 2. Vivace con spirito | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-3 | Manfred Symphony, op. 58: 3. Andante con moto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-4 | Manfred Symphony, op. 58: 4. Allegro con fuoco | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 21-5 | Francesca da Rimini, op. 32 | Royal Philharmonic Orchestra, Vladimir Ashkenazy | T-010.194.429-9 | |
| 22-1 | Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato | Vladimir Ashkenazy | — | |
| 22-2 | Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento | Vladimir Ashkenazy | — | |
| 22-3 | Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo; Allegro molto | Vladimir Ashkenazy | T-911.517.582-1 | |
| 22-4 | Études-tableaux, op. 33: No. 1 in F minor | Vladimir Ashkenazy | — | |
| 22-5 | Études-tableaux, op. 33: No. 2 in C major | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-6 | Études-tableaux, op. 33: No. 3 in C minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-7 | Études-tableaux, op. 33: No. 4 in D minor | Vladimir Ashkenazy | — | |
| 22-8 | Études-tableaux, op. 33: No. 5 in E-flat minor | Vladimir Ashkenazy | T-902.876.200-7 | |
| 22-9 | Études-tableaux, op. 33: No. 6 in E-flat major | Vladimir Ashkenazy | — | |
| 22-10 | Études-tableaux, op. 33: No. 7 in G minor | Vladimir Ashkenazy | — | |
| 22-11 | Études-tableaux, op. 33: No. 8 in C-sharp minor | Vladimir Ashkenazy | T-915.735.004-4 | |
| 22-12 | Variations on a Theme of Corelli, op. 42 | Vladimir Ashkenazy | — | |
| 23-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-4 | Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 23-5 | Violin Concerto in D, op. 35: 1. Allegro moderato | — | ||
| 23-6 | Violin Concerto in D, op. 35: 2. Canzonetta (Andante) | — | ||
| 23-7 | Violin Concerto in D, op. 35: 3. Finale (Allegro vivacissimo) | — | ||
| 24-1 | Piano concerto no. 21 in C, K. 467: I. Allegro | Vladimir Ashkenazy, Philharmonia Orchestra | — | |
| 24-2 | Piano concerto no. 21 in C, K. 467: II. Andante | Vladimir Ashkenazy, Philharmonia Orchestra | T-010.194.871-3 | |
| 24-3 | Piano concerto no. 21 in C, K. 467: III. Allegro vivace assai | Vladimir Ashkenazy, Philharmonia Orchestra | — | |
| 24-4 | Piano Concerto no. 17 In G, K. 453: 1. Allegro | — | ||
| 24-5 | Piano Concerto no. 17 In G, K. 453: 2. Andante | — | ||
| 24-6 | Piano Concerto no. 17 In G, K. 453: 3. Allegretto - Finale: Presto | — | ||
| 25-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 1. Allegro | — | ||
| 25-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 2. Adagio | — | ||
| 25-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 3. Menuetto (Allegretto) | — | ||
| 25-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: 4. Prestissimo | — | ||
| 25-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: 1. Allegro molto e con brio | — | ||
| 25-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: 2. Adagio molto | — | ||
| 25-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: 3. Finale (Prestissimo) | — | ||
| 25-8 | Piano Sonata no. 6 in F, op. 10 no. 2: 1. Allegro | — | ||
| 25-9 | Piano Sonata no. 6 in F, op. 10 no. 2: 2. Allegretto | — | ||
| 25-10 | Piano Sonata no. 6 in F, op. 10 no. 2: 3. Presto | — | ||
| 25-11 | Piano Sonata no. 7 in D, op. 10 no. 3: 1. Presto | — | ||
| 25-12 | Piano Sonata no. 7 in D, op. 10 no. 3: 2. Largo e mesto | — | ||
| 25-13 | Piano Sonata no. 7 in D, op. 10 no. 3: 3. Menuetto (Allegro) | — | ||
| 25-14 | Piano Sonata no. 7 in D, op. 10 no. 3: 4. Rondo (Allegro) | — | ||
| 25-15 | Piano Sonata no. 20 in G, op. 49 no. 2: 1. Allegro ma non troppo | — | ||
| 25-16 | Piano Sonata no. 20 in G, op. 49 no. 2: 2. Tempo di Menuetto | — | ||
| 26-1 | Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-5 | Finlandia | Philharmonia Orchestra, Vladimir Ashkenazy | T-910.256.702-2 | |
| 26-6 | Tapiola, op. 112 | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 26-7 | Luonnotar, op. 70 | Elisabeth Söderström, Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 27-1 | Don't Give Me Your Sympathy | John Miles | T-010.109.968-6 | |
| 27-5 | Elégie for strings | Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 27-6 | Fantasy Overture: Romeo and Juliet | Royal Philharmonic Orchestra, Vladimir Ashkenazy | T-905.031.800-8 | |
| 28-1 | Andante favori in F, WoO 57 | — | ||
| 28-2 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 1. Allegro | — | ||
| 28-3 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 28-4 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 3. Adagio sostenuto | — | ||
| 28-5 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": 4. Largo - Allegro risoluto | — | ||
| 28-6 | Piano Sonata no. 21 in C, op. 53 "Waldstein": 1. Allegro con brio | Vladimir Ashkenazy | — | |
| 28-7 | Piano Sonata no. 21 in C, op. 53 "Waldstein": 2. Introduzione (Adagio molto) | Vladimir Ashkenazy | — | |
| 28-8 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Vladimir Ashkenazy | T-312.439.094-5 | |
| 29-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | — | ||
| 29-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | — | ||
| 29-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | — | ||
| 29-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | — | ||
| 29-5 | Symphony no. 7 in A, op. 92: 1. Poco sostenuto - Vivace | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 29-6 | Symphony no. 7 in A, op. 92: 2. Allegretto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 29-7 | Symphony no. 7 in A, op. 92: 3. Presto - Assai meno presto | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 29-8 | Symphony no. 7 in A, op. 92: 4. Allegro con brio | Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 30-1 | Sonata for 2 Pianos and Percussion, Sz. 110: 1. Assai lento | — | ||
| 30-2 | Sonata for 2 Pianos and Percussion, Sz. 110: 2. Lento, ma non troppo | — | ||
| 30-3 | Sonata for 2 Pianos and Percussion, Sz. 110: 3. Allegro non troppo | — | ||
| 30-4 | Piano Concerto no. 1 in E minor, Sz. 83: I. Allegro moderato - Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-5 | Piano Concerto no. 1 in E minor, Sz. 83: II. Andante | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | T-802.445.410-3 | |
| 30-6 | Piano Concerto no. 1 in E minor, Sz. 83: III. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-7 | Piano Concerto no. 2, BB 101, Sz. 95: 1. Allegro | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-8 | Piano Concerto no. 2, BB 101, Sz. 95: 2. Adagio - Più adagio - Presto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 30-9 | Piano Concerto no. 2, BB 101, Sz. 95: 3. Allegro molto | Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 31-1 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 31-2 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 31-3 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 31-4 | Sonata for Cello and Piano no. 1 in E minor, op. 38: 1. Allegro non troppo | — | ||
| 31-5 | Sonata for Cello and Piano no. 1 in E minor, op. 38: 2. Allegretto quasi minuetto | — | ||
| 31-6 | Sonata for Cello and Piano no. 1 in E minor, op. 38: 3. Allegro - Più presto | — | ||
| 32-1 | Gaspard de la nuit, M. 55: Ondine | — | ||
| 32-2 | Gaspard de la nuit, M. 55: Le gibet | — | ||
| 32-3 | Gaspard de la nuit, M. 55: Scarbo | — | ||
| 32-4 | Pavane pour une infante défunte, M. 19 | — | ||
| 32-5 | Valses nobles et sentimentales: 1. Modéré - très franc | — | ||
| 32-6 | Valses nobles et sentimentales: 2. Assez lent - avec une expression intense | — | ||
| 32-7 | Valses nobles et sentimentales: 3. Modéré | — | ||
| 32-8 | Valses nobles et sentimentales: 4. Assez animé | — | ||
| 32-9 | Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime | — | ||
| 32-10 | Valses nobles et sentimentales: 6. Assez vif | — | ||
| 32-11 | Valses nobles et sentimentales: 7. Moins vif | — | ||
| 32-12 | Valses nobles et sentimentales: 8. Epilogue (Lent) | — | ||
| 32-13 | L'Isle Joyeuse, L. 106 | — | ||
| 32-14 | Piano Trio in A minor, M. 67: 1. Modéré | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 32-15 | Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 32-16 | Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 32-17 | Piano Trio in A minor, M. 67: 4. Final (Animé) | Vladimir Ashkenazy, Lynn Harrell, Itzhak Perlman | — | |
| 33-1 | Pictures at an Exhibition (piano): Promenade - Gnomus | — | ||
| 33-2 | Pictures at an Exhibition (piano): Promenade - The Old Castle | — | ||
| 33-3 | Pictures at an Exhibition (piano): Promenade - The Tuileries - Bydlo | — | ||
| 33-4 | Pictures at an Exhibition (piano): Promenade - Ballet of Unhatched Chicks - 2 Polish Jews | — | ||
| 33-5 | Pictures at an Exhibition (piano): The Market Place at Limoges - The Catacombs | — | ||
| 33-6 | Pictures at an Exhibition (piano): The Hut on Fowls Legs - The Great Gate of Kiev | — | ||
| 33-7 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - Gnomus | — | ||
| 33-8 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Old Castle | — | ||
| 33-9 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - Tuileries - Bydlo | — | ||
| 33-10 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - Ballet of the Unhatched Chicks - 2 Polish Jews | — | ||
| 33-11 | Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Market Place at Limoges | — | ||
| 33-12 | Pictures at an Exhibition (orch. Ashkenazy): The Hut on Fowls Legs - The Great Gate of Kiev | — | ||
| 34-1 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-2 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-3 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-4 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 34-5 | Sonata for Cello and Piano no. 2 in F, op. 99: 1. Allegro vivace | — | ||
| 34-6 | Sonata for Cello and Piano no. 2 in F, op. 99: 2. Adagio affettuoso | — | ||
| 34-7 | Sonata for Cello and Piano no. 2 in F, op. 99: 3. Allegro appassionata | — | ||
| 34-8 | Sonata for Cello and Piano no. 2 in F, op. 99: 4. Allegro molto | — | ||
| 35-1 | Symphony no. 1, op. 13: IV. Allegro con fuoco | Vladimir Ashkenazy, Concertgebouw Orchestra | T-902.755.223-4 | |
| 35-5 | Symphonic Dances, op. 45: I. Non allegro | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 35-6 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Concertgebouw Orchestra, Vladimir Ashkenazy | — | |
| 35-7 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace | Concertgebouw Orchestra, Vladimir Ashkenazy | — | |
| 36-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace - Allegro (Tempo primo) - Allegretto - Allegro vivace | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-4 | The Bells, op. 35: I. Allegro ma non tanto (Silver Bells) | Ryszard Karczykowski, Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-5 | The Bells, op. 35: II. Lento (Golden Bells) | Natalia Troitskaya, Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-6 | The Bells, op. 35: III. Presto (Alarm Bells) | Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 36-7 | The Bells, op. 35: IV. Lento lugubre (Iron Bell) | Tom Krause, Concertgebouw Choir, Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 37-1 | Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 37-2 | Piano Concerto no. 1 in C major, op. 15: 2. Largo | — | ||
| 37-3 | Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando) | — | ||
| 37-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 37-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 37-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 37-7 | Piano Sonata no. 27 in E minor, op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 37-8 | Piano Sonata no. 27 in E minor, op. 90: 2. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 38-1 | Cinderella: Act I. No. 1. Introduction | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-2 | Cinderella: Act I. No. 2. Shawl Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-3 | Cinderella: Act I. No. 3. Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-4 | Cinderella: Act I. No. 4. The Father | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-5 | Cinderella: Act I. No. 5. The Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-6 | Cinderella: Act I. No. 6. The Sisters’ New Clothes | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-7 | Cinderella: Act I. No. 7. The Dancing Lesson | The Cleveland Orchestra, Vladimir Ashkenazy | T-070.089.012-5 | |
| 38-8 | Cinderella: Act I. No. 8. Departure of the Stepmother and Sisters for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-9 | Cinderella: Act I. No. 9. Cinderella Dreams of the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-10 | Cinderella: Act I. No. 10. Gavotte | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-11 | Cinderella: Act I. No. 11. Second Appearance of the Fairy Godmother | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-12 | Cinderella: Act I. No. 12. Spring Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-13 | Cinderella: Act I. No. 13. Summer Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-14 | Cinderella: Act I. No. 14. Grasshoppers and Dragonflies | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-15 | Cinderella: Act I. No. 15. Autumn Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-16 | Cinderella: Act I. No. 16. Winter Fairy | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-17 | Cinderella: Act I. No. 17. The Interrupted Departure | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-18 | Cinderella: Act I. No. 18. The Clock | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-19 | Cinderella: Act I. No. 19. Cinderella’s Departure for the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-20 | Cinderella: Act II. No. 20. Dance of the Courtiers | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-21 | Cinderella: Act II. No. 21. Court Dance (Passepied) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-22 | Cinderella: Act II. No. 22. Cavaliers’ Dance (Bourrée) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-23 | Cinderella: Act II. No. 23. Skinny’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-24 | Cinderella: Act II. No. 24. Dumpy’s Variation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-25 | Cinderella: Act II. No. 25. Dance of the Courtiers (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-26 | Cinderella: Act II. No. 26. Mazurka and Entrance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-27 | Cinderella: Act II. No. 27. Dance of the Prince's Four Companions | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 38-28 | Cinderella: Act II. No. 28. Mazurka (repeat) | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-1 | Cinderella: Act II. No. 29. Cinderella’s Arrival at the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-2 | Cinderella: Act II. No. 30. Granz Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-3 | Cinderella: Act II. No. 31. Promenade | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-4 | Cinderella: Act II. No. 32. Cinderella’s Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-5 | Cinderella: Act II. No. 33. Dance of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-6 | Cinderella: Act II. No. 34. Refreshments for the Guests | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-7 | Cinderella: Act II. No. 35. Duet of the Sisters with the Oranges | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-8 | Cinderella: Act II. No. 36. Duet of the Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-9 | Cinderella: Act II. No. 37. Waltz-Coda | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-10 | Cinderella: Act II. No. 38. Midnight | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-11 | Cinderella: Act III. No. 39. The Prince and the Cobblers | The Cleveland Orchestra, Vladimir Ashkenazy | T-921.977.698-4 | |
| 39-12 | Cinderella: Act III. No. 40. First Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-13 | Cinderella: Act III. No. 41. Temptation | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-14 | Cinderella: Act III. No. 42. Second Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-15 | Cinderella: Act III. No. 43. Oriental Dance | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-16 | Cinderella: Act III. No. 44. Third Galop of the Prince | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-17 | Cinderella: Act III. No. 45. Cinderella’s Awakening | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-18 | Cinderella: Act III. No. 46. The Morning After the Ball | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-19 | Cinderella: Act III. No. 47. The Prince’s Visit | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-20 | Cinderella: Act III. No. 48. The Prince Recognises Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-21 | Cinderella: Act III. No. 49. Waltz | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 39-22 | Cinderella: Act III. No. 50. Amoroso: The Prince and Cinderella | The Cleveland Orchestra, Vladimir Ashkenazy | — | |
| 40-1 | Arabeske in C, op. 18 | — | ||
| 40-2 | Papillons, op. 2 | — | ||
| 40-3 | Symphonic Studies, op. 13: Theme | — | ||
| 40-4 | Symphonic Studies, op. 13: Etude I | — | ||
| 40-5 | Symphonic Studies, op. 13: Etude II | — | ||
| 40-6 | Symphonic Studies, op. 13: Etude III | — | ||
| 40-7 | Symphonic Studies, op. 13: Variation I | — | ||
| 40-8 | Symphonic Studies, op. 13: Variation II | — | ||
| 40-9 | Symphonic Studies, op. 13: Variation III | — | ||
| 40-10 | Symphonic Studies, op. 13: Etude IV | — | ||
| 40-11 | Symphonic Studies, op. 13: Etude V | — | ||
| 40-12 | Symphonic Studies, op. 13: Etude VI | — | ||
| 40-13 | Symphonic Studies, op. 13: Etude VII | — | ||
| 40-14 | Symphonic Studies, op. 13: Etude VIII | — | ||
| 40-15 | Symphonic Studies, op. 13: Variation IV | — | ||
| 40-16 | Symphonic Studies, op. 13: Variation V | — | ||
| 40-17 | Symphonic Studies, op. 13: Etude IX | — | ||
| 40-18 | Symphonic Studies, op. 13: Etude X | — | ||
| 40-19 | Symphonic Studies, op. 13: Etude XI | — | ||
| 40-20 | Symphonic Studies, op. 13: Etude XII (Finale) | — | ||
| 40-21 | Piano Sonata no. 2 in G minor, op. 22: 1. So rasch wie möglich - Schneller - Noch schneller | — | ||
| 40-22 | Piano Sonata no. 2 in G minor, op. 22: 2. Andantino | — | ||
| 40-23 | Piano Sonata no. 2 in G minor, op. 22: 3. Scherzo (Sehr rasch und markiert) | — | ||
| 40-24 | Piano Sonata no. 2 in G minor, op. 22: 4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller) | — | ||
| 41-1 | Don Quixote, op. 35: 1. Introduktion (Mäßiges Zeitmaß) | — | ||
| 41-2 | Don Quixote, op. 35: 4. Variation 1 (Gemächlich) | — | ||
| 41-3 | Don Quixote, op. 35: 5. Variation 2 (Kriegerisch) | — | ||
| 41-4 | Don Quixote, op. 35: 6. Variation 3 (Mäßiges Zeitmaß) | — | ||
| 41-5 | Don Quixote, op. 35: 7. Variation 4 (Etwas breiter) | — | ||
| 41-6 | Don Quixote, op. 35: 8. Variation 5 (Sehr langsam) | — | ||
| 41-7 | Don Quixote, op. 35: 9. Variation 6 (Schnell) | — | ||
| 41-8 | Don Quixote, op. 35: 10. Variation 7 (Ein wenig ruhiger als vorher) | — | ||
| 41-9 | Don Quixote, op. 35: 11. Variation 8 | — | ||
| 41-10 | Don Quixote, op. 35: 12. Variation 9 (Schnell und stürmisch) | — | ||
| 41-11 | Don Quixote, op. 35: 13. Variation 10 (Viel breiter) | — | ||
| 41-12 | Don Quixote, op. 35: 14. Finale (Sehr ruhig) | — | ||
| 41-13 | Salome, op. 54: Scene 4. Salome's Dance of the Seven Veils | — | ||
| 41-14 | Also sprach Zarathustra, op. 30: Prelude (Sonnenaufgang) | — | ||
| 41-15 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern | — | ||
| 41-16 | Also sprach Zarathustra, op. 30: Von der großen Sehnsucht | — | ||
| 41-17 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften | — | ||
| 41-18 | Also sprach Zarathustra, op. 30: Das Grablied | — | ||
| 41-19 | Also sprach Zarathustra, op. 30: Von der Wissenschaft | — | ||
| 41-20 | Also sprach Zarathustra, op. 30: Der Genesende | — | ||
| 41-21 | Also sprach Zarathustra, op. 30: Das Tanzlied - Das Nachtlied | — | ||
| 41-22 | Also sprach Zarathustra, op. 30: Das Nachtwandlerlied | — | ||
| 42-1 | Symphony no. 5 in B-flat, op. 100: 1. Andante | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-2 | Symphony no. 5 in B-flat, op. 100: 2. Allegro marcato | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-3 | Symphony no. 5 in B-flat, op. 100: 3. Adagio | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-4 | Symphony no. 5 in B-flat, op. 100: 4. Allegro giocoso | Koninklijk Concertgebouworkest, Vladimir Ashkenazy | — | |
| 42-5 | Sni (Dreams), op. 6 | — | ||
| 42-6 | Symphony no. 1 in D, op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev | T-011.619.733-1 | |
| 42-7 | Symphony no. 1 in D, op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev | — | |
| 42-8 | Symphony no. 1 in D, op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev | — | |
| 42-9 | Symphony no. 1 in D, op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev | — | |
| 42-10 | Autumnal, op. 8 | Sergei Prokofiev | — | |
| 43-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 1. Allegro | — | ||
| 43-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 2. Adagio un poco mosso | — | ||
| 43-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 3. Rondo (Allegro) | — | ||
| 43-4 | Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 | — | ||
| 44-1 | Piano Concerto no. 2 in F major, op. 102: I. Allegro | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-2 | Piano Concerto no. 2 in F major, op. 102: II. Andante | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-3 | Piano Concerto no. 2 in F, op. 102: 3. Allegro | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-4 | Violin Concerto no. 1 in A minor, op. 99: 1. Nocturne (Moderato) | — | ||
| 44-5 | Violin Concerto no. 1 in A minor, op. 99: 2. Scherzo (Allegro) | — | ||
| 44-6 | Violin Concerto no. 1 in A minor, op. 99: 3. Passacaglia (Andante) | — | ||
| 44-7 | Violin Concerto no. 1 in A minor, op. 99: 4. Burlesque (Allegro con brio - Presto) | — | ||
| 44-8 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegretto | Peter Jablonski, Raymond Simmons, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-9 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento | Peter Jablonski, Raymond Simmons, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 44-10 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Allegro con brio — IV. Allegro con brio | Peter Jablonski, Raymond Simmons, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 45-1 | Clarinet Trio in A minor, op. 114: 1. Allegro | — | ||
| 45-2 | Clarinet Trio in A minor, op. 114: 2. Adagio | — | ||
| 45-3 | Clarinet Trio in A minor, op. 114: 3. Andante grazioso | — | ||
| 45-4 | Clarinet Trio in A minor, op. 114: 4. Allegro | — | ||
| 45-5 | Piano Quintet in F minor, op. 34: 1. Allegro non troppo | — | ||
| 45-6 | Piano Quintet in F minor, op. 34: 2. Andante, un poco adagio | — | ||
| 45-7 | Piano Quintet in F minor, op. 34: 3. Scherzo (Allegro) | — | ||
| 45-8 | Piano Quintet in F minor, op. 34: 4. Finale (poco sostenuto - Allegro non troppo) | — | ||
| 46-1 | Symphony no. 1 in C minor, op. 11: I. Allegro molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-2 | Symphony no. 1 in C minor, op. 11: II. Andante | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-3 | Symphony no. 1 in C minor, op. 11: III. Menuetto: Allegro molto | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.645-7 | |
| 46-4 | Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.651-5 | |
| 46-5 | Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante – Allegro con fuoco | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | T-931.717.651-5 | |
| 46-6 | Symphony no. 5 in D minor, op. 107 “Reformation”: II. Allegro vivace | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-7 | Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 46-8 | Symphony no. 5 in D minor, op. 107 “Reformation”: IV. Choral: Ein’ feste Burg: Andante con moto – Allegro maestoso | Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | — | |
| 47-1 | Shostakovich Broadcasts From Besieged Leningrad in 1941 | — | ||
| 47-2 | Symphony no. 7, op. 60 "Leningrad": 1. Allegretto | — | ||
| 47-3 | Symphony no. 7, op. 60 "Leningrad": 2. Moderato (poco allegretto) | — | ||
| 47-4 | Symphony no. 7, op. 60 "Leningrad": 3. Adagio | — | ||
| 47-5 | Symphony no. 7, op. 60 "Leningrad": 4. Allegro non troppo | — | ||
| 48-1 | Prelude & Fugue no. 1 in C major: Prelude | — | ||
| 48-2 | Prelude & Fugue no. 1 in C major: Fugue | — | ||
| 48-3 | Prelude & Fugue no. 2 in A minor: Prelude | — | ||
| 48-4 | Prelude & Fugue no. 2 in A minor: Fugue | — | ||
| 48-5 | Prelude & Fugue no. 3 in G major: Prelude | — | ||
| 48-6 | Prelude & Fugue no. 3 in G major: Fugue | — | ||
| 48-7 | Prelude & Fugue no. 4 in E minor: Prelude | — | ||
| 48-8 | Prelude & Fugue no. 4 in E minor: Fugue | — | ||
| 48-9 | Prelude & Fugue no. 5 in D major: Prelude | — | ||
| 48-10 | Prelude & Fugue no. 5 in D major: Fugue | — | ||
| 48-11 | Prelude & Fugue no. 6 in B minor: Prelude | — | ||
| 48-12 | Prelude & Fugue no. 6 in B minor: Fugue | — | ||
| 48-13 | Prelude & Fugue no. 7 in A major: Prelude | — | ||
| 48-14 | Prelude & Fugue no. 7 in A major: Fugue | — | ||
| 48-15 | Prelude & Fugue no. 8 in F sharp minor: Prelude | — | ||
| 48-16 | Prelude & Fugue no. 8 in F sharp minor: Fugue | — | ||
| 48-17 | Prelude & Fugue no. 9 in E major: Prelude | — | ||
| 48-18 | Prelude & Fugue no. 9 in E major: Fugue | — | ||
| 48-19 | Prelude & Fugue no. 10 in C-sharp minor: Prelude | — | ||
| 48-20 | Prelude & Fugue no. 10 in C-sharp minor: Fugue | — | ||
| 48-21 | Prelude & Fugue no. 11 in B major: Prelude | — | ||
| 48-22 | Prelude & Fugue no. 11 in B major: Fugue | — | ||
| 48-23 | Prelude & Fugue no. 12 in G-sharp minor: Prelude | — | ||
| 48-24 | Prelude & Fugue no. 12 in G-sharp minor: Fugue | — | ||
| 49-1 | Prelude & Fugue no. 13 in F-sharp major: Prelude | — | ||
| 49-2 | Prelude & Fugue no. 13 in F-sharp major: Fugue | — | ||
| 49-3 | Prelude & Fugue no. 14 in E-flat minor: Prelude | — | ||
| 49-4 | Prelude & Fugue no. 14 in E-flat minor: Fugue | — | ||
| 49-5 | Prelude & Fugue no. 15 in D-flat major: Prelude | — | ||
| 49-6 | Prelude & Fugue no. 15 in D-flat major: Fugue | — | ||
| 49-7 | Prelude & Fugue no. 16 in B-flat minor: Prelude | — | ||
| 49-8 | Prelude & Fugue no. 16 in B-flat minor: Fugue | — | ||
| 49-9 | Prelude & Fugue no. 17 in A-flat major: Prelude | — | ||
| 49-10 | Prelude & Fugue no. 17 in A-flat major: Fugue | — | ||
| 49-11 | Prelude & Fugue no. 18 in F minor: Prelude | — | ||
| 49-12 | Prelude & Fugue no. 18 in F minor: Fugue | — | ||
| 49-13 | Prelude & Fugue no. 19 in E-flat major: Prelude | — | ||
| 49-14 | Prelude & Fugue no. 19 in E-flat major: Fugue | — | ||
| 49-15 | Prelude & Fugue no. 20 in C minor: Prelude | — | ||
| 49-16 | Prelude & Fugue no. 20 in C minor: Fugue | — | ||
| 49-17 | Prelude & Fugue no. 21 in B-flat major: Prelude | — | ||
| 49-18 | Prelude & Fugue no. 21 in B-flat major: Fugue | — | ||
| 49-19 | Prelude & Fugue no. 22 in G minor: Prelude | — | ||
| 49-20 | Prelude & Fugue no. 22 in G minor: Fugue | — | ||
| 49-21 | Prelude & Fugue no. 23 in F major: Prelude | — | ||
| 49-22 | Prelude & Fugue no. 23 in F major: Fugue | — | ||
| 49-23 | Prelude & Fugue no. 24 in D minor: Prelude | — | ||
| 49-24 | Prelude & Fugue no. 24 in D minor: Fugue | — | ||
| 50-1 | 33 Piano Variations, op. 120: Tema (Vivace) - Variation I (Alla marcia maestoso) | Vladimir Ashkenazy | — | |
| 50-2 | 33 Piano Variations, op. 120: Variation 2 (Poco allegro) | Vladimir Ashkenazy | — | |
| 50-3 | 33 Piano Variations, op. 120: Variation 3 (L'istesso tempo) | Vladimir Ashkenazy | — | |
| 50-4 | 33 Piano Variations, op. 120: Variation 4 (Un poco più vivace) | Vladimir Ashkenazy | — | |
| 50-5 | 33 Piano Variations, op. 120: Variation 5 (Allegro vivace) | Vladimir Ashkenazy | — | |
| 50-6 | 33 Piano Variations, op. 120: Variation 6 (Allegro ma non troppo e serioso) | Vladimir Ashkenazy | — | |
| 50-7 | 33 Piano Variations, op. 120: Variation 7 (Un poco più allegro) | Vladimir Ashkenazy | — | |
| 50-8 | 33 Piano Variations, op. 120: Variation 8 (Poco vivace) | Vladimir Ashkenazy | — | |
| 50-9 | 33 Piano Variations, op. 120: Variation 9 (Allegro pesante e risoluto) | Vladimir Ashkenazy | — | |
| 50-10 | 33 Piano Variations, op. 120: Variation 10 (Presto) | Vladimir Ashkenazy | — | |
| 50-11 | 33 Piano Variations, op. 120: Variation 11 (Allegretto) | Vladimir Ashkenazy | — | |
| 50-12 | 33 Piano Variations, op. 120: Variation 12 (Un poco più moto) | Vladimir Ashkenazy | — | |
| 50-13 | 33 Piano Variations, op. 120: Variation 13 (Vivace) | Vladimir Ashkenazy | — | |
| 50-14 | 33 Piano Variations, op. 120: Variation 14 (Grave e maestoso) | Vladimir Ashkenazy | — | |
| 50-15 | 33 Piano Variations, op. 120: Variation 15 (Presto scherzando) | Vladimir Ashkenazy | — | |
| 50-16 | 33 Piano Variations, op. 120: Variation 16 (Allegro) | Vladimir Ashkenazy | — | |
| 50-17 | 33 Piano Variations, op. 120: Variation 17 | Vladimir Ashkenazy | — | |
| 50-18 | 33 Piano Variations, op. 120: Variation 18 (Poco moderato) | Vladimir Ashkenazy | — | |
| 50-19 | 33 Piano Variations, op. 120: Variation 19 (Presto) | Vladimir Ashkenazy | — | |
| 50-20 | 33 Piano Variations, op. 120: Variation 20 (Andante) | Vladimir Ashkenazy | — | |
| 50-21 | 33 Piano Variations, op. 120: Variation 21 (Allegro con brio - Meno allegro - Tempo I) | Vladimir Ashkenazy | — | |
| 50-22 | 33 Piano Variations, op. 120: Variation 22 (Allegro molto): Alla "Notte e giorno faticar" di Mozart | Vladimir Ashkenazy | — | |
| 50-23 | 33 Piano Variations, op. 120: Variation 23 (Allegro assai) | Vladimir Ashkenazy | — | |
| 50-24 | 33 Piano Variations, op. 120: Variation 24 Fughetta (Andante) | Vladimir Ashkenazy | — | |
| 50-25 | 33 Piano Variations, op. 120: Variation 25 (Allegro) | Vladimir Ashkenazy | — | |
| 50-26 | 33 Piano Variations, op. 120: Variation 26 | Vladimir Ashkenazy | — | |
| 50-27 | 33 Piano Variations, op. 120: Variation 27 (Vivace) | Vladimir Ashkenazy | — | |
| 50-28 | 33 Piano Variations, op. 120: Variation 28 (Allegro) | Vladimir Ashkenazy | — | |
| 50-29 | 33 Piano Variations, op. 120: Variation 29 (Adagio ma non troppo) | Vladimir Ashkenazy | — | |
| 50-30 | 33 Piano Variations, op. 120: Variation 30 (Andante, sempre cantabile) | Vladimir Ashkenazy | — | |
| 50-31 | 33 Piano Variations, op. 120: Variation 31 (Largo, molto espressivo) | Vladimir Ashkenazy | — | |
| 50-32 | 33 Piano Variations, op. 120: Variation 32 Fuga (Allegro - Poco adagio) | Vladimir Ashkenazy | — | |
| 50-33 | 33 Piano Variations, op. 120: Variation 33 (Tempo di minuetto moderato, ma non tirarsi dietro) | Vladimir Ashkenazy | — | |
| 50-34 | 12 Variations on the Russian Dance from the Ballet "Das Waldmadschen", WoO 71 | Vladimir Ashkenazy | — | |
| 50-35 | Piano Sonata no. 28 in A, op. 101: 1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 50-36 | Piano Sonata no. 28 in A, op. 101: 2. Lebhaft, marschmäßig (Vivace alla marcia) | — | ||
| 50-37 | Piano Sonata no. 28 in A, op. 101: 3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | — |
| Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Vladimir Ashkenazy, Академический симфонический оркестр Московской филармонии, Кирилл Петрович Кондрашин | T-071.926.821-9 |
