UPC · Release
Pepe Romero
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The UPC for “Master Of The Guitar” by Pepe Romero is 028947856696. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 165 tracks, each with its own ISRC. Tracks include NLA508101709, NLA508101710, NLA508327610.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Partita for Violin Solo No.2 in d, BWV 1004, 1. Allemande | — | ||
| 2 | Partita for Violin Solo No.2 in d, BWV 1004, 2. Courante | — | ||
| 3 | Partita for Violin Solo No.2 in d, BWV 1004, 3. Sarabande | — | ||
| 4 | Partita for Violin Solo No.2 in d, BWV 1004, 4. Gigue | — | ||
| 5 | Partita for Violin Solo No.2 in d, BWV 1004, 5. Chaconne | — | ||
| 6 | Suite For Cello Solo No.3 in C, BWV 1009, 1. Prelude | — | ||
| 7 | Suite For Cello Solo No.3 in C, BWV 1009, 2. Allemande | — | ||
| 8 | Suite For Cello Solo No.3 in C, BWV 1009, 3. Courante | — | ||
| 9 | Suite no. 3 for Solo Cello in C major, BWV 1009 (transcr. Romero): Sarabande | Pepe Romero | — | |
| 10 | Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourrée I/II | Pepe Romero | — | |
| 11 | Suite For Cello Solo No.3 in C, BWV 1009, 6. Gigue | — | ||
| 12 | Concerto for Guitar in C major, RV 425: I. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | T-306.395.786-4 | |
| 13 | Concerto for Guitar in C major, RV 425: II. Largo | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | — | |
| 14 | Concerto for Guitar in C major, RV 425: III. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | T-041.489.061-1 | |
| 15 | Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 1. Allegro | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-910.793.958-2 | |
| 16 | Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 2. Andante | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-312.542.566-9 | |
| 17 | Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 3. Allegro | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-902.836.120-8 | |
| 2-1 | Quintet No.1 in d, G.445, 1. Allegro moderato | — | ||
| 2-2 | Quintet No.1 in d, G.445, 2. Cantabile | — | ||
| 2-3 | Quintet No.1 in d, G.445, 3. Minuetto | — | ||
| 2-4 | Quintet No.1 in d, G.445, 4. Finale (Allegro assai) | — | ||
| 2-5 | Quintet No.3 in Bb, G.447, 1. Allegro moderato | — | ||
| 2-6 | Quintet No.3 in Bb, G.447, 2. Tempo di minuetto | — | ||
| 2-7 | Quintet No.3 in Bb, G.447, 3. Adagio | — | ||
| 2-8 | Quintet No.3 in Bb, G.447, 4. Allegro | — | ||
| 2-9 | Quintet No.5 in D, G.449, 1. Andantino pausato | — | ||
| 2-10 | Quintet No.5 in D, G.449, 2. Minuetto | — | ||
| 2-11 | Quintet No.5 in D, G.449, Allegro giusto | — | ||
| 2-12 | Quintet No.5 in D, G.449, 4. Andantino pausato con variazioni | — | ||
| 2-13 | Quintet No.7 in e, G.451, 1. Allegro moderato | — | ||
| 2-14 | Quintet No.7 in e, G.451, 2. Adagio | — | ||
| 2-15 | Quintet No.7 in e, G.451, 3. Minuetto | — | ||
| 2-16 | Quintet No.7 in e, G.451, 4. Allegretto | — | ||
| 3-1 | Guitar Quintet no. 2 in E major, G 446: I. Maestoso assai | — | ||
| 3-2 | Guitar Quintet no. 2 in E major, G 446: II. Adagio - Allegretto | — | ||
| 3-3 | Guitar Quintet no. 2 in E major, G 446: III. Polacca (Tempo di minuetto) | — | ||
| 3-4 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": I. Pastorale | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-5 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": II. Allegro maestoso | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-6 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": III. Grave assai / IV. Fandango | Iona Brown, Tristan Fry, Malcolm Latchem, Pepe Romero, Stephen Shingles, Denis Vigay | — | |
| 3-7 | Guitar Quintet no. 6 in G major, G 450: I. Allegro con vivacita | — | ||
| 3-8 | Guitar Quintet no. 6 in G major, G 450: II. Andantino lento | — | ||
| 3-9 | Guitar Quintet no. 6 in G major, G 450: III. Tempo de minuetto | — | ||
| 3-10 | Guitar Quintet no. 6 in G major, G 450: IV. Allegretto | — | ||
| 3-11 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": I. Allegro maestoso assai | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-12 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": II. Andantino | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-13 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": III. Allegretto | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-14 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": IV. La ritirata di Madrid | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 4-1 | Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": I. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | T-011.422.353-8 | |
| 4-2 | Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": II. Largo | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | — | |
| 4-3 | Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": III. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | — | |
| 4-4 | Adagio in E, K. 261 | — | ||
| 4-5 | Guitar Concerto in e, op. 56: 1. Allegro maestoso | — | ||
| 4-6 | Guitar Concerto in e, op. 56: 2. Maestoso molto | — | ||
| 4-7 | Guitar Concerto in e, op. 56: 3. Rondo (Allegro) | — | ||
| 4-8 | Rondo in C, K.373 | — | ||
| 4-9 | Guitar Concerto in A, op. 8a: 1. Allegro | — | ||
| 4-10 | Guitar Concerto in A, op. 8a: 2. Polonaise | — | ||
| 5-1 | Guitar Concerto no. 1 in A major, op. 30: Allegro maestoso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-329.516.968-1 | |
| 5-3 | Guitar Concerto no. 1 in A major, op. 30: Polonaise. Allegretto | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Guitar Concerto No.2 in A, Op.36: 1. Maestoso | — | ||
| 5-5 | Guitar Concerto No.2 in A, Op.36: 2. Andantino | — | ||
| 5-6 | Guitar Concerto No.2 in A, Op.36: 3. Rondo (Allegretto) | — | ||
| 5-7 | Guitar Concerto no. 3 in F major, op. 70: I. Allegro moderato | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Guitar Concerto no. 3 in F major, op. 70: II. Andantino alla siciliana con variazioni | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-9 | Guitar Concerto no. 3 in F major, op. 70: III. Polonaise (Allegretto) | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-1 | “Concierto Ibérico” For Four Guitars And Orchestra: 1. Allegretto | — | ||
| 6-2 | “Concierto Ibérico” For Four Guitars And Orchestra: 2. Andante - Allegro moderato - | — | ||
| 6-3 | “Concierto Ibérico” For Four Guitars And Orchestra: 3. Allegro moderato - Lento - | — | ||
| 6-4 | “Diálogos” For Guitar And Orchestra: A. En Allegretto, Mosso | — | ||
| 6-5 | “Diálogos” For Guitar And Orchestra: B. En Andantino Mosso | — | ||
| 6-6 | “Diálogos” For Guitar And Orchestra: C. En Andante | — | ||
| 6-7 | “Diálogos” For Guitar And Orchestra: D. En Allegro | — | ||
| 6-8 | Suite castellana for guitar: Fandanguillo | — | ||
| 6-9 | Suite castellana for guitar: Arada | — | ||
| 6-10 | Suite castellana for guitar: Danza | — | ||
| 6-11 | Concerto de Málaga: Allegro vivace | — | ||
| 6-12 | Concerto de Málaga: Andante: Allegretto | — | ||
| 6-13 | Concerto de Málaga: Tangos y tientos | — | ||
| 7-1 | Concerto for Guitar and small Orchestra: 1. Allegro preciso | — | ||
| 7-2 | Concerto for Guitar and small Orchestra: 2. Andantino e andante | — | ||
| 7-3 | Concerto for Guitar and small Orchestra: 3. Allegretto non troppo | — | ||
| 7-4 | Choro no. 1 "Choro tipico" | Pepe Romero | — | |
| 7-5 | Etude No.1 in E minor | — | ||
| 7-6 | Preludes: No. 1 in E minor | — | ||
| 7-7 | Preludes: No. 2 in E | — | ||
| 7-8 | Preludes: No. 3 in A minor | — | ||
| 7-9 | Preludes: No. 4 in E minor | — | ||
| 7-10 | Preludes: No. 5 in D | — | ||
| 7-11 | Suite populaire bresilienne, W020: 1. Mazurka-Choro | — | ||
| 7-12 | Suite populaire bresilienne, W020: 2. Schottish-Choro | — | ||
| 7-13 | Suite populaire bresilienne, W020: 3. Valsa-Choro | — | ||
| 7-14 | Suite populaire bresilienne, W020: 4. Gavota-Choro | — | ||
| 7-15 | Suite populaire bresilienne, W020: 5. Chorinho | — | ||
| 7-16 | Misionera | — | ||
| 7-17 | Una limosna por el amor de Dios | — | ||
| 7-18 | Temas Populares Cubanos: Cancion de cuna (Berceuse) | — | ||
| 7-19 | Aires Populares Cubanos: 1. Guajira criolla | — | ||
| 7-20 | Aires Populares Cubanos: 2. Zapateado | — | ||
| 8-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 8-2 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 8-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 8-4 | Fantasía para un gentilhombre: I. Villano y Ricercare | — | ||
| 8-5 | Fantasía para un gentilhombre: II. Españoleta y Fanfare de la caballería de Nápoles | — | ||
| 8-6 | Fantasía para un gentilhombre: III. Danza de las hachas | — | ||
| 8-7 | Fantasía para un gentilhombre: IV. Canarios | — | ||
| 8-8 | Cançoneta | — | ||
| 8-9 | Invocation et danse: I. Moderato | — | ||
| 8-10 | Invocation et danse: II. Allegro moderato: Polo | — | ||
| 8-11 | Trois petities pièces: I. Ya se van los pastores | — | ||
| 8-12 | Trois petities pièces: II. Por caminos de Santiago | — | ||
| 8-13 | Trois petities pièces: III. Pequeña sevillana | — | ||
| 9-1 | Concierto para una fiesta - Allegro deciso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 9-2 | Concierto para una fiesta - Andante calmo | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 9-3 | Concierto para una fiesta - Allegro moderato | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 9-4 | En los trigales | — | ||
| 9-5 | Sonata a la española: I. Allegro assai | — | ||
| 9-6 | Sonata a la española: II. Adagio | — | ||
| 9-7 | Sonata a la española: III. Allegro moderato (Tiempo de bolero) | — | ||
| 9-8 | Tiento antiguo | — | ||
| 9-9 | Junto al Generalife | — | ||
| 9-10 | Fandango | — | ||
| 9-11 | 3 petites pièces, No. 1: Ya se van los pastores | — | ||
| 9-12 | 3 petites pièces, No. 2: Por los caminos de Santiago | — | ||
| 9-13 | 3 petites pièces, No. 3: Pequeña sevillana | — | ||
| 9-14 | Bajando de la meseta | — | ||
| 9-15 | Romance de Durandarte | — | ||
| 10-1 | Concierto Madrigal: I. Fanfare (Allegro marziale) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-035.113.918-8 | |
| 10-2 | Concierto Madrigal: II. Madrigal (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-3 | Concierto Madrigal: III. Entrada (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-4 | Concierto Madrigal: IV. Pastorcito, tu que vienes, pastorcito, tu que vas (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-5 | Concierto Madrigal: V. Girardilla (Presto) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-6 | Concierto Madrigal: VI. Pastoral (Allegro) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.004.814-4 | |
| 10-7 | Concierto Madrigal: VII. Fandango | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 10-8 | Concierto Madrigal: VIII. Arieta (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-9 | Concierto Madrigal: IX. Zapateado (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-10 | Concierto madrigal: Caccio a la española. Allegro vivace - Andante nostalgico | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-11 | Concierto Andaluz: I. Tiempo De Bolero | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 10-12 | Concierto Andaluz: II. Adagio | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 10-13 | Concierto Andaluz: III. Allegretto | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 10-14 | Sones en la Giralda: Lento | — | ||
| 10-15 | Sones en la Giralda: Allegro vivace (Tempo di sevillana) | — | ||
| 10-16 | Concerto No. 1 in D, Op. 99: 1. Allegretto | — | ||
| 10-17 | Concerto No. 1 in D, Op. 99: 2. Andantino alla romanza - Largo | — | ||
| 10-18 | Concerto No. 1 in D, Op. 99: 3. Ritmico e cavalleresco | — | ||
| 11-1 | Jeux interdits: Romance | Pepe Romero | T-041.085.367-6 | |
| 11-2 | Suite española, op. 47: Asturias | Pepe Romero | — | |
| 11-3 | España, 6 hojas de album, op. 165 no. 2 "Tango" | — | ||
| 11-4 | España, 6 hojas de album, op. 165 no. 3 "Malagueña" | — | ||
| 11-5 | Suite española, op. 47: No. 3. Sevilla (sevillanas) | Pepe Romero | — | |
| 11-6 | Suite española, op. 47: No. 1. Granada (serenata) | Pepe Romero | T-900.226.159-8 | |
| 11-7 | Suite española, op. 47: No. 4 “Cádiz” | — | ||
| 11-8 | Mallorca, op. 202 | — | ||
| 11-9 | Cantos de España, op. 223: No. 4 “Córdoba” | — | ||
| 11-10 | Recuerdos de viaje, op. 71: No. 6. “Rumores de la caleta” | — | ||
| 11-11 | El amor brujo: Canción del fuego fatuo | — | ||
| 11-12 | El sombrero de tres picos: Danza del molinero | — | ||
| 11-13 | Danza española, op. 37 no. 5 "Andaluza" | — | ||
| 11-14 | Danza española, op. 37 no. 4 "Villanesca" | — | ||
| 11-15 | Danza española, op. 37 no. 2 "Oriental" | — | ||
| 11-16 | Goyescas: Intermedio | — | ||
| 11-17 | Capricho árabe | — | ||
| 11-18 | Tres preludios: Romántico | — | ||
| 11-19 | Tres preludios: Plegaria | — | ||
| 11-20 | Tres preludios: Aleluya | — |
Identifier Graph
028947856696 is a Universal Product Code (UPC) assigned to Master Of The Guitar by Pepe Romero. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 165 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — |
Songwriters/Publishers (IPI)
The UPC for “Master Of The Guitar” by Pepe Romero is 028947856696. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 165 tracks, each with its own ISRC. Tracks include NLA508101709, NLA508101710, NLA508327610.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Partita for Violin Solo No.2 in d, BWV 1004, 1. Allemande | — | ||
| 2 | Partita for Violin Solo No.2 in d, BWV 1004, 2. Courante | — | ||
| 3 | Partita for Violin Solo No.2 in d, BWV 1004, 3. Sarabande | — | ||
| 4 | Partita for Violin Solo No.2 in d, BWV 1004, 4. Gigue | — | ||
| 5 | Partita for Violin Solo No.2 in d, BWV 1004, 5. Chaconne | — | ||
| 6 | Suite For Cello Solo No.3 in C, BWV 1009, 1. Prelude | — | ||
| 7 | Suite For Cello Solo No.3 in C, BWV 1009, 2. Allemande | — | ||
| 8 | Suite For Cello Solo No.3 in C, BWV 1009, 3. Courante | — | ||
| 9 | Suite no. 3 for Solo Cello in C major, BWV 1009 (transcr. Romero): Sarabande | Pepe Romero | — | |
| 10 | Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourrée I/II | Pepe Romero | — | |
| 11 | Suite For Cello Solo No.3 in C, BWV 1009, 6. Gigue | — | ||
| 12 | Concerto for Guitar in C major, RV 425: I. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | T-306.395.786-4 | |
| 13 | Concerto for Guitar in C major, RV 425: II. Largo | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | — | |
| 14 | Concerto for Guitar in C major, RV 425: III. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | T-041.489.061-1 | |
| 15 | Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 1. Allegro | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-910.793.958-2 | |
| 16 | Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 2. Andante | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-312.542.566-9 | |
| 17 | Concerto en sol majeur pour 2 guitares (2 mandolines), cordes et basse continue, RV 532 - 3. Allegro | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Iona Brown | T-902.836.120-8 | |
| 2-1 | Quintet No.1 in d, G.445, 1. Allegro moderato | — | ||
| 2-2 | Quintet No.1 in d, G.445, 2. Cantabile | — | ||
| 2-3 | Quintet No.1 in d, G.445, 3. Minuetto | — | ||
| 2-4 | Quintet No.1 in d, G.445, 4. Finale (Allegro assai) | — | ||
| 2-5 | Quintet No.3 in Bb, G.447, 1. Allegro moderato | — | ||
| 2-6 | Quintet No.3 in Bb, G.447, 2. Tempo di minuetto | — | ||
| 2-7 | Quintet No.3 in Bb, G.447, 3. Adagio | — | ||
| 2-8 | Quintet No.3 in Bb, G.447, 4. Allegro | — | ||
| 2-9 | Quintet No.5 in D, G.449, 1. Andantino pausato | — | ||
| 2-10 | Quintet No.5 in D, G.449, 2. Minuetto | — | ||
| 2-11 | Quintet No.5 in D, G.449, Allegro giusto | — | ||
| 2-12 | Quintet No.5 in D, G.449, 4. Andantino pausato con variazioni | — | ||
| 2-13 | Quintet No.7 in e, G.451, 1. Allegro moderato | — | ||
| 2-14 | Quintet No.7 in e, G.451, 2. Adagio | — | ||
| 2-15 | Quintet No.7 in e, G.451, 3. Minuetto | — | ||
| 2-16 | Quintet No.7 in e, G.451, 4. Allegretto | — | ||
| 3-1 | Guitar Quintet no. 2 in E major, G 446: I. Maestoso assai | — | ||
| 3-2 | Guitar Quintet no. 2 in E major, G 446: II. Adagio - Allegretto | — | ||
| 3-3 | Guitar Quintet no. 2 in E major, G 446: III. Polacca (Tempo di minuetto) | — | ||
| 3-4 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": I. Pastorale | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-5 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": II. Allegro maestoso | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-6 | Quintet no. 4 for Guitar and Strings in D, G. 448 "Fandango": III. Grave assai / IV. Fandango | Iona Brown, Tristan Fry, Malcolm Latchem, Pepe Romero, Stephen Shingles, Denis Vigay | — | |
| 3-7 | Guitar Quintet no. 6 in G major, G 450: I. Allegro con vivacita | — | ||
| 3-8 | Guitar Quintet no. 6 in G major, G 450: II. Andantino lento | — | ||
| 3-9 | Guitar Quintet no. 6 in G major, G 450: III. Tempo de minuetto | — | ||
| 3-10 | Guitar Quintet no. 6 in G major, G 450: IV. Allegretto | — | ||
| 3-11 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": I. Allegro maestoso assai | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-12 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": II. Andantino | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-13 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": III. Allegretto | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 3-14 | Quintet no. 9 for Guitar and Strings in C, G. 453 "La ritirata di Madrid": IV. La ritirata di Madrid | Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero | — | |
| 4-1 | Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": I. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | T-011.422.353-8 | |
| 4-2 | Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": II. Largo | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | — | |
| 4-3 | Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": III. Allegro | Pepe Romero, Academy of St Martin in the Fields, Iona Brown | — | |
| 4-4 | Adagio in E, K. 261 | — | ||
| 4-5 | Guitar Concerto in e, op. 56: 1. Allegro maestoso | — | ||
| 4-6 | Guitar Concerto in e, op. 56: 2. Maestoso molto | — | ||
| 4-7 | Guitar Concerto in e, op. 56: 3. Rondo (Allegro) | — | ||
| 4-8 | Rondo in C, K.373 | — | ||
| 4-9 | Guitar Concerto in A, op. 8a: 1. Allegro | — | ||
| 4-10 | Guitar Concerto in A, op. 8a: 2. Polonaise | — | ||
| 5-1 | Guitar Concerto no. 1 in A major, op. 30: Allegro maestoso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-329.516.968-1 | |
| 5-3 | Guitar Concerto no. 1 in A major, op. 30: Polonaise. Allegretto | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Guitar Concerto No.2 in A, Op.36: 1. Maestoso | — | ||
| 5-5 | Guitar Concerto No.2 in A, Op.36: 2. Andantino | — | ||
| 5-6 | Guitar Concerto No.2 in A, Op.36: 3. Rondo (Allegretto) | — | ||
| 5-7 | Guitar Concerto no. 3 in F major, op. 70: I. Allegro moderato | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Guitar Concerto no. 3 in F major, op. 70: II. Andantino alla siciliana con variazioni | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-9 | Guitar Concerto no. 3 in F major, op. 70: III. Polonaise (Allegretto) | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-1 | “Concierto Ibérico” For Four Guitars And Orchestra: 1. Allegretto | — | ||
| 6-2 | “Concierto Ibérico” For Four Guitars And Orchestra: 2. Andante - Allegro moderato - | — | ||
| 6-3 | “Concierto Ibérico” For Four Guitars And Orchestra: 3. Allegro moderato - Lento - | — | ||
| 6-4 | “Diálogos” For Guitar And Orchestra: A. En Allegretto, Mosso | — | ||
| 6-5 | “Diálogos” For Guitar And Orchestra: B. En Andantino Mosso | — | ||
| 6-6 | “Diálogos” For Guitar And Orchestra: C. En Andante | — | ||
| 6-7 | “Diálogos” For Guitar And Orchestra: D. En Allegro | — | ||
| 6-8 | Suite castellana for guitar: Fandanguillo | — | ||
| 6-9 | Suite castellana for guitar: Arada | — | ||
| 6-10 | Suite castellana for guitar: Danza | — | ||
| 6-11 | Concerto de Málaga: Allegro vivace | — | ||
| 6-12 | Concerto de Málaga: Andante: Allegretto | — | ||
| 6-13 | Concerto de Málaga: Tangos y tientos | — | ||
| 7-1 | Concerto for Guitar and small Orchestra: 1. Allegro preciso | — | ||
| 7-2 | Concerto for Guitar and small Orchestra: 2. Andantino e andante | — | ||
| 7-3 | Concerto for Guitar and small Orchestra: 3. Allegretto non troppo | — | ||
| 7-4 | Choro no. 1 "Choro tipico" | Pepe Romero | — | |
| 7-5 | Etude No.1 in E minor | — | ||
| 7-6 | Preludes: No. 1 in E minor | — | ||
| 7-7 | Preludes: No. 2 in E | — | ||
| 7-8 | Preludes: No. 3 in A minor | — | ||
| 7-9 | Preludes: No. 4 in E minor | — | ||
| 7-10 | Preludes: No. 5 in D | — | ||
| 7-11 | Suite populaire bresilienne, W020: 1. Mazurka-Choro | — | ||
| 7-12 | Suite populaire bresilienne, W020: 2. Schottish-Choro | — | ||
| 7-13 | Suite populaire bresilienne, W020: 3. Valsa-Choro | — | ||
| 7-14 | Suite populaire bresilienne, W020: 4. Gavota-Choro | — | ||
| 7-15 | Suite populaire bresilienne, W020: 5. Chorinho | — | ||
| 7-16 | Misionera | — | ||
| 7-17 | Una limosna por el amor de Dios | — | ||
| 7-18 | Temas Populares Cubanos: Cancion de cuna (Berceuse) | — | ||
| 7-19 | Aires Populares Cubanos: 1. Guajira criolla | — | ||
| 7-20 | Aires Populares Cubanos: 2. Zapateado | — | ||
| 8-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 8-2 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 8-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 8-4 | Fantasía para un gentilhombre: I. Villano y Ricercare | — | ||
| 8-5 | Fantasía para un gentilhombre: II. Españoleta y Fanfare de la caballería de Nápoles | — | ||
| 8-6 | Fantasía para un gentilhombre: III. Danza de las hachas | — | ||
| 8-7 | Fantasía para un gentilhombre: IV. Canarios | — | ||
| 8-8 | Cançoneta | — | ||
| 8-9 | Invocation et danse: I. Moderato | — | ||
| 8-10 | Invocation et danse: II. Allegro moderato: Polo | — | ||
| 8-11 | Trois petities pièces: I. Ya se van los pastores | — | ||
| 8-12 | Trois petities pièces: II. Por caminos de Santiago | — | ||
| 8-13 | Trois petities pièces: III. Pequeña sevillana | — | ||
| 9-1 | Concierto para una fiesta - Allegro deciso | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 9-2 | Concierto para una fiesta - Andante calmo | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 9-3 | Concierto para una fiesta - Allegro moderato | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-042.146.383-3 | |
| 9-4 | En los trigales | — | ||
| 9-5 | Sonata a la española: I. Allegro assai | — | ||
| 9-6 | Sonata a la española: II. Adagio | — | ||
| 9-7 | Sonata a la española: III. Allegro moderato (Tiempo de bolero) | — | ||
| 9-8 | Tiento antiguo | — | ||
| 9-9 | Junto al Generalife | — | ||
| 9-10 | Fandango | — | ||
| 9-11 | 3 petites pièces, No. 1: Ya se van los pastores | — | ||
| 9-12 | 3 petites pièces, No. 2: Por los caminos de Santiago | — | ||
| 9-13 | 3 petites pièces, No. 3: Pequeña sevillana | — | ||
| 9-14 | Bajando de la meseta | — | ||
| 9-15 | Romance de Durandarte | — | ||
| 10-1 | Concierto Madrigal: I. Fanfare (Allegro marziale) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-035.113.918-8 | |
| 10-2 | Concierto Madrigal: II. Madrigal (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-3 | Concierto Madrigal: III. Entrada (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-4 | Concierto Madrigal: IV. Pastorcito, tu que vienes, pastorcito, tu que vas (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-5 | Concierto Madrigal: V. Girardilla (Presto) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-6 | Concierto Madrigal: VI. Pastoral (Allegro) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.004.814-4 | |
| 10-7 | Concierto Madrigal: VII. Fandango | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 10-8 | Concierto Madrigal: VIII. Arieta (Andante nostalgico) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-9 | Concierto Madrigal: IX. Zapateado (Allegro vivace) | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-10 | Concierto madrigal: Caccio a la española. Allegro vivace - Andante nostalgico | Pepe Romero, Ángel Romero, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.087-1 | |
| 10-11 | Concierto Andaluz: I. Tiempo De Bolero | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 10-12 | Concierto Andaluz: II. Adagio | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 10-13 | Concierto Andaluz: III. Allegretto | Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.081-5 | |
| 10-14 | Sones en la Giralda: Lento | — | ||
| 10-15 | Sones en la Giralda: Allegro vivace (Tempo di sevillana) | — | ||
| 10-16 | Concerto No. 1 in D, Op. 99: 1. Allegretto | — | ||
| 10-17 | Concerto No. 1 in D, Op. 99: 2. Andantino alla romanza - Largo | — | ||
| 10-18 | Concerto No. 1 in D, Op. 99: 3. Ritmico e cavalleresco | — | ||
| 11-1 | Jeux interdits: Romance | Pepe Romero | T-041.085.367-6 | |
| 11-2 | Suite española, op. 47: Asturias | Pepe Romero | — | |
| 11-3 | España, 6 hojas de album, op. 165 no. 2 "Tango" | — | ||
| 11-4 | España, 6 hojas de album, op. 165 no. 3 "Malagueña" | — | ||
| 11-5 | Suite española, op. 47: No. 3. Sevilla (sevillanas) | Pepe Romero | — | |
| 11-6 | Suite española, op. 47: No. 1. Granada (serenata) | Pepe Romero | T-900.226.159-8 | |
| 11-7 | Suite española, op. 47: No. 4 “Cádiz” | — | ||
| 11-8 | Mallorca, op. 202 | — | ||
| 11-9 | Cantos de España, op. 223: No. 4 “Córdoba” | — | ||
| 11-10 | Recuerdos de viaje, op. 71: No. 6. “Rumores de la caleta” | — | ||
| 11-11 | El amor brujo: Canción del fuego fatuo | — | ||
| 11-12 | El sombrero de tres picos: Danza del molinero | — | ||
| 11-13 | Danza española, op. 37 no. 5 "Andaluza" | — | ||
| 11-14 | Danza española, op. 37 no. 4 "Villanesca" | — | ||
| 11-15 | Danza española, op. 37 no. 2 "Oriental" | — | ||
| 11-16 | Goyescas: Intermedio | — | ||
| 11-17 | Capricho árabe | — | ||
| 11-18 | Tres preludios: Romántico | — | ||
| 11-19 | Tres preludios: Plegaria | — | ||
| 11-20 | Tres preludios: Aleluya | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Guitar Concerto no. 1 in A major, op. 30: Andantino: Siciliano | Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner | — |
